Decision Businesses - Photos & Ideas

Langdon from Cambria's Coastal Collection

Cambria

Langdon from Cambria's Coastal Collection.
Kitchen - transitional kitchen idea in Minneapolis

Waban Street

Betsy Bassett Interiors

Photo Credit: Betsy Bassett
Mid-sized transitional freestanding desk dark wood floor and beige floor study room photo in Boston with gray walls

Bathroom

Fredman Design Group

Designers gave the house a wood-and-steel façade that blends traditional and industrial elements.Photography by Eric Hausman Designers gave the house a wood-and-steel façade that blends traditional and industrial elements. This home’s noteworthy steel shipping container construction material, offers a streamlined aesthetic and industrial vibe, with sustainable attributes and strength. Recycled shipping containers are fireproof, impervious to water and stronger than traditional building materials. Inside, muscular concrete walls, burnished cedar beams and custom oak cabinetry give the living spaces definition, decorative might, and storage and seating options. For more than 40 years, Fredman Design Group has been in the business of Interior Design. Throughout the years, we’ve built long-lasting relationships with our clients through our client-centric approach. When creating designs, our decisions depend on the personality of our clients—their dreams and their aspirations. We manifest their lifestyle by incorporating elements of design with those of our clients to create a unique environment, down to the details of the upholstery and accessories. We love it when a home feels finished and lived in, with various layers and textures. While each of our clients and their stories has varied over the years, they’ve come to trust us with their projects—whether it’s a single room to the larger complete renovation, addition, or new construction. They value the collaborative team that is behind each project, embracing the diversity that each designer is able to bring to their project through their love of art, travel, fashion, nature, history, architecture or film—ultimately falling in love with the nurturing environments we create for them. We are grateful for the opportunity to tell each of clients’ stories through design. What story can we help you tell? Call us today to schedule your complimentary consultation - 312-587-9184

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Black Banks Plantation

Envision Web

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Sponsored

Columbus, OH

Wannemacher Interiors26 Reviews

Customized Award-Winning Interior Design Solutions in Franklin Cnty OH

The Rockstar Pool Experience

Legendary Escapes Pools

The design strategy included working within the footprint created by the home and backyard, wanting to incorporate a swimming pool “destination” within the backyard that would be large enough to fit the “larger than life” criteria, but without taking away any of the natural beauty or obstructing the view of the horse pastures, barn and nature surrounding the home. Once the design work began, and the pool area was able to incorporate one of every feature the customer could have wanted, Curtis had some steel grates from a former tilt-a-whirl carnival ride that gave him the idea of suspending a stage over the pool. The initial idea was a modest stage with some waterfall/sheer decent features. With the idea of using steel to form the framework, the stage idea grew into something much more that would include a full stage set up, lighting trusses, a “green room” and staging area. Once the stage was designed to be so large, the pool size and scope needed to match including the patio surround, area underneath the stage, and all the additional features. The home architecture is a Ranch with a full finished walkout basement adjacent to the pool area. An existing deck had to be removed to allow for the pool build and new Trex deck, as well as a 3 story tall observation tower that overlooks the pool and surrounding horse pastures. The design strategy was to work within the footprint the house and decks provided to create an extension of the home for outdoor entertaining. Since the exterior of the house was quite long (and dull, the owner equating it to a 1970’s motel), our team needed to incorporate elements to make the space feel more like a backyard resort. The goal was maintaining a cozy at home feel in a grand expanse of space. It takes a team and a unique blend of artistry to build this project. Sandi Maki, co-owner of the company is responsible for the business side of things, and marketing to reach exceptional customers who allow us to build these backyard dreams. The construction side of our company boasts a diverse, multi-geneational family business. Allan Curtis is the designer/builder and comes up with the fantastic pool plans and ideas. His team consists of his daughter Jesse Curtis, who is high right hand and manages the project just as much as Allan does. She is instrumental in everything from dig day, to tying the steel, pouring the concrete, stonework and tile work, forming the waterfall, applying ecoFinish, pouring and stamping patio, and everything in between. Allan’s nephew Mark Curtis installed and plumbed the three pool filtration systems. Allan’s wife Annie has become very good at stonework on walls and waterfalls adding the unique accents our projects have become known for. Allan’s sister-in-law, Karen Olson also does tile and stonework on the jobs and created the rockstar mural on the patio. Frank DiPiazza assists with structural elements and built the new deck, and college student Brendan Schafer assists where needed and maintains the pool and equipment during the summer on a weekly basis. As with many homeowners who reach out to Legendary Escapes, this owner, Dale Walter, knew he wanted a “custom” pool without knowing what that really meant. He was able to show Curtis the space, and his initial ideas, and then allowed Allan and his team the freedom to dream and build. The majority of Legendary Escapes customers make the decision to hire the company after the first meeting with Curtis. As long as the project and design are challenging and interesting, the customer meets the criteria of being easy to work with, and is special in their own unique way Curtis will consider taking on their project. From the beginning it is important to Curtis that the customer understands they need to allow the project to take on a life of it’s own, and for Curtis to create without interference or asking too many questions – working together becomes a reality. The design is typically presented on paper, a hand-colored, hand drawn design that outlines only the large elements, and an accompanying budget which outlines the structural elements and budgets and has a “theme” budget for items to be determined but doesn’t change once it is set. Once that contract is signed, Curtis and his team over-deliver on what the customer could only have dreamed up in their wildest imagination. Projects proceed in an organic way- not every element is planned before the project begins. As the space begins to take shape, so do the details and finishing elements. When the Rockstar project began, there was no plan for the guitars on the fences, or guitar fire features. The VIP seating area wasn’t added until mid way through the patio pours as the space began to take shape. The murals both in the grotto and on the pool floor were planned just moments before each of them was to be installed. It’s this free-flowing combination of the customers and team’s dreams, ideas, elements and the Legendary Escapes team that creates backyard pools that are as much art as they are design and engineering masterpieces.

REASONS WHY YOU SHOULD BUILD A PERGOLA

Elite Construction and Remodel Corp

Building a large outdoor structure in your backyard or at your business is a big decision to make. You have to factor in location, size, material, and usually, you’ll need a budget in mind. Building a pergola has many benefits. This week, we’d like to share with you a few reasons why building one may be one of the best decisions you’ll ever make.

Timeless Family-Focused Kitchen

Drury Design

The Setup: After purchasing this home, the homeowners faced a unique opportunity to reimagine their kitchen and nearby spaces. Water damage from a burst pipe had left much of the home’s interior in need of repair, and while the existing kitchen was functional and in relatively good shape, it didn’t align with the family’s vision for their new home. The layout included a peninsula that wasn’t ideal, and there were some druthers with the nearby pantry. Since the space needed to be rebuilt anyway, the homeowners saw this as a chance to create a kitchen that was both highly functional for their four young children and timeless in its design. The project also included a refresh of the adjacent message center and dining room — spaces that play key roles in the family’s daily life. The goal was to create a cohesive flow between these areas, balancing modern functionality with the craftsman-inspired character of the rest of the home. Design Objectives: - Replace the outdated peninsula with a large island to maximize counter space and create new seating options. - Open up the space visually by removing soffits and rethinking the cabinetry layout. Incorporate concealed refrigeration and freezer units to provide significant storage for the family while maintaining a streamlined aesthetic. - Integrate black cabinetry into the design without making the space feel harsh or heavy. - Ensure the lighting plan balances functional task lighting with ambient accent lighting. - Avoid visual clutter in the cabinetry design while still giving a nod to the craftsman aesthetic. - Incorporate a slab backsplash as a key design feature. Design Challenges: - The outdated peninsula left dead space in the kitchen and lacked sufficient seating for the family. - The cooktop wall was cramped, with small cabinets flanking the hood, limited storage, and soffits that made the space feel closed-in. - The family needed significant refrigeration space (two refrigerators and a freezer) but wanted to avoid a cluttered look with visible stainless steel appliances. - Adding black cabinetry risked making the space feel too dark or heavy. - The original lighting plan was insufficient, particularly over the dining table where a decorative fixture proved too dim. - The family wanted shaker-style drawer fronts to match the home’s arts-and-crafts design but worried that too much shaker cabinetry might look overly busy. - Prioritizing a slab backsplash in the wish list priority planning. The Renewed Space Design Solutions: - A functional island: The peninsula was replaced with a large island that provides continuous countertop space for prepping and serving. The island also features seating for four people, creating a central hub for informal meals and activities. - Streamlined cooktop wall: The soffits were removed, and the upper cabinets on the cooktop wall were eliminated to create a more open, streamlined design. A custom oversized hood became the focal point of the wall, with the blower unit offset inside it to align with the cooktop while maintaining exterior visual symmetry. - Concealed refrigeration: Two column refrigerators and one freezer were integrated into the cabinetry, concealing them behind wood paneling that blends seamlessly with the overall design. - Warm black cabinetry: The black cabinetry was crafted from hickory with a visible grain, softening its appearance and adding warmth. The grain detail gives the cabinetry a rich, textured look that avoids feeling stark or overpowering. - Additional lighting: In the dining area, recessed can lights were added during an additional installation phase to supplement the gorgeous decorative fixture’s dim output. The new lighting plan creates a layered effect, combining functional task lighting with softer ambient lighting. - Simplified cabinetry details: Slab drawer fronts were used on the upper drawers, while five-piece shaker fronts (with slightly less prominent rail and stile pieces) were reserved for the middle and lower drawers. This approach simplified the overall look while maintaining the craftsman-inspired aesthetic. - Slab backsplash priority: The slab backsplash was prioritized by making thoughtful adjustments elsewhere, like opting not to extend cabinetry to the ceiling, which also helped visually prioritize the gorgeous slab backsplash. This decision also enhanced the kitchen’s furniture-like feel, aligning with the home’s craftsman character. - This kitchen perfectly balances practicality with timeless style. By addressing the family’s functional needs — ample seating, smart storage, and effective lighting — while incorporating thoughtful design elements like warm black cabinetry and a striking slab backsplash, Alicia created a space that works beautifully for a busy household. The result is a cohesive, inviting kitchen that honors the home’s craftsman roots and will serve the family well for years to come.

Timeless Family-Focused Kitchen

Drury Design

Sponsored

Columbus, OH

Wannemacher Interiors26 Reviews

Customized Award-Winning Interior Design Solutions in Franklin Cnty OH

Motorized Roller Shades on Doors in Sherrills Ford

Bloomin Blinds of North Charlotte

Discover how premium light-filtering materials and smart-home automation can secure street-level entryway glass without losing natural daylight. Choosing the right window treatments for a home's front entrance is one of the most challenging design decisions a homeowner can face. The front door is the focal point of a home's curb appeal, often featuring expansive glass panels or side-by-side double doors designed to make a grand architectural statement. During the day, these large glass features are an asset, flooding entryways and foyers with beautiful natural daylight. However, for homes situated on busy local roads or highly trafficked street-level lots, the dynamic completely changes once the sun goes down. The moment interior lights are switched on in the evening, a stark contrast is created with the dark outdoors. This creates a severe privacy issue, leaving the entire foyer completely exposed to passing traffic and pedestrians. Finding a solution that delivers absolute evening privacy without permanently plunging the front entrance into darkness during the day requires understanding how modern window treatment materials and operating systems interact. Light-Filtering vs. Blackout Fabrics The first step in solving street-level privacy is selecting the correct fabric type. Many homeowners mistakenly assume they need heavy, opaque blackout shades to secure their home from outside eyes at night. While blackout fabrics certainly block 100% of the view, they also block 100% of the natural daylight during the day, forcing you to constantly raise and lower the shades just to see inside your own foyer. A more effective approach for entryways utilizes premium light-filtering materials. These specialized fabrics are engineered with a precise, tight weave that operates on the principles of directional light and optical density. Daytime Functionality: When the sun is shining outside, the exterior light levels are significantly higher than the interior light levels. The light-filtering fabric diffuses the intense, direct sunlight into a soft, ambient glow throughout the entryway. This keeps the home bright, eliminates harsh glares, and protects interior hardwood flooring, paint, and trim from damaging UV rays. Night-Time Functionality: At night, the lighting dynamic reverses. The interior foyer lights make the inside bright, while the outside is dark. Because of the specialized tight weave, the fabric blocks the transmission of clear shapes and details. To a person standing out on the street or driving by on a busy road, the view inside is completely obstructed, delivering total privacy when the family is home for the evening. Challenges of Front Door Installations Securing privacy for a double wide front entrance introduces unique structural hurdles that standard windows do not face. Traditional blinds with hanging cords or manual pull chains are poorly suited for front doors. They disrupt the clean architectural lines of a grand foyer, create a safety hazard, and can easily get tangled or damaged when the doors are opened and closed. The window treatments must be mounted high and wide enough above the door trim to ensure that the front doors can swing open and close freely without ever catching on the fabric or the lower hem bar. How We Applied These Principles in Sherrills Ford, NC Applying these exact educational principles to real-world homes is what Cole and I do every day at Bloomin' Blinds of North Charlotte. We recently worked with a homeowner in Sherrills Ford whose beautiful new construction property sat on a highly trafficked road. They loved their double wide front door entrance but felt entirely too exposed to the street at night. We brought our mobile showroom directly to their driveway. This allowed us to hold up premium light-filtering fabric samples directly against their entryway glass, matching the materials perfectly to their home's natural lighting, interior paint, and trim before making a single cut. To solve their street-level privacy issue, we custom-built and installed two matching light-filtering roller shades, mounting them flawlessly side-by-side above the front door frame. To keep the home’s interior design completely cohesive, we carried the exact same style to the back of the house, installing a matching single roller shade on the rear door. Smart Home Window Automation at Your Fingertips Because entryway windows can be tall and awkward to reach manually, our family team integrated advanced smart-home motorization into this Sherrills Ford project. Beyond the convenience of a handheld remote control, these automated roller shades feature seamless Wi-Fi integration. The homeowners can control their privacy through a dedicated smartphone app or link the system directly to their existing voice-activated smart home networks, including Amazon Alexa, Google Assistant, and Apple HomeKit. This allows for complete hands-free window automation. The clients can program custom daily routines—such as setting the front entry shades to automatically lower exactly at sunset—or simply use a voice command to secure the foyer instantly from the comfort of the couch.

The Rockstar Pool Experience

Legendary Escapes Pools

Who does design build kitchen remodeling in Potomac Maryland

Talon Construction Inc.

Finding a reputable contractor to design and build your kitchen remodel in Maryland with quality results involves several steps. Here are some general guidelines to help you find the right professional for your project: 1. Ask for Recommendations: Start by asking friends, family, neighbors, or colleagues who have recently completed kitchen remodels for recommendations. Personal referrals can be a valuable source of trustworthy contractors. 2. Check Online Reviews: Websites like Yelp, Angie's List, and Google Reviews can provide insights into the experiences of previous clients. Look for contractors with consistently positive feedback. 3. Check Credentials: Verify that the contractor has the necessary licenses and insurance to work in Maryland. You can typically check this information on your state's licensing board website. 4. Ask for References: Request references from the contractor and contact previous clients to inquire about their experiences. Visit some of their completed projects if possible. 5. Review Portfolios: Examine the contractor's portfolio of past kitchen remodels. Look for examples of work that match your style and preferences. 6. Check for Permits: Ensure that the contractor will handle any necessary permits and inspections for your remodel. Avoid contractors who suggest bypassing required permits, as this can lead to legal and safety issues. 7. Discuss Communication: Clear communication is crucial throughout the project. Discuss how the contractor will keep you updated on progress and address any concerns or changes during the remodel. 8. Get Everything in Writing: Never rely solely on verbal agreements. Ensure that all project details, warranties, and expectations are documented in a written contract. 9. Check for Red Flags: Be wary of contractors who pressure you into making quick decisions, lack a physical business address, or have a history of disputes or legal issues. 10. Trust Your Instincts: Choose a contractor you feel comfortable working with. Trust your instincts and select someone who listens to your ideas and concerns. 11. Visit Completed Projects: If possible, visit some of the contractors’ completed kitchen remodels to assess the quality of their work in person. Once you've completed your due diligence and gathered all the necessary information, you'll be better equipped to make an informed decision about which contractor to hire for your kitchen remodel in Maryland. Remember that quality results often come from working with experienced, licensed professionals who prioritize clear communication and transparency throughout the project.