Design ideas for a traditional shade backyard water fountain landscape in Houston.

New Additions to Hoover + Hill This project is a continuation of the renovation and updating work Flavin Architects had previously completed at the 1958 Wales house, designed by architect Henry Hoover and Walter Hill. Our clients, a young family, desired more space for guests, a home office, a yoga studio, and covered car parking. The challenge was to respect the architects’ original vision and not to interfere with the perfect cruciform plan of the house. To accomplish these goals, we converted the existing garage/workshop structure into a guest house and then designed a new, separate carport/storage building. The new carport building shares the low-slope gable of the original Hoover structure. The post and beam structure characteristic of Hoover’s design is updated through the use of galvanized steel posts and I beams. The galvanized beams cantilever to support a sheltered walkway leading from the parking to a guest house terrace defined in relationship to the three structures surrounding it. The terrace is paved in slate with a central rain garden. Wood lattice clads the carport, providing good ventilation and letting the building glow like a lantern at night. Our guest house renovation celebrates the unique structural timber ceiling of the original garage. We replaced opaque plywood trusses with a slender cable truss structurally engineered by Webb Structural Services. This cable truss allows for a view of the timber ceiling. A wall of glass facing the courtyard replaced the original garage door. A murphy bed in the rear room enables quick conversion from guest quarters to weight room.

This Spanish Revival takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

This Spanish Revival takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

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This Spanish Revival takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

This Spanish Revival takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

This Spanish Revival takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

This Spanish Revival takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

This Spanish Revival takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

New Additions to Hoover + Hill This project is a continuation of the renovation and updating work Flavin Architects had previously completed at the 1958 Wales house, designed by architect Henry Hoover and Walter Hill. Our clients, a young family, desired more space for guests, a home office, a yoga studio, and covered car parking. The challenge was to respect the architects’ original vision and not to interfere with the perfect cruciform plan of the house. To accomplish these goals, we converted the existing garage/workshop structure into a guest house and then designed a new, separate carport/storage building. The new carport building shares the low-slope gable of the original Hoover structure. The post and beam structure characteristic of Hoover’s design is updated through the use of galvanized steel posts and I beams. The galvanized beams cantilever to support a sheltered walkway leading from the parking to a guest house terrace defined in relationship to the three structures surrounding it. The terrace is paved in slate with a central rain garden. Wood lattice clads the carport, providing good ventilation and letting the building glow like a lantern at night. Our guest house renovation celebrates the unique structural timber ceiling of the original garage. We replaced opaque plywood trusses with a slender cable truss structurally engineered by Webb Structural Services. This cable truss allows for a view of the timber ceiling. A wall of glass facing the courtyard replaced the original garage door. A murphy bed in the rear room enables quick conversion from guest quarters to weight room.

This Spanish Revival takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

Inspiration for a farmhouse home design remodel in Portland

MONTECITO, CA / SINGLE FAMILY RESIDENTIAL The Casa de Casey takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

MONTECITO, CA / SINGLE FAMILY RESIDENTIAL The Casa de Casey takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

MONTECITO, CA / SINGLE FAMILY RESIDENTIAL The Casa de Casey takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

MONTECITO, CA / SINGLE FAMILY RESIDENTIAL The Casa de Casey takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

MONTECITO, CA / SINGLE FAMILY RESIDENTIAL The Casa de Casey takes its place among the graceful and genteel tradition of Santa Barbara architecture. Located in a secreted area of Montecito, the house is tucked amidst a wooded glen along a riparian creek bed. Carefully sited at the top of a rolling green, the building provides a strong form in the natural landscape. With its reference to historical precedent, the house is both undeniably familiar and tangibly rich. Site sensitivity and pure spatial relationships combine in new ways, showing that what’s old can be new again. An entry courtyard concealed behind a pair of wooden doors of Moorish design begins the entry sequence. The courtyard, wrapped around an existing mature oak tree, creates an outdoor room, which establishes an interplay between interior and exterior spaces, a theme that recurs throughout the house. An exercise in scale and proportion, the 5,000-square-foot residence is imbued with classic detail and richness found in the Spanish Colonial architecture characteristic of George Washington Smith and others. Interior spaces are created through pure and varied geometric volumes, and are elaborated by opened beamed ceilings, groin vaults and Moorish arches.

New Additions to Hoover + Hill This project is a continuation of the renovation and updating work Flavin Architects had previously completed at the 1958 Wales house, designed by architect Henry Hoover and Walter Hill. Our clients, a young family, desired more space for guests, a home office, a yoga studio, and covered car parking. The challenge was to respect the architects’ original vision and not to interfere with the perfect cruciform plan of the house. To accomplish these goals, we converted the existing garage/workshop structure into a guest house and then designed a new, separate carport/storage building. The new carport building shares the low-slope gable of the original Hoover structure. The post and beam structure characteristic of Hoover’s design is updated through the use of galvanized steel posts and I beams. The galvanized beams cantilever to support a sheltered walkway leading from the parking to a guest house terrace defined in relationship to the three structures surrounding it. The terrace is paved in slate with a central rain garden. Wood lattice clads the carport, providing good ventilation and letting the building glow like a lantern at night. Our guest house renovation celebrates the unique structural timber ceiling of the original garage. We replaced opaque plywood trusses with a slender cable truss structurally engineered by Webb Structural Services. This cable truss allows for a view of the timber ceiling. A wall of glass facing the courtyard replaced the original garage door. A murphy bed in the rear room enables quick conversion from guest quarters to weight room.