Custom kitchen with Danby Marble and Pietra Cardosa Counters
Cottage u-shaped medium tone wood floor and brown floor kitchen photo in Boston with a farmhouse sink, shaker cabinets, gray cabinets, white backsplash, stone slab backsplash, paneled appliances, an island and white countertops

Modern Rustic Kitchen leads to Exterior Kitchen with Nanawall System.
Large mountain style galley dark wood floor and brown floor eat-in kitchen photo in Seattle with an undermount sink, shaker cabinets, white cabinets, granite countertops, beige backsplash, stainless steel appliances, an island and black countertops

Design by #JGKB in McLean, Virginia. Photography by Bob Narod.
Example of a large transitional l-shaped medium tone wood floor open concept kitchen design in DC Metro with recessed-panel cabinets, white cabinets, beige backsplash, stainless steel appliances, an island, an undermount sink, granite countertops and limestone backsplash

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Alice Cottrell Interior Design | Rick Rozas Design Photo Credit: Stephen Karlisch
Inspiration for a large 1960s master carpeted and gray floor bedroom remodel in Dallas with no fireplace and brown walls

Easton, Maryland Traditional Kitchen Design by #JenniferGilmer with a lake view http://gilmerkitchens.com/ Photography by Bob Narod

Patio - large rustic backyard stone patio idea with a roof extension and a fireplace

Family room - transitional open concept concrete floor and gray floor family room idea in Austin with white walls and a ribbon fireplace

This newly constructed home offers an expansive floor plan with spectacular views of the countryside through the many windows seen throughout the home. The foyer commands particular attention with its floating staircase and exquisite polished porcelain flooring. Continuing into the living area, wide-planked, antiqued maple flooring grounds the room, while custom Norwalk and Fairfield furniture sits atop Karastan rugs. The kitchen is a chef’s dream come true with ample room to cook and entertain among the custom cabinets. Chisel-edge porcelain tile was installed in a random pattern, perfectly complimenting the Ash Gold granite countertops and tumbled travertine backsplash. The master suite allows for a relaxing retreat with calming colors seen in the bedding, custom silk drapery, and cozy, hand-knotted Kalaty rug. Stepping into the master bath, the porcelain tile, soaker tub, and custom tiled shower create a peaceful oasis. Kim Johnson, Interior Designer, enjoyed helping her clients select products from a variety of vendors to create a beautiful new home for this family. As always, we truly appreciate our clients and hope they enjoy many happy years in their new home. Designer: Kim Johnson Contractor: John Kavanaugh Granite Countertops: Stoneworks Cabinets: Mowdy Cabinetry Photographer: Al Pursley, The Digital Studio

Transitional open concept light wood floor and beige floor living room photo in Minneapolis with gray walls, a ribbon fireplace, a tile fireplace and a wall-mounted tv

Living room - mid-century modern open concept concrete floor living room idea in Boston with white walls

Architect- Marc Taron Contractor- 3D Builders Photography- Dan Cunningham
Inspiration for a large tropical cable railing deck remodel in Hawaii with a roof extension

Example of a cottage u-shaped gray floor and carpeted wet bar design in Minneapolis with a drop-in sink, wood countertops, white backsplash, wood backsplash and brown countertops

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

The juxtaposition of raw, weathered and finished woods with sleek whites, mixed metals and soft textured elements strike a fabulous balance between industrial, rustic and glamorous – exactly what the designers envisioned for this dream retreat. This unique home’s design combines recycled shipping containers with traditional stick-building methods and resulted in a luxury hybrid home, inside and out. The design team was particularly challenged with overcoming various preconceived notions about containers to truly create something new, luxurious and sustainable.

Photo: Mina Brinkey © 2014 Houzz Design: Katie Gagnon, Blue Moon Trading Company
Inspiration for a transitional living room remodel in Tampa

Inspiration for a zen master light wood floor bedroom remodel in Ahmedabad with white walls

Inspiration for a contemporary backyard deck remodel in Ahmedabad with a pergola