Hillside Modernism In Context. The owners of this modern hillside home sought to have a home in a nice Los Angeles neighborhood wherein they could raise their burgeoning family. The owners purchased a 1948 2000sf, single story, 2 bedroom English Cottage styled home (believed to have been originally owned by Yul Brynner) on a ½ acre hillside site in the exclusive Brentwood area of Los Angeles. The property slopes downward away from the street and overlooks a mini eucalyptus arroyo. The owners love their new location but are now faced-with having to raise their new and growing family on a hillside with extremely limited yard spaces for children to play and in a location where nature is very close – deer as well as coyotes wander the arroyo. In 2000 the owners commissioned architect Richard Best to add 2500sf to the cottage and transform it into a home more fitting to their growing family’s needs. Subsequently, in 2014/15, the owners again commissioned Richard to create a 2-story master suite addition. Living in or visiting the completed project - the original 1948 home remodeled + the 2000 addition + the 2014/15 addition, one goes through an unexpected and delightful experience as the spaces of the home “unfold” to reveal intimacy and environmental immersion. It was important to Richard and to the owners that their remodels and additions be appropriately designed to fit into the neighborhood and have the feel, scale, and soul of the original cottage. With this in-mind, Richard has interpreted the design intentions of the original cottage - “modernizing” the architectural vocabulary and creating open-plan, 2-story additions which promote site “engagement” at various floor levels and openness to the outdoors in a manner clearly inspired by the original cottage, yet modern. At the front door of the original (still remains as it was) 1948 structure, one is presented with a quaint a low-slung entry which establishes a very comfortable sense of scale. Inside, the remodeled spaces of the original cottage exude comfort and a cozy sensibility evoked by the reuse of the original home’s exposed timber framing structure, open-plan circulation, and an inventive two-sided steel fireplace which acts as a room divider between the living room and a home office. Accordion wood doors connect these rooms to a newly formed outdoor rear patio. At this point one also gets ones first hint that something very interesting is happening just beyond – a glimpse of the 2000 & 2014/15 additions. Moving from the original 1948 structure into the 2-story 2000 addition, one is greeted by a modern and open linear floor plan arrangement – a kitchen, casual dining and family room extend perpendicularly from the 1948 structure into the rear yard and down the hillside. The open framed cathedral ceiling and wood roof trusses establish a lofty feeling and a rhythm discretely separating the open rooms one from the other. Extensive use of windows and French doors connect the indoors to the outdoors and provide abundant natural lighting. This new appendage ends with a symmetrical family room which has no corners – it is a geometry composed of two overlapped squares - one rotated 45 degrees atop the other to create double opportunities for bay windows. The design not only connects the home to the desired exterior flat yards spaces, but it also takes full advantage of the sloping terrain by adding a floor below the original level so as to maintain a scale appropriate to the neighborhood. The exterior materials were chosen taking “hints” from the original 1948 structure – natural redwood siding, reused brick veneer and wood doors/windows all serving to aesthetically connect the addition back-to the spirit of the original structure. By 2014/15 the owners’ family has fully blossomed - the children are now teenagers and there is a need for additional space. However, the owners are very content with their remodeled cottage and Richard’s 2000 addition – unsure how to add to a home which they feel is quite perfect as it is … wanting whatever changes are to be made to be sympathetic to it. They are also concerned about potential additions blocking-out their views of the eucalyptus arroyo. The owners approached Richard with trepidation – we love our perfect house but we need it to be a bit bigger and we don’t want to block-out the arroyo views or create a hemmed-in feeling – how can we add but still see the arroyo. In response Richard created a private yet connected 2-story master suite, which by its positioning, dynamic geometries and extensive glazing create the fourth side of the former rear patio, making it into exterior courtyard with views around and through the new addition into the arroyo. A dynamic angularity in the new master addition (inspired by the 2000 addition) simultaneously reduces the apparent size/presence of the master suite addition on the edge of the eucalyptus arroyo while creating framed views into the arroyo from the newly formed courtyard. The new master suite - a master bathroom, master closet and a master sleeping loft each having exterior decks and/or patios, is connected back to the 2000 addition via a glazed hallway which provides a sense of connectedness and privacy. A modern rustic aesthetic of exposed board-formed concrete, natural finished Corten steel exterior cladding, frameless metal windows, and clear finished Douglas Fir planks serve to “extend” the soul of the original cottage into the master suite. The project is a highly sustainable design as well. Energy use is reduced by employing a high efficiency heat pump heating and cooling system, dual paned/gasketed metal window/door systems, natural lighting through a Kalwall skylight and generous exterior glazing with extensive eaves for shading, rigid roof insulation, and earthen backing – the lower floor is up-against the hillside which tends to even-out the day/night temperature differential. Credits: Architecture & Interior Design: Richard Best Architect Inc. Structural Engineering: Dan Echeto & David Choi Associates Interior Decor: Noelle Schoop Landscape: Connie Heitzman Photos: Carmel McFayden and Adriano Sarmento / James Porschen

The building known as the “Stable” exists within the Historic District of Fairfield, Connecticut on Old Academy Road. As such, any work performed on the structure required prior approval of the Historic District Commission. Domus Constructors was hired to completely gut and remodel this historic structure to maintain the historic significance while bringing the building’s mechanical and electrical systems up to date and restoring the structural integrity. Some of the more prominent architectural features of the building include a very large center cupola which needed much restoration, a wood roof that was covered over by asphalt shingles and exterior doors that were historically significant and needed extensive restoration. While these items were all constraints, Domus also excavated an existing dirt subfloor and replaced the entire area with a vapor barrier and concrete slab crawl space to allow access to plumbing, etc. Other special features include the wooden ceiling and exposed hand hewn oak beams and columns installed throughout using antique reclaimed wood, and the antique reclaimed wood flooring and restoring the multi-colored slate entrance terrace. The overall size of the structure is 63 feet in length by 26 feet deep for an approximate total of 1,638 square feet.

Landscape design. Intimate and stylish. Designer: Elaine Pagones Design
Photo of a transitional landscaping in Seattle.

This property came with a house which proved ill-matched to our clients’ needs but which nestled neatly amid beautiful live oaks. In choosing to commission a new home, they asked that it also tuck under the limbs of the oaks and maintain a subdued presence to the street. Extraordinary efforts such as cantilevered floors and even bridging over critical root zones allow the design to be truly fitted to the site and to co-exist with the trees, the grandest of which is the focal point of the entry courtyard. Of equal importance to the trees and view was to provide, conversely, for walls to display 35 paintings and numerous books. From form to smallest detail, the house is quiet and subtle.

Avery Coonley Residence (Frank Lloyd Wright, 1908), Riverside, IL The spectacular, meticulously restored main residence on the elaborate Coonley estate in Riverside, IL. Photo Courtesy of Dean Eastman

This living room is anchored by a soaring board-formed concrete fireplace surround that runs full height to the ceiling, serving as the room's dominant architectural gesture and tying directly back to the charcoal stone tile wall seen in the foyer and kitchen.

This property came with a house which proved ill-matched to our clients’ needs but which nestled neatly amid beautiful live oaks. In choosing to commission a new home, they asked that it also tuck under the limbs of the oaks and maintain a subdued presence to the street. Extraordinary efforts such as cantilevered floors and even bridging over critical root zones allow the design to be truly fitted to the site and to co-exist with the trees, the grandest of which is the focal point of the entry courtyard. Of equal importance to the trees and view was to provide, conversely, for walls to display 35 paintings and numerous books. From form to smallest detail, the house is quiet and subtle.

Tucker Design Awards celebrate the innovation and vision that designers bring to their projects through the specification and use of natural stone materials. For members of the Natural Stone Institute, acknowledgement as a contributor to a Tucker Design Awards winning project is a genuine tribute to their traditional values, physicality of work and dedication to precise specifications required in the realization of such accomplished architectural design. Landscape Architect Design Workshop, Aspen, CO Architect Poss Architecture, Aspen, CO Landscape Contractor Landscape Workshop, Carbondale, CO Stone Supplier/Installer Gallegos Corporation, Wolcott, CO Stone Quarry Arkins Park Stone, Loveland, CO Within walled boundaries, Woody Creek Garden embraces its high alpine environment through explorations of stone and water that serve as unifying elements of form in the design of the various outdoor spaces. Through striking and distinctively detailed stonework, water is portrayed in its various states and forms – atmospheric mist, single rivulets, cascades, and still pools. Two courtyards interlink the residence allowing each room to enjoy the visual landscape. In the entrance courtyard, the sound from a carved 24”x 24” cut-granite fountain reverberates throughout the walled space. Placed for gathering and quiet contemplation, a pin-wheel arrangement of sculptural, granite slabs provide a honed surface for sitting while providing year-round interest. Each stone was individually specified with intentionally spaced core fractures, utilizing the extraction method to serve as sculpted details. Large sandstone pavers, set in sand and cut in an irregular, but geometric fashion bring a sense of modernity to the space. Throughout the property, stone detailing seek to heighten one’s experience of the landscape and views. Upon the home’s entry, an 18” rectilinear cut in the freestanding stone wall frames a distant peak, creating a singular reference to the outside world in this encased space. Emerging from the center of an organically-shaped carved sandstone slab, water is carried along a narrow 2” runnel sandstone cap, disappearing into the framed horizon. This glimpse to the west is the only opening in the tightly enclosed courtyard. From its opposite aspect, the feature creates a welcoming gesture at the home’s front entrance. The slender rivulet of water trickles from the sandstone slab above onto a honed granite plane, set within a sandstone terrace In contrast, a second promontory courtyard commands a strong presence over its alpine setting, leaving the steeply sloping site undisturbed. A 12’x 40’ reflecting pool – a thin sheet of water over honed black granite – captures the form and silence of the everchanging natural environment on its taut surface. Along its edge, water flows over a ½” radius edge, disappearing into a recirculating slot. Commissioned by Italian artist Bruno Romeda, a bronze sculpture rests upon an elevated granite plinth. Along its western edge, designers crafted a two-tiered, infinity edge detail. In the first vertical drop, water flows between the pool and perimeter stone walls, landing onto an intermediate bench, while the second drop introduces a chamfered edge, allowing water to embrace the vertical relief without splashing. Sandstone terraces provide continuous access to the various landscape features of the garden. At the base of the battered perimeter walls, a sandstone path leads to a fire pit, encircled by lichen-covered boulders. Along the courtyard’s eastern perimeter, water appears to emerge from the hillside, fracturing and falling against the irregular vertical stone wall, melting in a curtain-like formation behind the spa. The colors, distinctive detailing and striking stonework were selected based on their appropriateness to the context. From above, a rectilinear pool lies behind the wall, silently mirroring the sky above and offering no ostensible connection to the structure or to its source.

Commissioned uplit sculpture appears to float above its iridescent glass tiled perimeter overflow base. Photographer: Christian Terry
Large minimalist backyard concrete and custom-shaped pool fountain photo in Los Angeles

Drama, scale and impact – a bold, full-wall bed structure, sets the stage for this powerful play on modern design. Tasked to create the ambience of a 5-star contemporary hotel suite, the firm designed an expertly scaled, customized bed and nightstand focal point, luxurious custom bedding, intriguing accents and textures, to deliver this strong, chic Master Suite. Center-stage, the room’s focal point 16’W x 12’H, hand-crafted walnut bed unit comprises the entire wall. Matching the suite’s rift-cut walnut cabinetry, the bed’s recessed base platform and floating nightstands appear to hover before the book-match wooden headboard. Touch release hardware is functional without interrupting the natural beauty of the wood grain. Grooved reveals between uprights and header panels accentuate the walnut’s book-match details. The home’s smart system controls recessed LED mini-reading lights in the header and glittering chrome LED pendants adorning each nightstand. The sumptuous bedding’s champagne charmeuse silk duvet blends beautifully with the upholstered silver metallic headboard. Tre Dunham - Fine Focus Photography

This new contemporary home was commissioned by a design-loving family in Boulder, Colorado who had just purchased a house on a corner lot and wanted to build something new and contemporary with views of the Flatiron mountain range beyond. Working over a distance was easy with extensive 3D modeling leading the way. Though not on a super-busy corner, limited openings to the street were utilized counter-balanced by extensive glass and access to the side and rear yards. A detached garage was necessary because of off-street parking access from an existing alley that ran behind the house, so a breezeway connecting roof was designed to join the structures visually and provide cover in snow and rain. Hydronic radiant heated floors run throughout and large windows reveal selective views to the neighborhood. Exposed steel beams and wood framing tell the story of structure inside. White-white kitchen and baths provide clean neutral environments for food and bathing. Upstairs high ceilings allow clerestory windows inviting light but not view. The master bedroom is aimed at the Flatiron Mountains as is the large wraparound walking deck with flying roof overhead, all clad in red cedar. Much was learned about the local Colorado building environment along the way, guided by nearby structural engineers and contractor. Boulder has strict sun-shadow rules where 3D modeling was critical to show compliance. Energy and heat-loss concerns limited glazing at certain exposures but allowed us to open things up elsewhere. This home is a great example of working within a strict budget and achieve high design quality results. Built by Morningstar Homes with photos by Patterson Architecture + Interior Photography.

This property came with a house which proved ill-matched to our clients’ needs but which nestled neatly amid beautiful live oaks. In choosing to commission a new home, they asked that it also tuck under the limbs of the oaks and maintain a subdued presence to the street. Extraordinary efforts such as cantilevered floors and even bridging over critical root zones allow the design to be truly fitted to the site and to co-exist with the trees, the grandest of which is the focal point of the entry courtyard. Of equal importance to the trees and view was to provide, conversely, for walls to display 35 paintings and numerous books. From form to smallest detail, the house is quiet and subtle.

ASID Design Excellence First Place Residential – Kitchen: Originally commissioned in 1977 by our clients, this residence was designed by renowned architect Donald Olsen whose life's work is thoroughly documented in the book Donald Olsen: Architect of Habitable Abstractions. Michael Merrill Design Studio was approached three years ago to do a comprehensive rethinking of the structure, spaces and the exterior envelope. We hope you will enjoy this preview of the greatly enlarged and updated kitchen and home office.

Craig Bergmann Landscape Design was commissioned by the owner of this historic 1908 estate to develop a fresh, artistic re-interpretation of the existing gardens. An upper and lower garden room and stroll garden were redesigned with the key elements of running water, cool stone and shaded areas to preserve the garden’s original intent. A narrow rill connects two pools where water flows from the Upper Garden down to the Lower. Layering of foliage was as important as coordination of bloom times in order to achieve the sensuous, Moorish feel of the garden. The Stroll Garden plant collection, in contrast to the summer display of the Upper and Lower Gardens, was chosen for a spring flower display moving to a more textural foliage garden in summer. Photography by Linda Oyama Bryan

ASID Design Excellence First Place Residential – Kitchen: Originally commissioned in 1977 by our clients, this residence was designed by renowned architect Donald Olsen whose life's work is thoroughly documented in the book Donald Olsen: Architect of Habitable Abstractions. Michael Merrill Design Studio was approached three years ago to do a comprehensive rethinking of the structure, spaces and the exterior envelope. We hope you will enjoy this preview of the greatly enlarged and updated kitchen and home office.

David Wakely
Inspiration for an eclectic exterior home remodel in San Francisco

Living room - rustic formal living room idea in Sacramento with a standard fireplace and a stone fireplace

ASID Design Excellence First Place Residential – Kitchen: Originally commissioned in 1977 by our clients, this residence was designed by renowned architect Donald Olsen whose life's work is thoroughly documented in the book Donald Olsen: Architect of Habitable Abstractions. Michael Merrill Design Studio was approached three years ago to do a comprehensive rethinking of the structure, spaces and the exterior envelope. We hope you will enjoy this preview of the greatly enlarged and updated kitchen and home office.

For this Victorian-era home in the Albany historic district, it was essential for us to maintain historic design guidelines. This required a historic design review and approval by the Historic Landmarks Commission before we could start the project. Once approved, we replicated the existing porch design while removing the poor framing details supporting the porch. Almost everything out of view was in dangerous disrepair and required complete reconstruction. In addition to restoring the porch in accordance with historic design guidelines, we repaired the wood windows and installed matching storm windows. Our clients now enjoy the stunning curb appeal of their historic home and peace of mind knowing the structure is solid. Funny Story: Halfway through this project, someone lost control of their vehicle as it headed in the direction of the home. Luckily, they regained control of their vehicle 4 feet from the project, avoiding a huge disaster!