Expand A Small Bath Into A Nice Master Bath With Space Saving Idea's Including Using A Tankless Toilet!
Example of a small trendy master beige tile alcove shower design in Baltimore with recessed-panel cabinets, medium tone wood cabinets, granite countertops and a wall-mount toilet

Project Developer Adrian Andreassi https://www.houzz.com/pro/aandreassi/adrian-andreassi-case-design-remodeling-inc?lt=hl Designer Hope Hassell https://www.houzz.com/pro/hgh91193/hope-hassell-ckbr-udcp Photography by Stacy Zarin Goldberg

Mid-sized minimalist formal and open concept medium tone wood floor and gray floor living room photo in Orange County with white walls, a ribbon fireplace and a metal fireplace

Walkway from Dining/Kitchen, past the living area includes equisite cabinetry for storage and display.
Trendy living room photo in Minneapolis

Completed in 2019, this is a home we completed for client who initially engaged us to remodeled their 100 year old classic craftsman bungalow on Seattle’s Queen Anne Hill. During our initial conversation, it became readily apparent that their program was much larger than a remodel could accomplish and the conversation quickly turned toward the design of a new structure that could accommodate a growing family, a live-in Nanny, a variety of entertainment options and an enclosed garage – all squeezed onto a compact urban corner lot. Project entitlement took almost a year as the house size dictated that we take advantage of several exceptions in Seattle’s complex zoning code. After several meetings with city planning officials, we finally prevailed in our arguments and ultimately designed a 4 story, 3800 sf house on a 2700 sf lot. The finished product is light and airy with a large, open plan and exposed beams on the main level, 5 bedrooms, 4 full bathrooms, 2 powder rooms, 2 fireplaces, 4 climate zones, a huge basement with a home theatre, guest suite, climbing gym, and an underground tavern/wine cellar/man cave. The kitchen has a large island, a walk-in pantry, a small breakfast area and access to a large deck. All of this program is capped by a rooftop deck with expansive views of Seattle’s urban landscape and Lake Union. Unfortunately for our clients, a job relocation to Southern California forced a sale of their dream home a little more than a year after they settled in after a year project. The good news is that in Seattle’s tight housing market, in less than a week they received several full price offers with escalator clauses which allowed them to turn a nice profit on the deal.

Completed in 2019, this is a home we completed for client who initially engaged us to remodeled their 100 year old classic craftsman bungalow on Seattle’s Queen Anne Hill. During our initial conversation, it became readily apparent that their program was much larger than a remodel could accomplish and the conversation quickly turned toward the design of a new structure that could accommodate a growing family, a live-in Nanny, a variety of entertainment options and an enclosed garage – all squeezed onto a compact urban corner lot. Project entitlement took almost a year as the house size dictated that we take advantage of several exceptions in Seattle’s complex zoning code. After several meetings with city planning officials, we finally prevailed in our arguments and ultimately designed a 4 story, 3800 sf house on a 2700 sf lot. The finished product is light and airy with a large, open plan and exposed beams on the main level, 5 bedrooms, 4 full bathrooms, 2 powder rooms, 2 fireplaces, 4 climate zones, a huge basement with a home theatre, guest suite, climbing gym, and an underground tavern/wine cellar/man cave. The kitchen has a large island, a walk-in pantry, a small breakfast area and access to a large deck. All of this program is capped by a rooftop deck with expansive views of Seattle’s urban landscape and Lake Union. Unfortunately for our clients, a job relocation to Southern California forced a sale of their dream home a little more than a year after they settled in after a year project. The good news is that in Seattle’s tight housing market, in less than a week they received several full price offers with escalator clauses which allowed them to turn a nice profit on the deal.

This chandelier with tapering tiers of crystal shades is the big star in the stairwell. The satin gold finish comes alive against the dark walls, painted a deep navy. It is not every day that our clients go this bold with their color choice for corridors, but we think there is a compelling argument for going with a dramatic hallway color. It also allows the white and wood stair railing to pop. Patrona Chandelier Photo credit by Rebecca McAlpin

This is a garage to office conversion we did in Los Angeles

Completed in 2019, this is a home we completed for client who initially engaged us to remodeled their 100 year old classic craftsman bungalow on Seattle’s Queen Anne Hill. During our initial conversation, it became readily apparent that their program was much larger than a remodel could accomplish and the conversation quickly turned toward the design of a new structure that could accommodate a growing family, a live-in Nanny, a variety of entertainment options and an enclosed garage – all squeezed onto a compact urban corner lot. Project entitlement took almost a year as the house size dictated that we take advantage of several exceptions in Seattle’s complex zoning code. After several meetings with city planning officials, we finally prevailed in our arguments and ultimately designed a 4 story, 3800 sf house on a 2700 sf lot. The finished product is light and airy with a large, open plan and exposed beams on the main level, 5 bedrooms, 4 full bathrooms, 2 powder rooms, 2 fireplaces, 4 climate zones, a huge basement with a home theatre, guest suite, climbing gym, and an underground tavern/wine cellar/man cave. The kitchen has a large island, a walk-in pantry, a small breakfast area and access to a large deck. All of this program is capped by a rooftop deck with expansive views of Seattle’s urban landscape and Lake Union. Unfortunately for our clients, a job relocation to Southern California forced a sale of their dream home a little more than a year after they settled in after a year project. The good news is that in Seattle’s tight housing market, in less than a week they received several full price offers with escalator clauses which allowed them to turn a nice profit on the deal.

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Completed in 2019, this is a home we completed for client who initially engaged us to remodeled their 100 year old classic craftsman bungalow on Seattle’s Queen Anne Hill. During our initial conversation, it became readily apparent that their program was much larger than a remodel could accomplish and the conversation quickly turned toward the design of a new structure that could accommodate a growing family, a live-in Nanny, a variety of entertainment options and an enclosed garage – all squeezed onto a compact urban corner lot. Project entitlement took almost a year as the house size dictated that we take advantage of several exceptions in Seattle’s complex zoning code. After several meetings with city planning officials, we finally prevailed in our arguments and ultimately designed a 4 story, 3800 sf house on a 2700 sf lot. The finished product is light and airy with a large, open plan and exposed beams on the main level, 5 bedrooms, 4 full bathrooms, 2 powder rooms, 2 fireplaces, 4 climate zones, a huge basement with a home theatre, guest suite, climbing gym, and an underground tavern/wine cellar/man cave. The kitchen has a large island, a walk-in pantry, a small breakfast area and access to a large deck. All of this program is capped by a rooftop deck with expansive views of Seattle’s urban landscape and Lake Union. Unfortunately for our clients, a job relocation to Southern California forced a sale of their dream home a little more than a year after they settled in after a year project. The good news is that in Seattle’s tight housing market, in less than a week they received several full price offers with escalator clauses which allowed them to turn a nice profit on the deal.

Completed in 2019, this is a home we completed for client who initially engaged us to remodeled their 100 year old classic craftsman bungalow on Seattle’s Queen Anne Hill. During our initial conversation, it became readily apparent that their program was much larger than a remodel could accomplish and the conversation quickly turned toward the design of a new structure that could accommodate a growing family, a live-in Nanny, a variety of entertainment options and an enclosed garage – all squeezed onto a compact urban corner lot. Project entitlement took almost a year as the house size dictated that we take advantage of several exceptions in Seattle’s complex zoning code. After several meetings with city planning officials, we finally prevailed in our arguments and ultimately designed a 4 story, 3800 sf house on a 2700 sf lot. The finished product is light and airy with a large, open plan and exposed beams on the main level, 5 bedrooms, 4 full bathrooms, 2 powder rooms, 2 fireplaces, 4 climate zones, a huge basement with a home theatre, guest suite, climbing gym, and an underground tavern/wine cellar/man cave. The kitchen has a large island, a walk-in pantry, a small breakfast area and access to a large deck. All of this program is capped by a rooftop deck with expansive views of Seattle’s urban landscape and Lake Union. Unfortunately for our clients, a job relocation to Southern California forced a sale of their dream home a little more than a year after they settled in after a year project. The good news is that in Seattle’s tight housing market, in less than a week they received several full price offers with escalator clauses which allowed them to turn a nice profit on the deal.

The photograph is constructed as a deliberate act of framing — an enfilade view captured through a threshold, in which the aperture of a doorway becomes both proscenium and compositional device. The image is organized around a strong vertical tripartite division: a dark stile of paneled millwork at the left edge, the luminous rectangle of the adjacent sitting room at center, and a substantial pier of figured hardwood joinery at right, terminating in a plinth-like pedestal. This asymmetrical clamping of the bright volume between two dark masses produces a pronounced sense of compression and release, a Wrightian sequencing in which the constricted, wood-lined passage funnels the eye toward the softer, higher-key room beyond. The architectural vocabulary within that inner volume is restrained and orthogonal: crisp painted plaster planes, a shallow soffit or dropped beam crossing the ceiling to modulate the overhead datum, and a simple flat-stock baseboard that reads as a quiet ground line rather than an ornamental flourish. The sightline is layered and telescopic — foreground jamb, mid-ground seating group, background artwork on the far wall — establishing depth through overlapping planes rather than perspectival theatrics. Underfoot, a herringbone-laid oak parquet in the passage gives way to a large-format sisal rug bound in linen tape, its rectilinear geometry reinforcing the axis while softening the transition between circulation and repose. The material argument here is one of calibrated opposition: dense, saturated hardwood against pale, absorptive plaster and textile. The framing joinery — most plausibly a rich mahogany or stained cherry, its cathedral grain and ribbon figure fully legible under raking light — carries a deep oxblood-to-umber tonality and a satin, hand-rubbed sheen that lends the passage a library-like gravity. Against this, the interior room is rendered in a warm off-white with distinctly yellow-ochre undertones, avoiding the clinical chill of a true cool white and instead reading as parchment or unbleached linen. The upholstery — a rolled-arm wing chair and matching ottoman in a camel or buff-toned cotton velvet — supplies the tactile fulcrum of the composition: a napped, light-absorbing pile that contrasts against the coarse, tightly woven boucle of the sisal below and the smooth lacquer of the vertical joinery. Accent notes are sparing and precise: a pale celadon embroidered cushion introduces the only cool chromatic interruption; a rectilinear bench in blond ash with a woven black leather strap deck delivers a graphic, near-Nordic counterpoint; and a monolithic white ceramic vessel atop the pedestal provides a hard, matte punctuation. The abstract work on paper — a gestural monochrome in charcoal, ink and Payne's grey, generously matted behind glass — functions as the room's tonal anchor, its cool achromatics preventing the warm palette from tipping into sentimentality. Sprays of yellow oncidium orchid supply the single high-chroma gesture, echoing the ochre undertone of the walls. The lighting strategy is layered, low-lumen and unapologetically warm, eschewing ambient wash in favor of discrete pools of illumination. A slim linear picture light, bronze-finished and cantilevered from the wall, grazes the artwork with a scalloped throw that reveals the tooth of the paper and establishes the far wall as the room's luminous terminus. A chrome-shaded articulating floor lamp — a modernist task fixture with a distinctly mid-century pedigree — provides a secondary, reflective glint and introduces the only cool metallic in the palette. Daylight enters obliquely and unseen from the left, softly modeling the plaster and the velvet nap without ever flattening the composition; the foreground joinery, meanwhile, sits in deep shadow, its grain caught only in a slow, specular gradient. The cumulative atmosphere is one of hushed, crepuscular intimacy — a room calibrated for reading and retreat rather than reception. Stylistically, the project resolves into a form of Transitional Warm Modernism: the classical proportioning, paneled millwork and rolled-arm seating are drawn from a traditional American vocabulary, yet they are stripped of applied ornament, edited to essentials, and disciplined by the graphic austerity of the abstract art and the blond-and-black bench. It is a sensibility best characterized as quiet luxury — tonal, textural, and materially honest, deriving its authority from the resonance of grain, nap and light rather than from any declarative gesture.

Completed in 2019, this is a home we completed for client who initially engaged us to remodeled their 100 year old classic craftsman bungalow on Seattle’s Queen Anne Hill. During our initial conversation, it became readily apparent that their program was much larger than a remodel could accomplish and the conversation quickly turned toward the design of a new structure that could accommodate a growing family, a live-in Nanny, a variety of entertainment options and an enclosed garage – all squeezed onto a compact urban corner lot. Project entitlement took almost a year as the house size dictated that we take advantage of several exceptions in Seattle’s complex zoning code. After several meetings with city planning officials, we finally prevailed in our arguments and ultimately designed a 4 story, 3800 sf house on a 2700 sf lot. The finished product is light and airy with a large, open plan and exposed beams on the main level, 5 bedrooms, 4 full bathrooms, 2 powder rooms, 2 fireplaces, 4 climate zones, a huge basement with a home theatre, guest suite, climbing gym, and an underground tavern/wine cellar/man cave. The kitchen has a large island, a walk-in pantry, a small breakfast area and access to a large deck. All of this program is capped by a rooftop deck with expansive views of Seattle’s urban landscape and Lake Union. Unfortunately for our clients, a job relocation to Southern California forced a sale of their dream home a little more than a year after they settled in after a year project. The good news is that in Seattle’s tight housing market, in less than a week they received several full price offers with escalator clauses which allowed them to turn a nice profit on the deal.

This image performs an act of deliberate spatial framing: we are positioned as intruders in a threshold, the photograph's foreground bracketed by two monumental slabs of mahogany-toned door leaf and jamb that compress the visual field into a portal roughly one-third the width of the frame. The composition is therefore a study in *enfilade* logic — a controlled, telescoping sightline that draws the eye through a narrow aperture into a recessed alcove, a purpose-built writing niche carved from what appears to be a corridor or dressing-room vestibule. The niche itself is architecturally modest in footprint but generous in vertical proportion; the ceiling reads as a plain plastered plane, unadorned save for a surface-mounted linear picture light on a slender drop stem, and the wall is treated as a full-height field for a single dominant object. The joinery is the true architecture here: a continuous run of casework establishes a horizontal datum at desk height, with a cantilevered writing surface returning perpendicular to the left-hand wall and a lower bank of drawers and a shallow ledge running right. That ledge functions as a *cimaise* or picture shelf, resolving the base of the framed nautical chart and giving the composition a plinth. Above, an integrated soffit or upper cabinet with concealed under-lighting terminates the left elevation, reinforcing the sense of an inhabited, tailored recess rather than a room. The herringbone parquet in the foreground introduces a diagonal geometry that runs counter to the orthogonal grid of doors, casework and picture frame, and this friction — chevron against rectilinear — animates what would otherwise be a static, axial composition. The single chair, canted slightly off-axis and pulled away from the desk, is the compositional pivot: it breaks the symmetry, occupies the exact center of the aperture, and converts an architectural vignette into a narrative one. The palette is a disciplined exercise in the warm end of the spectrum, essentially monochromatic in hue and differentiated almost entirely by value, sheen and grain. The dominant material is timber, deployed in at least three distinct registers: the foreground door and jamb in a deeply saturated, red-brown mahogany or sapele with a high-build lacquer or French-polish sheen that catches light in long vertical highlights; the desk and casework in a lighter, honeyed figured wood — quartered cherry or anigre — finished to a satin rather than gloss, so that the eye reads it as a working surface rather than a ceremonial one; and finally the pale, blond oak of the herringbone floor, cerused or naturally oxidized to a straw tonality that lifts the lower register of the frame. Against this timber triad, the walls provide a chalky, low-saturation ground: a limewashed or flat-emulsion cream with a distinctly yellow-warm undertone that absorbs rather than reflects. The upholstery is the room's chromatic keynote — a saddle-tan or cognac leather, semi-aniline, already developing patina and slight slouch at the seat, its edge articulated by a close-set brass or antique-nickel nailhead trim that reads as a stitched seam of tiny metallic points. Metals are used sparingly and with historical precision: the polished chrome rosette and knob of the door with its heavy escutcheon and mortise strike plate, the slim brushed housing of the picture light. Texturally, the room stages a dialogue between the hard, reflective and the soft, absorbent: lacquer against limewash, taut leather against the friable, foxed paper of the antique chart. That chart — a hydrographic survey rendered in ochre, sepia and faded aqua, its ebonized frame supplying the composition's only true black — is the material anchor, its aged paper introducing a granular, time-worn texture that no new surface in the room could supply. The terrier, coincidentally or not, participates in this material scheme: a wiry tan-and-black coat that reads as a textile in its own right, tonally identical to the leather beneath it. The lighting design is layered, warm-Kelvin and almost entirely artificial in its narrative effect, though the scene depends on a critical unseen source. A shaft of low, raking daylight enters from the right — presumably a window outside the frame — and lands as a hard-edged parallelogram across the parquet and the chair's front rail, creating the image's strongest contrast and lending the floor a sense of temporal specificity: late afternoon, low sun. Against this, three artificial layers operate. The surface-mounted picture light washes the nautical chart in an even, slightly amber flood, functioning as accent lighting that establishes the chart as the room's hierarchical focus. Concealed strip lighting beneath the upper casework grazes the left-hand desk return, providing task illumination and articulating the millwork's shadow line. Ambient fill is minimal and deliberately so; the corners of the niche fall into soft, unresolved shadow, and the whole tableau is rendered in a narrow tonal band of amber and umber that suppresses cool light almost entirely. The resulting atmosphere is one of burnished interiority — hushed, crepuscular, protective. Stylistically, the room resists easy categorization but sits most comfortably within a contemporary *Warm Traditionalism* or refined **Anglo-American Modern Classic** idiom: the vocabulary is unmistakably tailored-traditional (nailhead-trimmed leather, mortise hardware, framed cartography, a Deco-inflected barrel-back desk chair), yet the detailing is stripped of ornament — no cornice, no panel molding, no applied millwork profile — and the casework is resolved with the flush, planar minimalism of a mid-century yacht interior. It is, in essence, a *cabinet de travail* reimagined through the discipline of modern joinery: a room that borrows the emotional register of the club library while adopting the reductive geometry of contemporary architecture. The dog, unhurried and centrally enthroned, is the final aesthetic argument — evidence that the space is not a set piece but a lived, occupied, and evidently affectionate interior.

Completed in 2019, this is a home we completed for client who initially engaged us to remodeled their 100 year old classic craftsman bungalow on Seattle’s Queen Anne Hill. During our initial conversation, it became readily apparent that their program was much larger than a remodel could accomplish and the conversation quickly turned toward the design of a new structure that could accommodate a growing family, a live-in Nanny, a variety of entertainment options and an enclosed garage – all squeezed onto a compact urban corner lot. Project entitlement took almost a year as the house size dictated that we take advantage of several exceptions in Seattle’s complex zoning code. After several meetings with city planning officials, we finally prevailed in our arguments and ultimately designed a 4 story, 3800 sf house on a 2700 sf lot. The finished product is light and airy with a large, open plan and exposed beams on the main level, 5 bedrooms, 4 full bathrooms, 2 powder rooms, 2 fireplaces, 4 climate zones, a huge basement with a home theatre, guest suite, climbing gym, and an underground tavern/wine cellar/man cave. The kitchen has a large island, a walk-in pantry, a small breakfast area and access to a large deck. All of this program is capped by a rooftop deck with expansive views of Seattle’s urban landscape and Lake Union. Unfortunately for our clients, a job relocation to Southern California forced a sale of their dream home a little more than a year after they settled in after a year project. The good news is that in Seattle’s tight housing market, in less than a week they received several full price offers with escalator clauses which allowed them to turn a nice profit on the deal.