Kitchen of Tudor, Lake Harriet. In collaboration with SALA Architects, Inc. Cabinets: Steven Cabinets Photo credit: Troy Theis
Example of a mid-sized mountain style l-shaped dark wood floor and brown floor eat-in kitchen design in Minneapolis with a farmhouse sink, beaded inset cabinets, distressed cabinets, brown backsplash, brick backsplash, an island, white countertops and paneled appliances

RDP Photography
This is an example of a large victorian partial sun side yard landscaping in Boston.

Bleeding Hearts; Dicentra spectabilis
Design ideas for a landscaping in New York.

Billings Nursery and Landscaping designed this mountain garden for this quaint cabin in the woods utilizing Colorado Spruce, Feather Reed Grass, Artic Willow, Buffalo Juniper, Aspen, Barberry, Lime mound Spirea, Bleeding Heart, Fall Aster, Walker’s low Catmint, May Night Salvia, Fall Aster, Alpine Current, Canada Red Chokecherry, Dryland Turf Grass mix, Rainbow Rock, Granite, Autumn Morning Flagstone, Sandstone Treads, Showy Mtn Ash, Deer/Moose Tree fences, Black Aluminum Edging, Rain Chains

RDP Photography
Design ideas for a large victorian partial sun side yard landscaping in Boston.

Inspiration for a cottage laundry room remodel in Nashville

Large victorian beige three-story vinyl exterior home idea in Boston

How precious is this Java red bleeding heart clerodendrum?
This is an example of an eclectic landscaping in Houston.

These guys wanted RUSTIC. so thats what we gave them. We didnt grade anything out of the Elm floor made from barn beams. You can see the holes we patched. we pillowed the edges, wire brushed the floor heavily, french bleed treatment(black stain) then sanded to top surface off. We finished using a custom Loba Oil colour.

Photo of a large victorian partial sun side yard landscaping in Boston.

Inspiration for a large victorian partial sun side yard landscaping in Boston.

Inspiration for a large victorian partial sun side yard landscaping in Boston.

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was.

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet © Axis Mundi Design LLC

Our Clients came to us with a clear vision for a chef’s kitchen designed with both entertaining and family nights in mind. Home brewers and beer aficionados, our Clients were also inspired by the tasting rooms they had visited. The resulting space is a truly custom, one-of-a-kind kitchen that is a heady brew of natural materials, warm rustic touches and edgier industrial elements. Natural and stained hickory cabinetry, as well as a bleeding hex tile pattern, are used to define food prep and entertaining areas of the kitchen. The space is further delineated by a bar-height, raw-edge magnolia slab that floats above a soapstone-topped island. Edison bulbs, commercial-grade kitchen appliances, reclaimed wood and rebar round out a diverse material selection. A final project requirement was two taps for draught beer on demand. We were happy to oblige. An adjacent peninsula houses a kegerator (and wine fridge), as well as barware. Cheers!

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was.

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was.

Enveloping the bathroom in beautiful articulate ornamentation, the Bathrooms white glossy subway tile from MSI give the space a truly high end and luxurious look.

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was.