Kitchen - modern kitchen idea in Los Angeles

Full-overlay Rustic Beech cabinets in the "Charleston" door style and "Briarwood" finish. Village Home Stores
Example of a large mountain style kitchen design in Chicago

Splashes of color, antiques, exotic textiles, and carved wood create a hippie-chic feel in this boho beachside bungalow in Lunada Bay, CA. Created by Sara Balough. Sara Balough Designs specializes in residential interior designs and serves the South Bay area of California; including Palos Verdes, Rolling Hills, Lunada Bay, Redondo Beach, Hermosa Beach, and Manhattan Beach.

MEASUREMENTS: Cowhide Patchwork Rug / Rectangular / Multi-color / PREMIUM QUALITY / HAND MADE / HAND STITCHED / UNIQUE AND EXCLUSIVE Size: 118in x 78in. . Approx 64 sqft, Weight 22 lbs. KEY FEATURES: -Brand New Cowhide Patchwork Rug -Country of Origin: BOSNIA -Premium Quality -Hand Made -Hand Stitched -100% genuine cowhide leather -European (Balkan) breed animals -Each product is BRANDED with serial number and Craftsmanship seal. WHY OUR HIDES ARE DIFFERENT? 1. Hides used for making COWHIDE PATCHWORK RUGS are sourced ethically and humanely and 100% as byproduct of meat production; 2. Animals are free-range raised, sustainable sourced and grown mainly on mountain pastures in Bosnia; 3. Animal skins are of breeds endemic to Balkan region of Eastern Europe; 4. Skins ARE NOT processed by mass processing facility, but rather family owned business with "Old Craft" certificate. This means that such business falls in "tradition" category of business in Bosnia, since third family generation takes care of business; 5. All skins are hand processed using solutions with the P.H value of drinking water! We have been assured into that by actually being present inside the workshop during skin processing; 6. Skins are processed in small batches, usually 5-10 at the time, in order for skin to preserve, to the greatest extend, its natural distinctions and quality; NOTE: The photo on this page represents design and style of this rug and IT IS AN IMAGE OF ACTUAL product you will receive. All rug sizes are approximate. Due to the difference of monitor colors, some rug colors may vary slightly. NOTE: Few products may contain some natural flaws due to conditions inherent to natural animal products (scratches, insect bites, wrinkles, cuts, etc.) that will be discretely repaired. Please note that WE DO NOT WEDGE OUR COWHIDES but we rather discretely stitch and repair. Such flaws are acceptable for this type of product, since it represents the life of the animal to the fullest possible extent. CARE INSTRUCTIONS: Vacuum, shake and rotate the rug regularly. Remove dried spots immediately by scraping carefully towards the middle of the spot. Do not rub wet spots. Absorb moisture with paper towel and clean with a damp cloth and mild detergent. Professional carpet cleaning when needed. Always use the standard floor head, never use rotating brush, when vacuuming the rug.

MEASUREMENTS: Cowhide Patchwork Rug / Rectangular / Multi-color / PREMIUM QUALITY / HAND MADE / HAND STITCHED / UNIQUE AND EXCLUSIVE Size: 118in x 78in. . Approx 64 sqft, Weight 22 lbs. KEY FEATURES: -Brand New Cowhide Patchwork Rug -Country of Origin: BOSNIA -Premium Quality -Hand Made -Hand Stitched -100% genuine cowhide leather -European (Balkan) breed animals -Each product is BRANDED with serial number and Craftsmanship seal. WHY OUR HIDES ARE DIFFERENT? 1. Hides used for making COWHIDE PATCHWORK RUGS are sourced ethically and humanely and 100% as byproduct of meat production; 2. Animals are free-range raised, sustainable sourced and grown mainly on mountain pastures in Bosnia; 3. Animal skins are of breeds endemic to Balkan region of Eastern Europe; 4. Skins ARE NOT processed by mass processing facility, but rather family owned business with "Old Craft" certificate. This means that such business falls in "tradition" category of business in Bosnia, since third family generation takes care of business; 5. All skins are hand processed using solutions with the P.H value of drinking water! We have been assured into that by actually being present inside the workshop during skin processing; 6. Skins are processed in small batches, usually 5-10 at the time, in order for skin to preserve, to the greatest extend, its natural distinctions and quality; NOTE: The photo on this page represents design and style of this rug and IT IS AN IMAGE OF ACTUAL product you will receive. All rug sizes are approximate. Due to the difference of monitor colors, some rug colors may vary slightly. NOTE: Few products may contain some natural flaws due to conditions inherent to natural animal products (scratches, insect bites, wrinkles, cuts, etc.) that will be discretely repaired. Please note that WE DO NOT WEDGE OUR COWHIDES but we rather discretely stitch and repair. Such flaws are acceptable for this type of product, since it represents the life of the animal to the fullest possible extent. CARE INSTRUCTIONS: Vacuum, shake and rotate the rug regularly. Remove dried spots immediately by scraping carefully towards the middle of the spot. Do not rub wet spots. Absorb moisture with paper towel and clean with a damp cloth and mild detergent. Professional carpet cleaning when needed. Always use the standard floor head, never use rotating brush, when vacuuming the rug.

COR-1200-CAR-AQU - Coral - Bamboo Pendant - 48 - Caramel (Side A) - Aqua (Side B) Coral is based on one of the geometric polyhedra that have interested David since he was a boy. The intricate form is made from just one single component repeated 60 times. Originally designed purely as an experiment, it only became a light later when David tried to find a use for it by putting a bulb inside. This was a pivotal moment. What followed was a whole new direction in exploring lighting structures made from minimal shell-like skins which also act as patterned shadow- makers. FLO-0800-NAT-ORA - Floral - Bamboo Pendant - 32 - Natural (Side A) - Orange (Side B) Floral designed three years after Coral light, is based on a geometric polyhedra forms. The intricate form is made from just one single component repeated 60 times. Floral was designed to offer a softer more decorative offering alongside Coral which is more structured. KOU-0750-NAT-YEL - Kōura - Bamboo Pendant - 30 - Natural (Side A) - Yellow (Side B) Koura was inspired by woven baskets and also from the curled form of the New Zealand native fresh water shrimp, koura, which is its Maori name. Like our other lights Koura is available in a wide range of sizes from small and intimate to very large and dramatic HIN-0900-NAT-NAT - Hīnaki - Bamboo Pendant - 36 - Natural Hinaki (1995) could be classed as David’s first exploration into lighting. In 1995 he made a prototype based on fish traps which are called hinaki by Maori, though often the name is used specifically for an eel trap. They were made from woven vines, some in amazingly beautiful forms. He set it aside for many years, only to develop it later (2011) after Coral had gained international attention. NIK-HALF-NAT-NAT - Nīkau - Bamboo Pendant - Half - Natural Nikau is the only indigenous palm tree in New Zealand, named apparently because unlike the coconut palm familiar to Polynesians, it has no nuts. The fronds from the palm were traditionally used for thatching and weaving. It has a large bulb at the top of its trunk and its leaves overlap in the criss-cross patterns which inspired this light.

Saucer Magnolia / Magnolia x soulangiana Photo by Holly@StickleyCreative.com

Accommodating everything from intimate meetings to vast exhibitions, the Deco 2 - Square Acoustic Ceiling Tiles promotes a harmonious space at the MGM Conference Center. Each sound absorbing center panel captures indoor noise, while its crisp motif shimmers in an Oyster Pearl finish.

David Elmes, Photographer
Inspiration for a farmhouse landscaping in Boston.

Landscape & Pool Design: Root Design Company Photo credits: Jessica Carr
Design ideas for a mediterranean landscaping in Austin.

The path and gate take you from the pool area to the lush side yard. Design by Ben Bowen of Ross NW Watergardens
Inspiration for a large zen backyard home design remodel in Portland

Shiloh Cabinetry. Polar White, Inset
Kitchen - transitional kitchen idea in Manchester with white cabinets, beaded inset cabinets, marble countertops, white backsplash, marble backsplash and stainless steel appliances

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Paul Hester
Example of a trendy staircase design in Austin

KuDa Photography
Large minimalist wooden u-shaped staircase photo with metal risers

Brickmoon Design Residential Architecture, Gabriel Home Builders, Interior Design by Kennedi Design Group
Example of a large mountain style beige two-story stucco exterior home design in Houston

Corbin Henry
Example of a tuscan family room design in Sacramento

Weeping mortared joints
This is an example of a large traditional full sun backyard stone formal garden in Chicago for summer.

The architect and designer Guy Derwent was approached by his client with a clear and compelling brief: to completely transform a grand Victorian terrace house they were planning to renovate. The client envisioned something far beyond a standard renovation – this was to be a bold and dramatic reimagining of a family home that could grow with them over time. With the property having remained largely untouched for more than fifty years, the architects saw an opportunity to unlock its potential and deliver a contemporary design that would contrast beautifully with its Victorian heritage. The existing layout consisted of a series of small, disconnected rooms to the rear of the house. To respond to the client’s need for openness and flexibility, the architect proposed a radical restructuring of the ground floor: The rear rooms were completely removed Suspended timber floors were lowered by up to two metres to align with the garden Two bold extensions were added The first extension filled in the side return with a London stock brick facade and a glazed roof, while the second – a striking black steel and glass pavilion was glazed on three sides and placed along the garden elevation. This new pavilion redefined the building’s relationship with the garden. Its steel-framed glazing created a seamless dialogue between interior and exterior, offering a sense of immersion in the surrounding landscape. At the heart of the plan sits a dramatic, five-metre-tall dining space that acts as a transition from the original entrance hall into the new addition. A large, circular cast-glass window, framed in steel, provides a visual and spatial link between old and new, allowing light and movement to travel through the depth of the home. Throughout the project, a series of black metal elements were introduced as sculptural interventions – each marking moments of transformation within the house. These included the bespoke steel framed circular window, a custom metal staircase, a cylindrical support column, and the striking steel and glass garden pavilion. Together, they formed a coherent architectural language that underscored the project’s bold intent. Our steel windows and doors played a vital role in delivering the project’s vision. The architects chose steel for its refined sight lines and distinctive material character, which helped bridge the gap between the historical context of the building and the bold new additions. The black steel frames provided a crisp contrast to the pale London stock brick and added definition to the glazed pavilion, reinforcing the sense of architectural precision. In particular, the fine steel profiles of the garden room allowed the extension to feel both lightweight and immersive, blurring the boundary between the house and its garden. The architect drew inspiration from the Bauhaus Movement, particularly the work of Walter Gropius, whose approach to functional beauty and industrial materials informed the design of the garden pavilion. Here, our glazing system was used not just for transparency, but as an expressive architectural element. The carefully proportioned panels help to conceal the roof thickness and reinforce the pavilion’s industrial yet abstract character – a deliberate nod to product design and modernist detailing. Sustainability was an important factor in the selection of materials. Our steel systems, made from 99% recycled content and 100% recyclable, aligned with the project’s broader environmental goals. The architects noted that this commitment to material longevity and circularity was central to their decision to use steel. The durability and recyclability of the windows and doors ensured the project met both aesthetic and ethical criteria. This London terrace house now stands as a celebration of contrast – between heritage and innovation, solidity and transparency, tradition and transformation. Our steel windows and doors were not simply components; they were essential tools in crafting a home that is as bold and expressive as it is functional. The result is a home designed for modern family life, where light, space, and materiality come together in perfect harmony.