VSI The textures in this room are fabulous. Again we just moved a few pieces around and edited for photos and presentation. The 9-acre Mimosa Hall, built circa 1840, is a landmark of neoclassical design with extensive gardens in the vibrant historic district of Roswell, Georgia, 20 miles north of Atlanta. The 6,000-square-foot temple-style home has heart-of-pine floors throughout, a black-and-white marble hall, soaring ceilings, and 10 fireplaces. Famed architect Neel Reid made Mimosa his home in the 1920s, creating a double parlor and designing a long fieldstone driveway and courtyard. The gardens include century-old trees, imposing boxwood hedges, rare specimen trees, stone walls, paths, parterres, a swimming pool, and a 19th Century grist mill refashioned into a barn. In addition, 21 acres of adjoining woods are for sale, one of the few remaining tracts of developable land of its size within walking distance of Roswell’s old town square.

Kowalske Kitchen & Bath was the remodeling contractor for this beautiful Waukesha first floor remodel. The homeowners recently purchased the home and wanted to immediately update the space. The old kitchen was outdated and closed off from the great room. The goal was to design an open-concept space for hosting family and friends. LAYOUT The first step was to remove the awkward dining room walls. This made the room feel large and open. We tucked the refrigerator into a wall of cabinets so it didn’t impose. Seating at the island and peninsula makes the kitchen very versatile. DESIGN We created an elegant entertaining space to take advantage of the lake view. The Waukesha homeowners wanted a contemporary design with neutral colors and finishes. They chose soft gray lower cabinets and white upper cabinets. We added texture with wood accents and a herringbone marble backsplash tile. The desk area features a walnut butcher block countertop. We also used walnut for the open shelving, detail on the hood and the legs on the island. CUSTOM CABINETRY Frameless custom cabinets maximize storage in this Waukesha kitchen. The upper cabinets have hidden light rail molding. Angled plug molding eliminates outlets on the backsplash. Drawers in the lower cabinets allow for excellent storage. The cooktop has a functioning top drawer with a hidden apron to hide the guts of the cooktop. The clients also asked for a home office desk area and pantry cabinet.

This home was designed with a clean, modern aesthetic that imposes a commanding view of its expansive riverside lot. The wide-span, open wing design provides a feeling of open movement and flow throughout the home. Interior design elements are tightly edited to their most elemental form. Simple yet daring lines simultaneously convey a sense of energy and tranquility. Super-matte, zero sheen finishes are punctuated by brightly polished stainless steel and are further contrasted by thoughtful use of natural textures and materials. The judges said “this home would be like living in a sculpture. It’s sleek and luxurious at the same time.” The award for Best In Show goes to RG Designs Inc. and K2 Design Group Designers: Richard Guzman with Jenny Provost From: Bonita Springs, Florida

Kowalske Kitchen & Bath was the remodeling contractor for this beautiful Waukesha first floor remodel. The homeowners recently purchased the home and wanted to immediately update the space. The old kitchen was outdated and closed off from the great room. The goal was to design an open-concept space for hosting family and friends. LAYOUT The first step was to remove the awkward dining room walls. This made the room feel large and open. We tucked the refrigerator into a wall of cabinets so it didn’t impose. Seating at the island and peninsula makes the kitchen very versatile. DESIGN We created an elegant entertaining space to take advantage of the lake view. The Waukesha homeowners wanted a contemporary design with neutral colors and finishes. They chose soft gray lower cabinets and white upper cabinets. We added texture with wood accents and a herringbone marble backsplash tile. The desk area features a walnut butcher block countertop. We also used walnut for the open shelving, detail on the hood and the legs on the island. CUSTOM CABINETRY Frameless custom cabinets maximize storage in this Waukesha kitchen. The upper cabinets have hidden light rail molding. Angled plug molding eliminates outlets on the backsplash. Drawers in the lower cabinets allow for excellent storage. The cooktop has a functioning top drawer with a hidden apron to hide the guts of the cooktop. The clients also asked for a home office desk area and pantry cabinet.

Arch Studio, Inc. Best of Houzz 2016
Elegant entryway photo in San Francisco

This moody and contemplative space is anchored by an expertly restored antique Brutalist chandelier. Born on the heals of Modernism, the Brutalist movement was led by architects and designers who explored new techniques of scale and massing, literally breaking the mold on age-old materials like brass, concrete and brick. Fortress-like and imposing, the high walls of this chandelier are constructed of torch-cut brass panels, which radiate north and south in jagged waves. The ultimate centerpiece to any space, no matter the weather.

CARNEGIE HOMES Features •Imposing Romanesque Architecture •4525 square feet ( 5 Br/4.5 Bath) •Spacious Rooftop Terrace with Fireplace and Kitchen •Ornate detailing •Master Retreat with fireplace •Coffee Bar and Steam Shower •Media Room •Private Elevator •Home Automation •Alleyway access to Garage •Custom Shoe Closets •Custom Master Closet •Energy Star Certified •Wolf/Subzero Appliances •Custom Designed Wrought Iron Stairs •Open Floor Plan •Grand Kitchen Island •Sink in Utility Room •Game room with Bar •Exotic Granite Countertops •Custom Stained Red Oak Flooring

A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space. Crispin Sartwell Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home. As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction. The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside. The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting. Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for. Overview Oconomowoc, WI Completion Date August 2015 Services Architecture, Interior Design, Landscape Architecture

The flagstone patio, with its perfectly linear paving pattern and perfectly circular edges, is boldly imposed on the land but is bounded by rugged boulder walls that evoke the wild landscape beyond. Boulders and stone slabs are used to terrace an otherwise unusable hill, and boulders reappear in the form of a water feature that seems to erupt from the lower patio. Design and installation by Merrifield Garden Center. Photo: Wayne Boyland.

Example of a large arts and crafts gray three-story mixed siding exterior home design in DC Metro

This home was designed with a clean, modern aesthetic that imposes a commanding view of its expansive riverside lot. The wide-span, open wing design provides a feeling of open movement and flow throughout the home. Interior design elements are tightly edited to their most elemental form. Simple yet daring lines simultaneously convey a sense of energy and tranquility. Super-matte, zero sheen finishes are punctuated by brightly polished stainless steel and are further contrasted by thoughtful use of natural textures and materials. The judges said “this home would be like living in a sculpture. It’s sleek and luxurious at the same time.” The award for Best In Show goes to RG Designs Inc. and K2 Design Group Designers: Richard Guzman with Jenny Provost From: Bonita Springs, Florida

The solid wood Astrid platform bed has a wonderfully unique design inspired by mid-century Danish modernism. Its unique legs that angle out at 45 degrees display a simple elegance of which form follows function. Nothing but the finest materials and finest manufacturing techniques are used, having no veneer, being made of solid Black American Walnut or solid North American Cherry sustainably harvested. You'll enjoy this beautiful bed with its timeless design for many years to come. Available in queen, standard king, and cal king. Delivery available across the contiguous USA.

A tower with a raised countertop creates a intriguing design element. Floor to ceiling towered cabinetry can create a great space for custom storage. In this example the space is used for a cook book shelf, a drawer with kitchen linen storage and towels (An easy access space next to the cooktop for oven mitts. The cabinet above stores a beverage center with coffee supplies and the space below the cook book shelf stores mixing bowls. This kitchen design is a beautiful example of Mountain Resort styling. Soaring mountain peaks, rugged terrain, and old pine forests appeal to a large audience of outdoor adventures. Regardless of whether your mountain experience includes skiing, fly-fishing, hiking, or lounging by the fireplace, the majestic grandeur and awe of the mountains have inspired a unique, architectural style. Rustic woods and equally rustic finishes are a notable feature of “Mountain” architecture. A massive, stone fireplace is another definitive focal point. Furnishings are imposing and luxurious, design elements are grand scale, and natural textures and surfaces (stone, wood, burnished, metals, etc.) are expertly blended. Rustic woods and distressed finishes are a perfect complement to “Mountain Resort” styling. Request a FREE Dura Supreme Brochure Packet: http://www.durasupreme.com/request-brochure Find a Dura Supreme Showroom near you today: http://www.durasupreme.com/dealer-locator

Subsequent additions are covered with living green walls to deemphasize stylistic conflicts imposed on a 1940’s Tudor and become backdrop surrounding a kitchen addition. On the interior, further added architectural inconsistencies are edited away, and the language of the Tudor’s original reclaimed integrity is referenced for the addition. Sympathetic to the home, windows and doors remain untrimmed and stark plaster walls contrast the original black metal windows. Sharp black elements contrast fields of white. With a ceiling pitch matching the existing and chiseled dormers, a stark ceiling hovers over the kitchen space referencing the existing homes plaster walls. Grid members in windows and on saw scored paneled walls and cabinetry mirror the machine age windows as do exposed steel beams. The exaggerated white field is pierced by an equally exaggerated 13 foot black steel tower that references the existing homes steel door and window members. Glass shelves in the tower further the window parallel. Even though it held enough dinner and glassware for eight, its thin members and transparent shelves defy its massive nature, allow light to flow through it and afford the kitchen open views and the feeling of continuous space. The full glass at the end of the kitchen reveres a grouping of 50 year old Hemlocks. At the opposite end, a window close to the peak looks up to a green roof.

A beautiful example of rustic, traditional styled crown molding at the top of kitchen cabinets in a Mountain Resort Kitchen. This kitchen design is a beautiful example of Mountain Resort styling. Soaring mountain peaks, rugged terrain, and old pine forests appeal to a large audience of outdoor adventures. Regardless of whether your mountain experience includes skiing, fly-fishing, hiking, or lounging by the fireplace, the majestic grandeur and awe of the mountains have inspired a unique, architectural style. Rustic woods and equally rustic finishes are a notable feature of “Mountain” architecture. A massive, stone fireplace is another definitive focal point. Furnishings are imposing and luxurious, design elements are grand scale, and natural textures and surfaces (stone, wood, burnished, metals, etc.) are expertly blended. Rustic woods and distressed finishes are a perfect complement to “Mountain Resort” styling. Request a FREE Dura Supreme Brochure Packet: http://www.durasupreme.com/request-brochure Find a Dura Supreme Showroom near you today: http://www.durasupreme.com/dealer-locator

A plate rack on the end of a kitchen island creates a beautiful design element and an easy to access space to display your dishware collection. Our “Graphite” gray paint is becoming a popular color for accent areas like kitchen islands and wood hoods. This kitchen island is a beautiful example of Mountain Resort styling. Soaring mountain peaks, rugged terrain, and old pine forests appeal to a large audience of outdoor adventures. Regardless of whether your mountain experience includes skiing, fly-fishing, hiking, or lounging by the fireplace, the majestic grandeur and awe of the mountains have inspired a unique, architectural style. Rustic woods and equally rustic finishes are a notable feature of “Mountain” architecture. A massive, stone fireplace is another definitive focal point. Furnishings are imposing and luxurious, design elements are grand scale, and natural textures and surfaces (stone, wood, burnished, metals, etc.) are expertly blended. Rustic woods and distressed finishes are a perfect complement to “Mountain Resort” styling. Request a FREE Dura Supreme Brochure Packet: http://www.durasupreme.com/request-brochure Find a Dura Supreme Showroom near you today: http://www.durasupreme.com/dealer-locator

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Esteban La Tessa
Large minimalist concrete floor and gray floor kitchen/dining room combo photo in Sydney with white walls

Traditional and modern materials combine in the Dansk collection to create imposing yet welcoming forms. Light, tactile and pleasant to the eye, Dansk strikes a familiar chord with its clean, tapering lines that hark back to a classic Danish furniture design for all seasons. Photo Credits www.danishdesignco.com.sg