Docking Drawer outlets provide a convenient way to power appliances in dedicated spaces. Add them to any appliance garage or pull-out to keep appliances out of sight when not in use. Pair with the Corner Mount Limit Switch for added safety and Canadian compliance. The switch mounts in the corner of a cabinet and senses the door position, de-energizing the outlet and connected devices when the door is closed.

Bathroom - transitional bathroom idea

Close up view of tilt out drawer recharging station, customized by Arbor Mills cabinetry
Example of a transitional kitchen design in Chicago

Powder room with glam geometric wallpaper complimented with a vessel sink rustic vanity with riveted hardware. Counter top is quartz Viatera - Truffle. Mirror framed wall mirror. Ryan Hainey

Small elegant gray one-story mixed siding gable roof photo in Charleston

Gorgeous master bath with dramatic retro "wave" tile. Peak Photography
Example of a 1950s bathroom design in Los Angeles

These strips of fabric are the perfect way to eliminate the sun's heat without blocking the light. It keeps the space comfortable but still bright and inviting.

River Gold 180fx® by Formica Group: An inviting, creamy-white granite with linear veins of gold and gray highlighted by chocolate-brown crystals. One of the most desirable granite patterns, it reflects the trend toward light and white sophisticated stone.

Governor's House Entry by Lisa Tharp. 2019 Bulfinch Award - Interior Design. Photo by Michael J. Lee
Transitional painted wood floor foyer photo with white walls and a black front door

Two Birds Photography
Kids' room - transitional kids' room idea in Chicago

Eat-in kitchen - large traditional u-shaped eat-in kitchen idea in Austin with raised-panel cabinets, beige cabinets, granite countertops, multicolored backsplash, mosaic tile backsplash and an island

Our mission is to guide clients seamlessly through the design/Install process; presenting the very best options, maximizing the use of latest technologies and delivering on the quality and integrity of our work. Our ultimate goal is to bring the clients dream space to life.

*Spatial Composition & Architectural Volume** This terrace operates as an outdoor room in the fullest architectural sense: a discrete volume carved from the open air of the upper Manhattan skyline, its perimeter defined not by masonry but by a disciplined green architecture of clipped boxwood parterre hedging and multi-stemmed dogwood standards. The plan is organized on a clear axial logic — the rectilinear dining table sits centered on the sightline that threads between the flanking specimen trees and terminates in the middle distance on the Central Park tree canopy and the Columbus Circle towers beyond. That deliberate framing device is the composition's essential move: the trees function as proscenium, the hedge line as a low balustrade wall, and the powder-coated metal railing as a nearly dematerialized threshold, so the borrowed landscape is enlisted as the room's fourth elevation. Vertical enclosure is calibrated in three tiers — ground-plane ivy at ankle height, hedge and planter coping at seated eye level, and the airy tracery of tree canopy overhead — producing a ceiling plane implied rather than built, dappled and permeable. To the left, the load-bearing buff brick of the building's flank grounds the scheme with genuine architectural mass and reads as a masonry pilaster anchoring an otherwise open-sided plan, while at right a low stone-topped service console with recessed pull hardware and a monumental orb planter provides an asymmetrical counterweight, terminating circulation and articulating a secondary zone without interrupting flow. Large-format square paving, laid in a regular grid, provides the module against which all furniture placement is measured. **Materiality, Color & Texture** The material palette is restrained to a narrow tonal band of warm neutrals, allowing chlorophyll green to carry the scheme's entire chromatic charge. Underfoot, honed grey-taupe stone pavers offer a matte, slightly granular surface with a cool undertone; adjacent, the brick wall introduces a sandy, oatmeal-toned masonry with visible mortar coursing whose horizontality and faint striation supply the composition's only decorative pattern. Furniture is executed in a matte white or bone powder-coated aluminum frame with woven cord or resin-strap seat backs — an open basketweave that reads as textile rather than metal and softens the geometry with a hand-crafted grain. Cushions in pale greige linen-weave add a further degree of tactile compliance. Planters are dark bronze-toned metal, deliberately recessive so that mass reads as foliage rather than container, while the pale cast-stone orb planter introduces a sculptural, slightly chalky, faceted surface that catches light like unglazed ceramic. The horticultural texture work is the true material sophistication here: the tight, fine-leaved matte density of boxwood set against the broad, glossy, lacquer-like foliage of the ivy, and both played against the dogwoods' larger leaves already turning bronze, oxblood, and citron at the edges. The single note of saturation — a low, tightly massed arrangement of coral, apricot, and chartreuse blooms in a white cachepot — functions as a deliberate chromatic accent, keyed precisely to the autumnal leaf-turn overhead. **Lighting, Atmosphere & Style Profile** Natural light is the primary design instrument. The photograph captures a high, diffuse, slightly overexposed sky that renders the skyline in soft atmospheric perspective while raking light filters through the canopy to scatter mobile dappling across the paving — a chiaroscuro that animates an otherwise static geometry and shifts the room's character hourly. Artificial lighting is intentionally understated and architectural in intent: a suspended conical pendant in dark matte metal, hung at the right beneath the canopy, signals evening use and provides a small, precise silhouette against the ivy screen, while low-level integrated fixtures within planters and hedging would supply the subdued wash appropriate to a terrace that must never compete with the ambient glow of the city. The resulting atmosphere is one of considered seclusion — a green-walled cloister suspended above the metropolis, contemplative rather than performative. Stylistically, the project reads as Soft Minimalism in dialogue with a distinctly European, formal-garden discipline: the axial planning, clipped topiary, and standard-trained trees derive from classical parterre tradition, but they are executed with contemporary restraint — no ornament, no historicist detail, a single furniture gesture, a monochrome envelope. The synthesis might be termed Tailored Naturalism: an aesthetic in which rigorous geometry and a near-silent material palette exist precisely to give primacy to living texture, seasonal change, and the framed view.

Jane Benson
Example of a large mountain style wooden l-shaped staircase design with wooden risers

Ryan Day Thompson
Inspiration for a contemporary wooden u-shaped staircase remodel with wooden risers

An old door and brass backplate with a new reproduction black knob give this beach house front door charm.
Inspiration for a coastal single front door remodel in Portland

Staircase - mid-sized traditional wooden straight wood railing staircase idea in New York with painted risers

Mid-sized minimalist gray two-story wood exterior home photo in Los Angeles

Home design - transitional home design idea in Wichita