Beatrice Row building’s architecture was inspired by reminiscent of London’s and New York’s best and also, by Almeria Row’s successful vision giving as a result a façade full elegant coral stone architectural details, cast stone cornice and hand-crafted bronze-finished balconies. The responsible of bringing this project to life are MG Developer and the internationally recognized architectural firm de la Guardia Victoria Architects and Urbanists (DLGV Architects). Beatrice Row townhomes also benefit from an incredible sense of space and freedom thanks both to high ceilings and living space afforded to each unit.

Stylish brewery owners with airline miles that match George Clooney’s decided to hire Regan Baker Design to transform their beloved Duboce Park second home into an organic modern oasis reflecting their modern aesthetic and sustainable, green conscience lifestyle. From hops to floors, we worked extensively with our design savvy clients to provide a new footprint for their kitchen, dining and living room area, redesigned three bathrooms, reconfigured and designed the master suite, and replaced an existing spiral staircase with a new modern, steel staircase. We collaborated with an architect to expedite the permit process, as well as hired a structural engineer to help with the new loads from removing the stairs and load bearing walls in the kitchen and Master bedroom. We also used LED light fixtures, FSC certified cabinetry and low VOC paint finishes. Regan Baker Design was responsible for the overall schematics, design development, construction documentation, construction administration, as well as the selection and procurement of all fixtures, cabinets, equipment, furniture,and accessories. Key Contributors: Green Home Construction; Photography: Sarah Hebenstreit / Modern Kids Co.

The Kiguchi family moved into their Austin, Texas home in 1994. Built in the 1980’s as part of a neighborhood development, they happily raised their family here but longed for something more contemporary. Once they became empty nesters, they decided it was time for a major remodel. After spending many years visiting Austin AIA Home Tours that highlight contemporary residential architecture, they had a lot of ideas and in 2013 were ready to interview architects and get their renovation underway. The project turned into a major remodel due to an unstable foundation. Architects Ben Arbib and Ed Hughey, of Arbib Hughey Design were hired to solve the structural issue and look for inspiration in the bones of the house, which sat on top of a hillside and was surrounded by great views. Unfortunately, with the old floor plan, the beautiful views were hidden by small windows that were poorly placed. In order to bring more natural light into the house the window sizes and configurations had to be addressed, all while keeping in mind the homeowners desire for a modern look and feel. To achieve a more contemporary and sophisticated front of house, a new entry was designed that included removing a two-story bay window and porch. The entrance of the home also became more integrated with the landscape creating a template for new foliage to be planted. Older exterior materials were updated to incorporate a more muted palette of colors with a metal roof, dark grey siding in the back and white stucco in the front. Deep eaves were added over many of the new large windows for clean lines and sun protection. “Inside it was about opening up the floor plan, expanding the views throughout the house, and updating the material palette to get a modern look that was also warm and inviting,” said Ben from Arbib Hughey Design. “Prior to the remodel, the house had the typical separation of rooms. We removed the walls between them and changed all of the windows to Milgard Thermally Improved Aluminum to connect the inside with the outside. No matter where you are you get nice views and natural light.” The architects wanted to create some drama, which they accomplished with the window placement and opening up the interior floor plan to an open concept approach. Cabinetry was used to help delineate intimate spaces. To add warmth to an all-white living room, white-washed oak wood floors were installed and pine planks were used around the fireplace. The large windows served as artwork bringing the color of nature into the space. An octagon shaped, elevated dining room, (named “the turret”), had a big impact on the design of the house. They architects rounded the corners and added larger window openings overlooking a new sunken garden. The great room was also softened by rounding out the corners and that circular theme continued throughout the house, being picked up in skylight wells and kitchen cabinetry. A staircase leading to a catwalk was added and the result was a two-story window wall that flooded the home with natural light. When asked why Milgard® Thermally Improved Aluminum windows were selected, the architectural team listed many reasons: 1) Aesthetics: “We liked the slim profiles and narrow sightlines. The window frames never get in the way of the view and that was important to us. They also have a very contemporary look that went well with our design.” 2) Options: “We liked that we could get large sliding doors that matched the windows, giving us a very cohesive look and feel throughout the project.” 3) Cost Effective: “Milgard windows are affordable. You get a good product at a good price.” 4) Custom Sizes: “Milgard windows are customizable, which allowed us to get the right window for each location.” Ready to take on your own traditional to modern home remodeling project? Arbib Hughey Design advises, “Work with a good architect. That means picking a team that is creative, communicative, listens well and is responsive. We think it’s important for an architect to listen to their clients and give them something they want, not something the architect thinks they should have. At the same time you want an architect who is willing and able to think outside the box and offer up design options that you may not have considered. Design is about a lot of back and forth, trying out ideas, getting feedback and trying again.” The home was completely transformed into a unique, contemporary house perfectly integrated with its site. Internally the home has a natural flow for the occupants and externally it is integrated with the surroundings taking advantage of great natural light. As a side note, it was highly praised as part of the Austin AIA homes tour.

A Vermont second home renovation used for an active family who skis. Photos by Matthew Niemann Photography.
Inspiration for a contemporary light wood floor and beige floor great room remodel in Dallas with white walls

Stylish brewery owners with airline miles that match George Clooney’s decided to hire Regan Baker Design to transform their beloved Duboce Park second home into an organic modern oasis reflecting their modern aesthetic and sustainable, green conscience lifestyle. From hops to floors, we worked extensively with our design savvy clients to provide a new footprint for their kitchen, dining and living room area, redesigned three bathrooms, reconfigured and designed the master suite, and replaced an existing spiral staircase with a new modern, steel staircase. We collaborated with an architect to expedite the permit process, as well as hired a structural engineer to help with the new loads from removing the stairs and load bearing walls in the kitchen and Master bedroom. We also used LED light fixtures, FSC certified cabinetry and low VOC paint finishes. Regan Baker Design was responsible for the overall schematics, design development, construction documentation, construction administration, as well as the selection and procurement of all fixtures, cabinets, equipment, furniture,and accessories. Key Contributors: Green Home Construction; Photography: Sarah Hebenstreit / Modern Kids Co.

Angelo Tomaiuolo graduated in Architecture with the highest honours at University of Florence in 2001. In the same year he won the 2nd Prize for the International Design Competition of Planetary and Science Museum in Cosenza and started his collaboration with Primadesign firm, involving in high-end residential projects and Salvatore Ferragamo's worldwide retail stores. In 2006 he moved to Rome and began collaborating with Massimiliano Fuksas Studio, in charge of the Armani Ginza Tower Flagship project in Tokyo. Being part of the competition team and responsible for the interiors development design, he won the 1st Prize for the international competition of Shenzhen Bao’an Int. Airport Terminal in China. He also took part in the major international competitions, such as Gazprom City Competition in St. Petersburg, La Defense Project Phare in Paris and Nuragic & Contemporary Art Museum in Cagliari.

Rutter Project Management won for Walnut Creek in Ellicott City, MD. The Community consists of 160 one-acre cluster lots on well and septic. The original parcel included a forest recycling center, an airport, a nursery, a graveyard, several family owned homes and structures, streams, forest, and several high pressure gas main crossings from three different companies, an enormous obstacle in the development of the property.Unique to this project was the ability to avoid impacts to stream buffers and forest areas. With the purchase of additional density through the Howard County Density Exchange Program, the project is responsible for the permanent preservation of more than 524 acres of land. By importing density, and preserving 17 properties throughout western Howard County, the overall existing community now benefits by having 21 percent more land preserved than the original parcel included.

View Haus 5 is an innovative approach to infill development on a narrow site. All homes were designed to Passivhaus standards and one of them has been certified. In response to the site's topography the townhouses are terraced in a single structure. A common walkway connects the site from 25th Avenue E to the alley widening at the center of the site to form a common courtyard. The courtyard is terraced to separate home entries in section from the surface of the courtyard. Decks created to be similar to front porches border the courtyard along with thoughtful landscaping. The massing is modulated to create a structure that is well-scaled to its surroundings. Parking is minimized on the site through its location at the rear alley and setting it below the structure. To minimize impact on adjacent sites, a single enclosed stair penthouse is located at the center of the site, integrated with the design's approach to interlocking masses of varying materials. The exterior materials includes reclaimed brick and wood, ebonized wood and painted cement board panels.

Stylish brewery owners with airline miles that match George Clooney’s decided to hire Regan Baker Design to transform their beloved Duboce Park second home into an organic modern oasis reflecting their modern aesthetic and sustainable, green conscience lifestyle. From hops to floors, we worked extensively with our design savvy clients to provide a new footprint for their kitchen, dining and living room area, redesigned three bathrooms, reconfigured and designed the master suite, and replaced an existing spiral staircase with a new modern, steel staircase. We collaborated with an architect to expedite the permit process, as well as hired a structural engineer to help with the new loads from removing the stairs and load bearing walls in the kitchen and Master bedroom. We also used LED light fixtures, FSC certified cabinetry and low VOC paint finishes. Regan Baker Design was responsible for the overall schematics, design development, construction documentation, construction administration, as well as the selection and procurement of all fixtures, cabinets, equipment, furniture,and accessories. Key Contributors: Green Home Construction; Photography: Sarah Hebenstreit / Modern Kids Co.

This 80 acre ranch in the coastal foothills has a beautifully rich environment with great diversity of vegetation, two creeks and a pond set amongst large old oak trees. The design for this site, an old dairy farm, has included master planning for the site, layout of pastures, paddocks, and fencing, layout of roads and building sites, development of a 90' x 200' outdoor riding arena design with terraced, shaded viewing area, and a round pen. This office has been responsible for site planning, grading, drainage and construction details for site work, and building design for the ten stall barn and separate 70' x 160' covered arena with attached viewing room.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Renovated an optometry office into a casual quick service restaurant.
Minimalist home design photo in Denver

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Stylish brewery owners with airline miles that match George Clooney’s decided to hire Regan Baker Design to transform their beloved Duboce Park second home into an organic modern oasis reflecting their modern aesthetic and sustainable, green conscience lifestyle. From hops to floors, we worked extensively with our design savvy clients to provide a new footprint for their kitchen, dining and living room area, redesigned three bathrooms, reconfigured and designed the master suite, and replaced an existing spiral staircase with a new modern, steel staircase. We collaborated with an architect to expedite the permit process, as well as hired a structural engineer to help with the new loads from removing the stairs and load bearing walls in the kitchen and Master bedroom. We also used LED light fixtures, FSC certified cabinetry and low VOC paint finishes. Regan Baker Design was responsible for the overall schematics, design development, construction documentation, construction administration, as well as the selection and procurement of all fixtures, cabinets, equipment, furniture,and accessories. Key Contributors: Green Home Construction; Photography: Sarah Hebenstreit / Modern Kids Co.

Hampden Place Residence is a paired single-family residential design in Pacific Palisades, California, developed for a hillside site with an emphasis on privacy, views, and contemporary living. Conceived as two 3,500-square-foot homes, the project explores how modern residential architecture can respond to challenging topography through careful massing, terraced site planning, and a strong relationship between interior space and landscape. The design is defined by expansive glazing, warm material tones, broad exterior terraces, and a stepped architectural composition that follows the natural grade of the property. Large openings bring light deep into the interiors while framing long views across the site, and the overall layout balances openness with a sense of retreat appropriate to hillside living. A sequence of terraces, stairs, and retaining walls extends the homes into the landscape, creating outdoor spaces that feel integrated with the architecture rather than separate from it. The result is a contemporary Pacific Palisades residential design shaped around site sensitivity, livability, and a clear connection between house, terrain, and horizon. AKDA Architects works with homeowners on custom home design, rebuild planning, and site-responsive hillside residential projects in Pacific Palisades and throughout Los Angeles.

Hampden Place Residence is a paired single-family residential design in Pacific Palisades, California, developed for a hillside site with an emphasis on privacy, views, and contemporary living. Conceived as two 3,500-square-foot homes, the project explores how modern residential architecture can respond to challenging topography through careful massing, terraced site planning, and a strong relationship between interior space and landscape. The design is defined by expansive glazing, warm material tones, broad exterior terraces, and a stepped architectural composition that follows the natural grade of the property. Large openings bring light deep into the interiors while framing long views across the site, and the overall layout balances openness with a sense of retreat appropriate to hillside living. A sequence of terraces, stairs, and retaining walls extends the homes into the landscape, creating outdoor spaces that feel integrated with the architecture rather than separate from it. The result is a contemporary Pacific Palisades residential design shaped around site sensitivity, livability, and a clear connection between house, terrain, and horizon. AKDA Architects works with homeowners on custom home design, rebuild planning, and site-responsive hillside residential projects in Pacific Palisades and throughout Los Angeles.

Rivington Street Building is a multi-family residential building in New York City that was designed, developed and constructed from the ground up by Paul A. Castrucci, Architect. In order to successfully take on the roles of developer and contractor, Castrucci utilized his ability to balance budget, schedule and constructability. The building is a part of its community and its facade responds to the human and contextual scale. The base of the building utilizes brick, tying it into the surrounding neighborhood. The top floors of the building break from the contextual base in form and material. The corrugated metal saw tooth roofline is a response to the environment, bringing in soft, northern light while providing roof area for a Photovoltaic array of solar panels. The top floor is connected to a roof garden filled with native plants. The result is a light-filled, dynamic space that is shaped by its relationship to daylight and connections to the exterior. Constructed in 2003, Rivington Street Building is an example of the firm’s energy efficient design that utilizes sustainable methods such as a high-performance envelope, a solar Photovoltaic (PV) array and rainwater collection/grey water system.

Hampden Place Residence is a paired single-family residential design in Pacific Palisades, California, developed for a hillside site with an emphasis on privacy, views, and contemporary living. Conceived as two 3,500-square-foot homes, the project explores how modern residential architecture can respond to challenging topography through careful massing, terraced site planning, and a strong relationship between interior space and landscape. The design is defined by expansive glazing, warm material tones, broad exterior terraces, and a stepped architectural composition that follows the natural grade of the property. Large openings bring light deep into the interiors while framing long views across the site, and the overall layout balances openness with a sense of retreat appropriate to hillside living. A sequence of terraces, stairs, and retaining walls extends the homes into the landscape, creating outdoor spaces that feel integrated with the architecture rather than separate from it. The result is a contemporary Pacific Palisades residential design shaped around site sensitivity, livability, and a clear connection between house, terrain, and horizon. AKDA Architects works with homeowners on custom home design, rebuild planning, and site-responsive hillside residential projects in Pacific Palisades and throughout Los Angeles.

Rivington Street Building is a multi-family residential building in New York City that was designed, developed and constructed from the ground up by Paul A. Castrucci, Architect. In order to successfully take on the roles of developer and contractor, Castrucci utilized his ability to balance budget, schedule and constructability. The building is a part of its community and its facade responds to the human and contextual scale. The base of the building utilizes brick, tying it into the surrounding neighborhood. The top floors of the building break from the contextual base in form and material. The corrugated metal saw tooth roofline is a response to the environment, bringing in soft, northern light while providing roof area for a Photovoltaic array of solar panels. The top floor is connected to a roof garden filled with native plants. The result is a light-filled, dynamic space that is shaped by its relationship to daylight and connections to the exterior. Constructed in 2003, Rivington Street Building is an example of the firm’s energy efficient design that utilizes sustainable methods such as a high-performance envelope, a solar Photovoltaic (PV) array and rainwater collection/grey water system.