Custom kitchen island with barn sink and open floor plan into the living room. Multi Slide exterior doors. this roof features vaulted ceiling with exposed rafters.

Challenges with your backyard space? Yeah, that's no problem for us. In this space, the deck could not be attached to the house because of the way this turn-of-the-century home was built. The house is 100 years old and the basement door is right in the middle of the back of the house, preventing an attached deck. Another big challenge on this space was that the lot sloped up the hill and away from the house. So what did we do? We excavated and put in retaining walls and build it into the side of the hill, while maintaining integrity of the backyard space and driveway. The homeowners wanted their outdoor space on the same level as the play area with swingset so that they could watch the kids while they relax. Nailed it! A little bit about us… Deck Remodeler’s Founder and President, Sean McAleer, grew up in his father’s architectural woodworking shop and mastered his craft as a third-generation carpenter and cabinet maker organically. While others adopted the craft, Sean was born in to it. Building a business using the skills he learned and perfected over the years…it’s in his DNA. With 30+ years of experience, he adapted and developed a palette of materials and methods for outdoor living that few can match, though many have tried to copy. Bringing his love of designing and building beautiful things inside the home to the outside spaces with all the challenges that presents has been his passion for decades. While Sean is certainly the visionary of Deck Remodelers, his talented and dedicated team ensures every project, big or small, is designed and built seamlessly. Our team includes in-house certified designers, architects, project management team, operations director, and of course, our highly skilled craftsmen in the field that bring it all to life. What also sets Deck Remodeler’s apart is the experience of working with a full team of passionate professionals. All communication between customers, office staff and workers in the field is done through the real time system, allowing us to stream-line our projects. Customers are kept up to date through our system, and never have to wonder the status of their project – stream-lined communication is a huge priority for us. With 60+ National Design Awards, there’s a reason Deck Remodelers is the MOST awarded deck builder in North America. Regardless of the deck and features, when Deck Remodelers builds your outdoor dream space, it is far from ordinary. Large or small, full features or basic, the design, quality and craftmanship is second to none. You not only get beautiful results, but a company that stands behind its work. We believe it is critical to use quality materials and employ highly trained and certified crew members that assure that quality in every aspect is second to none for our discerning clients. Serving NJ, NY, & CT we’ve got you covered! If you are looking for a modern, traditional, or transitional custom builder to design& build you your perfect backyard space , call the experts at Deck Remodelers for your free virtual consultation! 973.729.2125

This backyard patio design is inspired by our Para patio slab. Large-scale, ultra-smooth texture and fine lines best describe the all-new Para HD. Manufactured with Techo-Bloc’s patented High Definition technology, an extremely tight surface texture with pores that are virtually invisible. The Para HD provides contemporary styling and design flexibility. Each of its three sizes are packaged and sold separately allowing your projects to reflect your personal creativity. This 60 mm product is available in a 500 mm x 250 mm, 500 mm x 500 mm and 500 mm x 750 mm. It is available in both hyper smooth and polished textures. Check out our website to shop the look! https://www.techo-bloc.com/shop/slabs/para/

Mid-sized country galley medium tone wood floor and exposed beam eat-in kitchen photo in New York with an undermount sink, white cabinets, quartzite countertops, beige backsplash, ceramic backsplash, stainless steel appliances, an island and beige countertops

Can a home be both rustic and contemporary at once? This Mountain Mid Century home answers “absolutely” with its cheerfully canted roofs and asymmetrical timber joinery detailing. Perched on a hill with breathtaking views of the eastern plains and evening city lights, this home playfully reinterprets elements of historic Colorado mine structures. Inside, the comfortably proportioned Great Room finds its warm rustic character in the traditionally detailed stone fireplace, while outside covered decks frame views in every direction.

The property is one of the original farm houses located on the main street of a small town. It has been in the family for many years and our client just inherited the property. They were trying to have balance of preserving the old while realizing modern day living has its benefits too. The house had a large addition added using mostly old style materials, but designed with function and modern day luxuries. Our goal was to carry that theme to the outside. Our first problem we had to address was how to transition between the first floor elevation changes. The lower room was the husband’s office. He stated in the future he may have clients over and it would be nice to have an area to sit outside. The wife’s main concern was to renew the four corner garden. She also felt it was very important to be able to see it from the kitchen area. Finally there was an old wishing well stuck right outside the kitchen. They both felt it would be neat to be able to incorporate this in some how. They wanted a patio area with a built in grill to accommodate there family and friends. They also wanted to keep a large play area for the kids. We were able to pull this off successfully. We addressed the first issue by having a small lower level flagstone area. This area is large enough for 1 to 2 people to sit comfortably. It also provides a transition from his office to the larger patio area. We installed a simple small gravel sitting area opposite of the main patio. This provides our client a secluded place to relax or do business. Mrs.... told me she is amazed how much her and her husband enjoys this area. It is so peaceful looking at the small creek over a glass of wine. We built a natural limestone retaining wall to create the patio terrace. The stone was chosen to extend the houses architectural elements into the landscape. Irregular broken flagstone was used to give it a more casual feel. We installed three Serviceberries into the patio terrace to replace some trees that were taken down during the remodeling. She was very concern that they would block the view of the four corner garden. We new they were crucial to nestle in the terrace, so we placed them for a couple days for her to decide. Fortunately she agreed they not only kept the view open, but helped frame the garden. The four corner garden was designed to be viewed from afar and experienced up close. We wanted the space to have some formal structure while keeping with the casual farm house feel. Another natural limestone retaining wall was created. This leveled the garden terrace and helped associate it with the rest of the property. The four corner garden is nestled into the existing woods edge. This provides three distinct experiences to entering the garden; a more formal from the driveway, an open feel from the lower lawn, and a more natural / casual experience from the wooded area. The Plymouth brown gravel was used for the center of the garden. This helped highlight the stone post that was found during construction. The gravel also brings the sense of sound into the garden space. Lamb’s ear was chosen as a fun way to get kids interest in horticulture. The balance of using the new to create the old feel is what makes this project a success. The property has already hosted a local historical society event and won an award for its preservation efforts. When Mrs.... can’t find her husband, she knows he is either reading the newspaper by the grill or resting in the hammock along the wood’s path.

Inspiration for a craftsman kitchen remodel in San Francisco

This backyard patio design is inspired by our Para patio slab. Large-scale, ultra-smooth texture and fine lines best describe the all-new Para HD. Manufactured with Techo-Bloc’s patented High Definition technology, an extremely tight surface texture with pores that are virtually invisible. The Para HD provides contemporary styling and design flexibility. Each of its three sizes are packaged and sold separately allowing your projects to reflect your personal creativity. This 60 mm product is available in a 500 mm x 250 mm, 500 mm x 500 mm and 500 mm x 750 mm. It is available in both hyper smooth and polished textures. Check out our website to shop the look! https://www.techo-bloc.com/shop/slabs/para/

Cheerful 'Moonbeam' Coreopsis in our client's garden reminds us why this plant is so popular. ‪
Inspiration for a traditional landscaping in Chicago.

This stained glass window was created as part of our signature Aspen Stained Glass line. These windows look beautiful in cottage style or contemporary homes and are a great way for outdoor enthusiasts to celebrate their love of nature. The textured appearance of the glass provides the homeowners with a high level of privacy and comfort.

This backyard patio design is inspired by our Para patio slab. Large-scale, ultra-smooth texture and fine lines best describe the all-new Para HD. Manufactured with Techo-Bloc’s patented High Definition technology, an extremely tight surface texture with pores that are virtually invisible. The Para HD provides contemporary styling and design flexibility. Each of its three sizes are packaged and sold separately allowing your projects to reflect your personal creativity. This 60 mm product is available in a 500 mm x 250 mm, 500 mm x 500 mm and 500 mm x 750 mm. It is available in both hyper smooth and polished textures. Check out our website to shop the look! https://www.techo-bloc.com/shop/slabs/para/

Nepeta x faassenii 'Walker's Low' - Catmint blooms from may until frost. Austin Ganim Landscape Design, LLC
Photo of a small farmhouse partial sun front yard landscaping in New York for summer.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Waterworks Transit faucet in chrome sits atop the marble vanity while Pumice Crackle hand molded ceramic shoots from vanity top to ceiling. Cabochon Surfaces & Fixtures

Exterior, brick, lime, limewash, painted brick, architectural finish

Princeton Sentry Maidenhair Tree - no filter!
Photo of a traditional landscaping in New York.

Perched on a ridge at the edge of a wooded expanse, this mid-century modern home was designed to embrace both the intimate connection to the forest and the expansive valley views beyond. The site—carefully chosen from the family’s 52-acre homestead in western Wisconsin—balances privacy and openness, placing the home at the meeting point of dense trees and rolling fields. The approach winds through the forest, offering only glimpses of the structure. Upon arrival, the parking area is subtly positioned below the main level, reinforcing the sense of discovery. As one ascends the entry walk, the house unfolds, revealing a dramatic view through the two-story living space, anchored by a brick fireplace that extends from floor to ceiling. The asymmetrical roofline lifts upward, accentuating the openness and maximizing natural light. Inside, warm materials define the interiors. Wood ceilings and floors, complemented by concrete-look tile, establish a natural, grounded aesthetic. Black wood-clad beams provide scale and structure, subtly delineating spaces within the open-plan layout. A wood lattice screen partially conceals the dining area from the foyer, offering both openness and privacy. The kitchen—designed for gathering—features a large island, a dedicated baking station, and a breakfast counter that catches morning light while serving as a pass-through to the adjacent patio. Two textured glass sliding panels allow the kitchen to be closed off when needed. Just beyond, a hidden gem: the home’s personal Tiki room, complete with a vintage mug collection and a full bar. To the east, the central fireplace marks the transition to more intimate spaces. A wide stair, integrated with the hearth, leads to the lower level, while a library with a corner window creates a quiet retreat, perfect for reading and taking in the valley beyond. The primary suite extends off this wing, featuring a spa-like bath with a textured tile walk-in shower, a soaking tub positioned for dramatic views, and a private balcony overlooking the landscape. The lower level is designed for family gatherings and extended stays. A secondary fireplace, echoing the materials of the main level, anchors a cozy living area with an adjacent kitchenette. Additional bedrooms and baths provide ample accommodations, while a hidden playhouse under the stair and a dedicated bunk room add playful touches for visiting grandchildren. The home is a balance of openness and enclosure, modernity and warmth—designed not only as a retreat but as a multigenerational gathering place, deeply connected to the land.

Perched on a ridge at the edge of a wooded expanse, this mid-century modern home was designed to embrace both the intimate connection to the forest and the expansive valley views beyond. The site—carefully chosen from the family’s 52-acre homestead in western Wisconsin—balances privacy and openness, placing the home at the meeting point of dense trees and rolling fields. The approach winds through the forest, offering only glimpses of the structure. Upon arrival, the parking area is subtly positioned below the main level, reinforcing the sense of discovery. As one ascends the entry walk, the house unfolds, revealing a dramatic view through the two-story living space, anchored by a brick fireplace that extends from floor to ceiling. The asymmetrical roofline lifts upward, accentuating the openness and maximizing natural light. Inside, warm materials define the interiors. Wood ceilings and floors, complemented by concrete-look tile, establish a natural, grounded aesthetic. Black wood-clad beams provide scale and structure, subtly delineating spaces within the open-plan layout. A wood lattice screen partially conceals the dining area from the foyer, offering both openness and privacy. The kitchen—designed for gathering—features a large island, a dedicated baking station, and a breakfast counter that catches morning light while serving as a pass-through to the adjacent patio. Two textured glass sliding panels allow the kitchen to be closed off when needed. Just beyond, a hidden gem: the home’s personal Tiki room, complete with a vintage mug collection and a full bar. To the east, the central fireplace marks the transition to more intimate spaces. A wide stair, integrated with the hearth, leads to the lower level, while a library with a corner window creates a quiet retreat, perfect for reading and taking in the valley beyond. The primary suite extends off this wing, featuring a spa-like bath with a textured tile walk-in shower, a soaking tub positioned for dramatic views, and a private balcony overlooking the landscape. The lower level is designed for family gatherings and extended stays. A secondary fireplace, echoing the materials of the main level, anchors a cozy living area with an adjacent kitchenette. Additional bedrooms and baths provide ample accommodations, while a hidden playhouse under the stair and a dedicated bunk room add playful touches for visiting grandchildren. The home is a balance of openness and enclosure, modernity and warmth—designed not only as a retreat but as a multigenerational gathering place, deeply connected to the land.

Perched on a ridge at the edge of a wooded expanse, this mid-century modern home was designed to embrace both the intimate connection to the forest and the expansive valley views beyond. The site—carefully chosen from the family’s 52-acre homestead in western Wisconsin—balances privacy and openness, placing the home at the meeting point of dense trees and rolling fields. The approach winds through the forest, offering only glimpses of the structure. Upon arrival, the parking area is subtly positioned below the main level, reinforcing the sense of discovery. As one ascends the entry walk, the house unfolds, revealing a dramatic view through the two-story living space, anchored by a brick fireplace that extends from floor to ceiling. The asymmetrical roofline lifts upward, accentuating the openness and maximizing natural light. Inside, warm materials define the interiors. Wood ceilings and floors, complemented by concrete-look tile, establish a natural, grounded aesthetic. Black wood-clad beams provide scale and structure, subtly delineating spaces within the open-plan layout. A wood lattice screen partially conceals the dining area from the foyer, offering both openness and privacy. The kitchen—designed for gathering—features a large island, a dedicated baking station, and a breakfast counter that catches morning light while serving as a pass-through to the adjacent patio. Two textured glass sliding panels allow the kitchen to be closed off when needed. Just beyond, a hidden gem: the home’s personal Tiki room, complete with a vintage mug collection and a full bar. To the east, the central fireplace marks the transition to more intimate spaces. A wide stair, integrated with the hearth, leads to the lower level, while a library with a corner window creates a quiet retreat, perfect for reading and taking in the valley beyond. The primary suite extends off this wing, featuring a spa-like bath with a textured tile walk-in shower, a soaking tub positioned for dramatic views, and a private balcony overlooking the landscape. The lower level is designed for family gatherings and extended stays. A secondary fireplace, echoing the materials of the main level, anchors a cozy living area with an adjacent kitchenette. Additional bedrooms and baths provide ample accommodations, while a hidden playhouse under the stair and a dedicated bunk room add playful touches for visiting grandchildren. The home is a balance of openness and enclosure, modernity and warmth—designed not only as a retreat but as a multigenerational gathering place, deeply connected to the land.