When full-time Massachusetts residents contemplate building a second home in Telluride, Colorado the question immediately arises; does it make most sense to hire a regionally based Rocky Mountain architect or a sea level architect conveniently located for all of the rigorous collaboration required for successful bespoke home design. Determined to prove the latter true, Siemasko + Verbridge accompanied the potential client as they scoured the undulating Telluride landscape in search of the perfect house site. The selected site’s harmonious balance of untouched meadow rising up to meet the edge of an aspen grove and the opposing 180 degree view of Wilson’s Range spoke to everyone. A plateau just beyond a fork in the meadow provided a natural flatland, requiring little excavation and yet the right amount of upland slope to capture the views. The intrinsic character of the site was only enriched by an elk trail and snake-rail fence. Establishing the expanse of Wilson’s range would be best served by rejecting the notion of selected views, the central sweeping curve of the roof inverts a small saddle in the range with which it is perfectly aligned. The soaring wave of custom windows and the open floor plan make the relatively modest house feel sizable despite its footprint of just under 2,000 square feet. Officially a two bedroom home, the bunk room and loft allow the home to comfortably sleep ten, encouraging large gatherings of family and friends. The home is completely off the grid in response to the unique and fragile qualities of the landscape. Great care was taken to respect the regions vernacular through the use of mostly native materials and a palette derived from the terrain found at 9,820 feet above sea level. Photographer: Gibeon Photography

Amra is a model derived from Atum, with equally fine lines, but brushed stainless steel legs in view. In this model, too, you can see the references to the temple columns in the lines, curves, and proportions. This model has its origins in Egypt. As with all of Gerard van den Berg’s models, Amra has a nonchalant appearance, and a flexible back that adapts to your sitting position.

Stuart Wade, Envision Virtual Tours Envision Virtual Tours and High Resolution Photography is your best choice to find just what you are looking for in the Ellijay, Ga. area .Ellijay, Georgia, known as the “Apple Capital” of Georgia, is located between the Ellijay and Cartecay Rivers where they join to make the Coosawattee River and is the county seat of Gilmer County, Georgia. The origin of the city’s name is not certain but thought to be the English derivative of an Indian word(s) meaning “many waters”, “place of green things” or “new ground”. Some histories say it may have been named for an Indian chief. Inhabited for countless years by the Cherokee people indigenous to the North Georgia, the area was first mentioned as a village and trade center before the onslaught of white settlers inhabited the region. During the 1830’s both white settlers and Indians occupied Ellijay. During the original land lottery in 1832, Martin Scalf acquired the 160 acre lot where the town now stands. In 1833, Clemonds Quinland bought 10 acres from Scalf, retained one acre for himself and donated the rest of the purchase to the County. A plan for twenty town lots, streets and a public square was created and the streets were oriented to allow maximum sunlight exposure to the buildings. Proceeds from lot sales were used to build a jail and courthouse and pay other city expenses. During this same year, Gilmer County was appropriated $800.00 from the State to build a school, and a three-acre lot was donated for the city cemetery. On December 29, l834, Ellijay was incorporated and designated as the County seat of Gilmer County. By 1837, the town had twenty dwellings, three stores and one attorney. Most of these early buildings were of log construction. Many roads led to Ellijay by 1849. The population had grown to 150 by 1850 and the town at five stores. Some wood-frame buildings were being constructed at this time and in 1854, a new courthouse was built in the center of the square, replacing the earlier building. The County’s first newspaper was the Ellijay Courier, started in 1875, and during this time period, Ellijay was a stop on the stagecoach line. The railroad bridge over the Cartecay River was completed in 1884 and the town now had rail service. With the arrival of the railroad and subsequent tracks to White Path, Ellijay began to grow much faster. Many hotels were constructed and land was donated for a depot east of town. More industries, such as a cheese factory and the Shippen Brothers Lumber Mill, located in Ellijay. By 1898, the city had expanded its limits in every direction and now included the depot. By 1900, all the buildings on the town square were brick. This included the recently completed Hyatt Hotel. Most of the other buildings in town were still of log construction, but new wood-frame buildings were being built. The Shippen Brothers Lumber Company production was expanding and exporting their lumber to Europe. Within the next few decades, this company grew to be one of the largest employers in Ellijay, often with five to six million feet of lumber in the yard at one time. The population of Ellijay grew to 659 by 1910, and began to acquire many new modern conveniences such as electric lights and power, a telephone company and many new businesses. Then in 1912, a fire ravaged the city, destroying 23 buildings. As a result, many new buildings were constructed under new and stricter fire and safety guidelines. The population, however, decreased slightly at this time to 632 in 1920. During the 1920’s the town’s population began to grow again and, by this time, apples were being shipped out of the county and new storage facilities were built. Chickens were also shipped to markets outside of Ellijay and Gilmer County. From the mid 1930’s to 1950, Ellijay received much assistance from the Federal WPA Programs. The old courthouse was removed from the center of town square and the Hyatt Hotel was remodeled to be the new courthouse. A park was created on the site of the old courthouse and the streets around the square were paved. A new street was built at this time entering town from the northeast. Other new roads, bridges, sidewalks and gutters were constructed to improve the city. A school and gymnasium were also built and other structures improved. This growth began to impact the city’s infrastructure and in the l950’s and l960’s, a period of upgrading water systems, roads, and power supplies began. New low-rent housing appeared in l960 and a new hospital was built in l957. Georgia Highway 5 was widened in l962, new buildings around the square replaced old ones and some were remodeled. In 1974, the hospital was enlarged. Currently, Ellijay attracts tourists who love the small-town feel and friendly atmosphere. Hotels and restaurants, unique shops, antiques and art galleries lend their charms to those who visit. A new courthouse constructed to resemble the old one, new streetscaping, family-oriented downtown events and the beautification of the square have stepped up the social and economic activity and have made Ellijay a popular destination.

Colleen F. Colleen and Don F. of Palm Desert, California are thinking about doing another mural in their home as the first one turned out so well. While chatting about their future needs with us, Colleen asked if we had displayed the photos she sent of their first installation. Shame on us -- we hadn't. And they're FABULOUS. Not just the mural, mind you... but look at the whole room. We're not sure if Colleen had help or not, but this is definitely one professionally designed room. Many thanks to them for letting us be part of it. BTW -- Colleen and Don had originally been thinking about putting up a desert scene. As they live in the desert, I guess they eventually decided upon a beautifully cooling water scene. The mural they chose is actually a photo of Monet's Gardens in France, where he did much of his most famous work (including his Water Lilies collection). In this mural, from a photograph by the National Geographic, you can see exactly where Monet derived his inspiration. Many, many thanks to you, Colleen, for sharing your fantastic room with us. And for making it a bit of a "how-to." As you can see, Colleen shows the stages of installation from just the mural, to custom built shelves on the sides, to completed. We just love customers like you !!!!

Stuart Wade, Envision Virtual Tours Envision Virtual Tours and High Resolution Photography is your best choice to find just what you are looking for in the Ellijay, Ga. area .Ellijay, Georgia, known as the “Apple Capital” of Georgia, is located between the Ellijay and Cartecay Rivers where they join to make the Coosawattee River and is the county seat of Gilmer County, Georgia. The origin of the city’s name is not certain but thought to be the English derivative of an Indian word(s) meaning “many waters”, “place of green things” or “new ground”. Some histories say it may have been named for an Indian chief. Inhabited for countless years by the Cherokee people indigenous to the North Georgia, the area was first mentioned as a village and trade center before the onslaught of white settlers inhabited the region. During the 1830’s both white settlers and Indians occupied Ellijay. During the original land lottery in 1832, Martin Scalf acquired the 160 acre lot where the town now stands. In 1833, Clemonds Quinland bought 10 acres from Scalf, retained one acre for himself and donated the rest of the purchase to the County. A plan for twenty town lots, streets and a public square was created and the streets were oriented to allow maximum sunlight exposure to the buildings. Proceeds from lot sales were used to build a jail and courthouse and pay other city expenses. During this same year, Gilmer County was appropriated $800.00 from the State to build a school, and a three-acre lot was donated for the city cemetery. On December 29, l834, Ellijay was incorporated and designated as the County seat of Gilmer County. By 1837, the town had twenty dwellings, three stores and one attorney. Most of these early buildings were of log construction. Many roads led to Ellijay by 1849. The population had grown to 150 by 1850 and the town at five stores. Some wood-frame buildings were being constructed at this time and in 1854, a new courthouse was built in the center of the square, replacing the earlier building. The County’s first newspaper was the Ellijay Courier, started in 1875, and during this time period, Ellijay was a stop on the stagecoach line. The railroad bridge over the Cartecay River was completed in 1884 and the town now had rail service. With the arrival of the railroad and subsequent tracks to White Path, Ellijay began to grow much faster. Many hotels were constructed and land was donated for a depot east of town. More industries, such as a cheese factory and the Shippen Brothers Lumber Mill, located in Ellijay. By 1898, the city had expanded its limits in every direction and now included the depot. By 1900, all the buildings on the town square were brick. This included the recently completed Hyatt Hotel. Most of the other buildings in town were still of log construction, but new wood-frame buildings were being built. The Shippen Brothers Lumber Company production was expanding and exporting their lumber to Europe. Within the next few decades, this company grew to be one of the largest employers in Ellijay, often with five to six million feet of lumber in the yard at one time. The population of Ellijay grew to 659 by 1910, and began to acquire many new modern conveniences such as electric lights and power, a telephone company and many new businesses. Then in 1912, a fire ravaged the city, destroying 23 buildings. As a result, many new buildings were constructed under new and stricter fire and safety guidelines. The population, however, decreased slightly at this time to 632 in 1920. During the 1920’s the town’s population began to grow again and, by this time, apples were being shipped out of the county and new storage facilities were built. Chickens were also shipped to markets outside of Ellijay and Gilmer County. From the mid 1930’s to 1950, Ellijay received much assistance from the Federal WPA Programs. The old courthouse was removed from the center of town square and the Hyatt Hotel was remodeled to be the new courthouse. A park was created on the site of the old courthouse and the streets around the square were paved. A new street was built at this time entering town from the northeast. Other new roads, bridges, sidewalks and gutters were constructed to improve the city. A school and gymnasium were also built and other structures improved. This growth began to impact the city’s infrastructure and in the l950’s and l960’s, a period of upgrading water systems, roads, and power supplies began. New low-rent housing appeared in l960 and a new hospital was built in l957. Georgia Highway 5 was widened in l962, new buildings around the square replaced old ones and some were remodeled. In 1974, the hospital was enlarged. Currently, Ellijay attracts tourists who love the small-town feel and friendly atmosphere. Hotels and restaurants, unique shops, antiques and art galleries lend their charms to those who visit. A new courthouse constructed to resemble the old one, new streetscaping, family-oriented downtown events and the beautification of the square have stepped up the social and economic activity and have made Ellijay a popular destination.

In early 2002 Vetter Denk Architects undertook the challenge to create a highly designed affordable home. Working within the constraints of a narrow lake site, the Aperture House utilizes a regimented four-foot grid and factory prefabricated panels. Construction was completed on the home in the Fall of 2002. The Aperture House derives its name from the expansive walls of glass at each end framing specific outdoor views – much like the aperture of a camera. It was featured in the March 2003 issue of Milwaukee Magazine and received a 2003 Honor Award from the Wisconsin Chapter of the AIA. Vetter Denk Architects is pleased to present the Aperture House – an award-winning home of refined elegance at an affordable price. Overview Moose Lake Size 2 bedrooms, 3 bathrooms, recreation room Completion Date 2004 Services Architecture, Interior Design, Landscape Architecture

Removal of a non-load-bearing wall turned a cramped, tiny kitchen too small for a full-size fridge into a spacious kitchen and greatroom ideal for entertaining and cooking. Gorgeous cherry shaker cabinetry, ecologically responsible quartz countertops made with corn oil instead of petroleum derivatives, and rustic slate splitface backsplash add rustic appeal. Anastasia Berta

Casual yet elegant, the Etra Collection by Modern Outdoor offers a modern aesthetic that is constructed for outdoor use while being suitable for indoor settings. Etra’s visual inspiration is derived from its architectural-based frame system. Designed using structural angle steel that is mitered and ground, a clean and seamless surface gives Etra its pure appeal. Frame Options: • 304 stainless steel that is brushed and electropolished • marine-grade 316 stainless steel that is brushed and electropolished for use within one mile of salt air, available for an upcharge • powder coated carbon steel in our standard silver finish • custom powder coat colors, available for an upcharge Surface Options: • sustainably harvested ipe – a beautiful South American hardwood that is three times as dense as teak — naturally resistant to rot, insects, UV exposure, ice, salt, abrasion and splintering – all without the need for toxic chemicals — considered a 25+ year wood • marine-grade polyboard – a UV stabilized high-density polyethylene material that is non-corrosive and chip resistant – available in six colors for expanded design choices Fabric Options: • six standard colors of 100% solution dyed acrylic treated for outdoor use are offered • custom fabrics and COM service are also available Cushion Options: • our standard foam cushions are made from outdoor appropriate high-resiliency (HR) foam • for clients that prefer less maintenance, a flow-through foam that allows water and moisture to escape the cushion is also available for an upcharge Etra is a full-breadth line with dining, bar height, lounge, cafe, patio and pool setting pieces included. The pieces are readily customizable for individual client needs.

Casual yet elegant, the Etra Collection by Modern Outdoor offers a modern aesthetic that is constructed for outdoor use while being suitable for indoor settings. Etra’s visual inspiration is derived from its architectural-based frame system. Designed using structural angle steel that is mitered and ground, a clean and seamless surface gives Etra its pure appeal. Frame Options: • 304 stainless steel that is brushed and electropolished • marine-grade 316 stainless steel that is brushed and electropolished for use within one mile of salt air, available for an upcharge • powder coated carbon steel in our standard silver finish • custom powder coat colors, available for an upcharge Surface Options: • sustainably harvested ipe – a beautiful South American hardwood that is three times as dense as teak — naturally resistant to rot, insects, UV exposure, ice, salt, abrasion and splintering – all without the need for toxic chemicals — considered a 25+ year wood • marine-grade polyboard – a UV stabilized high-density polyethylene material that is non-corrosive and chip resistant – available in six colors for expanded design choices Fabric Options: • six standard colors of 100% solution dyed acrylic treated for outdoor use are offered • custom fabrics and COM service are also available Cushion Options: • our standard foam cushions are made from outdoor appropriate high-resiliency (HR) foam • for clients that prefer less maintenance, a flow-through foam that allows water and moisture to escape the cushion is also available for an upcharge Etra is a full-breadth line with dining, bar height, lounge, cafe, patio and pool setting pieces included. The pieces are readily customizable for individual client needs.

Your Invitation | Warm and inviting, this gracious space has an ambiance derived from a soft, pretty palette playing over exquisite shapes. Melbourne's highly defined layers of moulding–mitred frame and rope insert–take beautifully to Caramel glazes on the creamy opaques of Oyster and Pesto. A focus on detail, delivered softly.

First stunning villa captured for Dov Stark from Prestige Homes Construction To see more photos, http://www.thierrydehove.com/2016/08/24/luxury-home-architecture-fort-lauderdale/ © Thierry Dehove Photography. All rights reserved. These images, or derivative works, can not be used, published, distributed or sold without written permission of the owner.

Colleen F. Colleen and Don F. of Palm Desert, California are thinking about doing another mural in their home as the first one turned out so well. While chatting about their future needs with us, Colleen asked if we had displayed the photos she sent of their first installation. Shame on us -- we hadn't. And they're FABULOUS. Not just the mural, mind you... but look at the whole room. We're not sure if Colleen had help or not, but this is definitely one professionally designed room. Many thanks to them for letting us be part of it. BTW -- Colleen and Don had originally been thinking about putting up a desert scene. As they live in the desert, I guess they eventually decided upon a beautifully cooling water scene. The mural they chose is actually a photo of Monet's Gardens in France, where he did much of his most famous work (including his Water Lilies collection). In this mural, from a photograph by the National Geographic, you can see exactly where Monet derived his inspiration. Many, many thanks to you, Colleen, for sharing your fantastic room with us. And for making it a bit of a "how-to." As you can see, Colleen shows the stages of installation from just the mural, to custom built shelves on the sides, to completed. We just love customers like you !!!!

Natural light and white washed wood tones, with a transitional style bring in the feeling of nature. The paint pallet is derived from botanicals, highlighting various shades of green. Rough cut wood, woven rattan, and white ceramic accessories complete the transitional nature inspired style

The Craftsman's style inspiration derived from the Gamble House. The fireplace wall was decreased in size for an open-concept spacious grand room. The custom stained cabinetry graciously flows from the kitchen, laundry room, hall, and primary bathroom. Two new hutches were added to the dining room area for extra storage. The sizeable wet island serves as an entertaining hub. We spared no unused space to accommodate the families' needs. Two-tone quartz countertops provide a transitional design. The quartz white countertops serve as a grout-free backsplash.

Casual yet elegant, the Etra Collection by Modern Outdoor offers a modern aesthetic that is constructed for outdoor use while being suitable for indoor settings. Etra’s visual inspiration is derived from its architectural-based frame system. Designed using structural angle steel that is mitered and ground, a clean and seamless surface gives Etra its pure appeal. Frame Options: • 304 stainless steel that is brushed and electropolished • marine-grade 316 stainless steel that is brushed and electropolished for use within one mile of salt air, available for an upcharge • powder coated carbon steel in our standard silver finish • custom powder coat colors, available for an upcharge Surface Options: • sustainably harvested ipe – a beautiful South American hardwood that is three times as dense as teak — naturally resistant to rot, insects, UV exposure, ice, salt, abrasion and splintering – all without the need for toxic chemicals — considered a 25+ year wood • marine-grade polyboard – a UV stabilized high-density polyethylene material that is non-corrosive and chip resistant – available in six colors for expanded design choices Fabric Options: • six standard colors of 100% solution dyed acrylic treated for outdoor use are offered • custom fabrics and COM service are also available Cushion Options: • our standard foam cushions are made from outdoor appropriate high-resiliency (HR) foam • for clients that prefer less maintenance, a flow-through foam that allows water and moisture to escape the cushion is also available for an upcharge Etra is a full-breadth line with dining, bar height, lounge, cafe, patio and pool setting pieces included. The pieces are readily customizable for individual client needs.

AK4002: "The Pour" Skinny Rain DESCRIPTION: The light installation is a teardrop-shaped chandelier with deliciously unique lights that celebrate the fascinating nature of raindrops, where no drop is the same as the next. Each drop is hand-blown by artisans and intricately engineered to house the lighting strategy for the chandelier. When you see a light sculpture designed to increase the visual appeal of a room and define its luminous character, you stop on your way to admire it. It’s the case of the Raindrop chandelier known as “The Pour”, a modern light sculpture meant to illuminate and beautify its chosen location to create an architectural relationship with space. The drop itself is constructed of two parts: the brass screw cap, which houses the light, and the hand-blown crystal reflecting the light to create puddles on the floor below. To replicate the nature of raindrops, no two drops are blown identical. The name “The Pour” derives from the distinctive shape that the chandelier forms: an exaggeration of the dramatic motion of water pouring out of a carafe. Designed by forming a grid mimicking how puddles ripple outward in concentric circles, each teardrop is hung to brass pipes of varying lengths. Placed strategically on the grid, the teardrops lock into the mirrored base that fits seamlessly between the two existing columns. The mirrored base reflects the teardrops endlessly into the sky above and when lit. The chandelier echoes rain frozen in time with ephemeral puddles overlaid on the floor below. SPECIFICATIONS: Collection: Organic Size: 58” Long x 13” Width x 72” Height (112 Lights) Shape: Rectangular Frame Finish: Patina Dark Bronze Materials: Metal, Glass Extension: 12' feet adjustable wiring available in black or silver Glass: Hand-blown glass Bulbs: 112 Bulbs 110V USA/220V Europe 40 W candelabra bulbs (included) Weight: 135 lbs. (for the 58" L) Assembly: Some Assembly Dimmer Switch Compatible: Optional Rush Order: 4-6 Weeks; 15% added to the total Regular Lead Time: 8-12 Weeks Warranty: 5 Years Full Coverage (includes parts replacement) SIZE OPTIONS: Size: Price: 30” Long x 13” Width x 66” Height (69 Lights) $3,360.00 36” Long x 13” Width x 66” Height (79 Lights) $4,660.00 42” Long x 13” Width x 66” Height (89 Lights) $6,470.00 58” Long x 16” Width x 72” Height (112 Lights) $7,670.00 71” Long x 20" Width x 82” Height (242 Lights) $9,820.00 Custom Sizes, Finishes, Colors Available Upon Request Additional Info- Handblown Glass: 2" Width x 4" Height

The island was designed as a found old table with turned legs and drawers then modified in scope to blend a cupboard, wine rack and open shelves as part of the whole “new” island. Designs such as this derive from the custom cabinetmaker designer at Jaeger & Ernst. Years of building furniture, cabinets and specialty work provide the resources and imagination to move beyond the simple block approach dictated by today’s factory cabinets. To step out of the box, one has to know there are possibilities beyond the box.

A redesign project although challenging, when looked at with a keen eye, provides opportunities which can be developed into key design elements.This project was entirely driven by this belief of doing well within given constraints & creating an ambience which speaks of sophistication & rich user experience. Project motive was to upgrade & subsequently up sell an already existing saloon in Al Ain, UAE; into a wellness center which caters to saloon services as well as massage facilities. The existing unit was compartmentalised & the walls prevented light from travelling to all areas of the space. .Some walls were demolished to create an open, well lit & free flowing space . Thus originated a module which could be scaled,repeated & used as a derivative rendering interesting identity to the space.

GARRISON 1-51 The Garrison is a sculptural iron casting intended for use a stool or side table. It recycles steel salvaged from the 2015 demolition of the namesake Garrison bridge near Toronto’s Fort York. True to STACKLAB’s ethos, however, the Garrison’s shape is not intended to be a formal representation or memorialization of any of the bridge’s attributes. Instead, the Garrison exemplifies STACKLAB’s mission to emphasize that all material matters. Discarded or waste materials are repurposed in a way that imbues them with new life and meaning. Its form was derived using digital real-time parametric design and fabrication technology. STACKLAB optimized the product to be as light and strong as possible: the Garrison’s 35-lb. weight can support a load of 900 lbs. STACKLAB and its partnering firm Rebart procured two tons of bridge rebar, enough to release a limited-edition run of 102 units. STACKLAB designed the Garrison to be sand-cast and engineered the pattern (used to generate sand moulds) so that small manufacturing defects, typical of this process, would only appear at the tip of the piece. Units 1 to 51 have a thermally applied 1/16” solid bronze coating in this location, which ameliorates these defects. This coating turns units that may have been discarded into premium ones, enabling a near-100-percent yield out of the run. The sand-casting process produces faintly perceptible irregularities that enhance the Garrison’s tactility. Garrison 1-51 is available exclusively at Maison Gerard. Type Stool, Side Table Year 2015 Dimensions 16” W x 14” D x 18” H Materials Cast Iron and Bronze Design Collaborators Rebart Photography: Patrick Thompson