Fanned floor plans procure expansive views but generate narrow, long and curved rooms that challenge conventional layouts. This solution capitalized on the peculiarities of the space by presenting itself as an organic derivation of it.

Stuart Wade, Envision Virtual Tours Envision Virtual Tours and High Resolution Photography is your best choice to find just what you are looking for in the Ellijay, Ga. area .Ellijay, Georgia, known as the “Apple Capital” of Georgia, is located between the Ellijay and Cartecay Rivers where they join to make the Coosawattee River and is the county seat of Gilmer County, Georgia. The origin of the city’s name is not certain but thought to be the English derivative of an Indian word(s) meaning “many waters”, “place of green things” or “new ground”. Some histories say it may have been named for an Indian chief. Inhabited for countless years by the Cherokee people indigenous to the North Georgia, the area was first mentioned as a village and trade center before the onslaught of white settlers inhabited the region. During the 1830’s both white settlers and Indians occupied Ellijay. During the original land lottery in 1832, Martin Scalf acquired the 160 acre lot where the town now stands. In 1833, Clemonds Quinland bought 10 acres from Scalf, retained one acre for himself and donated the rest of the purchase to the County. A plan for twenty town lots, streets and a public square was created and the streets were oriented to allow maximum sunlight exposure to the buildings. Proceeds from lot sales were used to build a jail and courthouse and pay other city expenses. During this same year, Gilmer County was appropriated $800.00 from the State to build a school, and a three-acre lot was donated for the city cemetery. On December 29, l834, Ellijay was incorporated and designated as the County seat of Gilmer County. By 1837, the town had twenty dwellings, three stores and one attorney. Most of these early buildings were of log construction. Many roads led to Ellijay by 1849. The population had grown to 150 by 1850 and the town at five stores. Some wood-frame buildings were being constructed at this time and in 1854, a new courthouse was built in the center of the square, replacing the earlier building. The County’s first newspaper was the Ellijay Courier, started in 1875, and during this time period, Ellijay was a stop on the stagecoach line. The railroad bridge over the Cartecay River was completed in 1884 and the town now had rail service. With the arrival of the railroad and subsequent tracks to White Path, Ellijay began to grow much faster. Many hotels were constructed and land was donated for a depot east of town. More industries, such as a cheese factory and the Shippen Brothers Lumber Mill, located in Ellijay. By 1898, the city had expanded its limits in every direction and now included the depot. By 1900, all the buildings on the town square were brick. This included the recently completed Hyatt Hotel. Most of the other buildings in town were still of log construction, but new wood-frame buildings were being built. The Shippen Brothers Lumber Company production was expanding and exporting their lumber to Europe. Within the next few decades, this company grew to be one of the largest employers in Ellijay, often with five to six million feet of lumber in the yard at one time. The population of Ellijay grew to 659 by 1910, and began to acquire many new modern conveniences such as electric lights and power, a telephone company and many new businesses. Then in 1912, a fire ravaged the city, destroying 23 buildings. As a result, many new buildings were constructed under new and stricter fire and safety guidelines. The population, however, decreased slightly at this time to 632 in 1920. During the 1920’s the town’s population began to grow again and, by this time, apples were being shipped out of the county and new storage facilities were built. Chickens were also shipped to markets outside of Ellijay and Gilmer County. From the mid 1930’s to 1950, Ellijay received much assistance from the Federal WPA Programs. The old courthouse was removed from the center of town square and the Hyatt Hotel was remodeled to be the new courthouse. A park was created on the site of the old courthouse and the streets around the square were paved. A new street was built at this time entering town from the northeast. Other new roads, bridges, sidewalks and gutters were constructed to improve the city. A school and gymnasium were also built and other structures improved. This growth began to impact the city’s infrastructure and in the l950’s and l960’s, a period of upgrading water systems, roads, and power supplies began. New low-rent housing appeared in l960 and a new hospital was built in l957. Georgia Highway 5 was widened in l962, new buildings around the square replaced old ones and some were remodeled. In 1974, the hospital was enlarged. Currently, Ellijay attracts tourists who love the small-town feel and friendly atmosphere. Hotels and restaurants, unique shops, antiques and art galleries lend their charms to those who visit. A new courthouse constructed to resemble the old one, new streetscaping, family-oriented downtown events and the beautification of the square have stepped up the social and economic activity and have made Ellijay a popular destination.

Shapiro & Company was pleased to be asked to design the 2019 Vesta Home for Johnny Williams. The Vesta Home is the most popular show home in the Memphis area and attracted more than 40,000 visitors. The home was designed in a similar fashion to a custom home where we design to accommodate the family that might live here. As with many properties that are 1/3 of an acre, homes are in fairly close proximity and therefore this house was designed to focus the majority of the views into a private courtyard with a pool as its accent. The home’s style was derived from English Cottage traditions that were transformed for modern taste. Interior Designers: Garrick Ealy - Conrad Designs Kim Williams - KSW Interiors Landscaper: Bud Gurley - Gurley’s Azalea Garden Photographer: Carroll Hoselton - Memphis Media Company

With nothing but a backpack and a few art pieces in hand, our client, with southern charm, was in dire need of furniture and fast. After liking our aesthetic style, Regan Baker Design was hired to help furnish and style his entire 1 bedroom apartment in Russian Hill. The overall color pallet was derived from his uncle’s large scale highway artwork, which is now displayed proudly above the custom sofa. From there we built the design around his love for modern spaces, his personal hobby of photography and his love for music. With the exception of a few great pieces of art, we worked hand in hand with our client to assure his bachelor pad was masculine, yet casual modern and in the end created a bachelor pad Ryan Gosling would be happy to bring his dates back to. Photography by Odessa

The Residence, located on a birch covered mountain in Western Maine, is a response to the natural surroundings. Utilizing a rough palette of Deer Island Granite monoliths, local black slate, Red Cedar, and Eastern White Pine, the spaces derive directly from the local geology and woods. The movement of the sun throughout the seasons and day guide the orientation of the cabin, and the intricate placement of windows on the various exterior faces. The cabin is a vessel for light, crafted of natural materials, with a bright interior volume diffusing the sun's rays throughout the space.

The exterior of the home was designed to feel as though it was a summer lodge from the 1930s or 1940s with the idea that it would feel like it's always been there. Careful attention was paid to the detailing of the exterior and the material and color pallet. Water oaks found on the site were inspirational to the color pallet. So the stain for the shingle siding was derived from the bark on the tree. Paint colors for the trim and shutters and doors were all developed from that pallet, including the dark mossy bronze green. Sarah Rossi, Photographer

Stuart Wade, Envision Virtual Tours Envision Virtual Tours and High Resolution Photography is your best choice to find just what you are looking for in the Ellijay, Ga. area .Ellijay, Georgia, known as the “Apple Capital” of Georgia, is located between the Ellijay and Cartecay Rivers where they join to make the Coosawattee River and is the county seat of Gilmer County, Georgia. The origin of the city’s name is not certain but thought to be the English derivative of an Indian word(s) meaning “many waters”, “place of green things” or “new ground”. Some histories say it may have been named for an Indian chief. Inhabited for countless years by the Cherokee people indigenous to the North Georgia, the area was first mentioned as a village and trade center before the onslaught of white settlers inhabited the region. During the 1830’s both white settlers and Indians occupied Ellijay. During the original land lottery in 1832, Martin Scalf acquired the 160 acre lot where the town now stands. In 1833, Clemonds Quinland bought 10 acres from Scalf, retained one acre for himself and donated the rest of the purchase to the County. A plan for twenty town lots, streets and a public square was created and the streets were oriented to allow maximum sunlight exposure to the buildings. Proceeds from lot sales were used to build a jail and courthouse and pay other city expenses. During this same year, Gilmer County was appropriated $800.00 from the State to build a school, and a three-acre lot was donated for the city cemetery. On December 29, l834, Ellijay was incorporated and designated as the County seat of Gilmer County. By 1837, the town had twenty dwellings, three stores and one attorney. Most of these early buildings were of log construction. Many roads led to Ellijay by 1849. The population had grown to 150 by 1850 and the town at five stores. Some wood-frame buildings were being constructed at this time and in 1854, a new courthouse was built in the center of the square, replacing the earlier building. The County’s first newspaper was the Ellijay Courier, started in 1875, and during this time period, Ellijay was a stop on the stagecoach line. The railroad bridge over the Cartecay River was completed in 1884 and the town now had rail service. With the arrival of the railroad and subsequent tracks to White Path, Ellijay began to grow much faster. Many hotels were constructed and land was donated for a depot east of town. More industries, such as a cheese factory and the Shippen Brothers Lumber Mill, located in Ellijay. By 1898, the city had expanded its limits in every direction and now included the depot. By 1900, all the buildings on the town square were brick. This included the recently completed Hyatt Hotel. Most of the other buildings in town were still of log construction, but new wood-frame buildings were being built. The Shippen Brothers Lumber Company production was expanding and exporting their lumber to Europe. Within the next few decades, this company grew to be one of the largest employers in Ellijay, often with five to six million feet of lumber in the yard at one time. The population of Ellijay grew to 659 by 1910, and began to acquire many new modern conveniences such as electric lights and power, a telephone company and many new businesses. Then in 1912, a fire ravaged the city, destroying 23 buildings. As a result, many new buildings were constructed under new and stricter fire and safety guidelines. The population, however, decreased slightly at this time to 632 in 1920. During the 1920’s the town’s population began to grow again and, by this time, apples were being shipped out of the county and new storage facilities were built. Chickens were also shipped to markets outside of Ellijay and Gilmer County. From the mid 1930’s to 1950, Ellijay received much assistance from the Federal WPA Programs. The old courthouse was removed from the center of town square and the Hyatt Hotel was remodeled to be the new courthouse. A park was created on the site of the old courthouse and the streets around the square were paved. A new street was built at this time entering town from the northeast. Other new roads, bridges, sidewalks and gutters were constructed to improve the city. A school and gymnasium were also built and other structures improved. This growth began to impact the city’s infrastructure and in the l950’s and l960’s, a period of upgrading water systems, roads, and power supplies began. New low-rent housing appeared in l960 and a new hospital was built in l957. Georgia Highway 5 was widened in l962, new buildings around the square replaced old ones and some were remodeled. In 1974, the hospital was enlarged. Currently, Ellijay attracts tourists who love the small-town feel and friendly atmosphere. Hotels and restaurants, unique shops, antiques and art galleries lend their charms to those who visit. A new courthouse constructed to resemble the old one, new streetscaping, family-oriented downtown events and the beautification of the square have stepped up the social and economic activity and have made Ellijay a popular destination.

Casual yet elegant, the Etra Collection by Modern Outdoor offers a modern aesthetic that is constructed for outdoor use while being suitable for indoor settings. Etra’s visual inspiration is derived from its architectural-based frame system. Designed using structural angle steel that is mitered and ground, a clean and seamless surface gives Etra its pure appeal. Frame Options: • 304 stainless steel that is brushed and electropolished • marine-grade 316 stainless steel that is brushed and electropolished for use within one mile of salt air, available for an upcharge • powder coated carbon steel in our standard silver finish • custom powder coat colors, available for an upcharge Surface Options: • sustainably harvested ipe – a beautiful South American hardwood that is three times as dense as teak — naturally resistant to rot, insects, UV exposure, ice, salt, abrasion and splintering – all without the need for toxic chemicals — considered a 25+ year wood • marine-grade polyboard – a UV stabilized high-density polyethylene material that is non-corrosive and chip resistant – available in six colors for expanded design choices Fabric Options: • six standard colors of 100% solution dyed acrylic treated for outdoor use are offered • custom fabrics and COM service are also available Cushion Options: • our standard foam cushions are made from outdoor appropriate high-resiliency (HR) foam • for clients that prefer less maintenance, a flow-through foam that allows water and moisture to escape the cushion is also available for an upcharge Etra is a full-breadth line with dining, bar height, lounge, cafe, patio and pool setting pieces included. The pieces are readily customizable for individual client needs.

**I. Spatial Composition & Architectural Volume** This is a galley-adjacent service zone — most likely a scullery or butler's pantry annexed to a primary kitchen — and its power derives from compression rather than expanse. The composition is organized along a single working wall that terminates abruptly in a full-height stainless volume, creating a deliberate collision of cabinetry rhythm and monolithic mass. The upper millwork establishes the governing geometry: a run of glazed-front wall cabinets with recessed shaker-profile stiles and rails, capped by a substantial crown assembly that reads as architectural cornice rather than applied trim. Within the second bay, the designer has inserted a period-correct plate rack with fluted vertical dividers and open glassware shelving, converting storage into ordered display and introducing a fine-grain vertical striation that counterpoints the broader panel field below. The base run answers with inset drawer fronts and applied-molding door panels, its cabinetry set on a shallow toe recess that lets the volume appear to float rather than plinth. The sightline is intentionally foreshortened: the eye travels the countertop plane eastward, is arrested by the refrigerator's tall stainless slab, then released through a sliver of hallway and door casing at the far right — a compressed reveal that implies circulation beyond and prevents the corridor from reading as a dead end. Ceiling height is inferred rather than shown, the cabinetry's soffit-scaled crown suggesting generous vertical proportion held in check by the room's narrow footprint. **II. Materiality, Color & Texture** The palette is a study in achromatic warmth, restrained to four principal materials and disciplined in its saturation. Cabinetry is finished in a soft greige-white — a putty-leaning off-white with faint green-grey undertone — applied in a low-sheen eggshell that absorbs rather than reflects, allowing the millwork profiles to be read through shadow rather than gloss. The backsplash is a honed marble subway field, laid in running bond with tight joints; its veining is delicate, feathered, and grey-toned, providing textural incident without pattern assertion. This continues seamlessly into the countertop, a thick marble slab with a squared eased edge and an integrated undermount trough sink, the material continuity from horizontal to vertical plane reinforcing the wall as a single stone-clad surface. Against this cool mineral field, the stainless steel refrigerator introduces an industrial register — brushed, directional, faintly grey-violet in its reflected light — while polished nickel hardware (bin pulls, cup pulls, knobs, and a wall-mounted bridge faucet with cross handles) supplies punctuating specular highlights at a consistent scale. The floor is the room's tonal anchor: white oak in a herringbone lay, fumed or grey-washed to a driftwood tone that reveals open grain and medullary ray figure. Small warm accents — a butcher-block cutting board with worn patina, amber glass bottles, a persimmon-toned bowl, the pale green of a champagne label — function as chromatic acupuncture within an otherwise desaturated field. **III. Lighting, Atmosphere & Style Profile** Illumination is layered and largely concealed. Ambient daylight enters obliquely from the left, raking across the marble backsplash at a low angle that mobilizes the honed surface's subtle relief and casts the cabinet door profiles into legible shadow. Undercabinet linear lighting washes the countertop and backsplash with a warm, low-kelvin pool, while the refrigerator's interior glazing performs as an unexpected internal lantern — a glowing vitrine that punctures the stainless slab and becomes the composition's focal luminance. This device is the image's most sophisticated gesture: it recasts a utilitarian appliance as an illuminated cabinet of curiosities, echoing the glass-front upper millwork on the opposite wall and completing a diagonal dialogue of lit transparency across the room. The resulting atmosphere is quiet, tempered, and quietly bourgeois — an interior of custodial calm rather than spectacle. Stylistically, the project synthesizes as a **contemporary Anglo-American scullery vernacular**: classical inset millwork and plate-rack joinery inherited from the pre-war service kitchen, reinterpreted through professional-grade stainless equipment, honed rather than polished stone, and a wire-brushed herringbone floor. Call it Refined Utilitarianism — a design position in which historical typology supplies the grammar, industrial hardware supplies the punctuation, and the near-monochrome palette allows craft, profile, and light to carry the entire expressive burden.

Casual yet elegant, the Etra Collection by Modern Outdoor offers a modern aesthetic that is constructed for outdoor use while being suitable for indoor settings. Etra’s visual inspiration is derived from its architectural-based frame system. Designed using structural angle steel that is mitered and ground, a clean and seamless surface gives Etra its pure appeal. Frame Options: • 304 stainless steel that is brushed and electropolished • marine-grade 316 stainless steel that is brushed and electropolished for use within one mile of salt air, available for an upcharge • powder coated carbon steel in our standard silver finish • custom powder coat colors, available for an upcharge Surface Options: • sustainably harvested ipe – a beautiful South American hardwood that is three times as dense as teak — naturally resistant to rot, insects, UV exposure, ice, salt, abrasion and splintering – all without the need for toxic chemicals — considered a 25+ year wood • marine-grade polyboard – a UV stabilized high-density polyethylene material that is non-corrosive and chip resistant – available in six colors for expanded design choices Fabric Options: • six standard colors of 100% solution dyed acrylic treated for outdoor use are offered • custom fabrics and COM service are also available Cushion Options: • our standard foam cushions are made from outdoor appropriate high-resiliency (HR) foam • for clients that prefer less maintenance, a flow-through foam that allows water and moisture to escape the cushion is also available for an upcharge Etra is a full-breadth line with dining, bar height, lounge, cafe, patio and pool setting pieces included. The pieces are readily customizable for individual client needs.

This new 3,000 sq. ft. four bedroom vacation home is designed for multi-generational family usage and flexibility. The unique u-shaped plan organizes the house into two bedroom wings connected by the central great room and kitchen/dining areas. All of the homes main living spaces enjoy exterior views and access to the courtyard/swimming pool areas. The home’s exterior material palette is derived from the local traditions of using stucco and metal roofing.

What amazing days spent with Teresa Roemer, owner of this Suburban Sanctuary in The Woodlands, Texas. The property is 17,315 SQF with 9 beds, 10 bathrooms on 2 acres, she did an stunning and delicious job to redesign this mansion, she built the biggest closet in USA, more than 3,000 SQF. Teresa is the ultimate real housewife in Houston, a fitness expert, a successful business woman, she charmed me and I would like to thanks her again so much for those 2 days. More photos: http://www.thierrydehove.com/2016/07/24/suburban-sanctuary-teresa-roemer/ © Thierry Dehove Photography. All rights reserved. These images, or derivative works, can not be used, published, distributed or sold without written permission of the owner.

San Ildefonso Dragon Pendant Lamp Art Glass Pendant Lamp Created by George Scott Limited Edition This dragon pattern is derived from a San Ildefonso Pueblo design. The fused and slumped aqua blue glass bowl features a deeply carved surface that reveals a lighter shade. The chandelier hangs by stainless steel aircraft cables from a simple stainless steel and brass hardware. The fixture is designed to be direct wired, and uses a 60 watt recommended (100 watt max.) standard incandescent or compact fluorescent light bulb (not included). Please contact our Customer Care department for pricing and availability of this shade in a different shape or color. Limited edition of 5. Dimensions: 25.5″ H x 5.5″ D x 21″ diameter $2,800

The warm tones mixed with all the different materials throughout this space makes it all that more inviting. Featuring custom cabinetry by Gaco Custom Furniture and a beautiful stone front fireplace, this cozy great room will allow anyone to feel at peace after a long day. The two rows of elongated windows mixed with the ceiling height really helps this space stay bright and light without deriving your attention from that main focal point, the fireplace.

Nestled in a secluded mountaintop location is the captivating Contemporary Mountaintop Escape. Complementing its natural surroundings, the 2,955 square foot, four-bedroom, three-bathroom residence captures the panoramic view of the skyline and offers high-quality finishes with modern interior design. The exterior features a timber frame porch, standing seam metal roof, custom chimney cap, Barnwood siding, and a glass garage door. Reclaimed timber derived from the homeowner’s family farmhouse is incorporated throughout the structure. It is decoratively used on the exterior as well as on the interior accent walls and ceiling beams. Other central interior elements include recessed lighting, flush baseboards, and caseless windows and doors. Hickory engineered flooring is displayed upstairs, and exposed concrete slab and foundation walls complement the downstairs decor. The rustic and luxurious great room offers a wood-burning fireplace with an onsite extricated boulder hearth, reclaimed timber ceiling beams, a full reclaimed accent wall, and a charming stucco chimney. The main floor also exhibits a reclaimed, sliding barn door to enclose the in-home office space. The kitchen is situated near the great room and is defined by stainless steel appliances that include a Thermador refrigerator/freezer, an induction range, and a coordinating farmhouse sink. Other standout features are leathered granite countertops, floating reclaimed timber shelves, and stunning ebony-colored drawers. The home’s lower level provides ideal accommodations for hosting family and friends. It features a spacious living area with access to a multi-purpose mudroom complete with a kitchen. This level also includes two guest bedrooms, each with its own bathroom. All bedrooms, including the master bedroom, have caseless windows and doors, floating reclaimed shelves, and flush baseboards. The master bathroom showcases a modern floating vanity with boulder vessel sinks, wall-mounted faucets, and large format floor tile.

This bay side bathrooms elegance is a derivative of light grey cabinet and tile tones, light blue wall color, expresso vanity, and oil rubbed bronze plumbing fixtures. A linen cabinet wall was also incorporated for useful storage of additional toiletries. New porcelain tile to gives the look of marble at a fraction of the cost. We included lighting in every section of the bathroom including above the bathtub, above the toilet, and the unique pendants above the double marble vanity.

A synthesis of beauty and functionality, Majestic is the masterful embodiment of the idea of a range cooker. A freestanding element that blends into every setting and immediately takes centre stage, with a style made of rounded lines, crafted details, fine finishes, solutions and technologies deriving directly from the world of professional cooking.

The setting was to create a bar, a greenhouse, on the roof of a supermarket. The building is designed with reference to the classic barn architecture and its shape with a sloping roof shape, black wooden frame and glazed construction. The terrace is design complemented by a derivative frame of building shapes, which creates a sense of condition on the roof.

M-S Pro Architects announce the completion of an indoor swimming pool in a state-of-the-art, single storey family home set in a picturesque location on the outskirts of Bratislava - one of Europe’s youngest capital cities. Kebony, a beautiful wood recommended by leading architects, was chosen to craft the ceiling of the swimming pool, which is designed to emulate rippling waves as well as for the terrace deck and structural beams. Sustainability and a desire to recreate the close proximity often seen between wood and water in the natural environment were primary focuses in the design of this project. This led a requirement for a low maintenance wood, compatible humidity and with advanced durability, for the swimming pool ceiling. In addition, a high level of precision when cutting the wood was required in order to achieve the desired appearance of waves. Supplied by Leading Market, Kebony was carefully selected for the pool ceiling, which consists of 490 lamellae of timber, due to its versatility, durability and environmental credentials. Kebony was also installed throughout the exterior of this property, both for the spacious outdoor terrace and the exterior and interior beams. One of the reasons to choose Kebony was the unified look of wood in all these different applications. Developed in Norway, the patented Kebony technology uses an environmentally friendly process, which permanently enhances the properties of sustainable softwood with a bio-based liquid derived from agricultural crop waste. By polymerising the wood’s cell wall with furfuryl alcohol, the wood gains greatly improved durability and dimensional stability, giving it characteristics similar to those of tropical hardwood. In creating a wood with comparable properties to tropical hardwood that can be grown in a FSC certified, sustainably managed forest, the demand for tropical woods is reduced, allowing timber to once again be an important part of sustainable construction. Tomáš Hubinský, Lead Architect at M-S Pro, commented: “From conception through to completion, the creation of this ceiling has been a real feat. Despite the challenges faced by such an intricate design, Kebony was the perfect material to convey our desired effect of waves rippling along the ceiling. We will continue to incorporate Kebony into our interior and exterior designs, with wood fast becoming the first choice material for all architects.” Mette Valen, Sales Manager Norway at Kebony, explained: “The distinctive nature of this design cleverly portrays the capability of Kebony, demonstrating both the aesthetic and performance qualities of the product. We would be honoured to work with M-S Pro in the future and look forward to seeing how they utilise Kebony in their future projects.”