Blair Homes, LLC
Eat-in kitchen - mid-sized transitional u-shaped medium tone wood floor and brown floor eat-in kitchen idea with an undermount sink, raised-panel cabinets, white cabinets, marble countertops, white backsplash, porcelain backsplash, stainless steel appliances and an island

Greige cabinetry in West Des Moines with brass mesh door panels and a slim acrylic and brass pull.

Minimalist wine cellar photo in Las Vegas

Example of a classic home design design in Kansas City

Bedroom Wall Treatment by Master Painter Michael Denham
Bedroom - mid-sized eclectic master bedroom idea in Los Angeles with yellow walls

Home design - contemporary home design idea in Tampa

Located in the heart of Manhattan’s Lower East Side, the building was erected on a shallow commercial lot between two 120 year old masonry buildings and a new residential rental building. 330 Grand Street is a mix of 725 SF 1BRs and 1050 SF 2BR apartments. It also contains a 1100 SF two story duplex as well as private and public rooftop space, large private balconies for most units and two large private terraces for the ground floor units. 330 Grand Street was originally designed and approved at the NYC DOB as a prefabricated modular building. During the pandemic, as shipping costs skyrocketed putting the project at risk, we suggested redesigning the building as a reinforced cast-in-place concrete structure. Concrete was readily available and prices had not been affected by the demand increase that many other materials suffered in the pandemic. We took this opportunity to raise floor to ceiling heights, enlarge high performance windows and redistribute the buildings MEPFS and Structural Systems to create very open floor plans. The challenge was to create a luxurious sensorial living experience with very limited means. In a city with very high construction costs, low cost residential buildings in the area are usually devoid of good quality, design and character. Our approach was to aim high for the end user, prioritizing natural light, open space with long visual perspectives, high ceilings and as always, rejecting the use of predefined building templates. Our biggest challenge was to ensure that the small spaces feel as clean cut, large and bright as possible. Several unique design decisions were made to ensure low cost and high quality; Floor plans were laid out so that spaces were wide open and free of clutter from mechanical or structural interruptions. Therefore all infrastructure was placed in lateral demising walls, which in turn act as the unit’s storage and kitchen. The apartments feel wide open, are super quiet and have more storage space than any other comparable apartment in the city. To solve the problem of the site’s shallow commercial lot which is typically prone to dark interior spaces we focused our attention on the building’s envelope. Instead of the usual small punched window openings, oversized high performance windows were designed to ensure that light penetrated as far as possible into the units. In the smaller 1BR units, the full 50’ depth of the lot is perceived by partitioning spaces with sliding pocket doors that can be retracted to allow deep visual perspectives, making the sight lines in the space feel longer, larger, more ample than normal. In addition to the full height glazing, each unit above the 2nd floor receives a 7 foot covered balcony, adding 120 to 240 sf to each apartment, something unusual in New York City buildings. The space is large enough for a full size dining table, when the weather permits being outside. We also worked hard to ensure modularity. For example, all kitchen units are all identical throughout the building. The idea of modularity and the economy of the repetitive unit is exercised to the maximum through the building. Hardware, appliances, flooring, wall coverings and material finishes are all carefully selected to feel bespoke, high quality and unique. It was important to KURV that the result of this work manifest into something that would deeply connect with the end user and sustain relationships with the consumers of this space. All images by KURV Architecture ©

Example of a transitional home design design in Minneapolis

Metallic Vision Deuxième by Jon Allen My signature-defined hand textured intricacies and carvings into the metal capture and reflect surrounding light sources creating enhanced interaction with dramatic illusions of depth and 3D movement as viewed from different angles. Hang it in your living room, bedroom, kitchen, bathroom, office, or outdoors. This abstract metal art will wow and impress your guests. Display under natural lighting or make this original artwork the show stopping centerpiece of any room with track lighting or gallery spot lights for dramatic effect. Lighting and other environmental factors interact with metal artwork in a unique, organic way. Along with this signed piece of original metal art, every package includes easy mounting instructions, a measuring tool guide for simple installation, tips on lighting and other helpful information, and a Certificate of Authenticity. Unique pre-installed brackets for hanging are mounted to the back of each piece and "float" the artwork off the wall approximately 2". You can display this piece horizontally or vertically. Due to a wide variety of wall types, nails / screws for hanging are not provided. Every piece is quality inspected, gallery wrapped, and prepared carefully for safe global transit. This five panel piece measures 64" x 24" x 2" (162.56 cm x 60.96 cm x 5.08 cm) including 1" spacing between panels.

glass fabrications
Dining room - contemporary dining room idea in New York

Inspiration for a mid-century modern home design remodel in San Francisco

A textured vanity, green countertop, open shelving, and stunning two-tone finishes make this minimalist bathroom feel comforting, stylish, and functional.

This solid ash dresser is an expression of modernizing traditional forms found in classic Swiss Alpine furniture. Brass pulls, ornamented through metal stamping, adorn each drawer. Photo by Stephen Kent Johnson; Styling by Erin Swift