With sweeping views of the Willamette river and Mt. Hood, this Atwater Place condo was designed with a balance of minimalism and livability in mind. A complete kitchen remodel brought a dark interior kitchen to the light and a full furnishings package welcomed Los Angeles transplants home to their new modern and bright residence. Our clients, a retired camera operator for both feature films and television and a producer/production manager on numerous television series including Weeds and The Middle, relocated from their traditionally-styled LA bungalow to Portland in the Summer of 2014. The couple sought a design departure from their long-term California residence and a fresh start for their new life in the South Waterfront. With only two pieces of sentimental furniture and a handful of artwork included in the plan, we set out to create a comfortable and clean-lined furnishings package complimenting the broad southeast views. Organically shaped upholstery pieces juxtaposed with angular steel and wood tables create a soft balance in the open floor plan. Several custom pieces, including a dining table designed by our studio and a custom hand-blown glass chandelier crafted by Scott Schiesel with Lightlite compliment timeless pieces from Knoll, Herman Miller, and B&B Italia. The kitchen is designed to reflect light and create brilliance in a space that is otherwise naturally dark. A material balance of stainless steel, back painted glass, quartz composite, lacquer, and mirror all play their part in creating a vibrant cooking environment. We collectively decided to forgo the traditional island pendant for a linear commercial fixture that provides tremendous light to the prep surface and creates an unexpected architectural element. The mirrored prep island creates the illusion of open space while concealing casework and wine storage on the working side of the kitchen. It is worth noting that this project was designed and installed almost entirely while our clients were still living in LA and wrapping up professional obligations and selling their home. This afforded us the tremendous opportunity to send our clients to showrooms not available in Portland to view key pieces before final specification. Textiles and finish samples were approved via mail and communication took place over e-mail, telephone, and an occasional office visit. This unique process lead to a successful result and a beautifully balanced living environment. Josh Partee Photography

The owners were downsizing from a large ornate property down the street and were seeking a number of goals. Single story living, modern and open floor plan, comfortable working kitchen, spaces to house their collection of artwork, low maintenance and a strong connection between the interior and the landscape. Working with a long narrow lot adjacent to conservation land, the main living space (16 foot ceiling height at its peak) opens with folding glass doors to a large screen porch that looks out on a courtyard and the adjacent wooded landscape. This gives the home the perception that it is on a much larger lot and provides a great deal of privacy. The transition from the entry to the core of the home provides a natural gallery in which to display artwork and sculpture. Artificial light almost never needs to be turned on during daytime hours and the substantial peaked roof over the main living space is oriented to allow for solar panels not visible from the street or yard.

This is a small 16 x 20 foot cabin that we built as an artist's studio. Gobble Mountain is in the background. (Photo by Brian Fish)
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Exterior of a house at sunset in Los Feliz, CA.
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Photos: Donna Dotan Photography; Instagram: @donnadotanphoto
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A young family with a wooded, triangular lot in Ipswich, Massachusetts wanted to take on a highly creative, organic, and unrushed process in designing their new home. The parents of three boys had contemporary ideas for living, including phasing the construction of different structures over time as the kids grew so they could maximize the options for use on their land. They hoped to build a net zero energy home that would be cozy on the very coldest days of winter, using cost-efficient methods of home building. The house needed to be sited to minimize impact on the land and trees, and it was critical to respect a conservation easement on the south border of the lot. Finally, the design would be contemporary in form and feel, but it would also need to fit into a classic New England context, both in terms of materials used and durability. We were asked to honor the notions of “surprise and delight,” and that inspired everything we designed for the family. The highly unique home consists of a three-story form, composed mostly of bedrooms and baths on the top two floors and a cross axis of shared living spaces on the first level. This axis extends out to an oversized covered porch, open to the south and west. The porch connects to a two-story garage with flex space above, used as a guest house, play room, and yoga studio depending on the day. A floor-to-ceiling ribbon of glass wraps the south and west walls of the lower level, bringing in an abundance of natural light and linking the entire open plan to the yard beyond. The master suite takes up the entire top floor, and includes an outdoor deck with a shower. The middle floor has extra height to accommodate a variety of multi-level play scenarios in the kids’ rooms. Many of the materials used in this house are made from recycled or environmentally friendly content, or they come from local sources. The high performance home has triple glazed windows and all materials, adhesives, and sealants are low toxicity and safe for growing kids. Photographer credit: Irvin Serrano

Mike Butler
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One of the hallmarks of Prairie style architecture is the integration of a home into the surrounding environment. So it is only fitting for a modern Prairie-inspired home to honor its environment through the use of sustainable materials and energy efficient systems to conserve and protect the earth on which it stands. This modern adaptation of a Prairie home in Bloomfield Hills completed in 2015 uses environmentally friendly materials and systems. Geothermal energy provides the home with a clean and sustainable source of power for the heating and cooling mechanisms, and maximizes efficiency, saving on gas and electric heating and cooling costs all year long. High R value foam insulation contributes to the energy saving and year round temperature control for superior comfort indoors. LED lighting illuminates the rooms, both in traditional light fixtures as well as in lighted shelving, display niches, and ceiling applications. Low VOC paint was used throughout the home in order to maintain the purest possible air quality for years to come. The homeowners will enjoy their beautiful home even more knowing it respects the land, because as Thoreau said, “What is the use of a house if you don’t have a decent planet to put it on?”

16-foot long kitchen island with 3.5-inch thick Taj Mahal leathered quartzite. Breakfast nook overlooking the conserved oak at right. Model is Jazmine Myleigh

Designed by Malia Schultheis and built by Tru Form Tiny. This Tiny Home features Blue stained pine for the ceiling, pine wall boards in white, custom barn door, custom steel work throughout, and modern minimalist window trim in fir. This table folds down and away.

Home automation controls everything from the automatic window shades, to lighting, to heating and cooling systems, hot water and even the ice maker – allowing the homeowner to monitor, control and conserve resources in the home from their city pied-à-terre. © Maxwell Mackenzie and BOWA

This residence is situated on a flat site with views north and west to the mountain range. The opposing roof forms open the primary living spaces on the ground floor to these views, while the upper floor captures the sun and view to the south. The integrity of these two forms are emphasized by a linear skylight at their meeting point. The sequence of entry to the house begins at the south of the property adjacent to a vast conservation easement, and is fortified by a wall that defines a path of movement and connects the interior spaces to the outdoors. The addition of the garage outbuilding creates an arrival courtyard. A.I.A Wyoming Chapter Design Award of Merit 2014 Project Year: 2008

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