This version of Amuneal’s Collector’s Shelving Unit features solid machined brass fittings and posts with a wire mesh surround in a warm brass finish. The unit mounts to the wall to support a series of easily adjustable glass shelves. All of our Collector’s Shelving Units are fabricated in Amuneal’s Philadelphia-based furniture studio and can be customized as required for residential and commercial spaces.

Clean and simple 1" penny round tile with a contrasting grey grout. Looks Great and easy to clean
Example of a mid-sized classic ceramic tile home design design in Boston

**I. Spatial Composition & Architectural Volume** This is an exercise in the disciplined choreography of a constrained footprint — a narrow, rectilinear bathroom whose length is exploited rather than disguised. The composition unfolds along a single axis, the viewer's eye drawn from the foreground console lavatory, past the drop-in tub, to the terminal glazed aperture that anchors the far wall and releases the volume outward. The photograph's vantage, taken through a partially opened multi-paneled door with its cushioned rail-and-stile profile and beveled glazing, establishes a layered threshold condition: the room is framed, glimpsed, and entered simultaneously. Ceiling height is generous relative to plan dimension, and the architect has resisted the temptation to lower it; instead, a slender crown profile and a delicate picture-rail cornice terminate the field tile at a consistent datum, reinforcing the vertical proportion. Above the tub, a bank of recessed-panel cabinetry is set flush into the reveal of a soffit, borrowing the depth of the wall assembly to gain storage without protrusion — a deft piece of joinery logic. The window is treated as an architectural niche, its deep jambs and marble sill establishing a plinth that reads as inhabited rather than merely functional. Overhead, an exposed nickel-plated curtain rod traverses the ceiling plane in a single diagonal gesture, its cantilevered support rendering the drapery a movable spatial partition rather than a fixed enclosure. **II. Materiality, Color & Texture** The palette is a study in monochromatic gradation, calibrated almost entirely within the white spectrum yet richly differentiated by surface behavior. Hand-glazed subway tile in a running-bond pattern clads the wet walls, its subtle undulation and pooled glaze catching light unevenly to produce a soft, ceramic luminosity that no machine-pressed tile could replicate. Underfoot, a penny-round mosaic in matte porcelain introduces fine-grain granularity and a faintly warm grout line, its curvilinear tessellation providing tactile counterpoint to the orthogonal wall coursing. Marble — likely a Calacatta or lightly veined Carrara — appears strategically at the lavatory deck, the tub apron cap, and the window sill, its ochre-gold and cool grey veining supplying the room's only true figuration and its principal chromatic warmth. Polished nickel is the unifying metal, deployed with unusual generosity: the exposed console legs and cross-braced towel bar, the exposed riser and telephone-style handshower, the cross-handle fittings, and the rose-mounted door knob with its knurled backplate. Its cool, silvery reflectivity absorbs and redistributes ambient light, dissolving the hardware into the field. The single yielding material is the shower curtain — an unlined linen or cotton voile in pale butter-yellow — whose slubby weave, gravity-drawn folds, and warm undertone break the room's cool register and introduce the necessary note of domestic softness. **III. Lighting, Atmosphere & Style Profile** Illumination is overwhelmingly diurnal and unapologetically singular in source: the window at the terminus floods the space with diffuse, high-key daylight that blows toward pure white at the aperture and falls off gradually along the tile, modeling the wall's minute irregularities into a low-relief texture. The absence of visible decorative fixtures — save a discreet ceiling-recessed vent or downlight above the shower — is deliberate; artificial lighting is subordinated so that the material palette performs under natural light. The resulting atmosphere is serene, hygienic without sterility, and quietly luxurious: light behaves as a material in its own right, and the white-on-white scheme functions as a reflector rather than a void. Stylistically, the room synthesizes early-twentieth-century Anglo-American sanitary vernacular — the exposed-plumbing console lavatory, the exposed-riser shower, the metro tile and penny mosaic — with a contemporary editorial restraint that strips out ornament and pattern in favor of proportion and craft. It might be characterized as Refined Classicism, or more precisely, a Transitional Pre-War Revival: historically literate in its detailing, resolutely modern in its spatial economy and tonal discipline. The single pale-yellow textile is the design's signature move, a calibrated warm accent that prevents the achromatic scheme from tipping into clinical austerity and confirms the project's essential thesis — that restraint, correctly executed, reads as generosity.

Mockett PCS34 kitchen power dock. Photo courtesy of Roy and Kim Spring from Marana, AZ on their home kitchen remodel.
Elegant kitchen photo in Los Angeles

Designed, built and installed by Luxury Elements
Example of a small minimalist wine cellar design in Chicago with diamond bins

Here's a complete bathroom remodel done for a family in Long Beach. Though this bathroom may look like a simple small and compact bathroom, this room holds a lot of great features. The main attraction of this bathroom comes from the open shower that is accompanied by a accented black tile wall. This shower is also featured with a full length niche for shower accessories and a bench for extra support. The bathroom is enhanced more by the golden features that come from the knobs and faucet. This bathroom is the perfect master bathroom extension.

Freeman Construction Ltd
Small trendy attached one-car carport photo in Denver

Recessed wine cabinet featuring floating wine display by Genuwine Cellars. This new racking system is our Angled "Label Line" made with stainless steel rods and aircraft tension cable to give the bottles the appearance they are floating. The metal wall cladding with cut out backlit LED strips give it a contemporary finish, while the stone columns pull it the exterior surrounding decor. This wine cabinet holds ~175 bottles in cases and individual bottle storage.

Beautifully restored wood burning stove. © 2016 ramsay photography
Example of a country brick floor living room design in San Francisco with brown walls, a wood stove and a brick fireplace

Jared Medley
Minimalist l-shaped home design photo in Salt Lake City with flat-panel cabinets and gray cabinets

Gold Pebble brown liner, custom shaped Pacific Pools Graphex polymer wall, vinyl lined swimming pool.

Close up of the repeating pattern of Pratt and Larson's 6x6 Motif A (MT-66XA) in a custom colorfill
Inspiration for a contemporary kitchen remodel in Portland

Volga Blue granite Double Ogee Edge Full Backsplash
Inspiration for an u-shaped eat-in kitchen remodel in Providence with an undermount sink, white cabinets, granite countertops, black backsplash, stone slab backsplash and stainless steel appliances

Example of a classic laundry room design in Oklahoma City

22 Pages Photography
Example of a small arts and crafts white tile and subway tile porcelain tile and white floor drop-in bathtub design in Portland with shaker cabinets, white cabinets, a wall-mount toilet, an undermount sink and quartz countertops

Large elegant beige two-story brick house exterior photo in New Orleans with a shingle roof

Hicks Hexagon Cole &Son wallpaper http://www.cole-and-son.com/en/collection-contemporary-restyled/wallpaper-95/3016/

A bit better view... Please note how we, and with our customer help a few quick measurements went the extra mile & used the existing shelf heights to ensure all the Horizontal Lead Came lined up.. It was well worth the effort to not create extra clutter with horizontal lines... This project required three different sizes, which is no problem for us... The far left panel measured - 7-5/8" x 24-1/16", the next panel to the right of the Micro-Wave measured - 5-5/8" x 24-1/16", and the panel on the far right measured - 14-7/16" x 24-5/16". . All the Glass used was Spectrum Glass BR/CLEAR Clear Baroque. We finished the panels off with Dark Antique Patina Lead Came, which was a great match to their Oil-Rubbed Bronze hardware.