This sophisticated metropolitan family room is the talk of the town. It connects the owners to their backyard, letting in lots of light from two directions. The space is fresh and inviting - the perfect place to hang out with the kids. Photo by Danny Piassick House designed by Charles Isreal

Matthew Millman Photography
Kitchen - modern kitchen idea in Salt Lake City with medium tone wood cabinets, green backsplash, subway tile backsplash and stainless steel appliances

Modern Master Bathroom with floating bench and illuminated shower niche Architect: Tom Cole Interior Designer: Robyn Scott www.rsidesigns.com Photographer: Teri Fotheringham Keywords: Lighting, Lighting Design, Master Bath, Master Bath Lighting, Shower Light, Shower Lights, Shower Lighting, Bath Lighting, Lighting Designer, Shower, modern shower, contemporary shower, modern shower bench, LED lighting, lighting design, modern shower, modern shower, modern shower, modern shower, modern shower lighting, modern sower, modern shower, modern shower lighting, contemporary shower, contemporary shower lighting., modern shower lighting, modern shower, modern shower light, MODERN SHOWER LIGHTING, modern shower, modern shower.

Pool oasis in Atlanta with large deck. The pool finish is Pebble Sheen by Pebble Tec, the dimensions are 8' wide x 50' long. The deck is Dasso XTR bamboo decking.

As Sheila Gibson Stoodley writes in an article about this project in Robb Report, “Brian Hemingway is sensitive to light in the best way possible.” “The Vancouver, British Columbia-based architect wanted this 22,000-square-foot home near Boston to glow like a lantern at night, and he attained that goal on behalf of the homeowners.” The wood and stone that Hemingway favored for the home informed the space’s color palette. So critical were these materials that settling on a shade of stain for the Douglas fir and the finishes to be used on the Virginia Mist granite took months of consultation. Walker Zanger, the stone supplier, worked with the owner and with Colin Flavin, a Boston-based architect who partnered with Hemingway, to choose, detail, and fabricate the granite. The stone is used indoors and out, heightening the boundary-blurring effect that the design team desired. Though the owners are ardent art collectors, they did not build their home to showcase specific works; the real artists here are the architects, Hemingway and Flavin. So deft were they at inviting nature into their creation that, from certain angles, it can be hard to tell where the outdoors stops and starts. “There are deliberately no window treatments so that Mother Nature weaves the most beautiful textural backgrounds,” said interior designer Andrew Sheinman, of New York’s Pembrooke & Ives. He oversaw the interiors, working alongside his colleague Michael Lewis. “The seasons change the look and aspect of the house,” said Sheinman, “and we wanted to play on this.” Bleu de Savoie marble, from France, is used in the baths, to contrast with the Virginia Mist granite and soften the palette and give the baths a spa-like serenity. Hand-chiseled Oxford Black granite is used on exterior landscape walls, to tie the Virginia Mist seamlessly to the natural stone outcroppings.

As Sheila Gibson Stoodley writes in an article about this project in Robb Report, “Brian Hemingway is sensitive to light in the best way possible.” “The Vancouver, British Columbia-based architect wanted this 22,000-square-foot home near Boston to glow like a lantern at night, and he attained that goal on behalf of the homeowners.” The wood and stone that Hemingway favored for the home informed the space’s color palette. So critical were these materials that settling on a shade of stain for the Douglas fir and the finishes to be used on the Virginia Mist granite took months of consultation. Walker Zanger, the stone supplier, worked with the owner and with Colin Flavin, a Boston-based architect who partnered with Hemingway, to choose, detail, and fabricate the granite. The stone is used indoors and out, heightening the boundary-blurring effect that the design team desired. Though the owners are ardent art collectors, they did not build their home to showcase specific works; the real artists here are the architects, Hemingway and Flavin. So deft were they at inviting nature into their creation that, from certain angles, it can be hard to tell where the outdoors stops and starts. “There are deliberately no window treatments so that Mother Nature weaves the most beautiful textural backgrounds,” said interior designer Andrew Sheinman, of New York’s Pembrooke & Ives. He oversaw the interiors, working alongside his colleague Michael Lewis. “The seasons change the look and aspect of the house,” said Sheinman, “and we wanted to play on this.” Bleu de Savoie marble, from France, is used in the baths, to contrast with the Virginia Mist granite and soften the palette and give the baths a spa-like serenity. Hand-chiseled Oxford Black granite is used on exterior landscape walls, to tie the Virginia Mist seamlessly to the natural stone outcroppings.

Elegant home design photo in Atlanta

The cabinet paint is standard Navajo White and the 3"x6" tile is Pratt & Larson C609 metallic glazed ceramic tile. Visit http://prattandlarson.com/colors/glazes/metallics/

Various shades of blue were used to create this serene, modern space. Built in cabinetry house computer equipment, filing cabinets, and misc storage. The built in window seat also has fiiing cabinets below.

Tess Fine © 2013 Houzz
Entryway - traditional entryway idea in Boston

Photo courtesy of Murray Homes, Inc. Kitchen ~ custom cabinetry by Brookhaven Designer: Missi Bart
Mid-sized elegant u-shaped light wood floor and brown floor eat-in kitchen photo in Tampa with glass-front cabinets, an undermount sink, white cabinets, marble countertops, white backsplash, marble backsplash, paneled appliances and an island

Unique features of this chef's kitchen include a Blue Star stove, Italian marble backsplash and custom copper hood.
Kitchen - mid-century modern kitchen idea in San Francisco with flat-panel cabinets, medium tone wood cabinets, wood countertops, marble backsplash and beige countertops

Photography by David Phelps Photography. A custom designed traditional home in La Canada, California. A 9,000 square foot home with every accommodation for an active large family with no loss of intimacy or comfort. Interior Design by Tommy Chambers Architect William Murray of Chambers and Murray, Inc. Builder John Finton of Finton Associates, Inc.

Clawson Architects designed the Main Entry/Stair Hall, flooding the space with natural light on both the first and second floors while enhancing views and circulation with more thoughtful space allocations and period details. AIA Gold Medal Winner for Interior Architectural Element.

10' ceilings and 2-story windows surrounding this space (not in view) bring plenty of natural light into this casual and contemporary cook's kitchen. Other views of this kitchen and the adjacent Great Room are also available on houzz. Builder: Robert Egge Construction (Woodinville, WA). Cabinets: Jesse Bay Cabinets (Port Angeles, WA) Design: Studio 212 Interiors

Architect: David C. Fowler and Associates.
Elegant gray tile alcove shower photo in Atlanta with dark wood cabinets and open cabinets

Photo by Tara Bussema © 2013 Houzz Cork flooring: Dorado by Celestial Cork; wall color: Waterby, Vista Paint; sofa: Vintage Gondola Style sofa, possibly by Adrian Pearsall, Xcape; coffee Table: Vintage Acclaim table in Walnut, Lane Furniture Company, Craigslist; rocking chair: Vintage 1960s Kofod Larsen for Selig of Denmark, Xcape; floor lamp: 1950s teak floor lamp, possibly Paul McCobb, Inretrospect; bar stools: 1960s Erik Buck for O.D. Mobler Denmark, Xcape

Photographer: Tom Crane Made of 300, 10-foot steel blades set upright 8 inches apart, the award winning Cor-Ten Cattails Sculptural fence was designed for a home in Berwyn, Pennsylvania as a yard sculpture that also keeps deer out. Made of COR-TEN, a steel alloy that eliminates the need for painting and maintains a rich, dark rust color without corroding, the fence stanchions were cut with a plasma cutter from sheets of the alloy. Each blade stands 8 feet above grade, set in concrete 3 feet below, weighs 80-90 pounds and is 5/8 inch thick. The profile of the blades is an irregular trapezoid with no horizontal connections or supports. Only the gate has two horizontal bars, and each leaf weighs 1200 pounds.