The unique design concept of A139 is rooted in the basic geometric idea of two interlocking rectangles. This distinctive feature, along with the incorporation of rectangular geometries into the natural environment, sets it apart. The deliberate placement of a few windows in the front enhances privacy, while the addition of wooded and water elements to the facade creates a sober and elegant aesthetic. The project maintains a common language in its materiality: apparent concrete, steel, and wood. The three materials are presented sincerely from the outside of the house and continue on a constant journey through the interior. A139 is adjacent to the spring forest, privileged in its geographical position. We considered that the project’s purpose was that from any point of the house, we would have panoramic views that would serve as ambiance for itself and thus generate “natural pictures.” Our design philosophy for A139 was to seamlessly integrate the forest into the house. To achieve this, we created interior courtyards and spaces, blurring the boundary between the exterior and the interior. This approach not only enhances the living experience but also fosters a harmonious relationship with the natural surroundings. The house’s program is characterized by its social areas on the first floor, which can be combined to generate larger spaces if necessary. On the first floor are four bedrooms, each with a dressing room, bathroom, and terraces overlooking the spring forest. Casa A139 speaks for itself and presents itself honestly, subtly setting the views and ample spaces in the hierarchy by the natural textures of the materials.

The unique design concept of A139 is rooted in the basic geometric idea of two interlocking rectangles. This distinctive feature, along with the incorporation of rectangular geometries into the natural environment, sets it apart. The deliberate placement of a few windows in the front enhances privacy, while the addition of wooded and water elements to the facade creates a sober and elegant aesthetic. The project maintains a common language in its materiality: apparent concrete, steel, and wood. The three materials are presented sincerely from the outside of the house and continue on a constant journey through the interior. A139 is adjacent to the spring forest, privileged in its geographical position. We considered that the project’s purpose was that from any point of the house, we would have panoramic views that would serve as ambiance for itself and thus generate “natural pictures.” Our design philosophy for A139 was to seamlessly integrate the forest into the house. To achieve this, we created interior courtyards and spaces, blurring the boundary between the exterior and the interior. This approach not only enhances the living experience but also fosters a harmonious relationship with the natural surroundings. The house’s program is characterized by its social areas on the first floor, which can be combined to generate larger spaces if necessary. On the first floor are four bedrooms, each with a dressing room, bathroom, and terraces overlooking the spring forest. Casa A139 speaks for itself and presents itself honestly, subtly setting the views and ample spaces in the hierarchy by the natural textures of the materials.

The unique design concept of A139 is rooted in the basic geometric idea of two interlocking rectangles. This distinctive feature, along with the incorporation of rectangular geometries into the natural environment, sets it apart. The deliberate placement of a few windows in the front enhances privacy, while the addition of wooded and water elements to the facade creates a sober and elegant aesthetic. The project maintains a common language in its materiality: apparent concrete, steel, and wood. The three materials are presented sincerely from the outside of the house and continue on a constant journey through the interior. A139 is adjacent to the spring forest, privileged in its geographical position. We considered that the project’s purpose was that from any point of the house, we would have panoramic views that would serve as ambiance for itself and thus generate “natural pictures.” Our design philosophy for A139 was to seamlessly integrate the forest into the house. To achieve this, we created interior courtyards and spaces, blurring the boundary between the exterior and the interior. This approach not only enhances the living experience but also fosters a harmonious relationship with the natural surroundings. The house’s program is characterized by its social areas on the first floor, which can be combined to generate larger spaces if necessary. On the first floor are four bedrooms, each with a dressing room, bathroom, and terraces overlooking the spring forest. Casa A139 speaks for itself and presents itself honestly, subtly setting the views and ample spaces in the hierarchy by the natural textures of the materials.

The unique design concept of A139 is rooted in the basic geometric idea of two interlocking rectangles. This distinctive feature, along with the incorporation of rectangular geometries into the natural environment, sets it apart. The deliberate placement of a few windows in the front enhances privacy, while the addition of wooded and water elements to the facade creates a sober and elegant aesthetic. The project maintains a common language in its materiality: apparent concrete, steel, and wood. The three materials are presented sincerely from the outside of the house and continue on a constant journey through the interior. A139 is adjacent to the spring forest, privileged in its geographical position. We considered that the project’s purpose was that from any point of the house, we would have panoramic views that would serve as ambiance for itself and thus generate “natural pictures.” Our design philosophy for A139 was to seamlessly integrate the forest into the house. To achieve this, we created interior courtyards and spaces, blurring the boundary between the exterior and the interior. This approach not only enhances the living experience but also fosters a harmonious relationship with the natural surroundings. The house’s program is characterized by its social areas on the first floor, which can be combined to generate larger spaces if necessary. On the first floor are four bedrooms, each with a dressing room, bathroom, and terraces overlooking the spring forest. Casa A139 speaks for itself and presents itself honestly, subtly setting the views and ample spaces in the hierarchy by the natural textures of the materials.

The unique design concept of A139 is rooted in the basic geometric idea of two interlocking rectangles. This distinctive feature, along with the incorporation of rectangular geometries into the natural environment, sets it apart. The deliberate placement of a few windows in the front enhances privacy, while the addition of wooded and water elements to the facade creates a sober and elegant aesthetic. The project maintains a common language in its materiality: apparent concrete, steel, and wood. The three materials are presented sincerely from the outside of the house and continue on a constant journey through the interior. A139 is adjacent to the spring forest, privileged in its geographical position. We considered that the project’s purpose was that from any point of the house, we would have panoramic views that would serve as ambiance for itself and thus generate “natural pictures.” Our design philosophy for A139 was to seamlessly integrate the forest into the house. To achieve this, we created interior courtyards and spaces, blurring the boundary between the exterior and the interior. This approach not only enhances the living experience but also fosters a harmonious relationship with the natural surroundings. The house’s program is characterized by its social areas on the first floor, which can be combined to generate larger spaces if necessary. On the first floor are four bedrooms, each with a dressing room, bathroom, and terraces overlooking the spring forest. Casa A139 speaks for itself and presents itself honestly, subtly setting the views and ample spaces in the hierarchy by the natural textures of the materials.

On the shores belonging to the Sea of Cortez in the Querencia development, Casa Querencia 56 is located perched on a cliff with a difference of 36 meters in height from the highest point to the lowest point of the land, blessed with one of the best views of the Sea of Cortez and San Jose del Cabo. Casa Querencia 56 is a unique concept that seamlessly integrates luxury living with the rugged beauty of Los Cabos. Its design, using regional materials such as stone, wood, and inked apparent concrete, creates a symbiotic relationship between the house and its natural surroundings. The design of Casa Querencia 56 is not just about aesthetics but also functionality. The project’s volumetry, based on elements on posts and staggered to create elongated forms, ensures that each space has a view of the sea and provides natural lighting and ventilation in every area. Casa Querencia 56 is divided into three main blocks. The first is the private area, which includes five bedrooms with respective dressing rooms and bathrooms and private terraces with contemplative spaces. The second is the social area, which is on one floor and has a 28-meter infinity pool. The third is the social and recreational area, which has a cinema, Candy bar, indoor and outdoor gym, spa, firepit, indoor and outdoor game room, and a guest casita with two extra rooms. Casa Querencia 56 balances luxury architecture and the natural context of the place without having more hierarchy than the incredible views. It enjoys generous spaces and exquisite amenities, preserving the principles of architecture.

The unique design concept of A139 is rooted in the basic geometric idea of two interlocking rectangles. This distinctive feature, along with the incorporation of rectangular geometries into the natural environment, sets it apart. The deliberate placement of a few windows in the front enhances privacy, while the addition of wooded and water elements to the facade creates a sober and elegant aesthetic. The project maintains a common language in its materiality: apparent concrete, steel, and wood. The three materials are presented sincerely from the outside of the house and continue on a constant journey through the interior. A139 is adjacent to the spring forest, privileged in its geographical position. We considered that the project’s purpose was that from any point of the house, we would have panoramic views that would serve as ambiance for itself and thus generate “natural pictures.” Our design philosophy for A139 was to seamlessly integrate the forest into the house. To achieve this, we created interior courtyards and spaces, blurring the boundary between the exterior and the interior. This approach not only enhances the living experience but also fosters a harmonious relationship with the natural surroundings. The house’s program is characterized by its social areas on the first floor, which can be combined to generate larger spaces if necessary. On the first floor are four bedrooms, each with a dressing room, bathroom, and terraces overlooking the spring forest. Casa A139 speaks for itself and presents itself honestly, subtly setting the views and ample spaces in the hierarchy by the natural textures of the materials.

The unique design concept of A139 is rooted in the basic geometric idea of two interlocking rectangles. This distinctive feature, along with the incorporation of rectangular geometries into the natural environment, sets it apart. The deliberate placement of a few windows in the front enhances privacy, while the addition of wooded and water elements to the facade creates a sober and elegant aesthetic. The project maintains a common language in its materiality: apparent concrete, steel, and wood. The three materials are presented sincerely from the outside of the house and continue on a constant journey through the interior. A139 is adjacent to the spring forest, privileged in its geographical position. We considered that the project’s purpose was that from any point of the house, we would have panoramic views that would serve as ambiance for itself and thus generate “natural pictures.” Our design philosophy for A139 was to seamlessly integrate the forest into the house. To achieve this, we created interior courtyards and spaces, blurring the boundary between the exterior and the interior. This approach not only enhances the living experience but also fosters a harmonious relationship with the natural surroundings. The house’s program is characterized by its social areas on the first floor, which can be combined to generate larger spaces if necessary. On the first floor are four bedrooms, each with a dressing room, bathroom, and terraces overlooking the spring forest. Casa A139 speaks for itself and presents itself honestly, subtly setting the views and ample spaces in the hierarchy by the natural textures of the materials.

In this garden design, the dune character is defining. The house and garden are bordering the dunes of Katwijk. The space is defined by a large architectural gesture: a prominent terrace made of grey stone. The position of the terrace is in no logical relation to the house, resulting in an apparently random arrangement that allows them to integrate into the capricious dune landscape. Through the large ground level windows, this modern home integrates seamlessly into the garden and into the general landscape. The long, twisted plane naturally guides the eyes towards the point where the sun sets. Ideal for the house’s dwellers who can take a break from their busy lives can spend their afternoons enjoying the sun. Next to the terrace, the water element and the concrete figurehead come together in a composition that doesn’t affect the expression of the lush vegetation. On the contrary, the greenery and the designed elements are in harmony, enhancing each other’s qualities. Photography: Annie Beugel Green constructor: Spots hoveniers Publicity: * “Terra Architecture” magazine * Chic Garden Concept

The unique design concept of A139 is rooted in the basic geometric idea of two interlocking rectangles. This distinctive feature, along with the incorporation of rectangular geometries into the natural environment, sets it apart. The deliberate placement of a few windows in the front enhances privacy, while the addition of wooded and water elements to the facade creates a sober and elegant aesthetic. The project maintains a common language in its materiality: apparent concrete, steel, and wood. The three materials are presented sincerely from the outside of the house and continue on a constant journey through the interior. A139 is adjacent to the spring forest, privileged in its geographical position. We considered that the project’s purpose was that from any point of the house, we would have panoramic views that would serve as ambiance for itself and thus generate “natural pictures.” Our design philosophy for A139 was to seamlessly integrate the forest into the house. To achieve this, we created interior courtyards and spaces, blurring the boundary between the exterior and the interior. This approach not only enhances the living experience but also fosters a harmonious relationship with the natural surroundings. The house’s program is characterized by its social areas on the first floor, which can be combined to generate larger spaces if necessary. On the first floor are four bedrooms, each with a dressing room, bathroom, and terraces overlooking the spring forest. Casa A139 speaks for itself and presents itself honestly, subtly setting the views and ample spaces in the hierarchy by the natural textures of the materials.

JUMA architects were contacted for the interior design of a shell-state apartment on the coast. The structural construction, the plastering, the floor screed and the technical fittings (heating ducts, plumbing, electricity and ventilation) of the apartment had already been realised. It soon became apparent, however, that the assignment could not be limited to the interior decoration only, as the placement of kitchen, bathroom and dressing room in the existing plan turned out to be entirely impractical. More extensive renovation work was needed to meet the needs of the customer. The structure of the unit was therefore slightly adjusted to make the bathroom and dressing larger and more functional. Also, the living room was dominated by a huge radiator that drew all the attention. To solve this problem, new pipes were laid to accommodate an integrated heating element in the sideboard. Gas pipes were fitted in the kitchen for the gas cooker which JUMA included in the design as a real eye-catcher. The sinks, in contrast, were given a more discreet placement. Light oak parquet was selected for the floors throughout the apartment. The natural appearance of the wood gives all the rooms a warm feel. The built-in furniture was custom made and is finished in black satin lacquer to contrast the light-coloured wood. The dominant colour palette is deliberately kept very simple and neutral and is complemented with light grey tones and colour accents. The colour choice was in fact inspired by a beautiful picture of the coast. The freestanding furniture and overall decorations were also selected or designed by JUMA architects. The arrangement of the seating area is very playful and atypical. JUMA did not want to put in a couch that would divide the space in two. The composition is meant to create a very open ambiance. A round table was chosen for the same reason. The round shape does not divide the space but allows fluid circulation. Pictures © Liesbet Goetschalckx

PERGOLA AZUR: With its motorized swivelling blades, the pergola AZUR is the ideal product for creating an outdoor living space that offers you and your guests comfort and protection against the elements. With its unique and modern design, durable aluminum structure, climate resistance and easy maintenance, the AZUR S pergola is a must for all high-end outdoor living spaces. TAMILUZ PRIVACY SHUTTERS: Our exterior shutters can be integrated to the lateral openings of the AZUR bioclimatic pergola or installed to cover sides of existing covered outdoor living spaces. Built in aluminum and manually adjustable, the TAMILUZ shutters are easy to maintain, provide protection from sun rays and other climatic elements, and offer privacy on demand.

A true challenge...This property had fallen out of escrow several times before it became our residence. Apparently, know one knew what to do with this 1954 California ranch. After several months, my former partner and I decided to blend my favorite "craftsman" and his "clean modern" elements together. Always listen to the home, consider it a type of architectural dance and the home will lead you. Strong use of horizontal warm native redwoods contrasting smooth exterior stucco. Water elements that greet you at the entrance and reappear in the geometrically inspired rear garden. This was personally, one of my favorite projects.

Inspiration for a contemporary master bedroom remodel in Bengaluru with white walls

Example of a trendy wooden u-shaped open staircase design in Ahmedabad

Marc Fowler
Mid-sized freestanding desk dark wood floor study room photo in Ottawa with white walls

A true challenge...This property had fallen out of escrow several times before it became our residence. Apparently, know one knew what to do with this 1954 California ranch. After several months, my former partner and I decided to blend my favorite "craftsman" and his "clean modern" elements together. Always listen to the home, consider it a type of architectural dance and the home will lead you. Strong use of horizontal warm native redwoods contrasting smooth exterior stucco. Water elements that greet you at the entrance and reappear in the geometrically inspired rear garden. This was personally, one of my favorite projects.

A true challenge...This property had fallen out of escrow several times before it became our residence. Apparently, know one knew what to do with this 1954 California ranch. After several months, my former partner and I decided to blend my favorite "craftsman" and his "clean modern" elements together. Always listen to the home, consider it a type of architectural dance and the home will lead you. Strong use of horizontal warm native redwoods contrasting smooth exterior stucco. Water elements that greet you at the entrance and reappear in the geometrically inspired rear garden. This was personally, one of my favorite projects.

A true challenge...This property had fallen out of escrow several times before it became our residence. Apparently, know one knew what to do with this 1954 California ranch. After several months, my former partner and I decided to blend my favorite "craftsman" and his "clean modern" elements together. Always listen to the home, consider it a type of architectural dance and the home will lead you. Strong use of horizontal warm native redwoods contrasting smooth exterior stucco. Water elements that greet you at the entrance and reappear in the geometrically inspired rear garden. This was personally, one of my favorite projects.