Search results for "Fundamental facets" in Home Design Ideas

Adam Pendleton
Mid-sized country master white tile and subway tile porcelain tile and gray floor drop-in bathtub photo in Atlanta with shaker cabinets, gray cabinets, a drop-in sink, quartz countertops and a hinged shower door
Mid-sized country master white tile and subway tile porcelain tile and gray floor drop-in bathtub photo in Atlanta with shaker cabinets, gray cabinets, a drop-in sink, quartz countertops and a hinged shower door

Jennifer and Dan have lived in their Deer Park Illinois home for 15 years, slowly making minor fixes like painting and decorating; but they had a new plan for their kitchen the entire time. An awkwardly placed garage door, and an island cooktop with a terrible downdraft made a full-scale kitchen remodel an absolute must. Jennifer had many ideas in mind and wanted to work with a company that could provide high-end work, while partnering with a designer that would tailor the kitchen to her ideas.
She was intrigued by the phrase “Common Sense Remodeling” in Advance Design’s feature she discovered while perusing an issue of the community’s Quintessential Barrington Magazine. Doing further research on the company’s website, as she looked through project profiles and read about Advance Design’s “Common Sense Remodeling” philosophy, she promptly scheduled an appointment to see if the people and ideas she read about were truly who they said they were. The more she read, the more she knew that the “Common Sense” approach to remodeling they described was exactly the type of company she was looking for.
The partnership was sealed after an initial consultation with Owner Todd Jurs and Project Designer Michelle Lecinski. They displayed a combination of friendliness, professionalism and respect that was unmatched by any of the other companies Jennifer talked to. She knew that with Advance Design, she would be able to retain the vision that she had in mind with high-quality craftsmanship.
“I reached out to Advance Design because of the ‘Common Sense Remodeling’ tagline,” Jennifer said. “That’s what lingered for me”. “Advance Design was the most respectful- of the house and of my design ideas, and the most professional of the handful of companies that looked at my project”.
Soon after the meeting Jennifer began working with Michelle on the project design. They quickly developed chemistry. Jennifer loved how Michelle researched and located every detail that Jennifer wanted for the kitchen. Between the two of them, every concept and idea was worked through and perfected. “Jennifer had definite ideas about what she wanted the new kitchen to look like, she just didn’t know how to bring it all together. We worked together really well to make her ideas into the practical reality necessary for a well-functioning kitchen, with the look and feel that she had envisioned”, says Michelle.
“Michelle was wonderful in using the CAD system she would show me new drawings every time we changed the layout while working through the design,” Jennifer said. “She was a really wonderful partner in execution, she made sure everything happened quickly and easily.”
The finished design drew out elements of Jennifer’s style and personality. The pair call the look “sophisticated farmhouse” to describe the kitchen renovation to family and friends. The result was a beautifully crafted, authentic-feeling space that satisfied Jennifer’s dreams 15 years in the making. The whole project consisted of a kitchen remodel, mudroom upgrade with powder room, and garage entry relocation. “The projects I personally like the best, are the ones that put the client’s dreams on display,” Project Designer Michelle said. “And this is one of those projects.”
The main focal point of the kitchen is custom zinc and brass ventilation hood with a vintage sheen, which was hand made to order by a small company in Indiana named Vogler Metalworking. “It’s like sculpture, a true work of art”, says Jennifer. Your eye is immediately drawn towards this elegant yet practical hood that eliminated the home’s downdraft problem and added a striking conversation piece at the same time. The carpenters had to use special gloves when transporting and installing it, so they didn’t smudge it with fingerprints. The beautiful hood centers proudly over the stunning black enamel and brass LaCornue Range. “I had a friend who had a LaCornue range and after learning how easy it was to cook perfect meals, I was convinced I wanted to have one”, says Jennifer. This unique, breathtaking combination anchors the entire kitchen and is apparent immediately as you walk into the great room the surrounds the space.
DuraSupreme Crestwood cabinets with a Kendall Panel add function and sophistication. A custom gray paint color paired with a storm blue was developed so that the new kitchen looked like it belonged to the existing space. Unlacquered brass faucets and hardware were important to Jennifer because she wanted the living finishes to age over time. Remarkable brass diamond mesh cabinet door inserts imported from the UK continue to add this one-of-a-kind kitchen renovation; giving it a “you won’t see this everywhere” quality. The use of old railcar flooring for the coffee bar countertop and reclaimed oak for the open shelving gives an authenticity to the space uncommon in kitchens today.
Jennifer and Michelle fell in love with the Limestone Grey Stone while they were investigating unique island countertop ideas. They liked the fact that the limestone as a living finish will age and change over time. Calcutta Miel Quartz countertops made for an excellent pairing around the perimeter, as it’s durable and perfect for cooking preparations. A textured white subway tile backsplash that runs to the ceiling keeps your eye moving towards the open shelving, and to the main focal point of the stunning range hood combination.
“The kitchen functions beautifully, and it’s gorgeous,” beams Jennifer as she gestures with both hands while smiling ear to ear. “The most important thing was I wanted a kitchen that had a wonderful flow, cooked beautiful meals and was a great gathering place for family and friends, and this space does that perfectly! Beauty wise, it turned out exactly how I had envisioned. I felt the function part was the hardest part, and that was nailed”!
Relocating the garage entry to the new mudroom was a huge priority and has finally separated the family’s arriving home functions from their kitchen. Now coats and shoes and bags have their own area for dropping once members arrive home. Matching gray DuraSupreme cabinetry helped create gorgeous, purposeful lockers for the family. A reclaimed vintage sink and custom wall paper were added to the tiny powder room to beautify the once previously only functional space. Advance Design was even able to create a custom space for their dog to sleep while the family is away.
“It was unbelievable that a project of this size was completed in such a short time, and I think that’s because of the large amount of planning and preparation that went into it,” Jennifer marveled, “When we started, we were ready, and everything was prepared”.
When it came to execution, Project Manager Justin Davis and his crew were quick, accessible, and organized. Projects like this kitchen are typically completed in as little as 8-10 weeks. Jennifer’s kitchen however despite the relocation of some challenging HVAC in a soffit and moving of an exterior door was completed remarkably fast in part because the team was working with an existing tile floor that ran throughout the first floor that the client really loved.
“You get to know these people really well because they’re living in your house while you’re living in your house. They were so fast and really good, it didn’t take as long as even planned” reported Jennifer. “I would text Justin and he always responded almost immediately. I got to know all the guys who were working in our house and they were all wonderful people”.
Details in a customized kitchen like this one require skill and care from the people who install it. “All the guys on the job were skilled at what the did. I wanted small details like little feet to look like furniture, that is where their carpentry skill came in to make these all perfect”, said Jennifer. “The tile guys were wonderful. They even let me determine how I wanted the texture with the grout to appear for a salt and pepper look; now that is a very skilled trade person making it custom”.
In Jennifer’s interview, she continued to reference Advance Design’s “Common Sense Remodeling”, so I took a minute to ask her exactly what that phrase meant to her and how it played out in her experience with her project and the Advance Design team. Here is what she said: “I was intrigued about Common Sense Remodeling and in my head that there would be clear costs and prices, great communication between the design team, the execution team and me”, said Jennifer. They did deliver on that, it was so clear about the cost breakdown, what I could expect from everyone who came to my house, and everything that we had ordered. That to me is the Common Sense”!
It’s great to see a client take literally our assertion that a well-planned remodeling project is simply “Common Sense”! She anticipated each step of the way would be clear, concise, and predictable, all the while protecting the outcome due to the careful upfront planning. “Advance Design delivered on their ‘Common Sense Remodeling’ promise,” Jennifer said. “From the design team, to the execution team - everything was straight forward like I imagined. The project turned out exactly how I envisioned, I enjoyed this process and absolutely would recommend Advance Design Studio to anyone.”
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**Spatial Composition & Architectural Volume**
The room is organized around a single, decisive architectural gesture: a full-height sliding glazed wall that dissolves the boundary between the sleeping chamber and an enclosed garden court. The composition is fundamentally horizontal — a low-slung bed platform anchoring the right-hand foreground, a seating vignette calibrated to the left, and between them an uninterrupted sightline drawn through the aperture to the ivy-clad boundary wall beyond. This lateral emphasis is reinforced overhead by a recessed shadow-gap ceiling detail and a stepped perimeter cove that reads as a floating plane, subtly compressing the volume at its edges while lifting it at centre. The glazing itself is elegantly restrained: slim black-framed sliders set within a warm timber reveal, the sill deep enough to function as a threshold rather than a mere junction — an architectural pause between interior and exterior. Circulation is generous and diagonal, the ottoman and lounge chair angled to acknowledge both the bed and the view, establishing a soft triangulation of use. The tall marquetry armoire at the right terminates the composition vertically, providing the single strong axis of ascent in an otherwise recumbent plan, and its sculptural crown — a bronze group of standing figures — punctuates the ceiling zone with deliberate counterpoint.
**Materiality, Color & Texture**
The palette is an exercise in tonal modulation within a narrow chromatic band: greige, taupe, dove, mushroom, all carried on warm grey undertones with no true white and no true black save the slender window mullions. Textural variation, rather than colour contrast, performs the compositional work. The curtains — likely a slubbed silk or textured linen-viscose blend — hang in deep pinch-pleat falls whose vertical striation animates the flanking walls, while the grasscloth wallcovering behind the armoire introduces a fine, dry, horizontal weave. Against these soft-focus surfaces, the armoire delivers the room's most emphatic tactile statement: a hand-carved, faceted diamond-relief pattern in pale limed oak, bleached almost to bone, whose faceted geometry catches and fragments light. Upholstery in supple dove-grey leather on the chair and bench is offset by a crushed-velvet cushion and a finely pleated bolster at the bedhead, layering matte against lustre. Metallics are used sparingly and warmly — antiqued brass sabots on the furniture legs, a brushed bronze plinth-form side table — while the bed's pale coverlet, incised with a fine embroidered arabesque and studded buttoning, contributes a subtle graphic line. Underfoot, a hand-knotted rug in mottled silver-sage over honed stone completes a gradient from cool floor to warm wall.
**Lighting, Atmosphere & Style Profile**
Natural light is the primary luminous instrument here, admitted as a broad, diffuse northern wash through the glazed wall and rendered soft by the surrounding foliage, which filters and greens the light before it enters. The absence of visible decorative fixtures is intentional: illumination is concealed within the ceiling cove and shadow gaps, implying an evening register of low, indirect ambient light supplemented by discreet task sources. This restraint sustains an atmosphere of hushed, cloistered calm — a sanctuary sensibility in which the garden functions as a living tapestry, its verdant saturation supplying the room's only chromatic release. Stylistically, the scheme reads as Soft Minimalism inflected with Contemporary Continental luxury: a lineage traceable to mid-century French decorative tradition — Jean-Michel Frank's plinths, Royère's rounded silhouettes — reinterpreted through a modernist discipline of tonal reduction and planar clarity. The result is neither austere nor decorative but precisely balanced: a quiet, artisanal luxe in which craft (the carved oak, the cast bronze, the hand-finished textiles) supplies the ornament that colour deliberately withholds.

Timmerman Photography
Sculpture by Mayme Kratz
This is a home we initially built in 1995 and after it sold in 2014 we were commissioned to come back and remodel the interior of the home.
We worked with internationally renowned architect Will Bruder on the initial design on the home. The goal of home was to build a modern hillside home which made the most of the vista upon which it sat. A few ways we were able to achieve this were the unique, floor-to-ceiling glass windows on the side of the property overlooking Scottsdale, a private courtyard off the master bedroom and bathroom, and a custom commissioned sculpture Mayme Kratz.
Stonecreek's particular role in the project were to work alongside both the clients and the architect to make sure we were able to perfectly execute on the vision and design of the project. A very unique component of this house is how truly custom every feature is, all the way from the window systems and the bathtubs all the way down to the door handles and other features.

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Concrete wall paneling
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Minimalist bathroom photo in New York
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This capiz shell pendant hangs over the reclaimed claw foot tub in the new master bathroom
Example of a classic home design design in Atlanta
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The ground floor volumes wrapped in an elongated hand-fired brick, emphasizing the horizontality of the architecture that lays solidly on the land.
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The sprawling 10,000 Square foot home is located on the prestigious Daniels Lane in Sagaponack, NY and is the perfect summer getaway for this beautiful young family of four. The well-established couple hired us to transform a traditional Hamptons home into a contemporary weekend delight.
Upon entering the house, you are immediately welcomed by an impressive fixture that falls from the second floor to the first - the first of the many artisanal lighting pieces installed throughout the home. The client’s lifestyle and entertaining goals were easily met with an abundance of outdoor seating, decks, balconies, and a special infinity pool and garden areas.
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