This project features a true, classic sunroom in the earliest tradition of the New England concept. Utilizing large, top quality, energy efficient windows with a solid mahogany wood frame roof, we provided the client with a contemporary look and feel. Taking advantage of the lovely view to the rear of their home, the clients wanted to bring that outdoor feeling indoors. The roof was glazed with insulated glass units which utilized soft coat Low E and Argon gas for solid performance in any weather. The room is also fully conditioned so that it remains functional in any of New England’s diverse seasons. Another important facet of the project was the need to provide direct access to the new sunroom from the existing kitchen. This would allow the vista to be clearly visible while in the kitchen or in the sunroom. We used a gable-style or “pitched glass” roof so as to introduce additional height in the center of the space. This allowed for the best possible view of the exterior from the kitchen while blending with the existing house architecture. This classic New England sunroom gets it done in all the ways that matter.

Above the vanities by Architectural Designs & Manufacturing, Inc. sits a Calacatta Vecchio marble slab. Minimal, contemporary faucets ordain the slab, while a seamless, floating mirror sits above the vanities like a crown. Artfully placed backlighting provides the perfect amount of light for prepping for the day. A heated pad sits below Ann Sacks' Palladium marble tile to ensure that there is no early morning shock upon stepping on cold tile in the winter. A timer attached to the heated floors guarantees that the floor will be warmed adequately by the time even the earliest of risers gets out of bed. Designer: Debra Owens Photographer: Michael Hunter

Rectangular upholsted headboard with double row of nailheads. Console tables for nightstands. Iron lamps. White quilt. Original art over headboard. Framed coral prints flanking windows. Floor-length ikat draperies.

Jeff Amram Photography
Mid-sized minimalist two-story wood exterior home photo in Portland with a shed roof

Next to Snowdrops, Croci (or Crocuses) are one of our earliest Spring bloomers! They come in a variety of colors, mostly from pink to purple, and are planted in Autumn. A fun little fact about these little beauties is that the flower closes at night or in overcast weather. Contact us today for fresh ideas and inspiration! Proudly serving Central New Jersey for over 35 years. 908.904.9446 #caliperfarms #calipercare #bulbs #croci #crocuses #landscaping #hardscaping #gardening #montgomerynj #bellemeadnj #princetonnj #hopewellnj #penningtonnj #skillmannj #lawrencevillenj

Trendy home bar photo in Toronto

The visual motif of the spiral is one of the oldest and most enigmatic sacred images known. It is one of the earliest examples of human creative expression, appearing in nearly every society in the ancient world. The spiral has universal appeal and has a mysterious resonance with the human spirit, it is complex yet simple, intriguing and beautiful. The spiral pattern is found extensively in nature – encoded into plants, animals, humans, the earth and galaxies around us. Mathematics can explain the complex algorithms, sequences and equations that make up a spiral pattern, but it can’t explain the lure and fascination of the spiral to the human heart.

The Springbank New Build showcases a perfect balance of thoughtful design and refined craftsmanship; built by Widesky Custom Homes. From the earliest planning stages, every decision—inside and out—was guided by an appreciation for enduring style and livable function. The exterior palette was chosen to harmonize with the natural surroundings, creating an inviting first impression and setting the tone for the elegant interiors that follow. Within the home, RCID designed custom millwork throughout, including tailored solutions for the kitchen, vanities, closets, and striking feature walls. Each piece was developed with purpose, uniting the home through a cohesive palette while allowing distinct personality in every room. Statement details—such as the dynamic kitchen cabinetry, layered textures in the ensuite, and the calm, tonal palette of the primary suite—reflect the homeowners’ style and vision.

Arapahoe Acres is celebrated for its distinct Mid-Century Modern design and architecture. The neighborhood occupies a distinguished position in architectural history as one of the earliest post-World War II suburban housing developments in the United States designed with a modernist architectural sensibility. It is now listed in the National Register of Historic Places with a total of 123 unique modern homes. Designed by architects like Eugene Sternberg and Edward Hawkins, the neighborhood is characterized by single-story, ranch-style homes that blend inside and outside harmoniously. Since its construction in the 1950s, this historic home has been a beacon of design during the famed era of architectural innovation.

The Springbank New Build showcases a perfect balance of thoughtful design and refined craftsmanship; built by Widesky Custom Homes. From the earliest planning stages, every decision—inside and out—was guided by an appreciation for enduring style and livable function. The exterior palette was chosen to harmonize with the natural surroundings, creating an inviting first impression and setting the tone for the elegant interiors that follow. Within the home, RCID designed custom millwork throughout, including tailored solutions for the kitchen, vanities, closets, and striking feature walls. Each piece was developed with purpose, uniting the home through a cohesive palette while allowing distinct personality in every room. Statement details—such as the dynamic kitchen cabinetry, layered textures in the ensuite, and the calm, tonal palette of the primary suite—reflect the homeowners’ style and vision.

Cheviot Products - 2094-WW-AB The Traditional Cast Iron Bathtub represents the most enduring of bathtub designs. Modeled after the very earliest claw foot bathtubs, this model remains a favourite of traditionalists. Cheviot Products cast iron bathtubs are handmade in Europe with the finest materials. Fired with a thick coating of AA grade titanium-based enamel for unparalleled hardness and non-porosity, the extremely durable surface is easy to clean and resistant to stains, bacteria and other microbes. Cast iron also keeps your bath warm for the longest possible time. Finish: Antique Bronze Collection: Traditional UPC: 886695001504 Online Product ID: 685707 Style: Traditional Oversized: Yes Height: 24.00" Length: 54.00" Width: 30.00" Weight: 230.00 lbs. Drain Position: Center Material: Cast Iron Warranty: 1 Year Sink Overflow: Yes Shipping Dimension: 74 X 37 X 40 Bathtub Colour: White Interior with White Exterior Csa Approved: Yes Drain Placement: End Feet Finish: Antique Bronze Product Water Capacity Gal: 46 Variations: Size, Bathtub Colour, Feet Finish Shipping: L:74.00"x W:36.00"x H:40.00" 429.00 lbs.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Small elegant gray one-story mixed siding gable roof photo in Charleston

Louisa and Harry Goodrich House (Frank Lloyd Wright, 1896). Wright's take on the popular Queen Anne style, meticulously restored and showcasing a new conservatory addition.

Greg Premru Photography
Example of an eclectic bedroom design in Boston

This 1,400 sq. ft. studio, built in 2018 for Grammy Award–winning drummer, multi-instrumentalist, and producer Adam Box, was one of the earliest full-scale NILES design–build projects. After years of session and touring work, Adam had a clear vision for his own creative home—a space that combined comfort, vibe, and technical precision. Our team partnered closely with him through every phase of the design and build process to bring that vision to life. The studio features a full Control Room, a spacious Live Room, two amp isolation booths, and a large dedicated ISO booth engineered specifically for dry drum capture. Each room is fully wired for a complete live-tracking environment, enabling an entire band to plug in and record seamlessly. The Live Room is sonically open and collaborative, while the Control Room is fine-tuned for long stretches of creative focus and accurate monitoring. Aesthetic direction played a major role in this project. Natural stonework, warm wood details, and a comfortable, lived-in feel create a distinctive character throughout the space. Adam added many of his own finishing touches, giving the studio an unmistakable personal identity that reflects his style and musical approach. The result is a studio that delivers both atmosphere and performance—an inspiring hub for writing, tracking, mixing, and producing at the highest level.

This 2019 project for award-winning engineer and former Blackbird Academy instructor Ernesto Olvera-LaPier was one of NILES’ earliest ventures into designing and building a fully formal Dolby Atmos mixing and mastering environment. The result is a highly accurate, purpose-built suite engineered to meet the strict demands of immersive audio work. The room is completely acoustically isolated from the surrounding structure. Sound-reducing wall systems sit atop floating-floor assemblies, paired with a full soft-ceiling bass trap, a false rear-wall trap, and custom full-lite acoustic doors. Dedicated mechanical systems ensure quiet, uninterrupted operation, allowing Ernesto to work with precision at any hour. Monitoring centers around a JBL M2 system seamlessly integrated into the treatment design, providing an immersive, detailed, and articulate listening experience essential for Dolby Atmos production. Every component—from the isolation assemblies to the tuning—was crafted to ensure that the mix translates exactly as intended. The suite is both visually understated and technically advanced, delivering an effortless feel with professional-grade performance throughout.

This 2019 project for award-winning engineer and former Blackbird Academy instructor Ernesto Olvera-LaPier was one of NILES’ earliest ventures into designing and building a fully formal Dolby Atmos mixing and mastering environment. The result is a highly accurate, purpose-built suite engineered to meet the strict demands of immersive audio work. The room is completely acoustically isolated from the surrounding structure. Sound-reducing wall systems sit atop floating-floor assemblies, paired with a full soft-ceiling bass trap, a false rear-wall trap, and custom full-lite acoustic doors. Dedicated mechanical systems ensure quiet, uninterrupted operation, allowing Ernesto to work with precision at any hour. Monitoring centers around a JBL M2 system seamlessly integrated into the treatment design, providing an immersive, detailed, and articulate listening experience essential for Dolby Atmos production. Every component—from the isolation assemblies to the tuning—was crafted to ensure that the mix translates exactly as intended. The suite is both visually understated and technically advanced, delivering an effortless feel with professional-grade performance throughout.