Ethically - Photos & Ideas

KEY FEATURES • Hand Made in Europe • Hand-Made by 3rd. generation of Aydin family. • Premium Quality • Hand lined bottom • Hand stitching • 100% genuine cowhide leather • European (Balkan) breed animals • Each product is BRANDED with serial number and Craftsmanship seal. • Hides used for making Patchworks are sourced ethically and humanely and 100% as byproduct of meat production • Animals are free-range raised, sustainable sourced mainly on mountain pastures of Eastern Europe. • Animal skins are endemic to breeds specific for Eastern European region. • Skins ARE NOT processed by mass processing facility, but rather family owned business with "Old Craft" certificate. This means that such business falls in "tradition" category of business, since third family generation takes care of business. • All skins are hand processed using solutions with the P.H value of drinking water (7)! We have been assured into that by being present inside the workshop during skin processing • Skins are processed in small batches, usually 5-10 at the time, in order for skin to preserve, to the greatest extend, its natural distinctions and quality. • NOTE: The photo on this page represents design and style of this rug and IT IS AN IMAGE OF ACTUAL product you will receive. All rug sizes are approximate. Due to the difference of monitor colors, some rug colors may vary slightly. • NOTE: Few products may contain some natural flaws due to conditions inherent to natural animal products (scratches, insect bites, wrinkles, cuts, etc.) that will be discretely repaired. Please note that we do not wedge our cowhides but we rather discretely stitch and repair. Such flaws are acceptable for this type of product, since it represents the life of the animal to the fullest possible extent. SQ21

ROUND Cowhide Patchwork Area Rugs

AYDIN Hides

Luxury – Prestige – Status KEY FEATURES Hand Made in Europe Hand-Made by 3rd. generation of Aydin family. Premium Quality Hand lined bottom Hand stitching 100% genuine cowhide leather European (Balkan) breed animals Each product is BRANDED with serial number and Craftsmanship seal. Hides used for making Patchworks are sourced ethically and humanely and 100% as byproduct of meat production Animals are free-range raised, sustainable sourced mainly on mountain pastures of Eastern Europe. Animal skins are endemic to breeds specific for Eastern European region. Skins ARE NOT processed by mass processing facility, but rather family owned business with "Old Craft" certificate. This means that such business falls in "Traditional" category of business. All skins are hand processed using solutions with the P.H value of drinking water. Skins are processed in small batches, usually 5-10 at the time, in order for skin to preserve, to the greatest extend, its natural distinctions and quality. NOTE: The photo on this page represents design and style of this rug and IT IS AN IMAGE OF ACTUAL product you will receive. All rug sizes are approximate. Due to the difference of monitor colors, some rug colors may vary slightly. NOTE: Few products may contain some natural flaws due to conditions inherent to natural animal products (scratches, insect bites, wrinkles, cuts, etc.) that will be discretely repaired. Please note that we do not wedge our cowhides but we rather discretely stitch and repair. Such flaws are acceptable for this type of product, since it represents the life of the animal to the fullest possible extent.

RECTANGLE Cowhide Patchwork Area Rugs

AYDIN Hides

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CUSTOM Cowhide Patchwork Rugs

AYDIN Hides

ROUND Cowhide Patchwork Area Rugs

AYDIN Hides

ROUND Cowhide Patchwork Area Rugs

AYDIN Hides

RECTANGLE Cowhide Patchwork Area Rugs

AYDIN Hides

RECTANGLE Cowhide Patchwork Area Rugs

AYDIN Hides

RECTANGLE Cowhide Patchwork Area Rugs

AYDIN Hides

ROUND Cowhide Patchwork Area Rugs

AYDIN Hides

ROUND Cowhide Patchwork Area Rugs

AYDIN Hides

RECTANGLE Cowhide Patchwork Area Rugs

AYDIN Hides

ROUND Cowhide Patchwork Area Rugs

AYDIN Hides

ROUND Cowhide Patchwork Area Rugs

AYDIN Hides

The Pavillion

Fabco Sanctuary

The architect and designer Guy Derwent was approached by his client with a clear and compelling brief: to completely transform a grand Victorian terrace house they were planning to renovate. The client envisioned something far beyond a standard renovation – this was to be a bold and dramatic reimagining of a family home that could grow with them over time. With the property having remained largely untouched for more than fifty years, the architects saw an opportunity to unlock its potential and deliver a contemporary design that would contrast beautifully with its Victorian heritage. The existing layout consisted of a series of small, disconnected rooms to the rear of the house. To respond to the client’s need for openness and flexibility, the architect proposed a radical restructuring of the ground floor: The rear rooms were completely removed Suspended timber floors were lowered by up to two metres to align with the garden Two bold extensions were added The first extension filled in the side return with a London stock brick facade and a glazed roof, while the second – a striking black steel and glass pavilion was glazed on three sides and placed along the garden elevation. This new pavilion redefined the building’s relationship with the garden. Its steel-framed glazing created a seamless dialogue between interior and exterior, offering a sense of immersion in the surrounding landscape. At the heart of the plan sits a dramatic, five-metre-tall dining space that acts as a transition from the original entrance hall into the new addition. A large, circular cast-glass window, framed in steel, provides a visual and spatial link between old and new, allowing light and movement to travel through the depth of the home. Throughout the project, a series of black metal elements were introduced as sculptural interventions – each marking moments of transformation within the house. These included the bespoke steel framed circular window, a custom metal staircase, a cylindrical support column, and the striking steel and glass garden pavilion. Together, they formed a coherent architectural language that underscored the project’s bold intent. Our steel windows and doors played a vital role in delivering the project’s vision. The architects chose steel for its refined sight lines and distinctive material character, which helped bridge the gap between the historical context of the building and the bold new additions. The black steel frames provided a crisp contrast to the pale London stock brick and added definition to the glazed pavilion, reinforcing the sense of architectural precision. In particular, the fine steel profiles of the garden room allowed the extension to feel both lightweight and immersive, blurring the boundary between the house and its garden. The architect drew inspiration from the Bauhaus Movement, particularly the work of Walter Gropius, whose approach to functional beauty and industrial materials informed the design of the garden pavilion. Here, our glazing system was used not just for transparency, but as an expressive architectural element. The carefully proportioned panels help to conceal the roof thickness and reinforce the pavilion’s industrial yet abstract character – a deliberate nod to product design and modernist detailing. Sustainability was an important factor in the selection of materials. Our steel systems, made from 99% recycled content and 100% recyclable, aligned with the project’s broader environmental goals. The architects noted that this commitment to material longevity and circularity was central to their decision to use steel. The durability and recyclability of the windows and doors ensured the project met both aesthetic and ethical criteria. This London terrace house now stands as a celebration of contrast – between heritage and innovation, solidity and transparency, tradition and transformation. Our steel windows and doors were not simply components; they were essential tools in crafting a home that is as bold and expressive as it is functional. The result is a home designed for modern family life, where light, space, and materiality come together in perfect harmony.

Ten Mile Lake 1

Lands End Development - Designers & Builders

Corner shower - mid-sized rustic 3/4 metal tile ceramic tile and brown floor corner shower idea in Minneapolis with flat-panel cabinets, medium tone wood cabinets, a two-piece toilet, orange walls, a console sink and white countertops

Floral, Coral, Koura, and Hinaki

David Trubridge

COR-1200-CAR-AQU - Coral - Bamboo Pendant - 48 - Caramel (Side A) - Aqua (Side B) Coral is based on one of the geometric polyhedra that have interested David since he was a boy. The intricate form is made from just one single component repeated 60 times. Originally designed purely as an experiment, it only became a light later when David tried to find a use for it by putting a bulb inside. This was a pivotal moment. What followed was a whole new direction in exploring lighting structures made from minimal shell-like skins which also act as patterned shadow- makers. FLO-0800-NAT-ORA - Floral - Bamboo Pendant - 32 - Natural (Side A) - Orange (Side B) Floral designed three years after Coral light, is based on a geometric polyhedra forms. The intricate form is made from just one single component repeated 60 times. Floral was designed to offer a softer more decorative offering alongside Coral which is more structured. KOU-0750-NAT-YEL - Kōura - Bamboo Pendant - 30 - Natural (Side A) - Yellow (Side B) Koura was inspired by woven baskets and also from the curled form of the New Zealand native fresh water shrimp, koura, which is its Maori name. Like our other lights Koura is available in a wide range of sizes from small and intimate to very large and dramatic HIN-0900-NAT-NAT - Hīnaki - Bamboo Pendant - 36 - Natural Hinaki (1995) could be classed as David’s first exploration into lighting. In 1995 he made a prototype based on fish traps which are called hinaki by Maori, though often the name is used specifically for an eel trap. They were made from woven vines, some in amazingly beautiful forms. He set it aside for many years, only to develop it later (2011) after Coral had gained international attention.

Unemployed Professor Becomes an Academic Writer at a Term Paper

Charlie

Buying term papers from academic writing services and freelance writers is becoming a popular deal. Therefore, former and current professors are entering this industry to write papers for money more and more often. Such services as CourseworkService.com are becoming popular among students all over the world. An interesting fact is that they hire not only former graduates but also out-of-work academics. When professors find a compromise about cheating Jennifer Sunseri, a former assistant professor, lost her job in 2009. She has been looking for a job for almost three years. At long last, she had abandoned all hope of finding a new job and started working as an academic writing service creating papers for college students. Jenifer says, “I realize that it is legal, but highly unethical especially regarding the fact that I am a former professor. For me this is an equivalent of prostitution. But I have been living in a tight situation for years without an opportunity to visit a doctor or pay my bills. I am 53, and I have no kids to help me when I am out-of-work.” She has been a tutor in Texas Tech since 1998, where she established a Slavic folklore course. Jenifer didn’t have any publications during her working years at Texas Tech, so when the time has come to apply for a venture, she realized that she has no chances and left. She moved to her sister and her mom and now she is living in her studio apartment with her two cats. Sunseri was worried when she lost her job even though she has master’s degrees in Slavic linguistics and technical communications. “I thought that my educator’s and writer’s skills will be useful,” she said. “However, I was shocked at the quantity of applications for an instructor at the local college, as well as for the office manager, or an adjunct at the local institution. Even an effort to apply for a substitute teacher failed. I cannot believe that those who have academic background, experience and a degree are in less demand than those have not.” When Ph.D. and master’s degrees lose their magical power, people with academic background have no choice but to start their term paper writing career. Once professors become unemployed, one may say that they feel themselves like high school graduates looking for a part-time job. However, you will be surprised, but according to statistics sometimes those with high school or college diplomas are more welcome than people with higher education. The reason is that a lot of new job places in America were created at times of economic recovery and, therefore, they are low-paying and require specialists with lower skills. It turns to be that it is much easier to learn a less-educated worker and train him/her in a particular way suitable for a certain company or service than to teach a higher-educated worker all over again. In addition, higher educated job candidates are more selective about their choice. How to become a ghostwriter if you have been punishing others for paper cheating Jenifer was not fastidious. She was looking for a job that would correspond her skills and finally decided to try herself as an online editor. While searching for an editing job, she ran against term paper writing service. This company asked her to send examples of her works and complete a test task. She has been accepted as a ghostwriter. In fact, term paper writing services gladly accept people with higher education and offer them to write papers of all kinds for money. Jenifer says that her first assignments for sale included a 5-page paper on public debt, 10-page paper on linguistics, and an editing work of someone else’s 20-page paper. All these assignments brought her about $150. Jenifer reports that it is possible to turn a useful penny by writing academic papers. Jenifer realized that ghostwriting is a good source of income after she read an article about an anonymous academic writer who earned almost $70,000 a year writing papers for high school and college students. “Currently this business becomes more and more popular. During finals and midterms, we have a lot of work to do since there are a lot of students ready to pay for a custom paper and submit it as their own,” he says. “It is no wonder that students use writing services. I have seen a lot of their writings, and I realize why they are so desperate about writing their assignments. Some of them are unable to compose a grocery list without additional help. They really need it. We help them pass a course, that’s all.” Jenifer says that this work helped her be on form and develop her core skills like writing and researching all the time. She was unemployed for a long time and was afraid that her skills might become lower due to a lack of practice. However, at a writing company she never stops practicing. She claims that this is a hard work mostly because you have to be meet urgent deadlines. The other challenge was a paper that she couldn’t complete once. The problem was not in a lack of competency, but in ethics. She discovered that it was an order for a student from her former place of work, Tech University. She says that she felt weird about completing this work and refused to write it. “I became angry when I realized that I am going to serve a kid who is partying in Florida, while being a former faculty member of the university he is attending.” Currently, Jenifer is working as a Russian translator. However, she is not abandoning academic writing industry even though she feels a little awkward about helping students to cheat. It is not that bad that unemployable professors have an opportunity to earn for living being ghostwriters even though it is not very ethical. Ironically, a place of work like academic writing company that makes out-of-job educators feel that they are performing a crime assisting students in cheating seems to be the only place in the job market that values their experience in the sphere of education.

Contemporary Kitchen Remodel Fort Washington

Seydel Construction Group LLC

Kitchen - contemporary medium tone wood floor kitchen idea in Philadelphia with white backsplash and white countertops

Former Professor Starts to Work for Term Paper Writing Service

Samantha Smith