Example of a mid-sized minimalist u-shaped porcelain tile eat-in kitchen design in Los Angeles with an undermount sink, shaker cabinets, dark wood cabinets, quartz countertops, green backsplash, mosaic tile backsplash, stainless steel appliances and no island

The decision to go small is about her personal values, committing to a lifestyle, and living within her means. The move to design small is a subjective decision that weighs in on a number of factors that can’t possibly be summed up in one statement, but the obvious benefits jump to the front...easier to maintain, less cleaning, less expensive, less debt, less environmental impact, less temptation to accumulate. Her design requirements were simple, small footprint less than 1000 sq. ft., garage below the living area, and take advantage of the amazing view. It’s smaller than the average house, but designed in a way that it won’t feel like a shoebox. My client thought long and hard about downsizing her home and her lifestyle, and she couldn’t be happier

Columnar cherry tree Le jardinet

“Compelling.” That’s how one of our judges characterized this stair, which manages to embody both reassuring solidity and airy weightlessness. Architect Mahdad Saniee specified beefy maple treads—each laminated from two boards, to resist twisting and cupping—and supported them at the wall with hidden steel hangers. “We wanted to make them look like they are floating,” he says, “so they sit away from the wall by about half an inch.” The stainless steel rods that seem to pierce the treads’ opposite ends are, in fact, joined by threaded couplings hidden within the thickness of the wood. The result is an assembly whose stiffness underfoot defies expectation, Saniee says. “It feels very solid, much more solid than average stairs.” With the rods working in tension from above and compression below, “it’s very hard for those pieces of wood to move.” The interplay of wood and steel makes abstract reference to a Steinway concert grand, Saniee notes. “It’s taking elements of a piano and playing with them.” A gently curved soffit in the ceiling reinforces the visual rhyme. The jury admired the effect but was equally impressed with the technical acumen required to achieve it. “The rhythm established by the vertical rods sets up a rigorous discipline that works with the intricacies of stair dimensions,” observed one judge. “That’s really hard to do.”

The decision to go small is about her personal values, committing to a lifestyle, and living within her means. The move to design small is a subjective decision that weighs in on a number of factors that can’t possibly be summed up in one statement, but the obvious benefits jump to the front...easier to maintain, less cleaning, less expensive, less debt, less environmental impact, less temptation to accumulate. Her design requirements were simple, small footprint less than 1000 sq. ft., garage below the living area, and take advantage of the amazing view. It’s smaller than the average house, but designed in a way that it won’t feel like a shoebox. My client thought long and hard about downsizing her home and her lifestyle, and she couldn’t be happier

Vice president of sales for Hearthstone Inc., Chris Wood, has been fortunate to help design many custom homes (and a few light commercial structures) nationwide during his 32 years in the business but he assures that Big Woods Speedway holds a special place in his heart. From initial sketch to completion, Big Woods Speedway took approximately (14) months. There are 1,808 wooden pegs, not nails, holding together 126050 lbs of massive timber beams. Big Woods® Speedway rests on the corner of 10th and Main streets in historic downtown Speedway, Ind. The expansive timber frame structure hearkens back to the original brew pub in Nashville, Ind. But now, Big Woods Speedway has something to offer for everyone. The lofty ceilings, mammoth wood beams, liquor lounge, big-screen televisions, patio tables, Indy 500 tribute beers, house-smoked pulled pork, and from-scratch pizza provide an enjoyable experience for the whole family. “Watching this small town brewery startup and grow exponentially since must be credited to the owner, Jeff McCabe,” says Wood. Wood had the chance to enjoy the atmosphere of the Big Wood Speedway’s finished project with three generations of his own family. Founded by by Tim O'Brien, Ed Ryan and Jeff McCabe, Big Woods is dedicated to creating great beers in styles and flavors that appeal not only to craft beer aficionados, but to the average beer drinker too. “We're not just building structures,” says Wood, ‘These awesome heavy timber buildings are the result of building relationships.’” “The teamwork, location, owner involvement, and overall concept made the long hours and tight time schedule worth it,” he adds.

This homeowner had extensive collections of both high end wines and bourbon. Wine and bourbon require completely different storage solutions, so naturally, two unique and completely separate rooms were created to showcase them both. The homeowners were fantastic in meeting with our team to collaborate on a bourbon room and wine cellar design that worked within their special spaces and budget. The House itself has a rustic, yet refined and modern farmhouse feel throughout. The modern, elegant, yet vintage style look of the small wine cellar, especially, fit seamlessly with the interior design. The Bourbon cellar is not cooled, but resides in a shaded interior section within the house as to maintain a constant temperature. Additionally, with close proximity to the Pacific Ocean, sunny Ladera Ranch, a community in Orange County, California never really sees average temperatures above 80 Degrees. The Bourbon Room showcases a custom wrought iron door, and upon entering features a modular style show cabinet with multiple levels. Custom wine cellar doors, and custom wrought iron doors truly add that special feeling and look to your walk in wine room. A door used for a wine room would be fitted with dual pane glass as to better maintain temperature and humidity within. A room such as this could also double as craft beer storage. Beer storage, requires bottles to stand straight up as to not rust the cap, as well as compress any remaining yeast residues at the bottom of the bottle instead of mixed throughout. Craft beer as a whole has become an incredibly burgeoning industry, especially in places like San Diego, Orange County, Los Angeles, and San Francisco in California, and Portland in Oregon. The small wine cellar / wine closet / wine room is located right off the kitchen, allowing easy access for social gatherings or just to bring out that special wine with dinner. This small walk in wine cellar incorporates a custom wrought iron door as well, fitted with glass as discussed prior. The wine room has one solid wall of individual bottle storage, leading into the showcase wall with room for case storage and more individual bottle storage above the countertop and decanting area. The homeowner also shows a rogar wine bottle opener - a rustic, yet timeless contemporary style that's here to stay in wine rooms, wine closets, and large custom wine cellars throughout the US. Vintage Cellars has built gorgeous custom wine cellars and wine storage rooms across the United States and World for over 25 years. We are your go-to business for anything wine cellar and wine storage related! Whether you're interested in a wine closet, wine racking, custom wine racks, a custom wine cellar door, or a cooling system for your existing space, Vintage Cellars has you covered! We carry all kinds of wine cellar cooling and refrigeration systems, incuding: Breezaire, CellarCool, WhisperKool, Wine Guardian, CellarPro and Commercial systems. We also carry many types of Wine Refrigerators, Wine Cabinets, and wine racking types, including La Cache, Marvel, N'Finity, Transtherm, Vinotheque, Vintage Series, Credenza, Walk in wine rooms, Climadiff, Riedel, Fontenay, and VintageView. Vintage Cellars also does work in many styles, including Contemporary and Modern, Rustic, Farmhouse, Traditional, Craftsman, Industrial, Mediterranean, Mid-Century, Industrial and Eclectic. Some locations we cover often include: San Diego, Rancho Santa Fe, Corona Del Mar, Del Mar, La Jolla, Newport Beach, Newport Coast, Huntington Beach, Del Mar, Solana Beach, Carlsbad, Orange County, Beverly Hills, Malibu, Pacific Palisades, Santa Monica, Bel Air, Los Angeles, Encinitas, Cardiff, Coronado, Manhattan Beach, Palos Verdes, San Marino, Ladera Heights, Santa Monica, Brentwood, Westwood, Hancock Park, Laguna Beach, Crystal Cove, Laguna Niguel, Torrey Pines, Thousand Oaks, Coto De Caza, Coronado Island, San Francisco, Danville, Walnut Creek, Marin, Tiburon, Hillsborough, Berkeley, Oakland, Napa, Sonoma, Agoura Hills, Hollywood Hills, Laurel Canyon, Sausalito, Mill Valley, San Rafael, Piedmont, Paso Robles, Carmel, Pebble Beach Contact Vintage Cellars today with any of your Wine Cellar needs! (800) 876-8789 Vintage Cellars 904 Rancheros Drive San Marcos, California 92069 (800) 876-8789

“Compelling.” That’s how one of our judges characterized this stair, which manages to embody both reassuring solidity and airy weightlessness. Architect Mahdad Saniee specified beefy maple treads—each laminated from two boards, to resist twisting and cupping—and supported them at the wall with hidden steel hangers. “We wanted to make them look like they are floating,” he says, “so they sit away from the wall by about half an inch.” The stainless steel rods that seem to pierce the treads’ opposite ends are, in fact, joined by threaded couplings hidden within the thickness of the wood. The result is an assembly whose stiffness underfoot defies expectation, Saniee says. “It feels very solid, much more solid than average stairs.” With the rods working in tension from above and compression below, “it’s very hard for those pieces of wood to move.” The interplay of wood and steel makes abstract reference to a Steinway concert grand, Saniee notes. “It’s taking elements of a piano and playing with them.” A gently curved soffit in the ceiling reinforces the visual rhyme. The jury admired the effect but was equally impressed with the technical acumen required to achieve it. “The rhythm established by the vertical rods sets up a rigorous discipline that works with the intricacies of stair dimensions,” observed one judge. “That’s really hard to do.”

Vice president of sales for Hearthstone Inc., Chris Wood, has been fortunate to help design many custom homes (and a few light commercial structures) nationwide during his 32 years in the business but he assures that Big Woods Speedway holds a special place in his heart. From initial sketch to completion, Big Woods Speedway took approximately (14) months. There are 1,808 wooden pegs, not nails, holding together 126050 lbs of massive timber beams. Big Woods® Speedway rests on the corner of 10th and Main streets in historic downtown Speedway, Ind. The expansive timber frame structure hearkens back to the original brew pub in Nashville, Ind. But now, Big Woods Speedway has something to offer for everyone. The lofty ceilings, mammoth wood beams, liquor lounge, big-screen televisions, patio tables, Indy 500 tribute beers, house-smoked pulled pork, and from-scratch pizza provide an enjoyable experience for the whole family. “Watching this small town brewery startup and grow exponentially since must be credited to the owner, Jeff McCabe,” says Wood. Wood had the chance to enjoy the atmosphere of the Big Wood Speedway’s finished project with three generations of his own family. Founded by by Tim O'Brien, Ed Ryan and Jeff McCabe, Big Woods is dedicated to creating great beers in styles and flavors that appeal not only to craft beer aficionados, but to the average beer drinker too. “We're not just building structures,” says Wood, ‘These awesome heavy timber buildings are the result of building relationships.’” “The teamwork, location, owner involvement, and overall concept made the long hours and tight time schedule worth it,” he adds.

TruLine .5 2.5W 24VDC Plaster-In LED System creates a clean line of glare free general illumination within drywall. The linear LED system features a shallow .5 inch deep plaster in aluminum extrusion no thicker than drywall and houses one 2.5 watt row of commercial grade white LED Soft Strip. The .5 inch wide diffuser lens projects a clean line of light without LED dots. System mounts directly to studs without joist modification. TruLine is sold in 1 foot increments up to 40 feet at 2.5 watts per foot, 95+ CRI, in 2700K Very Warm White or 3000K Warm White color temperature, delivering 116 lumens per foot. 50,000 hour average lamp life. TruLine extrusion may be field cut. LED Soft Strip may be cut every 2.4 inches. System includes TruLine .5 channels, end caps, LED Soft Strip, TL.5 special junction box and all mounting hardware. Power supply options include a Class 2 24 volt 96 or 192 watt dimmable with a Lightolier Sunrise SR1200ZTUNV; Leviton IP710-DL; Lutron Radio Ra2 with Grafik Eye, RRD-10ND and GRX-TVI; Grafik Eye QS with Grafik Eye, QSGRJ-XP and GRX-TVI; Diva with Grafik Eye, DVTV and PP20; Nova T with Grafik Eye, NTFTV-WH and PP20, sold separately. Fixture includes a 5 year warranty. Made in USA.

Caladium Le jardinet

Vice president of sales for Hearthstone Inc., Chris Wood, has been fortunate to help design many custom homes (and a few light commercial structures) nationwide during his 32 years in the business but he assures that Big Woods Speedway holds a special place in his heart. From initial sketch to completion, Big Woods Speedway took approximately (14) months. There are 1,808 wooden pegs, not nails, holding together 126050 lbs of massive timber beams. Big Woods® Speedway rests on the corner of 10th and Main streets in historic downtown Speedway, Ind. The expansive timber frame structure hearkens back to the original brew pub in Nashville, Ind. But now, Big Woods Speedway has something to offer for everyone. The lofty ceilings, mammoth wood beams, liquor lounge, big-screen televisions, patio tables, Indy 500 tribute beers, house-smoked pulled pork, and from-scratch pizza provide an enjoyable experience for the whole family. “Watching this small town brewery startup and grow exponentially since must be credited to the owner, Jeff McCabe,” says Wood. Wood had the chance to enjoy the atmosphere of the Big Wood Speedway’s finished project with three generations of his own family. Founded by by Tim O'Brien, Ed Ryan and Jeff McCabe, Big Woods is dedicated to creating great beers in styles and flavors that appeal not only to craft beer aficionados, but to the average beer drinker too. “We're not just building structures,” says Wood, ‘These awesome heavy timber buildings are the result of building relationships.’” “The teamwork, location, owner involvement, and overall concept made the long hours and tight time schedule worth it,” he adds.

Vice president of sales for Hearthstone Inc., Chris Wood, has been fortunate to help design many custom homes (and a few light commercial structures) nationwide during his 32 years in the business but he assures that Big Woods Speedway holds a special place in his heart. From initial sketch to completion, Big Woods Speedway took approximately (14) months. There are 1,808 wooden pegs, not nails, holding together 126050 lbs of massive timber beams. Big Woods® Speedway rests on the corner of 10th and Main streets in historic downtown Speedway, Ind. The expansive timber frame structure hearkens back to the original brew pub in Nashville, Ind. But now, Big Woods Speedway has something to offer for everyone. The lofty ceilings, mammoth wood beams, liquor lounge, big-screen televisions, patio tables, Indy 500 tribute beers, house-smoked pulled pork, and from-scratch pizza provide an enjoyable experience for the whole family. “Watching this small town brewery startup and grow exponentially since must be credited to the owner, Jeff McCabe,” says Wood. Wood had the chance to enjoy the atmosphere of the Big Wood Speedway’s finished project with three generations of his own family. Founded by by Tim O'Brien, Ed Ryan and Jeff McCabe, Big Woods is dedicated to creating great beers in styles and flavors that appeal not only to craft beer aficionados, but to the average beer drinker too. “We're not just building structures,” says Wood, ‘These awesome heavy timber buildings are the result of building relationships.’” “The teamwork, location, owner involvement, and overall concept made the long hours and tight time schedule worth it,” he adds.

“Compelling.” That’s how one of our judges characterized this stair, which manages to embody both reassuring solidity and airy weightlessness. Architect Mahdad Saniee specified beefy maple treads—each laminated from two boards, to resist twisting and cupping—and supported them at the wall with hidden steel hangers. “We wanted to make them look like they are floating,” he says, “so they sit away from the wall by about half an inch.” The stainless steel rods that seem to pierce the treads’ opposite ends are, in fact, joined by threaded couplings hidden within the thickness of the wood. The result is an assembly whose stiffness underfoot defies expectation, Saniee says. “It feels very solid, much more solid than average stairs.” With the rods working in tension from above and compression below, “it’s very hard for those pieces of wood to move.” The interplay of wood and steel makes abstract reference to a Steinway concert grand, Saniee notes. “It’s taking elements of a piano and playing with them.” A gently curved soffit in the ceiling reinforces the visual rhyme. The jury admired the effect but was equally impressed with the technical acumen required to achieve it. “The rhythm established by the vertical rods sets up a rigorous discipline that works with the intricacies of stair dimensions,” observed one judge. “That’s really hard to do.”

“Compelling.” That’s how one of our judges characterized this stair, which manages to embody both reassuring solidity and airy weightlessness. Architect Mahdad Saniee specified beefy maple treads—each laminated from two boards, to resist twisting and cupping—and supported them at the wall with hidden steel hangers. “We wanted to make them look like they are floating,” he says, “so they sit away from the wall by about half an inch.” The stainless steel rods that seem to pierce the treads’ opposite ends are, in fact, joined by threaded couplings hidden within the thickness of the wood. The result is an assembly whose stiffness underfoot defies expectation, Saniee says. “It feels very solid, much more solid than average stairs.” With the rods working in tension from above and compression below, “it’s very hard for those pieces of wood to move.” The interplay of wood and steel makes abstract reference to a Steinway concert grand, Saniee notes. “It’s taking elements of a piano and playing with them.” A gently curved soffit in the ceiling reinforces the visual rhyme. The jury admired the effect but was equally impressed with the technical acumen required to achieve it. “The rhythm established by the vertical rods sets up a rigorous discipline that works with the intricacies of stair dimensions,” observed one judge. “That’s really hard to do.”

“Compelling.” That’s how one of our judges characterized this stair, which manages to embody both reassuring solidity and airy weightlessness. Architect Mahdad Saniee specified beefy maple treads—each laminated from two boards, to resist twisting and cupping—and supported them at the wall with hidden steel hangers. “We wanted to make them look like they are floating,” he says, “so they sit away from the wall by about half an inch.” The stainless steel rods that seem to pierce the treads’ opposite ends are, in fact, joined by threaded couplings hidden within the thickness of the wood. The result is an assembly whose stiffness underfoot defies expectation, Saniee says. “It feels very solid, much more solid than average stairs.” With the rods working in tension from above and compression below, “it’s very hard for those pieces of wood to move.” The interplay of wood and steel makes abstract reference to a Steinway concert grand, Saniee notes. “It’s taking elements of a piano and playing with them.” A gently curved soffit in the ceiling reinforces the visual rhyme. The jury admired the effect but was equally impressed with the technical acumen required to achieve it. “The rhythm established by the vertical rods sets up a rigorous discipline that works with the intricacies of stair dimensions,” observed one judge. “That’s really hard to do.”

“Compelling.” That’s how one of our judges characterized this stair, which manages to embody both reassuring solidity and airy weightlessness. Architect Mahdad Saniee specified beefy maple treads—each laminated from two boards, to resist twisting and cupping—and supported them at the wall with hidden steel hangers. “We wanted to make them look like they are floating,” he says, “so they sit away from the wall by about half an inch.” The stainless steel rods that seem to pierce the treads’ opposite ends are, in fact, joined by threaded couplings hidden within the thickness of the wood. The result is an assembly whose stiffness underfoot defies expectation, Saniee says. “It feels very solid, much more solid than average stairs.” With the rods working in tension from above and compression below, “it’s very hard for those pieces of wood to move.” The interplay of wood and steel makes abstract reference to a Steinway concert grand, Saniee notes. “It’s taking elements of a piano and playing with them.” A gently curved soffit in the ceiling reinforces the visual rhyme. The jury admired the effect but was equally impressed with the technical acumen required to achieve it. “The rhythm established by the vertical rods sets up a rigorous discipline that works with the intricacies of stair dimensions,” observed one judge. “That’s really hard to do.”

“Compelling.” That’s how one of our judges characterized this stair, which manages to embody both reassuring solidity and airy weightlessness. Architect Mahdad Saniee specified beefy maple treads—each laminated from two boards, to resist twisting and cupping—and supported them at the wall with hidden steel hangers. “We wanted to make them look like they are floating,” he says, “so they sit away from the wall by about half an inch.” The stainless steel rods that seem to pierce the treads’ opposite ends are, in fact, joined by threaded couplings hidden within the thickness of the wood. The result is an assembly whose stiffness underfoot defies expectation, Saniee says. “It feels very solid, much more solid than average stairs.” With the rods working in tension from above and compression below, “it’s very hard for those pieces of wood to move.” The interplay of wood and steel makes abstract reference to a Steinway concert grand, Saniee notes. “It’s taking elements of a piano and playing with them.” A gently curved soffit in the ceiling reinforces the visual rhyme. The jury admired the effect but was equally impressed with the technical acumen required to achieve it. “The rhythm established by the vertical rods sets up a rigorous discipline that works with the intricacies of stair dimensions,” observed one judge. “That’s really hard to do.”

A convergence of sleek contemporary style and organic elements culminate in this elevated esthetic. High gloss white contrasts with sustainable bamboo veneers, run horizontally, and stained a warm matte caramel color. The showpiece is the 3” bamboo framing around the tall units, engineered in strips that perfectly align with the breaks in the surrounding cabinetry. So as not to clutter the clean lines of the flat panel doors, the white cabinets open with touch latches, most of which have lift-up mechanisms. Base cabinets have integrated channel hardware in stainless steel, echoing the appliances. Storage abounds, with such conveniences as tray partitions, corner swing-out lazy susans, and assorted dividers and inserts for the profusion of large drawers. Pure white quartz countertops terminate in a waterfall end at the peninsula, where there’s room for three comfortable stools under the overhang. A unique feature is the execution of the cooktop: it’s set flush into the countertop, with a fascia of quartz below it; the cooktop’s knobs are set into that fascia. To assure a clean look throughout, the quartz is continued onto the backsplashes, punctuated by a sheet of stainless steel behind the rangetop and hood. Serenity and style in a hardworking space. This project was designed in collaboration with Taylor Viazzo Architects. Photography by Jason Taylor, R.A., AIA. Written by Paulette Gambacorta, adapted for Houzz Bilotta Designer: Danielle Florie Architect: Taylor Viazzo Architects Photographer: Jason Taylor, R.A., AIA