This project began as a wilderness retreat for the homeowners at their rural estate. They already had a large outdoor area complete with a pond, and detached garage in the perfect location to tie into an outdoor entertaining area/kitchen for the swimming pool. The homeowners were hoping that the design team at Legendary Escapes could create something magical for their small grandchildren, and for the grownups to enjoy for summertime relaxation. When the discussion turned to themes, the cartoon SpongeBob came up, and our team found a direction to go, either to the homeowners delight, possibly mixed with a bit of apprehension at the thought of a cartoony theme as a result. We promised subtle surprise and delight - and the homeowner decided to let the team go with their vision. The pool is a very abundant sized swimming pool, much larger than the average residential swimming pool. The sunledge was also made larger after the pool layout, providing even more space for chairs and play area for small children. One of the special surprises the owners didn't even know about until after they were in were the secret port holes that were re-seated with magnifying glass - and showcased miniature characters behind them, that when viewed through the glass looked giant in size. The waterfall/slide combination also features a large grotto - themed and decorated with elements that remind visitors to the space of the lessons and themes of the cartoon. The castle is solid, carved concrete - mixed and sculpted on site and hand placed. As the waterfall began to take shape, the outside was created as a sand castle, providing the perfect whimsical backdrop for the slide, and accents including a pair of flipper outfitted legs of what we can only think is mermaid man. One of the biggest surprises on this project came when Al found an old wooden boat at an auction, which he bought, took back to the job and cut it in half - creating the tail end of a boating incident, much like SpongeBob would have had when he missed the direction of the curve sign while out boating. (The joke in the show is that he can't ever get his drivers license because he doesn't know how to steer.) The other end of the boat became a vertical storage space for firewood or other pool side needs. The two parts of the boat became anchor pieces for what became the "wharf wall" which is the perfect area to lead people into the swimming pool retreat. The pool has three different entertaining patio levels, including the lower wharf level, swim up bar and raised concrete counter at the deep end of the pool. The middle section of patio is perfect for relaxing and watching kids play in the pool with the deck jets and sun ledge, and the upper area is adjacent to the outdoor kitchen area, also designed and created out of concrete (carved timbers) as the cabinetry and under bar areas. The pool was completed with ecoFinish on the sun ledge, interior of the spa, grotto and the slide. The main swimming area of the pool was vinyl liner, constructed in the special hybrid way of the team. With the project complete, the homeowners and family thoroughly enjoyed their backyard retreat. Any hesitation at the initial theme ideas were fully appreciated as they developed along the way, with the final project a subtle blend of function and whimsy, meeting everything that they could have asked for in a backyard entertaining retreat. Their advice is to just trust Al and the team through the process, because the results will be more than you would ever hope for. If our team can help you create a backyard or custom retreat, which includes a pool and plenty of outdoor entertaining options to surprise and delight you and your family, please reach out to start your design discussions.

This project began as a wilderness retreat for the homeowners at their rural estate. They already had a large outdoor area complete with a pond, and detached garage in the perfect location to tie into an outdoor entertaining area/kitchen for the swimming pool. The homeowners were hoping that the design team at Legendary Escapes could create something magical for their small grandchildren, and for the grownups to enjoy for summertime relaxation. When the discussion turned to themes, the cartoon SpongeBob came up, and our team found a direction to go, either to the homeowners delight, possibly mixed with a bit of apprehension at the thought of a cartoony theme as a result. We promised subtle surprise and delight - and the homeowner decided to let the team go with their vision. The pool is a very abundant sized swimming pool, much larger than the average residential swimming pool. The sunledge was also made larger after the pool layout, providing even more space for chairs and play area for small children. One of the special surprises the owners didn't even know about until after they were in were the secret port holes that were re-seated with magnifying glass - and showcased miniature characters behind them, that when viewed through the glass looked giant in size. The waterfall/slide combination also features a large grotto - themed and decorated with elements that remind visitors to the space of the lessons and themes of the cartoon. The castle is solid, carved concrete - mixed and sculpted on site and hand placed. As the waterfall began to take shape, the outside was created as a sand castle, providing the perfect whimsical backdrop for the slide, and accents including a pair of flipper outfitted legs of what we can only think is mermaid man. One of the biggest surprises on this project came when Al found an old wooden boat at an auction, which he bought, took back to the job and cut it in half - creating the tail end of a boating incident, much like SpongeBob would have had when he missed the direction of the curve sign while out boating. (The joke in the show is that he can't ever get his drivers license because he doesn't know how to steer.) The other end of the boat became a vertical storage space for firewood or other pool side needs. The two parts of the boat became anchor pieces for what became the "wharf wall" which is the perfect area to lead people into the swimming pool retreat. The pool has three different entertaining patio levels, including the lower wharf level, swim up bar and raised concrete counter at the deep end of the pool. The middle section of patio is perfect for relaxing and watching kids play in the pool with the deck jets and sun ledge, and the upper area is adjacent to the outdoor kitchen area, also designed and created out of concrete (carved timbers) as the cabinetry and under bar areas. The pool was completed with ecoFinish on the sun ledge, interior of the spa, grotto and the slide. The main swimming area of the pool was vinyl liner, constructed in the special hybrid way of the team. With the project complete, the homeowners and family thoroughly enjoyed their backyard retreat. Any hesitation at the initial theme ideas were fully appreciated as they developed along the way, with the final project a subtle blend of function and whimsy, meeting everything that they could have asked for in a backyard entertaining retreat. Their advice is to just trust Al and the team through the process, because the results will be more than you would ever hope for. If our team can help you create a backyard or custom retreat, which includes a pool and plenty of outdoor entertaining options to surprise and delight you and your family, please reach out to start your design discussions.

**I. Spatial Composition & Architectural Volume** This interior operates on a strategy of framed extension, in which the room's perceived volume is borrowed from the garden beyond rather than asserted through internal grandeur. The composition is governed by a rigorous orthogonal discipline: a full-height sliding glazing system, set within a deep oak-lined reveal, functions as both aperture and proscenium, its slender mullions dividing the exterior into a triptych of vegetal planes. The generous depth of that reveal — expressed as a substantial threshold plinth and continuous jamb casing — reads less as trim than as tectonic gesture, giving weight and thickness to the enclosure and reinforcing the sense of a pavilion pressed against a green wall. To the left, a floor-to-ceiling pocketing door of book-matched, quarter-sawn oak establishes a monolithic vertical counterpoint, its recessed flush pull the only interruption of an otherwise uninflected plane; the shallow return of the wall beyond it creates a compressed entry sequence that releases into the primary volume. The flat, shadowless plaster ceiling maintains a neutral lid over the composition, while the furniture plan is deliberately low-slung and horizontal — a deep sectional set parallel to the glazing, a leather-topped ottoman, and a low occasional table — so that no element rises to compete with the sightline. Circulation is implied along the wall's edge, funnelling toward the terrace and its al fresco dining vignette, which acts as the room's terminal focal point and extends the interior axis outward. **II. Materiality, Color & Texture** The palette is a study in low-contrast tonal layering, calibrated within a narrow band of warm neutrals and animated almost entirely by the saturated chlorophyll green of the ivy screen. Rift-cut white oak, finished in a matte oil that reveals rather than glosses its medullary figure, provides the room's structural warmth — appearing in the joinery, the window surround, and the herringbone parquet, whose fine chevron rhythm introduces a subtle graphic pattern at foot level. Walls are treated in what appears to be a woven grasscloth or linen-effect wallcovering in a pale oatmeal tone, its faint horizontal striation catching raking light and lending textile softness to the perimeter. Against this, the seating is upholstered in a tightly woven, undyed linen-cotton blend with a biscuit-tufted seat platform, its slubbed irregularity a deliberate foil to the precision of the millwork. The cushion program provides the composition's only chromatic incident: an indigo-ground ikat or *kasuri* resist-dyed weave, with its blurred weft-broken banding, paired with a heavier blanket-stitched wool in glaucous blue-grey and buff stripes. Underfoot, a hand-knotted silk-and-wool rug in slate and mineral grey carries an attenuated ogee lattice, its lustrous pile providing cool relief beneath the warmer wood tones. The plinth-mounted travertine or reconstituted-stone planter — matte, porous, faintly chalky — and the honed grey stone paving beyond introduce lithic gravity, balancing the prevailing softness with a mineral edge. **III. Lighting, Atmosphere & Style Profile** Illumination here is almost entirely diurnal and indirect: north-oriented or hedge-filtered daylight arrives diffuse and green-cast, washing the space in a soft, even luminance that suppresses hard shadow and privileges texture over drama. The ivory sheer, hung on a discreet recessed track, tempers glare while retaining silhouette legibility, and the adjacent pinch-pleated overdrape in a taupe-bronze silk-blend — with its subtle vertical striation and slight sheen — offers the option of full blackout while contributing a note of drapery-weight formality. Artificial sources are conspicuously concealed; no decorative fixture interrupts the ceiling plane, implying a scheme of recessed low-glare downlights or perimeter cove washing designed to sustain the daytime ambience after dusk. The resulting atmosphere is one of composed reticence — quiet, tactile, and deeply oriented toward the garden. Stylistically, the project synthesises Japandi restraint (the pocketing timber plane, the shadow-gap detailing, the reverence for the framed view) with the material sensuality and drapery conventions of European Soft Modernism, yielding a warm minimalism in which luxury is communicated through joinery tolerance, textile hand, and the disciplined editing of the palette rather than through ornament or statement furniture. It is an interior conceived as a calm neutral ground — an armature for light, landscape, and the slow accretion of daily life.

Kitchen Remodel, was completed as a result of a sewage backup incident. Prior layout was L shape Kitchen layout with awkward angle on dishwasher end, that ended straight into the wall. Cabinets right of dishwasher and above were added including a 24 inch pantry to the right. This added considerable amount of space to the kitchen even though it required the use of a vanity cabinet in order to make that happen. Project has received new drawers for that vanity box that needed to be custom made in order to make that cabinet work. Overall customer seems extremely happy at the results.

We’ve heard many kinds of renovation horror stories, and this project might top all. Prior to Chapter, the clients had been working with a different contractor on their renovation. Unfortunately, just as they were nearing completion, an incident occurred during the floor refinishing process, where a flammable product was used, resulting in a devastating fire that damaged the entire apartment. The challenge for Chapter wasn’t just rebuilding a burnt-down apartment but also rebuilding the trust of our clients in people handling their renovation. However, over time, they have gradually regained confidence in our team in every stage of the renovation we successfully accomplished.

Kitchen Remodel, was completed as a result of a sewage backup incident. Prior layout was L shape Kitchen layout with awkward angle on dishwasher end, that ended straight into the wall. Cabinets right of dishwasher and above were added including a 24 inch pantry to the right. This added considerable amount of space to the kitchen even though it required the use of a vanity cabinet in order to make that happen. Project has received new drawers for that vanity box that needed to be custom made in order to make that cabinet work. Overall customer seems extremely happy at the results.

This project began as a wilderness retreat for the homeowners at their rural estate. They already had a large outdoor area complete with a pond, and detached garage in the perfect location to tie into an outdoor entertaining area/kitchen for the swimming pool. The homeowners were hoping that the design team at Legendary Escapes could create something magical for their small grandchildren, and for the grownups to enjoy for summertime relaxation. When the discussion turned to themes, the cartoon SpongeBob came up, and our team found a direction to go, either to the homeowners delight, possibly mixed with a bit of apprehension at the thought of a cartoony theme as a result. We promised subtle surprise and delight - and the homeowner decided to let the team go with their vision. The pool is a very abundant sized swimming pool, much larger than the average residential swimming pool. The sunledge was also made larger after the pool layout, providing even more space for chairs and play area for small children. The waterfall/slide combination also features a large grotto - themed and decorated with elements that remind visitors to the space of the lessons and themes of the cartoon. The castle is solid, carved concrete - mixed and sculpted on site and hand placed. As the waterfall began to take shape, the outside was created as a sand castle, providing the perfect whimsical backdrop for the slide, and accents including a pair of flipper outfitted legs of what we can only think is mermaid man. One of the biggest surprises on this project came when Al found an old wooden boat at an auction, which he bought, took back to the job and cut it in half - creating the tail end of a boating incident, much like SpongeBob would have had when he missed the direction of the curve sign while out boating. (The joke in the show is that he can't ever get his drivers license because he doesn't know how to steer.) The other end of the boat became a vertical storage space for firewood or other pool side needs. The two parts of the boat became anchor pieces for what became the "wharf wall" which is the perfect area to lead people into the swimming pool retreat. The pool has three different entertaining patio levels, including the lower wharf level, swim up bar and raised concrete counter at the deep end of the pool. The middle section of patio is perfect for relaxing and watching kids play in the pool with the deck jets and sun ledge, and the upper area is adjacent to the outdoor kitchen area, also designed and created out of concrete (carved timbers) as the cabinetry and under bar areas. The pool was completed with ecoFinish on the sun ledge, interior of the spa, grotto and the slide. The main swimming area of the pool was vinyl liner, constructed in the special hybrid way of the team. With the project complete, the homeowners and family thoroughly enjoyed their backyard retreat. Any hesitation at the initial theme ideas were fully appreciated as they developed along the way, with the final project a subtle blend of function and whimsy, meeting everything that they could have asked for in a backyard entertaining retreat. Their advice is to just trust Al and the team through the process, because the results will be more than you would ever hope for. If our team can help you create a backyard or custom retreat, which includes a pool and plenty of outdoor entertaining options to surprise and delight you and your family, please reach out to start your design discussions.

Love is all around Dick "RJ" Valentine, especially when he enters his home garage. A professional race car driver, entrepreneur, chairman of The MBA Group of Companies, and owner of F1 Boston and F1 Outdoors kart racing facility, Dick is surrounded by some of his most prized possessions: a radiant blue Hennessey Venom Viper 650, a twin turbo Porsche, a 500e Mercedes, and a BMW model 750il, an M5 and an M6. And that's just the four-wheelers. Dick's garage is also home to four motorcycles: a BMW 1200LT, a BMW 1200RS, a Ducati 996F, and a Ducati ST4F. "I've basically driven everything short of the space shuttle," he jokes. His wife adds, "If it doesn't make noise, leak or have wheels, Dick doesn't want any part of it!" Driving for gold. RJ has been racing professionally for 30 years and has raced virtually every type of competitive race car at tracks all over the world, including IMSA Corvettes, Trans-Am Camaros, Riley & Scott MK3 World Sports Cars, BMW M3 V8's, Dodge Vipers, Porsche 911s, Pontiac GTO.Rs and Porsche GT3s. He has more than 325 professional road racing starts, and is one of only seven people to eclipse 120 starts in the Trans-Am Series. RJ's career Trans-Am record includes a 62% incidence of top ten finishes and in excess of 20 top-five finishes. In 2007, RJ and teammate Andy Lally claimed 5 victories, 2 seconds and placed 3rd for the 2007 GT Championship in the Grand-Am Rolex Sports Car Series aboard the #66 TRG CRG/Maxter Porsche GT3. He has driven in over 20 consecutive Rolex 24 Hours at Daytona, a significant achievement given the grueling nature of this 24-hour endurance race. He uses his garage to house and service not only his personal vehicles, but his professional karts as well. That's where Lista comes in. Dick stores all his tools and parts using Lista garage workbenches with drawer cabinet pedestals, stationary riser shelves and overhead cabinets with retractable doors. "We use only Lista equipment in our racing trailers and at F1 Boston. In the racing environment, precision and quality are the name of the game. Lista is the gold standard in the business. So I wouldn't have used anything but Lista in my own garage."

Love is all around Dick "RJ" Valentine, especially when he enters his home garage. A professional race car driver, entrepreneur, chairman of The MBA Group of Companies, and owner of F1 Boston and F1 Outdoors kart racing facility, Dick is surrounded by some of his most prized possessions: a radiant blue Hennessey Venom Viper 650, a twin turbo Porsche, a 500e Mercedes, and a BMW model 750il, an M5 and an M6. And that's just the four-wheelers. Dick's garage is also home to four motorcycles: a BMW 1200LT, a BMW 1200RS, a Ducati 996F, and a Ducati ST4F. "I've basically driven everything short of the space shuttle," he jokes. His wife adds, "If it doesn't make noise, leak or have wheels, Dick doesn't want any part of it!" Driving for gold. RJ has been racing professionally for 30 years and has raced virtually every type of competitive race car at tracks all over the world, including IMSA Corvettes, Trans-Am Camaros, Riley & Scott MK3 World Sports Cars, BMW M3 V8's, Dodge Vipers, Porsche 911s, Pontiac GTO.Rs and Porsche GT3s. He has more than 325 professional road racing starts, and is one of only seven people to eclipse 120 starts in the Trans-Am Series. RJ's career Trans-Am record includes a 62% incidence of top ten finishes and in excess of 20 top-five finishes. In 2007, RJ and teammate Andy Lally claimed 5 victories, 2 seconds and placed 3rd for the 2007 GT Championship in the Grand-Am Rolex Sports Car Series aboard the #66 TRG CRG/Maxter Porsche GT3. He has driven in over 20 consecutive Rolex 24 Hours at Daytona, a significant achievement given the grueling nature of this 24-hour endurance race. He uses his garage to house and service not only his personal vehicles, but his professional karts as well. That's where Lista comes in. Dick stores all his tools and parts using Lista garage workbenches with drawer cabinet pedestals, stationary riser shelves and overhead cabinets with retractable doors. "We use only Lista equipment in our racing trailers and at F1 Boston. In the racing environment, precision and quality are the name of the game. Lista is the gold standard in the business. So I wouldn't have used anything but Lista in my own garage."

Kitchen Remodel, was completed as a result of a sewage backup incident. Prior layout was L shape Kitchen layout with awkward angle on dishwasher end, that ended straight into the wall. Cabinets right of dishwasher and above were added including a 24 inch pantry to the right. This added considerable amount of space to the kitchen even though it required the use of a vanity cabinet in order to make that happen. Project has received new drawers for that vanity box that needed to be custom made in order to make that cabinet work. Overall customer seems extremely happy at the results.

Kitchen Remodel, was completed as a result of a sewage backup incident. Prior layout was L shape Kitchen layout with awkward angle on dishwasher end, that ended straight into the wall. Cabinets right of dishwasher and above were added including a 24 inch pantry to the right. This added considerable amount of space to the kitchen even though it required the use of a vanity cabinet in order to make that happen. Project has received new drawers for that vanity box that needed to be custom made in order to make that cabinet work. Overall customer seems extremely happy at the results.

Landkamer Art / Avenida Triptych 007 • This series began in a more sparse mode as shown in this piece and was primarily inspired by the swaying California coastal kelp forests. There’s a blog post about that on my site. But an additional layer of meaning was on my mind—a frightening incident when very young where I was pushed off a Minnesota lake dock and needed to be pulled out of the lake quickly as I could not swim. This series references both inspiration moments into one positive healing work. There is the beauty and power of the swaying ocean kelp linked to the turbulence and fright of being knocked into the lake and looking up to the water’s surface from below. Unintentionally the result is uplifting beauty and abundant positive energy for me. Like three frames from a film, the triptych panels communicate with each other. My hope is viewers can relate to where the work is coming from and share a positive emotional bond with it that puts them in a better space as well. • View more new art on Instagram: @landkamerart • Custom size prints available. Send an Email inquiry to: Mark@LandkamerArt.com • © 2019 Mark Landkamer. All rights reserved.

A friend noticed a damp, musty smell coming from her living room fireplace the week after a February thaw. When she called a masonry technician from Superior Chimney, to take a look, and found that water had been working its way behind the bricks for years. What started as a small crack now meant her chimney needed structural repairs before she could safely use it again. Chimney repairs are any work done to restore the structural and weatherproof condition of a chimney. This can include mortar joint repair, brick replacement, crown repair, flue repair, and cap or flashing replacement. Most Chicagoland homeowners discover the need for chimney repairs often times after winter, when the freeze and thaw cycles have already done its damage. Uncovering the symptoms early is the best way to keep chimney repairs down. Let’s discuss how that can be done. Why Chicagoland Weather Is Especially Hard on Chimneys Chicagoland has some of the most polarized weather. One day it’s a blizzard and the next week hot, humid and 100 degrees. That swing in weather conditions and temperatures are the real reasons why chimney repairs are needed. When moisture from humid and rainy days’ soak into brick and mortar and then freezes, it expands. As it begins to thaw, the materials contract. Repeat that cycle dozens of times in a single Illinois winter and even solid masonry in the chimney starts to crack, spall, and separate from the joints holding it together. This is called the freeze thaw cycle. We’ve talked about it many times over the years, and it continues to be the single biggest reason homes need chimney repairs more often than homes in milder climates. The Chimney Safety Institute of America (CSIA), the leading nonprofit certifying body for chimney professionals in the United States, notes that water intrusion is one of the most damaging and most preventable problems. If the problem is left to mature, it affects more than the appearance. It compromises the structure itself. What Do Chimney Repairs Involve? Not every chimney problem requires the same fix. Chimney repairs generally fall into a few categories. Understanding the difference, helps homeowners have a more informed conversation with the expert technician. Mortar joint repair or tuckpointing. This involves removing deteriorated mortar between bricks and replacing it with fresh mortar, matched to the original color and texture as closely as possible. Brick replacement. When individual bricks have spalled, meaning the face has cracked or popped off from trapped moisture, those bricks are removed and replaced. Crown and cap repair. The crown is the concrete slab at the very top of the chimney. Cracks both big and small let water directly into the chimney flue. Chimney crown repair is often one of the most urgent forms of chimney repairs. Flashing repair. Flashing is the barrier where the chimney meets the roofline. Loose, damaged or poorly installed flashing is a common source for water leaks. The roof gets the blame as it is the largest piece that covers the house. However, it certainly can be the overlooked chimney. Flue and liner repair. Cracked flue tiles or damaged liners affect how safely a chimney vents smoke and combustion gases. When to Know a Chimney Needs Repair Most chimney damage shows up as small, easy to dismiss way. Let’s take a look at the following list. Be sure to print this out and keep it handy so if/when something happens, you know what to look for. • Water stains near the fireplace or on the ceiling • A brownish stain on the wall around your fireplace, or a stain on the ceiling near an exterior chimney. This means water is getting in somewhere it should not. • Crumbling or missing mortar • If you can see gaps between bricks, or mortar that flakes off when you touch it • A leaning or visibly shifting chimney • A chimney that appears to pull away from the house, even slightly, could indicate a structural issue • White staining on the brick (efflorescence) • Chalky white residue left behind as water evaporates out of the masonry. It is a visible sign that moisture is moving through brick • Rusted damper or firebox components • Metal parts inside a fireplace that are rusting are a strong indicator that moisture is present • Debris in the fireplace • Small chunks of brick, mortar, or tile landing in the firebox What are the Various Types of Chimney Repair? This is a compiled list of chimney repairs so you can be aware of what to look for. If you have any questions, contact us directly at 877-244-6349. Homeowners who schedule chimney repairs at the first sign of trouble typically spend far less than those who wait until water damage reaches the interior of the home. This is a great reason to contact Superior Chimney at 877-244-6349. Why an Annual Inspection Matters More Than People Think The CSIA and the National Fire Protection Association both recommend that chimneys, fireplaces, and vents be inspected at least once a year, whether or not the fireplace gets used. This recommendation exists because damage does not take a break just because a chimney sits without any use. According to data stated by the CSIA, chimney related fires still contribute to tens of thousands of residential fires across the United States each year, and a large share of those incidents can be traced back to deferred maintenance. An annual chimney inspection is what catches the small mortar crack or the hairline crown crack before it turns into a repair bill. Hiring the Right Company for Chimney Repairs Not every company who offers chimney repair work has the certified training to diagnose a problem correctly. CSIA certification is the most widely recognized credential in the industry, and it requires technicians to study chimney physics, venting systems, and fire codes. After the studies, the new technician needs to pass an exam and agree to a professional code of ethics. When you call, be sure to ask: Are your technicians CSIA certified, and can I verify that certification? Will you show me photos or video of the damage before starting work? Does the estimate distinguish between cosmetic repair and structural repair? At Superior Chimney, we welcome these and other of your questions. How Chimney Repairs Affect Insurance and Resale A chimney in poor condition can complicate a home sale or an insurance claim. Home inspectors routinely report on visible mortar loss, leaning chimneys, or missing chimney caps. Some insurers will request proof of repair before renewing a policy on an older home. Addressing chimney repairs proactively protects more than curb appeal. It protects the sale timeline and the claims history associated to the property. Frequently Asked Questions How often should a Chicago area chimney be inspected? At least once a year, per CSIA and NFPA guidance, regardless of how often the fireplace is used. Can chimney repairs be done in winter? Some interior repairs can happen in cold weather, but most masonry repair requires temperatures consistently above freezing. Spring and fall are the most common repair times in the Chicago area. Is tuckpointing the same thing as chimney repair? Tuckpointing is one type of chimney repair, focused on replacing deteriorated mortar joints. Does homeowners insurance cover chimney repairs? It depends. Sudden damage from a storm may be covered, while gradual deterioration from lack of maintenance typically is not. So Finally… Taking care of your home includes a chimney. Just because you don’t see it every day, doesn’t mean things aren’t happening. Be sure to get a chimney inspection done once per year by a certified and credible company such as Superior Chimney to take care of the issues. Contact us today by calling 877-244-6349.

This plan's site is slopping. It has 4 bedrooms 3 baths, a large living/dining area, and a view-oriented porch. The kitchen is organized around distinctive key-shaped food prep and dining island that seats seven. A two-sided fireplace separates the open kitchen from the more intimate hearth room. and also it has A mudroom and spacious butler's pantry round out the main floor. Upstairs are the master suite, another bedroom, and a bunk room; there's a guest/in-law apartment is over the garage. The day-lit basement includes a kitchenette and another bunk room.

Kitchen Remodel, was completed as a result of a sewage backup incident. Prior layout was L shape Kitchen layout with awkward angle on dishwasher end, that ended straight into the wall. Cabinets right of dishwasher and above were added including a 24 inch pantry to the right. This added considerable amount of space to the kitchen even though it required the use of a vanity cabinet in order to make that happen. Project has received new drawers for that vanity box that needed to be custom made in order to make that cabinet work. Overall customer seems extremely happy at the results.

Many companies who require controlled areas without compromising it are in need of access control. We at Optima Security understand the value of controlled areas with internal tracking by time frame and locations. Each person carries a unique badge, pin, or biometric sensor to track them coming and going. Which can be reviewed live or recorded and can help during an investigation of any incident. We have Cloud and Web based Access Control Remote via Internet systems available as well as traditional local software based systems. We have card access readers to biometric read scanners. All components depend on the customer needs and unique safety requirements.

**I. Spatial Composition & Architectural Volume** This is a galley-adjacent service zone — most likely a scullery or butler's pantry annexed to a primary kitchen — and its power derives from compression rather than expanse. The composition is organized along a single working wall that terminates abruptly in a full-height stainless volume, creating a deliberate collision of cabinetry rhythm and monolithic mass. The upper millwork establishes the governing geometry: a run of glazed-front wall cabinets with recessed shaker-profile stiles and rails, capped by a substantial crown assembly that reads as architectural cornice rather than applied trim. Within the second bay, the designer has inserted a period-correct plate rack with fluted vertical dividers and open glassware shelving, converting storage into ordered display and introducing a fine-grain vertical striation that counterpoints the broader panel field below. The base run answers with inset drawer fronts and applied-molding door panels, its cabinetry set on a shallow toe recess that lets the volume appear to float rather than plinth. The sightline is intentionally foreshortened: the eye travels the countertop plane eastward, is arrested by the refrigerator's tall stainless slab, then released through a sliver of hallway and door casing at the far right — a compressed reveal that implies circulation beyond and prevents the corridor from reading as a dead end. Ceiling height is inferred rather than shown, the cabinetry's soffit-scaled crown suggesting generous vertical proportion held in check by the room's narrow footprint. **II. Materiality, Color & Texture** The palette is a study in achromatic warmth, restrained to four principal materials and disciplined in its saturation. Cabinetry is finished in a soft greige-white — a putty-leaning off-white with faint green-grey undertone — applied in a low-sheen eggshell that absorbs rather than reflects, allowing the millwork profiles to be read through shadow rather than gloss. The backsplash is a honed marble subway field, laid in running bond with tight joints; its veining is delicate, feathered, and grey-toned, providing textural incident without pattern assertion. This continues seamlessly into the countertop, a thick marble slab with a squared eased edge and an integrated undermount trough sink, the material continuity from horizontal to vertical plane reinforcing the wall as a single stone-clad surface. Against this cool mineral field, the stainless steel refrigerator introduces an industrial register — brushed, directional, faintly grey-violet in its reflected light — while polished nickel hardware (bin pulls, cup pulls, knobs, and a wall-mounted bridge faucet with cross handles) supplies punctuating specular highlights at a consistent scale. The floor is the room's tonal anchor: white oak in a herringbone lay, fumed or grey-washed to a driftwood tone that reveals open grain and medullary ray figure. Small warm accents — a butcher-block cutting board with worn patina, amber glass bottles, a persimmon-toned bowl, the pale green of a champagne label — function as chromatic acupuncture within an otherwise desaturated field. **III. Lighting, Atmosphere & Style Profile** Illumination is layered and largely concealed. Ambient daylight enters obliquely from the left, raking across the marble backsplash at a low angle that mobilizes the honed surface's subtle relief and casts the cabinet door profiles into legible shadow. Undercabinet linear lighting washes the countertop and backsplash with a warm, low-kelvin pool, while the refrigerator's interior glazing performs as an unexpected internal lantern — a glowing vitrine that punctures the stainless slab and becomes the composition's focal luminance. This device is the image's most sophisticated gesture: it recasts a utilitarian appliance as an illuminated cabinet of curiosities, echoing the glass-front upper millwork on the opposite wall and completing a diagonal dialogue of lit transparency across the room. The resulting atmosphere is quiet, tempered, and quietly bourgeois — an interior of custodial calm rather than spectacle. Stylistically, the project synthesizes as a **contemporary Anglo-American scullery vernacular**: classical inset millwork and plate-rack joinery inherited from the pre-war service kitchen, reinterpreted through professional-grade stainless equipment, honed rather than polished stone, and a wire-brushed herringbone floor. Call it Refined Utilitarianism — a design position in which historical typology supplies the grammar, industrial hardware supplies the punctuation, and the near-monochrome palette allows craft, profile, and light to carry the entire expressive burden.

Check out these new bridges that were constructed by PermaComposites® for the City of Swan. These bridges were made from both Permastruct® FRP Substrates and PermaTimber® 225 Decking and look fantastic. Our PermaTimber® 225 Decking looks exactly like natural timber, without the need to worry about white ants and associated maintenance, so these bridges will look great for years! PermaTimber® 225 Decking has a non-slip surface as well, presenting incidents that may happen on these bridges from rainfall or stream splashback. Our Permastruct® FRP Substrates are fire resistant with a high strength to weight ratio, obtaining comparative or better performance than regular timber. If you are interested in these products, feel free to contact us with the information below.