The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Mid-sized farmhouse master white tile and ceramic tile porcelain tile and brown floor freestanding bathtub photo in Raleigh with recessed-panel cabinets, white cabinets, a two-piece toilet, white walls, an undermount sink, marble countertops, a hinged shower door and white countertops

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Inspiration for a large coastal open concept dark wood floor living room remodel in Boston with white walls, a standard fireplace and a stone fireplace

Reverse Shed Eichler This project is part tear-down, part remodel. The original L-shaped plan allowed the living/ dining/ kitchen wing to be completely re-built while retaining the shell of the bedroom wing virtually intact. The rebuilt entertainment wing was enlarged 50% and covered with a low-slope reverse-shed roof sloping from eleven to thirteen feet. The shed roof floats on a continuous glass clerestory with eight foot transom. Cantilevered steel frames support wood roof beams with eaves of up to ten feet. An interior glass clerestory separates the kitchen and livingroom for sound control. A wall-to-wall skylight illuminates the north wall of the kitchen/family room. New additions at the back of the house add several “sliding” wall planes, where interior walls continue past full-height windows to the exterior, complimenting the typical Eichler indoor-outdoor ceiling and floor planes. The existing bedroom wing has been re-configured on the interior, changing three small bedrooms into two larger ones, and adding a guest suite in part of the original garage. A previous den addition provided the perfect spot for a large master ensuite bath and walk-in closet. Natural materials predominate, with fir ceilings, limestone veneer fireplace walls, anigre veneer cabinets, fir sliding windows and interior doors, bamboo floors, and concrete patios and walks. Landscape design by Bernard Trainor: www.bernardtrainor.com (see “Concrete Jungle” in April 2014 edition of Dwell magazine). Microsoft Media Center installation of the Year, 2008: www.cybermanor.com/ultimate_install.html (automated shades, radiant heating system, and lights, as well as security & sound).

Photo by Molly Winters
Example of a small classic gray tile and marble tile marble floor and gray floor walk-in shower design in Austin with shaker cabinets, blue cabinets, a one-piece toilet, an undermount sink, marble countertops, a hinged shower door and gray countertops

Example of a large urban open concept and u-shaped laminate floor and brown floor kitchen design in Los Angeles with black walls, a ribbon fireplace, a metal fireplace, a wall-mounted tv, a farmhouse sink, shaker cabinets, black cabinets, red backsplash, brick backsplash, stainless steel appliances, an island and white countertops

I custom designed this vanity out of zinc and wood. I wanted it to be space saving and float off of the floor. The tub and shower area are combined to create a wet room. the overhead rain shower and wall mounted fixtures provide a spa-like experience. Photo: Seth Caplan

Photo: Vicki Bodine
Eat-in kitchen - large cottage u-shaped medium tone wood floor eat-in kitchen idea in New York with a farmhouse sink, beaded inset cabinets, white cabinets, marble countertops, white backsplash, stone slab backsplash, stainless steel appliances and an island

Photo: Vicki Bodine
Example of a large country medium tone wood floor kitchen design in New York with a farmhouse sink, beaded inset cabinets, white cabinets, marble countertops, white backsplash, stone slab backsplash, stainless steel appliances and an island

The “handrill” of Corten steel follows the peastone and steel steps down a steep slope to pour into a round basin, emptying into a channel that meanders through the narrow back garden at ground level, ending finally in a boulder fountain. Devised to minimize root disturbance for the tall existing pines on the property, the continuous Corten steel structure is supported by concrete tubes rather than a foundation that would have required extensive excavation. Architect: Wolf Architects, Inc. General Contractor: GF Rhode Construction, Inc. Landscape Contractor: Robert Hanss, Inc. Steel Fabrication: Wovensteel and Richard Duca Water Systems: Pond Creations by Sean Photo by Susan Teare.

Tom Holdsworth Photography Our clients wanted to create a room that would bring them closer to the outdoors; a room filled with natural lighting; and a venue to spotlight a modern fireplace. Early in the design process, our clients wanted to replace their existing, outdated, and rundown screen porch, but instead decided to build an all-season sun room. The space was intended as a quiet place to read, relax, and enjoy the view. The sunroom addition extends from the existing house and is nestled into its heavily wooded surroundings. The roof of the new structure reaches toward the sky, enabling additional light and views. The floor-to-ceiling magnum double-hung windows with transoms, occupy the rear and side-walls. The original brick, on the fourth wall remains exposed; and provides a perfect complement to the French doors that open to the dining room and create an optimum configuration for cross-ventilation. To continue the design philosophy for this addition place seamlessly merged natural finishes from the interior to the exterior. The Brazilian black slate, on the sunroom floor, extends to the outdoor terrace; and the stained tongue and groove, installed on the ceiling, continues through to the exterior soffit. The room's main attraction is the suspended metal fireplace; an authentic wood-burning heat source. Its shape is a modern orb with a commanding presence. Positioned at the center of the room, toward the rear, the orb adds to the majestic interior-exterior experience. This is the client's third project with place architecture: design. Each endeavor has been a wonderful collaboration to successfully bring this 1960s ranch-house into twenty-first century living.

De Leon & Primmer Architecture Workshop
Cottage screened-in porch photo in Louisville with decking and a roof extension

Urban single-wall kitchen photo in DC Metro with flat-panel cabinets, light wood cabinets, stainless steel countertops, an island, an integrated sink, stainless steel appliances and brown backsplash

Example of a mid-sized mountain style guest medium tone wood floor bedroom design with brown walls and no fireplace

The shower is universally designed and has no curb or step at its entry. The drawer pulls are also designed for easy use. A Bonisolli Photography
Mid-sized transitional white tile walk-in shower photo in Miami with an undermount sink, flat-panel cabinets, white cabinets and marble countertops

Example of a mid-sized transitional l-shaped slate floor and gray floor eat-in kitchen design in San Diego with a farmhouse sink, shaker cabinets, quartzite countertops, stainless steel appliances, an island, gray countertops, white cabinets and white backsplash

Custom Metropolitan inset cabinets in Frosty White Countertops are ColorQuartz Calacatta Novus Walnut open drawers
Transitional medium tone wood floor and brown floor kitchen photo in Boston with recessed-panel cabinets, white cabinets, quartz countertops, white backsplash, stone slab backsplash and white countertops

Mid-century kitchen, casual dining room
Mid-sized 1950s dining room photo in Los Angeles