Search results for "Distinct unusual" in Home Design Ideas
Simply PerfectWith Pinterest, Houzz and HGTV, homeowners have more sources for inspiration than ever before. You may have found, however, that replicating what you see online or on TV isn’t always that simple. Mastering proportion and scale can be especially challenging.
Let’s say you fall in love with an oversized vase which looks like it will fit with the colors and textures in your living room. But once it’s there, the vase doesn’t look the way you expected and you don’t know now to make it work.
Fortunately, designers are experienced not only in dealing with proportion and scale, but in handling multiple elements at once.
In the meantime, here are a few tips to help you understand some of the considerations regarding size.
Proportion Tips
1. Less is more
In the home shown here, the rooms are on the smaller side, where it would seem counterintuitive to use oversized pieces. But using smaller pieces can look busy—and can actually make the rooms feel smaller, especially when you add personal belongings to the space.
2. Keep it simple
Several oversized pieces can create clean, simple lines. We put this principle to work using oversized items as anchors on both sides of the fireplace in the living room.
On one side, we have two oversized blown-glass vases with amber, silver and purple tones. The irregular shapes in these beautiful pieces create interest and contrast; you can see through them and you can see the room reflected in them.
On the other side of the fireplace sit two oversized brass lanterns filled with driftwood and greenery; the contents can be switched out seasonally, as well.
The vases on one side and lanterns on the other side establish pattern (two of each, in descending order), balance and simplicity.
3. Embrace the unexpected
On the mantle above the fireplace rests another oversized piece—a painting of a barn. Its neutral colors pick up the tones in the stone behind it and again, it works to bring simplicity to the space, rather than overly fussy detail.
Nearby, just up the stairs, is an unusually spacious landing. A bench and pillows transform it into a special reading or conversation spot. The pair of hammered nickel vases on the window sill repeats the pattern established on either side of the fireplace. Using oversized vases in lieu of a window treatment is unexpected—as is incorporating sleek, modern-shaped vases like these in a farmhouse-style home. Yet because of the other oversized objects nearby, the vases feel distinctive and delightful.
4. Coordinate pattern and rhythm
Another oversized item is the table lamp in the living room. It’s a powerful light; aside from the overhead can lights, it’s the room’s only light source. The ridges on its ceramic base echo the pieces of wicker in the stunning basket behind the sofa.
This oversized wicker basket, which we’re a bit in love with, features a very large weave along with elegant leather straps. It’s ideal for storing throws, cushions, board games or anything else you want out of sight.
5. Proximity matters
This home’s dining room is just to the right of the entry. An immense floor mirror—double-framed in weathered wood—is placed opposite the front windows. Measuring seven feet high, it’s a bold piece. And it works perfectly in this space to reflect light and make the room feel larger.
An oversized ceramic vase, with a porous, matte-stone finish, sits atop a table next to the mirror. Other regular-sized items share the small table, including a bottle of wine and a glass vase. But because of the enormous mirror, it was important to have one oversized item on that table, for balance.
Ball HomesThe Brooklyn is a two story plan with three bedrooms and a two car garage. The large two story foyer creates an impressive entry, with plant shelves over the powder room and large coat closet in the second story space. A distinctive barrel vault above the doorway marks the transition to the main living areas. The family room is large and open, with four windows overlooking the rear yard, and an optional fireplace. The family room is open to the kitchen, which includes an island sink and breakfast bar, as well as a pantry. The adjacent breakfast area also overlooks the rear yard, with plenty of natural light.
Upstairs, the large primary bedroom is defined by a double tray ceiling. The primary bath can be configured with a variety of luxury tub and shower upgrades, and opens to a large walk in closet. Two more bedrooms, a hall bath, linen storage, and a utility room complete the second floor. Bedroom three offers an unusually large walk-in closet. The front elevation features include a covered porch, shake siding accents, and a feature window.
The Robin Kencel TeamA Norman French-style estate with a manor-born pedigree, this home was designed by celebrated American architect, Harrie T. Lindeberg, evoking the very essence of elegance and sophistication. Its timeless artistry is vividly on display at every turn throughout this property. Gracious and grand, the home is immersed in light and flowing with impressively scaled rooms, a pine cathedral ceiling, and a unique and unusually large knotty pine paneled library. Details such as lead paned windows, a Ludovici tile roof, and splendid period hardware exemplify the architectural distinction of this rare pre-war masterpiece, and absolute treasure.
This stunning storybook property is set in the exquisite woodlands of the most prestigious enclave of mid-country Connecticut, off picturesque Round Hill. Designed by landscape architect Frederick Law Olmstead, creator of Central Park and Queens Park in London, Khakum Wood is reminiscent of Olmstead’s Manhattan centerpiece with a gently rolling landscape, two lakes, and homes perfectly positioned in harmony with the natural surroundings. Khakum Wood is just minutes from downtown Greenwich, schools, the parkway, and highway. Its transportive feeling makes it hard to believe that you are so close to shopping, restaurants, and more.
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UserA vintage and dandy-inspired style with an aged appeal. This is a modern and unusual version of the type of mustache worn in London in the 19th century by distinct, elegant and intellectual gentlemen. The ‘handlebar’ moustache was attributed to the typical London dandies and distinguished their physical appearance. Moustaches nowadays are a symbol of modern dandies in all the major cities of the world and thanks to Progetti cuckoo clocks, they can now be hang to the wall or be put on a desk or on a shelf giving an elegant and ironic touch to any room. Made of wood, Dandy cuckoo is available in two colors, classic black or white. The Cuckoo strike is switched off automatically during the night controlled by a light sensor.
Simply PerfectWith Pinterest, Houzz and HGTV, homeowners have more sources for inspiration than ever before. You may have found, however, that replicating what you see online or on TV isn’t always that simple. Mastering proportion and scale can be especially challenging.
Let’s say you fall in love with an oversized vase which looks like it will fit with the colors and textures in your living room. But once it’s there, the vase doesn’t look the way you expected and you don’t know now to make it work.
Fortunately, designers are experienced not only in dealing with proportion and scale, but in handling multiple elements at once.
In the meantime, here are a few tips to help you understand some of the considerations regarding size.
Proportion Tips
1. Less is more
In the home shown here, the rooms are on the smaller side, where it would seem counterintuitive to use oversized pieces. But using smaller pieces can look busy—and can actually make the rooms feel smaller, especially when you add personal belongings to the space.
2. Keep it simple
Several oversized pieces can create clean, simple lines. We put this principle to work using oversized items as anchors on both sides of the fireplace in the living room.
On one side, we have two oversized blown-glass vases with amber, silver and purple tones. The irregular shapes in these beautiful pieces create interest and contrast; you can see through them and you can see the room reflected in them.
On the other side of the fireplace sit two oversized brass lanterns filled with driftwood and greenery; the contents can be switched out seasonally, as well.
The vases on one side and lanterns on the other side establish pattern (two of each, in descending order), balance and simplicity.
3. Embrace the unexpected
On the mantle above the fireplace rests another oversized piece—a painting of a barn. Its neutral colors pick up the tones in the stone behind it and again, it works to bring simplicity to the space, rather than overly fussy detail.
Nearby, just up the stairs, is an unusually spacious landing. A bench and pillows transform it into a special reading or conversation spot. The pair of hammered nickel vases on the window sill repeats the pattern established on either side of the fireplace. Using oversized vases in lieu of a window treatment is unexpected—as is incorporating sleek, modern-shaped vases like these in a farmhouse-style home. Yet because of the other oversized objects nearby, the vases feel distinctive and delightful.
4. Coordinate pattern and rhythm
Another oversized item is the table lamp in the living room. It’s a powerful light; aside from the overhead can lights, it’s the room’s only light source. The ridges on its ceramic base echo the pieces of wicker in the stunning basket behind the sofa.
This oversized wicker basket, which we’re a bit in love with, features a very large weave along with elegant leather straps. It’s ideal for storing throws, cushions, board games or anything else you want out of sight.
5. Proximity matters
This home’s dining room is just to the right of the entry. An immense floor mirror—double-framed in weathered wood—is placed opposite the front windows. Measuring seven feet high, it’s a bold piece. And it works perfectly in this space to reflect light and make the room feel larger.
An oversized ceramic vase, with a porous, matte-stone finish, sits atop a table next to the mirror. Other regular-sized items share the small table, including a bottle of wine and a glass vase. But because of the enormous mirror, it was important to have one oversized item on that table, for balance.
The Cabin StoreIf there is one thing that is clear...upon leaving this unique cabin, you will agree that this is a "One of a Kind" cabin. This unusual and distinctive home, inspired by the Yankee Girl Mine, is located in the Todd area of Ashe County in the Blue Ridge Mountains of North Carolina and features 2-bedrooms, plus lower level multipurpose area, 3-baths, fireplace with gas logs, and four levels of living space each with its own covered deck to enjoy the views.
Ashe High Country Realty
Donald A. Gardner ArchitectsAn exciting mixture of styles, this home blends the wrap-around porch of a country farmhouse with a brick and siding exterior, creating a unique and pleasing effect. In this house plan, the great room shares its cathedral ceiling with a distinctly open and unusual kitchen. With a generous U-shaped serving bar, the kitchen features room for many. Adding even more architectural interest, the dining room is octagonal shaped and is complemented by a splendid tray ceiling. Built-ins flank the great room's fireplace for added convenience. This home plan's master suite is complete with a tray ceiling, arched picture window, back-porch access, private bath and sizable walk-in closet. Another full bath with linen closet is shared by two bedrooms and a bedroom/study that shines with a Palladian window and a graceful tray ceiling.
Glenn Gissler DesignThe 1947 painting, "Fugue," by Abstract Expressionist James Brooks, rivets our attention. Poised on the custom coffee table is an ancient work of Pre-Columbian art, a Colima Carinate Vessel, between 300 B.C. and 300 A.D., from Douglas Dawson Gallery.
Picasso's portrait of Dora Maar of 1939-42
Picasso's portrait of Dora Maar of 1939-42 hangs above an Ethiopian carved wooden chair, c. 1900, from Kimcherova. On the adjacent wall, above Austrian designer Tommi Parzinger's mahogany and brass cabinet, c. 1950, hangs a print by contemporary abstract artist, Terry Winters.
Distinctive side chairs are by Ico Parisi, Italy c. 1947
A quartet of bold ink drawings by Al Held define this space, where a comfortable banquette in a Holly Hunt Great Plains Fabric surrounds a custom table of solid walnut. The distinctive side chairs are by Ico Parisi, Italy c. 1947, from Leon Hamaekers. The milk glass chandelier with Edison bulb is from Early Electrics.
Contemporary designer Lindsey Adelman's chandelier is of oil-rubbed bronze with hand-blown glass globes
Soft neutrals create an inviting sense of repose. The king upholstered bed is by Baker, Knapp & Tubbs, the fabric by Pollack. Contemporary designer Lindsey Adelman's chandelier is of oil-rubbed bronze with hand-blown glass globes; the unusual floor lamp is by French designer Rispal, 1955; and the bedside chrome and clear glass table lamps are from Saladino.
A deep, curvaceous Boudin armchair (with ottoman), upholstered in Pollack fabric by Jonas
A curvaceous Boudin armchair with ottoman, upholstered in Pollack fabric is perfect for reading, illuminated by the Rispal lamp. The sculptural Tetra table is from C.S. Post & Co. Custom flat roman shades in Sahco fabric and curtain panels in Pollack fabric were made by Boaz Sharoni Design. The carpet is from Paul H. Lee.
boxy JMF sofas, upholstered by Jonas Upholstery
Comfort and earthiness define the Family Room, with two deep, boxy JMF sofas upholstered by Jonas Upholstery. The rugged central light fixture--a new machine age artifact--was custom made by Daniel Berglund, its frame composed of industrial conveyor belt links. A boldly striped wool rug from Martin Patrick Evan grounds the ensemble.
Two framed collages by Conrad Marcarelli from the Hollis Taggart Galleries
Two framed collages by Conrad Marcarelli from Hollis Taggart Galleries invoke a neo-primitive element. A large Nassau coffee table from Williams-Sonoma invites piles of books. The room's woody quality is accentuated by vintage or contemporary hand-hewn wooden side tables, including the round Heliotrope table from Newman Studio.
Photo: Gross & Daley
Pacific Garden DesignTucked away on a large, private lot, this home's landscape disguises the fact that it is in the middle of an urban neighborhood. The homeowner is an avid gardener, and the landscape is constantly evolving as he puts his touch on the plants and new phases of the master plan are implemented.
The expansive back yard is unusual for the area and provides plenty of space for the family to play. A tiered deck makes the most of the sloped site, offering several distinct entertaining areas.
Simply PerfectWith Pinterest, Houzz and HGTV, homeowners have more sources for inspiration than ever before. You may have found, however, that replicating what you see online or on TV isn’t always that simple. Mastering proportion and scale can be especially challenging.
Let’s say you fall in love with an oversized vase which looks like it will fit with the colors and textures in your living room. But once it’s there, the vase doesn’t look the way you expected and you don’t know now to make it work.
Fortunately, designers are experienced not only in dealing with proportion and scale, but in handling multiple elements at once.
In the meantime, here are a few tips to help you understand some of the considerations regarding size.
Proportion Tips
1. Less is more
In the home shown here, the rooms are on the smaller side, where it would seem counterintuitive to use oversized pieces. But using smaller pieces can look busy—and can actually make the rooms feel smaller, especially when you add personal belongings to the space.
2. Keep it simple
Several oversized pieces can create clean, simple lines. We put this principle to work using oversized items as anchors on both sides of the fireplace in the living room.
On one side, we have two oversized blown-glass vases with amber, silver and purple tones. The irregular shapes in these beautiful pieces create interest and contrast; you can see through them and you can see the room reflected in them.
On the other side of the fireplace sit two oversized brass lanterns filled with driftwood and greenery; the contents can be switched out seasonally, as well.
The vases on one side and lanterns on the other side establish pattern (two of each, in descending order), balance and simplicity.
3. Embrace the unexpected
On the mantle above the fireplace rests another oversized piece—a painting of a barn. Its neutral colors pick up the tones in the stone behind it and again, it works to bring simplicity to the space, rather than overly fussy detail.
Nearby, just up the stairs, is an unusually spacious landing. A bench and pillows transform it into a special reading or conversation spot. The pair of hammered nickel vases on the window sill repeats the pattern established on either side of the fireplace. Using oversized vases in lieu of a window treatment is unexpected—as is incorporating sleek, modern-shaped vases like these in a farmhouse-style home. Yet because of the other oversized objects nearby, the vases feel distinctive and delightful.
4. Coordinate pattern and rhythm
Another oversized item is the table lamp in the living room. It’s a powerful light; aside from the overhead can lights, it’s the room’s only light source. The ridges on its ceramic base echo the pieces of wicker in the stunning basket behind the sofa.
This oversized wicker basket, which we’re a bit in love with, features a very large weave along with elegant leather straps. It’s ideal for storing throws, cushions, board games or anything else you want out of sight.
5. Proximity matters
This home’s dining room is just to the right of the entry. An immense floor mirror—double-framed in weathered wood—is placed opposite the front windows. Measuring seven feet high, it’s a bold piece. And it works perfectly in this space to reflect light and make the room feel larger.
An oversized ceramic vase, with a porous, matte-stone finish, sits atop a table next to the mirror. Other regular-sized items share the small table, including a bottle of wine and a glass vase. But because of the enormous mirror, it was important to have one oversized item on that table, for balance.
RHEINZINKInspired by noted American architect Norman Jaffe, the strikingly contemporary Sagaponack Residence on Long Island is highlighted by distinctively unique angles both inside and out. Jaffe was widely recognized for his contemporary residential style and use of natural materials and passive solar forms of design for his many South Long Island beach houses.
The 2,700 sq. ft. private residence is located one-half mile from the Atlantic coast and sited in an area that was originally characterized by long vistas over farm fields to the ocean beyond. Now, the area is thickly built up with weekend homes. The project was meant to address this change by creating a place that focuses on the immediate landscape and provides a garden environment for the owner.
A collaborative arrangement between two architectural firms brought the project to life. Andrew Reyniak, principal at ARAPC, New York, was architect of record; Mark Anthony C. Verzosa, principal at +macv, Sag Harbor, NY, was design consultant and general contractor.
“We knew we wanted to use zinc from the beginning,” Verzosa said. “We wanted a material that had a life.” Approximately 5,500 sq. ft. of prePATINA blue-grey RHEINZINK was specified to provide the life and the look that the design team sought. RHEINZINK Vertical Angled Standing Seam Panels and Flat Lock Tiles clad the exterior along with rough-sawn, locally-sourced white cedar. RHEINZINK Double Lock Standing Seam Panels were used on the roof.
“The RHEINZINK is obviously a very versatile material,” according to Verzosa. “The color blends very well into the environment and the sky in particular. And we like the way it patinas and self-heals.”
The unique design of the house incorporates unusual angles on both the exterior and interior. “There’s not a lot of 90 degree or horizontal plumb walls,” Verzosa said. “The dramatic geometry of the building created complicated detailing on the project.”
Fabrication and installation of the RHEINZINK panels was done by Metropan Systems, Inc., Bayside, NY. The company specializes in zinc façade and roofing projects, according to John Gushue, president. “We’ve done more than 60 zinc projects since 2001 and the majority have been RHEINZINK,” Gushue said. “If I could do zinc every day, I would.”
The unusual geometry of the Sagaponack Residence made for a challenging installation. “There was nothing cookie cutter about this job,” according to Gushue. “We began meeting with the architect about a year before actually starting the work in order to incorporate the very best detailing. Every fastener is hidden and there’s no caulk on the façade. Many of the RHEINZINK panels were fabricated on-site in order to bend around corners. And the flashing details had to be meticulous.”
The design of the project presents a modern, artistic look in every aspect. “Of all the zinc projects we’ve done, this is my favorite,” Gushue said. “It was a great job to be on. And properly maintained, it could last for 150 years.”
Ball HomesThe Brooklyn is a two story plan with three bedrooms and a two car garage. The large two story foyer creates an impressive entry, with plant shelves over the powder room and large coat closet in the second story space. A distinctive barrel vault above the doorway marks the transition to the main living areas. The family room is large and open, with four windows overlooking the rear yard, and an optional fireplace. The family room is open to the kitchen, which includes an island sink and breakfast bar, as well as a pantry. The adjacent breakfast area also overlooks the rear yard, with plenty of natural light.
Upstairs, the large primary bedroom is defined by a double tray ceiling. The primary bath can be configured with a variety of luxury tub and shower upgrades, and opens to a large walk in closet. Two more bedrooms, a hall bath, linen storage, and a utility room complete the second floor. Bedroom three offers an unusually large walk-in closet. The front elevation features include a covered porch, shake siding accents, and a feature window.
Schenck and CompanyNaturally Curvy. When the interior designer first viewed Bolefloor samples at our showroom, she knew the natural curves would add the distinctive warmth she wanted for this new high-rise home. The walnut planks follow the tree’s natural growth, allowing for more of nature’s beauty to be on display. Named after the old English word “bole” for the trunk of a tree, Bolefloor wood offers an unusual – and unusually beautiful – aesthetic. It’s also a sustainable option, using 20% more of each sawn plank, thereby producing less waste.
Simply PerfectWith Pinterest, Houzz and HGTV, homeowners have more sources for inspiration than ever before. You may have found, however, that replicating what you see online or on TV isn’t always that simple. Mastering proportion and scale can be especially challenging.
Let’s say you fall in love with an oversized vase which looks like it will fit with the colors and textures in your living room. But once it’s there, the vase doesn’t look the way you expected and you don’t know now to make it work.
Fortunately, designers are experienced not only in dealing with proportion and scale, but in handling multiple elements at once.
In the meantime, here are a few tips to help you understand some of the considerations regarding size.
Proportion Tips
1. Less is more
In the home shown here, the rooms are on the smaller side, where it would seem counterintuitive to use oversized pieces. But using smaller pieces can look busy—and can actually make the rooms feel smaller, especially when you add personal belongings to the space.
2. Keep it simple
Several oversized pieces can create clean, simple lines. We put this principle to work using oversized items as anchors on both sides of the fireplace in the living room.
On one side, we have two oversized blown-glass vases with amber, silver and purple tones. The irregular shapes in these beautiful pieces create interest and contrast; you can see through them and you can see the room reflected in them.
On the other side of the fireplace sit two oversized brass lanterns filled with driftwood and greenery; the contents can be switched out seasonally, as well.
The vases on one side and lanterns on the other side establish pattern (two of each, in descending order), balance and simplicity.
3. Embrace the unexpected
On the mantle above the fireplace rests another oversized piece—a painting of a barn. Its neutral colors pick up the tones in the stone behind it and again, it works to bring simplicity to the space, rather than overly fussy detail.
Nearby, just up the stairs, is an unusually spacious landing. A bench and pillows transform it into a special reading or conversation spot. The pair of hammered nickel vases on the window sill repeats the pattern established on either side of the fireplace. Using oversized vases in lieu of a window treatment is unexpected—as is incorporating sleek, modern-shaped vases like these in a farmhouse-style home. Yet because of the other oversized objects nearby, the vases feel distinctive and delightful.
4. Coordinate pattern and rhythm
Another oversized item is the table lamp in the living room. It’s a powerful light; aside from the overhead can lights, it’s the room’s only light source. The ridges on its ceramic base echo the pieces of wicker in the stunning basket behind the sofa.
This oversized wicker basket, which we’re a bit in love with, features a very large weave along with elegant leather straps. It’s ideal for storing throws, cushions, board games or anything else you want out of sight.
5. Proximity matters
This home’s dining room is just to the right of the entry. An immense floor mirror—double-framed in weathered wood—is placed opposite the front windows. Measuring seven feet high, it’s a bold piece. And it works perfectly in this space to reflect light and make the room feel larger.
An oversized ceramic vase, with a porous, matte-stone finish, sits atop a table next to the mirror. Other regular-sized items share the small table, including a bottle of wine and a glass vase. But because of the enormous mirror, it was important to have one oversized item on that table, for balance.
Vicki Blakeman Interior DesignThe master bedroom successfully blends masculine and feminine elements, and bathes them in a warm glow. The unusual low four poster bed has a very solid feel, and is flanked by custom nightstands we designed. This stylish transitional look satisfies people who are traditional or those that like more Contemporary looks.
RHEINZINKInspired by noted American architect Norman Jaffe, the strikingly contemporary Sagaponack Residence on Long Island is highlighted by distinctively unique angles both inside and out. Jaffe was widely recognized for his contemporary residential style and use of natural materials and passive solar forms of design for his many South Long Island beach houses.
The 2,700 sq. ft. private residence is located one-half mile from the Atlantic coast and sited in an area that was originally characterized by long vistas over farm fields to the ocean beyond. Now, the area is thickly built up with weekend homes. The project was meant to address this change by creating a place that focuses on the immediate landscape and provides a garden environment for the owner.
A collaborative arrangement between two architectural firms brought the project to life. Andrew Reyniak, principal at ARAPC, New York, was architect of record; Mark Anthony C. Verzosa, principal at +macv, Sag Harbor, NY, was design consultant and general contractor.
“We knew we wanted to use zinc from the beginning,” Verzosa said. “We wanted a material that had a life.” Approximately 5,500 sq. ft. of prePATINA blue-grey RHEINZINK was specified to provide the life and the look that the design team sought. RHEINZINK Vertical Angled Standing Seam Panels and Flat Lock Tiles clad the exterior along with rough-sawn, locally-sourced white cedar. RHEINZINK Double Lock Standing Seam Panels were used on the roof.
“The RHEINZINK is obviously a very versatile material,” according to Verzosa. “The color blends very well into the environment and the sky in particular. And we like the way it patinas and self-heals.”
The unique design of the house incorporates unusual angles on both the exterior and interior. “There’s not a lot of 90 degree or horizontal plumb walls,” Verzosa said. “The dramatic geometry of the building created complicated detailing on the project.”
Fabrication and installation of the RHEINZINK panels was done by Metropan Systems, Inc., Bayside, NY. The company specializes in zinc façade and roofing projects, according to John Gushue, president. “We’ve done more than 60 zinc projects since 2001 and the majority have been RHEINZINK,” Gushue said. “If I could do zinc every day, I would.”
The unusual geometry of the Sagaponack Residence made for a challenging installation. “There was nothing cookie cutter about this job,” according to Gushue. “We began meeting with the architect about a year before actually starting the work in order to incorporate the very best detailing. Every fastener is hidden and there’s no caulk on the façade. Many of the RHEINZINK panels were fabricated on-site in order to bend around corners. And the flashing details had to be meticulous.”
The design of the project presents a modern, artistic look in every aspect. “Of all the zinc projects we’ve done, this is my favorite,” Gushue said. “It was a great job to be on. And properly maintained, it could last for 150 years.”
Ball HomesThe Brooklyn is a two story plan with three bedrooms and a two car garage. The large two story foyer creates an impressive entry, with plant shelves over the powder room and large coat closet in the second story space. A distinctive barrel vault above the doorway marks the transition to the main living areas. The family room is large and open, with four windows overlooking the rear yard, and an optional fireplace. The family room is open to the kitchen, which includes an island sink and breakfast bar, as well as a pantry. The adjacent breakfast area also overlooks the rear yard, with plenty of natural light.
Upstairs, the large primary bedroom is defined by a double tray ceiling. The primary bath can be configured with a variety of luxury tub and shower upgrades, and opens to a large walk in closet. Two more bedrooms, a hall bath, linen storage, and a utility room complete the second floor. Bedroom three offers an unusually large walk-in closet. The front elevation features include a covered porch, shake siding accents, and a feature window.
RHEINZINKInspired by noted American architect Norman Jaffe, the strikingly contemporary Sagaponack Residence on Long Island is highlighted by distinctively unique angles both inside and out. Jaffe was widely recognized for his contemporary residential style and use of natural materials and passive solar forms of design for his many South Long Island beach houses.
The 2,700 sq. ft. private residence is located one-half mile from the Atlantic coast and sited in an area that was originally characterized by long vistas over farm fields to the ocean beyond. Now, the area is thickly built up with weekend homes. The project was meant to address this change by creating a place that focuses on the immediate landscape and provides a garden environment for the owner.
A collaborative arrangement between two architectural firms brought the project to life. Andrew Reyniak, principal at ARAPC, New York, was architect of record; Mark Anthony C. Verzosa, principal at +macv, Sag Harbor, NY, was design consultant and general contractor.
“We knew we wanted to use zinc from the beginning,” Verzosa said. “We wanted a material that had a life.” Approximately 5,500 sq. ft. of prePATINA blue-grey RHEINZINK was specified to provide the life and the look that the design team sought. RHEINZINK Vertical Angled Standing Seam Panels and Flat Lock Tiles clad the exterior along with rough-sawn, locally-sourced white cedar. RHEINZINK Double Lock Standing Seam Panels were used on the roof.
“The RHEINZINK is obviously a very versatile material,” according to Verzosa. “The color blends very well into the environment and the sky in particular. And we like the way it patinas and self-heals.”
The unique design of the house incorporates unusual angles on both the exterior and interior. “There’s not a lot of 90 degree or horizontal plumb walls,” Verzosa said. “The dramatic geometry of the building created complicated detailing on the project.”
Fabrication and installation of the RHEINZINK panels was done by Metropan Systems, Inc., Bayside, NY. The company specializes in zinc façade and roofing projects, according to John Gushue, president. “We’ve done more than 60 zinc projects since 2001 and the majority have been RHEINZINK,” Gushue said. “If I could do zinc every day, I would.”
The unusual geometry of the Sagaponack Residence made for a challenging installation. “There was nothing cookie cutter about this job,” according to Gushue. “We began meeting with the architect about a year before actually starting the work in order to incorporate the very best detailing. Every fastener is hidden and there’s no caulk on the façade. Many of the RHEINZINK panels were fabricated on-site in order to bend around corners. And the flashing details had to be meticulous.”
The design of the project presents a modern, artistic look in every aspect. “Of all the zinc projects we’ve done, this is my favorite,” Gushue said. “It was a great job to be on. And properly maintained, it could last for 150 years.”
Design With Distinction, LLCSteven Kaye Photography
Large eclectic medium tone wood floor kitchen/dining room combo photo in Phoenix with beige walls
Large eclectic medium tone wood floor kitchen/dining room combo photo in Phoenix with beige walls
RHEINZINKInspired by noted American architect Norman Jaffe, the strikingly contemporary Sagaponack Residence on Long Island is highlighted by distinctively unique angles both inside and out. Jaffe was widely recognized for his contemporary residential style and use of natural materials and passive solar forms of design for his many South Long Island beach houses.
The 2,700 sq. ft. private residence is located one-half mile from the Atlantic coast and sited in an area that was originally characterized by long vistas over farm fields to the ocean beyond. Now, the area is thickly built up with weekend homes. The project was meant to address this change by creating a place that focuses on the immediate landscape and provides a garden environment for the owner.
A collaborative arrangement between two architectural firms brought the project to life. Andrew Reyniak, principal at ARAPC, New York, was architect of record; Mark Anthony C. Verzosa, principal at +macv, Sag Harbor, NY, was design consultant and general contractor.
“We knew we wanted to use zinc from the beginning,” Verzosa said. “We wanted a material that had a life.” Approximately 5,500 sq. ft. of prePATINA blue-grey RHEINZINK was specified to provide the life and the look that the design team sought. RHEINZINK Vertical Angled Standing Seam Panels and Flat Lock Tiles clad the exterior along with rough-sawn, locally-sourced white cedar. RHEINZINK Double Lock Standing Seam Panels were used on the roof.
“The RHEINZINK is obviously a very versatile material,” according to Verzosa. “The color blends very well into the environment and the sky in particular. And we like the way it patinas and self-heals.”
The unique design of the house incorporates unusual angles on both the exterior and interior. “There’s not a lot of 90 degree or horizontal plumb walls,” Verzosa said. “The dramatic geometry of the building created complicated detailing on the project.”
Fabrication and installation of the RHEINZINK panels was done by Metropan Systems, Inc., Bayside, NY. The company specializes in zinc façade and roofing projects, according to John Gushue, president. “We’ve done more than 60 zinc projects since 2001 and the majority have been RHEINZINK,” Gushue said. “If I could do zinc every day, I would.”
The unusual geometry of the Sagaponack Residence made for a challenging installation. “There was nothing cookie cutter about this job,” according to Gushue. “We began meeting with the architect about a year before actually starting the work in order to incorporate the very best detailing. Every fastener is hidden and there’s no caulk on the façade. Many of the RHEINZINK panels were fabricated on-site in order to bend around corners. And the flashing details had to be meticulous.”
The design of the project presents a modern, artistic look in every aspect. “Of all the zinc projects we’ve done, this is my favorite,” Gushue said. “It was a great job to be on. And properly maintained, it could last for 150 years.”
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