Search results for "Commission structure" in Home Design Ideas

LOS ANGELES, CA / SINGLE FAMILY RESIDENTIAL
The commission for this 4,300-square-foot residence came with significant challenges for the architects – a house had once existed on the lot but had burned down and the attempt to replace the house had stalled, leading to an abatement order and a lapse of permits.
Our first challenge was to revive the lapsed construction permit by proposing to “modify” the existing structure. The practical effect this had was to fix the footprint of the new home to the existing structure’s plan outline. Having thereby inherited the large, dense block of the original house, the new strategy became one of substituting selective areas of indoor space for outdoor courtyard.
This strategy of trading indoor space for outdoor courtyard allowed an erosion of the formerly monolithic structure into a series of distinct volumetric elements, and further suggested that the architectural pieces could cohere as a “village.” The main level is further eroded by large, glazed planes, merging indoor with outdoor, and virtually stretching the landscape across interior space. Moving the detached garage from the rear yard to beneath the new living space allowed for a 75-meter lap pool and a shaded olive garden.
The gardens include built-in seating, extensive use of ornamental grasses and Zen-like interior courtyards. A material palette of fossilized stone, bonderized-galvanized metal, and natural Douglas fir allows for the warmth desired by the wife, while providing the modernity required by the husband. Programmatically, her music room borrows from the calm and protected olive court in the rear, while his office becomes a pavilion set in the landscape, which both addresses the street and acts as a sheltering monument for the terraced entry garden.

Over the years, this Gladwyne home suffered numerous piecemeal renovations and modifications, and was in dire need of a cohesive vision. Seeing past this, the new owners purchased the property because of the home’s unique siting on the land. Abutting the eastern property line, they noticed the potential of a proper renovation which would unify the home and create expansive views across the 2 acre site to the west.
Our office was commissioned to create a cohesive design which emphasized these ideas. This completed master bedroom and bathroom suite, marks the end of the first renovation phase. The master suite was expanded and focused around a new 16’ window overlooking the property. The bed is flanked at both sides with a sitting area and custom casework. The perpendicular floor boards define the space and pull the eye into the closet/bath. A composition of reflections distort boundaries, pulling outside inward and provide an evolving seasonal experience.
For the lower floor renovation, the client requested the removal of all dividing walls to make the space as visually open as possible. To do this, the entire 2nd floor was temporarily propped up while the 1st floor structure was removed and a strategically designed new structural steel frame system was installed. The remaining central bearing wall also stabilizes the custom stair treads while the guardrails suspend the opposite end from the ceiling. The floor to ceiling glazing opens the views of the sprawling grounds and provides a casual sitting area. A sliding bright red wall divides the office / family room area and the rough sawn wood cabinetry maintain a handmade warm character to the contemporary design.

Over the years, this Gladwyne home suffered numerous piecemeal renovations and modifications, and was in dire need of a cohesive vision. Seeing past this, the new owners purchased the property because of the home’s unique siting on the land. Abutting the eastern property line, they noticed the potential of a proper renovation which would unify the home and create expansive views across the 2 acre site to the west.
Our office was commissioned to create a cohesive design which emphasized these ideas. This completed master bedroom and bathroom suite, marks the end of the first renovation phase. The master suite was expanded and focused around a new 16’ window overlooking the property. The bed is flanked at both sides with a sitting area and custom casework. The perpendicular floor boards define the space and pull the eye into the closet/bath. A composition of reflections distort boundaries, pulling outside inward and provide an evolving seasonal experience.
For the lower floor renovation, the client requested the removal of all dividing walls to make the space as visually open as possible. To do this, the entire 2nd floor was temporarily propped up while the 1st floor structure was removed and a strategically designed new structural steel frame system was installed. The remaining central bearing wall also stabilizes the custom stair treads while the guardrails suspend the opposite end from the ceiling. The floor to ceiling glazing opens the views of the sprawling grounds and provides a casual sitting area. A sliding bright red wall divides the office / family room area and the rough sawn wood cabinetry maintain a handmade warm character to the contemporary design.
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The approach to Edge House, a walk through verdant woodland abundant with ferns and moss, is a lesson in arrival. What appears is a woodsy yet contemporary dwelling divided into two volumes, framing an ocean view. Located on an island off Midcoast, Maine, Edge House is a low-slung cabin that hugs the rocky coast. The client commissioned Charles Rose Architects to design a simple cottage retreat that could take full advantage of the view, while also remaining inconspicuously nestled in the trees. The solution was a simple wood-shingled structure that features large glass windows, connecting both structure and inhabitant to the site. From the water’s edge, only a few hundred meters away, the house is barely visible. The selection of contextual materials, specifically cedar shingles, was meant to embed the structure in the landscape. For the interior, bedrooms are purposefully small, and beds were positioned close to the full-height windows, allowing occupants to immerse themselves in the view. Clerestory windows under the roof further amplify the quality of natural light and create a weightless effect on the roof from the outside. The stone fireplace, located in the living room, was crafted with stones gathered from the site as another way to bring the outdoors in.

Completed in two phases, the kitchen in this home was first overhauled and the wall separating it from the dining room was torn down. The structure, hidden in the boxed ceiling, compliments the original details as they were woven into this new great room. New sliding doors replacing the relocated bathroom at the rear beckon one to the garden. This created the palette for the owner to tailor the finishes exquisitely. The resplendent marble counter top is the heart of their tasteful new living space, ideal for entertaining.
For phase two, the owner commissioned ONE Design to flood the upper level of the home with light. The owner, inspired by her rural upbringing in Humboldt, wished to draw inspiration from this and her Eichler-like grandparent’s home. ONE Design vaulted the ceilings to create an open soaring roof and provide a clean three dimensional canvass. Adding skylights which bathe the clean walls in an ever changing light show was the centerpiece of this transformation. Transom windows over the bedroom doors offer additional light to the interior circulation space. Enlarged windows combine the owner’s desire to live in a “glass house,” while paying respect to the Edwardian heritage of the home and providing expansive views of the meadow-like garden oasis. The cherry on top is the attic retreat, adding a north facing dormer that peeks at the Golden Gate Bridge offers a serene perch — perfect escapism for a creative writer!

The approach to Edge House, a walk through verdant woodland abundant with ferns and moss, is a lesson in arrival. What appears is a woodsy yet contemporary dwelling divided into two volumes, framing an ocean view. Located on an island off Midcoast, Maine, Edge House is a low-slung cabin that hugs the rocky coast. The client commissioned Charles Rose Architects to design a simple cottage retreat that could take full advantage of the view, while also remaining inconspicuously nestled in the trees. The solution was a simple wood-shingled structure that features large glass windows, connecting both structure and inhabitant to the site. From the water’s edge, only a few hundred meters away, the house is barely visible. The selection of contextual materials, specifically cedar shingles, was meant to embed the structure in the landscape. For the interior, bedrooms are purposefully small, and beds were positioned close to the full-height windows, allowing occupants to immerse themselves in the view. Clerestory windows under the roof further amplify the quality of natural light and create a weightless effect on the roof from the outside. The stone fireplace, located in the living room, was crafted with stones gathered from the site as another way to bring the outdoors in.

Believed to be the oldest building in Excelsior Minnesota, this humble brick structure has transformed, been moved, and housed countless people over its 162 years. Affectionately known as ‘The Beehive’, it was built in 1857 and began as the original Excelsior schoolhouse. It was moved to its’ current location in the 1880’s and became a 23-room dormitory for Northwestern Christian College, followed by a boarding house, and finally apartments (in addition to the rumors of more sordid activities in the early 20th century!).
After being in the same family for several decades, the owner wanted to transform the building one more time to make it her own home. Citydeskstudio worked closely with her and the Excelsior Historic Preservation Commission on the design. She now occupies the main floor, with additional units above and below for rental and for family.
The design celebrates the stout and blocky character of the building with a new modern expansion off the back. There, the building steps and expands outwards in glassy boxes of charred cedar. Inside, the original structure was repaired and uncovered where possible, and previous poorly done modifications were corrected. The center piece of this more open and light-filled home is a rich modern kitchen in walnut, travertine, and steel. The old character remains ever present and is essential to the spirit of The Beehive’s latest transformation.
This multigenerational home’s design honors the legacy of the property, marrying the original Excelsior schoolhouse with a beautiful, modern, contextually-sensitive remodel and addition.
Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge

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LOS ANGELES, CA / SINGLE FAMILY RESIDENTIAL
The commission for this 4,300-square-foot residence came with significant challenges for the architects – a house had once existed on the lot but had burned down and the attempt to replace the house had stalled, leading to an abatement order and a lapse of permits.
Our first challenge was to revive the lapsed construction permit by proposing to “modify” the existing structure. The practical effect this had was to fix the footprint of the new home to the existing structure’s plan outline. Having thereby inherited the large, dense block of the original house, the new strategy became one of substituting selective areas of indoor space for outdoor courtyard.
This strategy of trading indoor space for outdoor courtyard allowed an erosion of the formerly monolithic structure into a series of distinct volumetric elements, and further suggested that the architectural pieces could cohere as a “village.” The main level is further eroded by large, glazed planes, merging indoor with outdoor, and virtually stretching the landscape across interior space. Moving the detached garage from the rear yard to beneath the new living space allowed for a 75-meter lap pool and a shaded olive garden.
The gardens include built-in seating, extensive use of ornamental grasses and Zen-like interior courtyards. A material palette of fossilized stone, bonderized-galvanized metal, and natural Douglas fir allows for the warmth desired by the wife, while providing the modernity required by the husband. Programmatically, her music room borrows from the calm and protected olive court in the rear, while his office becomes a pavilion set in the landscape, which both addresses the street and acts as a sheltering monument for the terraced entry garden.

The approach to Edge House, a walk through verdant woodland abundant with ferns and moss, is a lesson in arrival. What appears is a woodsy yet contemporary dwelling divided into two volumes, framing an ocean view. Located on an island off Midcoast, Maine, Edge House is a low-slung cabin that hugs the rocky coast. The client commissioned Charles Rose Architects to design a simple cottage retreat that could take full advantage of the view, while also remaining inconspicuously nestled in the trees. The solution was a simple wood-shingled structure that features large glass windows, connecting both structure and inhabitant to the site. From the water’s edge, only a few hundred meters away, the house is barely visible. The selection of contextual materials, specifically cedar shingles, was meant to embed the structure in the landscape. For the interior, bedrooms are purposefully small, and beds were positioned close to the full-height windows, allowing occupants to immerse themselves in the view. Clerestory windows under the roof further amplify the quality of natural light and create a weightless effect on the roof from the outside. The stone fireplace, located in the living room, was crafted with stones gathered from the site as another way to bring the outdoors in.

Believed to be the oldest building in Excelsior Minnesota, this humble brick structure has transformed, been moved, and housed countless people over its 162 years. Affectionately known as ‘The Beehive’, it was built in 1857 and began as the original Excelsior schoolhouse. It was moved to its’ current location in the 1880’s and became a 23-room dormitory for Northwestern Christian College, followed by a boarding house, and finally apartments (in addition to the rumors of more sordid activities in the early 20th century!).
After being in the same family for several decades, the owner wanted to transform the building one more time to make it her own home. Citydeskstudio worked closely with her and the Excelsior Historic Preservation Commission on the design. She now occupies the main floor, with additional units above and below for rental and for family.
The design celebrates the stout and blocky character of the building with a new modern expansion off the back. There, the building steps and expands outwards in glassy boxes of charred cedar. Inside, the original structure was repaired and uncovered where possible, and previous poorly done modifications were corrected. The center piece of this more open and light-filled home is a rich modern kitchen in walnut, travertine, and steel. The old character remains ever present and is essential to the spirit of The Beehive’s latest transformation.
This multigenerational home’s design honors the legacy of the property, marrying the original Excelsior schoolhouse with a beautiful, modern, contextually-sensitive remodel and addition.
Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge

The approach to Edge House, a walk through verdant woodland abundant with ferns and moss, is a lesson in arrival. What appears is a woodsy yet contemporary dwelling divided into two volumes, framing an ocean view. Located on an island off Midcoast, Maine, Edge House is a low-slung cabin that hugs the rocky coast. The client commissioned Charles Rose Architects to design a simple cottage retreat that could take full advantage of the view, while also remaining inconspicuously nestled in the trees. The solution was a simple wood-shingled structure that features large glass windows, connecting both structure and inhabitant to the site. From the water’s edge, only a few hundred meters away, the house is barely visible. The selection of contextual materials, specifically cedar shingles, was meant to embed the structure in the landscape. For the interior, bedrooms are purposefully small, and beds were positioned close to the full-height windows, allowing occupants to immerse themselves in the view. Clerestory windows under the roof further amplify the quality of natural light and create a weightless effect on the roof from the outside. The stone fireplace, located in the living room, was crafted with stones gathered from the site as another way to bring the outdoors in.

LOS ANGELES, CA / SINGLE FAMILY RESIDENTIAL
The commission for this 4,300-square-foot residence came with significant challenges for the architects – a house had once existed on the lot but had burned down and the attempt to replace the house had stalled, leading to an abatement order and a lapse of permits.
Our first challenge was to revive the lapsed construction permit by proposing to “modify” the existing structure. The practical effect this had was to fix the footprint of the new home to the existing structure’s plan outline. Having thereby inherited the large, dense block of the original house, the new strategy became one of substituting selective areas of indoor space for outdoor courtyard.
This strategy of trading indoor space for outdoor courtyard allowed an erosion of the formerly monolithic structure into a series of distinct volumetric elements, and further suggested that the architectural pieces could cohere as a “village.” The main level is further eroded by large, glazed planes, merging indoor with outdoor, and virtually stretching the landscape across interior space. Moving the detached garage from the rear yard to beneath the new living space allowed for a 75-meter lap pool and a shaded olive garden.
The gardens include built-in seating, extensive use of ornamental grasses and Zen-like interior courtyards. A material palette of fossilized stone, bonderized-galvanized metal, and natural Douglas fir allows for the warmth desired by the wife, while providing the modernity required by the husband. Programmatically, her music room borrows from the calm and protected olive court in the rear, while his office becomes a pavilion set in the landscape, which both addresses the street and acts as a sheltering monument for the terraced entry garden.

Believed to be the oldest building in Excelsior Minnesota, this humble brick structure has transformed, been moved, and housed countless people over its 162 years. Affectionately known as ‘The Beehive’, it was built in 1857 and began as the original Excelsior schoolhouse. It was moved to its’ current location in the 1880’s and became a 23-room dormitory for Northwestern Christian College, followed by a boarding house, and finally apartments (in addition to the rumors of more sordid activities in the early 20th century!).
After being in the same family for several decades, the owner wanted to transform the building one more time to make it her own home. Citydeskstudio worked closely with her and the Excelsior Historic Preservation Commission on the design. She now occupies the main floor, with additional units above and below for rental and for family.
The design celebrates the stout and blocky character of the building with a new modern expansion off the back. There, the building steps and expands outwards in glassy boxes of charred cedar. Inside, the original structure was repaired and uncovered where possible, and previous poorly done modifications were corrected. The center piece of this more open and light-filled home is a rich modern kitchen in walnut, travertine, and steel. The old character remains ever present and is essential to the spirit of The Beehive’s latest transformation.
This multigenerational home’s design honors the legacy of the property, marrying the original Excelsior schoolhouse with a beautiful, modern, contextually-sensitive remodel and addition.
Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge

The approach to Edge House, a walk through verdant woodland abundant with ferns and moss, is a lesson in arrival. What appears is a woodsy yet contemporary dwelling divided into two volumes, framing an ocean view. Located on an island off Midcoast, Maine, Edge House is a low-slung cabin that hugs the rocky coast. The client commissioned Charles Rose Architects to design a simple cottage retreat that could take full advantage of the view, while also remaining inconspicuously nestled in the trees. The solution was a simple wood-shingled structure that features large glass windows, connecting both structure and inhabitant to the site. From the water’s edge, only a few hundred meters away, the house is barely visible. The selection of contextual materials, specifically cedar shingles, was meant to embed the structure in the landscape. For the interior, bedrooms are purposefully small, and beds were positioned close to the full-height windows, allowing occupants to immerse themselves in the view. Clerestory windows under the roof further amplify the quality of natural light and create a weightless effect on the roof from the outside. The stone fireplace, located in the living room, was crafted with stones gathered from the site as another way to bring the outdoors in.

As a long abandoned structure, this historic late 1800's Shingle style house was a detriment to Cuero's residential historic district. The local preservationist owner commissioned Fisher Heck to restore the house to its original roots, reaffirming its place in the storied neighborhood. Almost everything down to the studs had to be rebuilt or refinished. All new lighting and mechanical systems are installed throughout the house and a 670sf addition was added to the rear of property that adds another bedroom suite to the home. Apart from the house, a new carport and driveway were designed as a modern convenience for the owner. All work was done in conjunction with the Secretary of Interior Standards for Historic Restoration. Photo by Alfredo Mora.

The owners of this historic house on a promontory surrounded by water asked Morpurgo Architects to maximize ocean views while expanding their home for their growing family.
Conforming to The Rhode Island Historical Preservation and Heritage Commission’s requirements, our modifications to the existing structure are sympathetic to the original Stuccoed Mission-style and contextually in keeping with neighboring historic homes.
This challenging site presented numerous constraints, including adherence to oceanfront setbacks and environmental and zoning regulations. We overcame imposing restrictions to develop a dynamic plan that fulfilled the clients’ programmatic and aesthetic needs.
The kitchen was identified by our clients as the focal point of family activity. We maximized this lifestyle concept by developing the kitchen into a spacious living area with commanding views of the water. Renovations to the third floor allowed Morpurgo Architects to create an outdoor space offering a panorama of the historic surrounding communities.

LOS ANGELES, CA / SINGLE FAMILY RESIDENTIAL
The commission for this 4,300-square-foot residence came with significant challenges for the architects – a house had once existed on the lot but had burned down and the attempt to replace the house had stalled, leading to an abatement order and a lapse of permits.
Our first challenge was to revive the lapsed construction permit by proposing to “modify” the existing structure. The practical effect this had was to fix the footprint of the new home to the existing structure’s plan outline. Having thereby inherited the large, dense block of the original house, the new strategy became one of substituting selective areas of indoor space for outdoor courtyard.
This strategy of trading indoor space for outdoor courtyard allowed an erosion of the formerly monolithic structure into a series of distinct volumetric elements, and further suggested that the architectural pieces could cohere as a “village.” The main level is further eroded by large, glazed planes, merging indoor with outdoor, and virtually stretching the landscape across interior space. Moving the detached garage from the rear yard to beneath the new living space allowed for a 75-meter lap pool and a shaded olive garden.
The gardens include built-in seating, extensive use of ornamental grasses and Zen-like interior courtyards. A material palette of fossilized stone, bonderized-galvanized metal, and natural Douglas fir allows for the warmth desired by the wife, while providing the modernity required by the husband. Programmatically, her music room borrows from the calm and protected olive court in the rear, while his office becomes a pavilion set in the landscape, which both addresses the street and acts as a sheltering monument for the terraced entry garden.

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Believed to be the oldest building in Excelsior Minnesota, this humble brick structure has transformed, been moved, and housed countless people over its 162 years. Affectionately known as ‘The Beehive’, it was built in 1857 and began as the original Excelsior schoolhouse. It was moved to its’ current location in the 1880’s and became a 23-room dormitory for Northwestern Christian College, followed by a boarding house, and finally apartments (in addition to the rumors of more sordid activities in the early 20th century!).
After being in the same family for several decades, the owner wanted to transform the building one more time to make it her own home. Citydeskstudio worked closely with her and the Excelsior Historic Preservation Commission on the design. She now occupies the main floor, with additional units above and below for rental and for family.
The design celebrates the stout and blocky character of the building with a new modern expansion off the back. There, the building steps and expands outwards in glassy boxes of charred cedar. Inside, the original structure was repaired and uncovered where possible, and previous poorly done modifications were corrected. The center piece of this more open and light-filled home is a rich modern kitchen in walnut, travertine, and steel. The old character remains ever present and is essential to the spirit of The Beehive’s latest transformation.
This multigenerational home’s design honors the legacy of the property, marrying the original Excelsior schoolhouse with a beautiful, modern, contextually-sensitive remodel and addition.
Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge

Believed to be the oldest building in Excelsior Minnesota, this humble brick structure has transformed, been moved, and housed countless people over its 162 years. Affectionately known as ‘The Beehive’, it was built in 1857 and began as the original Excelsior schoolhouse. It was moved to its’ current location in the 1880’s and became a 23-room dormitory for Northwestern Christian College, followed by a boarding house, and finally apartments (in addition to the rumors of more sordid activities in the early 20th century!).
After being in the same family for several decades, the owner wanted to transform the building one more time to make it her own home. Citydeskstudio worked closely with her and the Excelsior Historic Preservation Commission on the design. She now occupies the main floor, with additional units above and below for rental and for family.
The design celebrates the stout and blocky character of the building with a new modern expansion off the back. There, the building steps and expands outwards in glassy boxes of charred cedar. Inside, the original structure was repaired and uncovered where possible, and previous poorly done modifications were corrected. The center piece of this more open and light-filled home is a rich modern kitchen in walnut, travertine, and steel. The old character remains ever present and is essential to the spirit of The Beehive’s latest transformation.
This multigenerational home’s design honors the legacy of the property, marrying the original Excelsior schoolhouse with a beautiful, modern, contextually-sensitive remodel and addition.
Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge

Believed to be the oldest building in Excelsior Minnesota, this humble brick structure has transformed, been moved, and housed countless people over its 162 years. Affectionately known as ‘The Beehive’, it was built in 1857 and began as the original Excelsior schoolhouse. It was moved to its’ current location in the 1880’s and became a 23-room dormitory for Northwestern Christian College, followed by a boarding house, and finally apartments (in addition to the rumors of more sordid activities in the early 20th century!).
After being in the same family for several decades, the owner wanted to transform the building one more time to make it her own home. Citydeskstudio worked closely with her and the Excelsior Historic Preservation Commission on the design. She now occupies the main floor, with additional units above and below for rental and for family.
The design celebrates the stout and blocky character of the building with a new modern expansion off the back. There, the building steps and expands outwards in glassy boxes of charred cedar. Inside, the original structure was repaired and uncovered where possible, and previous poorly done modifications were corrected. The center piece of this more open and light-filled home is a rich modern kitchen in walnut, travertine, and steel. The old character remains ever present and is essential to the spirit of The Beehive’s latest transformation.
This multigenerational home’s design honors the legacy of the property, marrying the original Excelsior schoolhouse with a beautiful, modern, contextually-sensitive remodel and addition.
Project Team:
Ben Awes, AIA, Principal-In-Charge
Chris Bach
Nate Dodge
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