Simplicity, Calming, Contemporary and easy to clean were all adjectives the home owners wanted to see in their new Master Bathroom remodel. A oversized Jacuzzi tub was removed to create a very large walk in shower with a wet and dry zone. Corner benches were added for seating along with a niche for toiletries. The new vanity has plenty of storage capacity. The chrome fixtures coordinate with the mirrors and vanity lights to create a contemporary and relaxing Master Bathroom.

Inspiration for a coastal u-shaped medium tone wood floor kitchen remodel in Charleston with shaker cabinets, white cabinets, white backsplash, subway tile backsplash and colored appliances

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Interior Architecture, Interior Design, Art Curation, and Custom Millwork & Furniture Design by Chango & Co. Construction by Siano Brothers Contracting Photography by Jacob Snavely See the full feature inside Good Housekeeping

Embarking on a garage remodeling project is a transformative endeavor that can significantly enhance both the functionality and aesthetics of the space. By investing in tailored storage solutions such as cabinets, wall-mounted organizers, and overhead racks, one can efficiently declutter the area and create a more organized storage system. Flooring upgrades, such as epoxy coatings or durable tiles, not only improve the garage's appearance but also provide a resilient surface. Adding custom workbenches or tool storage solutions contributes to a more efficient and user-friendly workspace. Additionally, incorporating proper lighting and ventilation ensures a well-lit and comfortable environment. A remodeled garage not only increases property value but also opens up possibilities for alternative uses, such as a home gym, workshop, or hobby space, making it a worthwhile investment for both practicality and lifestyle improvement.

Rebecca Westover
Inspiration for a coastal freestanding desk light wood floor home office library remodel in Salt Lake City with white walls and no fireplace

I was hired by the parents of a soon-to-be teenage girl turning 13 years-old. They wanted to remodel her bedroom from a young girls room to a teenage room. This project was a joy and a dream to work on! I got the opportunity to channel my inner child. I wanted to design a space that she would love to sleep in, entertain, hangout, do homework, and lounge in. The first step was to interview her so that she would feel like she was a part of the process and the decision making. I asked her what was her favorite color, what was her favorite print, her favorite hobbies, if there was anything in her room she wanted to keep, and her style. The second step was to go shopping with her and once that process started she was thrilled. One of the challenges for me was making sure I was able to give her everything she wanted. The other challenge was incorporating her favorite pattern-- zebra print. I decided to bring it into the room in small accent pieces where it was previously the dominant pattern throughout her room. The color palette went from light pink to her favorite color teal with pops of fuchsia. I wanted to make the ceiling a part of the design so I painted it a deep teal and added a beautiful teal glass and crystal chandelier to highlight it. Her room became a private oasis away from her parents where she could escape to. In the end we gave her everything she wanted. Photography by Haigwood Studios

Sam Stanton Reflections Photography
Example of a transitional dining room design in Austin

The planning phase of this modern retreat was an intense collaboration that took place over the course of more than two years. While the initial design concept exceeded the clients' expectations, it also exceeded their budget beyond the point of comfort. The next several months were spent modifying the design, in attempts to lower the budget. Ultimately, the decision was made that they would hold off on the project until they could budget for the original design, rather than compromising the vision. About a year later, we repeated that same process, which resulted in the same outcome. After another year-long hiatus, we met once again. We revisited design thoughts, each of us bringing to the table new ideas and options. Each thought simply solidified the fact that the initial vision was absolutely what we all wanted to see come to fruition, and the decision was finally made to move forward. The main challenge of the site was elevation. The Southeast corner of the lot stands 5'6" above the threshold of the rear door, while the Northeast corner dropped a full 2' below the threshold of the door. The backyard was also long and narrow, sloping side-to-side and toward the house. The key to the design concept was to deftly place the project into the slope and utilize the elevation changes, without allowing them to dominate the yard, or overwhelm the senses. The unseen challenge on this project came in the form of hitting every underground issue possible. We had to relocate the sewer main, the gas line, and the electrical service; and since rock was sitting about 6" below the surface, all of these had to be chiseled through many feet of dense rock, adding to our projected timeline and budget. As you enter the space, your first stop is an outdoor living area. Smooth finished concrete, colored to match the 'Leuder' limestone coping, has a subtle saw-cut pattern aligned with the edges of the recessed fire pit. In small spaces, it is important to consider a multi-purpose approach. So, the recessed fire pit has been fitted with an aluminum cover that allows our client to set up tables and chairs for entertaining, right over the top of the fire pit. From here, it;s two steps up to the pool elevation, and the floating 'Leuder' limestone stepper pads that lead across the pool and hide the dam wall of the flush spa. The main retaining wall to the Southeast is a poured concrete wall with an integrated sheer descent waterfall into the spa. To bring in some depth and texture, a 'Brownstone' ledgestone was used to face both the dropped beam on the pool, and the raised beam of the water feature wall. The main water feature is comprised of five custom made stainless steel scuppers, supplied by a dedicated booster pump. Colored concrete stepper pads lead to the 'Ipe' wood deck at the far end of the pool. The placement of this wood deck allowed us to minimize our use of retaining walls on the Northeast end of the yard, since it drops off over three feet below the elevation of the pool beam. One of the most unique features on this project has to be the structure over the dining area. With a unique combination of steel and wood, the clean modern aesthetic of this structure creates a visual stamp in the space that standard structure could not accomplish. 4" steel posts, painted charcoal grey, are set on an angle, 4' into the bedrock, to anchor the structure. Steel I-beams painted in green-yellow color--aptly called "frolic"--act as the base to the hefty cedar rafters of the roof structure, which has a slight pitch toward the rear. A hidden gutter on the back of the roof sends water down a copper rain chain, and into the drainage system. The backdrop for both this dining area , as well as the living area, is the horizontal screen panel, created with alternating sizes of cedar planks, stained to a calm hue of dove grey.

1st Place Residential Space Over 3,500 square feet Kellie McCormick, ASID McCormick and Wright
Example of a large transitional built-in desk light wood floor home office design in San Diego with white walls

Example of a large cottage open concept medium tone wood floor and beige floor family room design in Phoenix with white walls, a standard fireplace, a brick fireplace and a media wall

The Revolving Closet Organizer is an Advanced Space Solution System, It will allow you to manage your space smart and officiant. It is trendy and fun. you could manage any s pace with our amazing system. Brand: The Revolving Closet The Revolving Closet Organizer Tel: 754.217.3420 www.RevolvingOrganizer.com

When it comes to home improvement projects, the contractor you choose can make all the difference. A skilled, reputable general contractor delivers quality work and a smooth experience, while a poor choice can lead to problems, frustration, and wasted money. For Chicago homeowners planning exterior improvements from siding to doors and beyond — understanding how to choose a good general contractor is essential. This guide covers what to look for and how to make a smart choice for your home improvement projects. The role of a general contractor A general contractor plays a central role in home improvement projects, overseeing and coordinating the work to bring a project to completion. For projects that involve multiple aspects or trades, a general contractor manages the process, ensuring the various pieces come together properly. This coordination and oversight are valuable, particularly for larger or more complex projects that involve numerous details and steps. Working with a good general contractor offers several benefits. It provides a single point of responsibility for a project, brings expertise and coordination to the work, and helps ensure the project is completed properly. For homeowners, a quality general contractor can make the difference between a smooth, successful project and a stressful, problematic one. Homeowners planning projects often look for a general contractor chicago near me to handle their improvements. Understanding the role a general contractor plays helps homeowners appreciate the value of choosing a good one for their home improvement projects, especially larger or more involved ones. Why the choice matters The choice of general contractor has an enormous impact on a home improvement project. From the quality of the work to the smoothness of the process to the ultimate result, the contractor shapes every aspect of the project. A skilled, reputable contractor delivers quality results and a professional experience, while a poor choice can lead to shoddy work, delays, cost overruns, and frustration. The stakes are significant, as home improvement projects represent substantial investments and affect a home that homeowners live in and value. A project done poorly can create problems that are costly to fix and diminish rather than enhance a home. This is why choosing the right contractor is so important — it's one of the most consequential decisions in any home improvement project. Homeowners do well to approach the choice carefully rather than simply hiring the first or cheapest option. Understanding why the choice of contractor matters helps homeowners give this decision the attention it deserves, recognizing its impact on the success of their project and their satisfaction with the result. What to look for in a contractor Choosing a good general contractor involves looking for several important qualities. Experience and a solid reputation are key indicators of a contractor's ability to deliver quality work. A contractor with a track record of successful projects and satisfied customers is generally a safer choice than an unknown quantity. Researching a contractor's reputation and past work helps in assessing their quality. Beyond experience and reputation, other important qualities include quality workmanship, clear communication, professionalism, and reliability. A good contractor communicates clearly, provides a clear understanding of the project and its costs, treats customers professionally, and follows through reliably. These qualities contribute to both a quality result and a positive experience. Homeowners considering exterior projects, such as new vinyl siding chicago installation, do well to evaluate contractors on these factors. Understanding what to look for in a contractor helps homeowners identify professionals likely to deliver quality work and a good experience for their projects. Considering the specific project When choosing a contractor, it's also important to consider the specific project and whether the contractor is well-suited to it. Different projects have different requirements, and a contractor experienced in the particular type of work is often a better choice. Whether the project involves siding, doors, a broader remodel, or other work, a contractor familiar with that type of project brings relevant expertise. For exterior projects in particular, experience with the specific work and the demands of the Chicago climate is valuable. Siding, doors, and other exterior improvements must withstand local conditions, so a contractor who understands these demands can deliver better results. Considering whether a contractor is well-suited to your specific project helps ensure a good outcome. Homeowners planning to update their exterior doors chicago or undertake other exterior work benefit from choosing a contractor experienced in that area. Understanding the importance of matching the contractor to the project helps homeowners make choices that lead to quality results for their specific improvements. Understanding the project scope and cost Before committing to a contractor, understanding the full scope and cost of a project is important. A reputable contractor should provide a clear explanation of what the project involves, the materials to be used, the timeline, and the total cost. Understanding these details upfront helps homeowners avoid surprises and make informed decisions. Vague estimates or a lack of clarity are warning signs worth heeding. Understanding the scope also means being clear about what you want and ensuring the contractor's proposal matches your needs and expectations. A clear, detailed understanding of the project protects both the homeowner and the contractor and sets the stage for a successful outcome. Taking the time to ensure you understand exactly what you're getting before work begins is worthwhile. Understanding the importance of clarity about scope and cost helps homeowners enter home improvement projects with confidence and avoid the misunderstandings that can lead to problems. Clear expectations are the foundation of a smooth, successful project. Making your decision With these considerations in mind the role of a general contractor, why the choice matters, what to look for, matching the contractor to the project, and understanding scope and cost homeowners are well-equipped to make a smart decision. The goal is to choose a contractor who combines experience, quality workmanship, clear communication, and reliability, and who is well-suited to the specific project, at a fair and clearly understood price. Taking the time to research and compare contractors, rather than rushing the decision, pays off in the quality of the work and the smoothness of the project. A home improvement project is a significant investment, and the right contractor makes all the difference to the outcome. Understanding how to evaluate and choose a general contractor empowers Chicago homeowners to make decisions that lead to successful projects and results they'll be happy with. The right choice is the foundation of a home improvement project that enhances a home for years to come. The bottom line Choosing the right general contractor is essential to successful home improvement projects, as the contractor shapes the quality of the work, the smoothness of the process, and the ultimate result. For Chicago homeowners undertaking exterior projects like siding, doors, and more, the key factors include experience and reputation, quality workmanship, clear communication, suitability to the specific project, and clarity about scope and cost. By evaluating contractors on these factors and taking the time to make an informed choice, homeowners can find a professional who delivers quality results and a positive experience. The right contractor is the foundation of home improvements that enhance a home for years to come.

Sleek but subtle paneling on a bed wall really makes the room look amazing.
Mid-sized transitional master carpeted and gray floor bedroom photo in San Francisco with gray walls

Small entry garden and patio space at Northwest beach house.
Photo of a modern landscaping in Seattle.

The built-ins hide the washer and dryer below and laundry supplies and hanging bar above. The upper cabinets have glass doors to showcase the owners’ blue and white pieces. A new pocket door separates the Laundry Room from the smaller, lower level bathroom. The opposite wall also has matching cabinets and marble top for additional storage and work space. Jon Courville Photography

These clients debated moving from their dated 1979 house but decided to remodel since they loved their neighborhood and location of their home. We did a whole house interior and exterior remodel for them and they are so happy with their decision. The homeowners felt that reading floorplans was not so easy, so they loved our ability to provide 3D renderings and our personal touches and suggestions from our in-house designers. The general layout of the home stayed the same with a few minor changes. We took the 38 year old home down to the studs and transformed it completely. The only thing that remains unchanged is the address. The popcorn texture was removed from the ceiling, removed all soffits, replaced all cabinets, flooring and countertops throughout the home. The wet bar was removed from the living room opening the space. The kitchen layout remained the same, but the cook surface was moved. Unneeded space was removed from the laundry room, giving them a larger pantry. The master suite remained the same but additional lighting was added for reading. We made major improvements in the master bath by adding a rain shower, more storage and a bench to their new shower and gave them a larger bathtub. All new cedar siding was replaced on the exterior of the home and a fresh coat of paint makes this 1979 home look brand new! Design/Remodel by Hatfield Builders & Remodelers | Photography by Versatile Imaging

Inspiration for a cottage entryway remodel in Salt Lake City

Peter Lyons
Mid-sized elegant l-shaped medium tone wood floor eat-in kitchen photo in San Francisco with an undermount sink, glass-front cabinets, white cabinets, marble countertops, multicolored backsplash, marble backsplash, stainless steel appliances and an island