This project began as a wilderness retreat for the homeowners at their rural estate. They already had a large outdoor area complete with a pond, and detached garage in the perfect location to tie into an outdoor entertaining area/kitchen for the swimming pool. The homeowners were hoping that the design team at Legendary Escapes could create something magical for their small grandchildren, and for the grownups to enjoy for summertime relaxation. When the discussion turned to themes, the cartoon SpongeBob came up, and our team found a direction to go, either to the homeowners delight, possibly mixed with a bit of apprehension at the thought of a cartoony theme as a result. We promised subtle surprise and delight - and the homeowner decided to let the team go with their vision. The pool is a very abundant sized swimming pool, much larger than the average residential swimming pool. The sunledge was also made larger after the pool layout, providing even more space for chairs and play area for small children. One of the special surprises the owners didn't even know about until after they were in were the secret port holes that were re-seated with magnifying glass - and showcased miniature characters behind them, that when viewed through the glass looked giant in size. The waterfall/slide combination also features a large grotto - themed and decorated with elements that remind visitors to the space of the lessons and themes of the cartoon. The castle is solid, carved concrete - mixed and sculpted on site and hand placed. As the waterfall began to take shape, the outside was created as a sand castle, providing the perfect whimsical backdrop for the slide, and accents including a pair of flipper outfitted legs of what we can only think is mermaid man. One of the biggest surprises on this project came when Al found an old wooden boat at an auction, which he bought, took back to the job and cut it in half - creating the tail end of a boating incident, much like SpongeBob would have had when he missed the direction of the curve sign while out boating. (The joke in the show is that he can't ever get his drivers license because he doesn't know how to steer.) The other end of the boat became a vertical storage space for firewood or other pool side needs. The two parts of the boat became anchor pieces for what became the "wharf wall" which is the perfect area to lead people into the swimming pool retreat. The pool has three different entertaining patio levels, including the lower wharf level, swim up bar and raised concrete counter at the deep end of the pool. The middle section of patio is perfect for relaxing and watching kids play in the pool with the deck jets and sun ledge, and the upper area is adjacent to the outdoor kitchen area, also designed and created out of concrete (carved timbers) as the cabinetry and under bar areas. The pool was completed with ecoFinish on the sun ledge, interior of the spa, grotto and the slide. The main swimming area of the pool was vinyl liner, constructed in the special hybrid way of the team. With the project complete, the homeowners and family thoroughly enjoyed their backyard retreat. Any hesitation at the initial theme ideas were fully appreciated as they developed along the way, with the final project a subtle blend of function and whimsy, meeting everything that they could have asked for in a backyard entertaining retreat. Their advice is to just trust Al and the team through the process, because the results will be more than you would ever hope for. If our team can help you create a backyard or custom retreat, which includes a pool and plenty of outdoor entertaining options to surprise and delight you and your family, please reach out to start your design discussions.

**Spatial Composition & Architectural Volume** This is an exercise in the architecture of the alcove — a vanity niche carved from a continuous run of full-height oak joinery, its recess reading less as furniture placed against a wall than as volume subtracted from mass. The composition is governed by a strict orthogonal discipline: the reveal-jointed cabinet stiles establish a vertical rhythm that the photographer's oblique sightline compresses into layered planes, while the cantilevered vanity slab introduces a single decisive horizontal that arrests the vertical drift. The niche is capped by a soffited overhead panel, giving the recess a deliberate lintel and lending the aperture the proportional gravitas of a doorway. Depth is orchestrated through nested framing: the pocketed sliding door in the foreground crops the scene, the joinery reveal frames the alcove, and the full-height mirror frames a reflected secondary volume — a window, a Roman shade, a second bloom — extending the room's apparent envelope well beyond its physical bounds. To the right, the plane pivots into a marble-clad wall and a deeply reveal-set casement whose broad oak jamb and stool are detailed with the same tectonic logic as the millwork, unifying opening and cabinetry into a single architectural grammar. Above, a recessed perimeter shadow-gap ceiling floats the plaster plane free of the wall, dematerializing the junction and heightening the sense of contained, cabin-like intimacy. **Materiality, Color & Texture** The palette is narrow, warm, and rigorously controlled — a study in tonal adjacency rather than contrast. Rift-sawn white oak dominates, its cathedral and straight-grain figure deliberately book-matched and run vertically to accentuate height, finished in a matte, low-sheen sealer that reads as raw yet refined; note the subtle chromatic modulation between the honeyed door leaves, the slightly cooler carcass panels, and the pale, almost bleached drawer fronts, a gradient that provides articulation without resorting to hue shift. Against this, the Calacatta- or Carrara-type marble wainscot introduces a cool, silvery counterpoint, its soft grey veining offering the only real graphic incident in the field. The mirror surround — a hand-cast, rope-twist metal frame in polished nickel or silvered bronze — supplies a jewel-like glint and a moment of organic, almost baroque relief against the sobriety of the flat panels, echoed in the pair of églomisé or reverse-painted glass insets set flush into the alcove wall like recessed cabochons. Textiles are handled with restraint: a raw-silk or textured linen Roman shade in a tobacco-taupe stacks in generous, softly rumpled folds, while the swivel chair is upholstered in a taut, sueded greige leather whose sculpted, scrolled back offers the room's most sensuous curve. The tan saddle-leather tray and the milk-glazed ceramic bud vase complete a haptic register that moves from cool stone to warm hide to matte ceramic to silken wood. **Lighting, Atmosphere & Style Profile** Illumination is almost entirely daylit and side-cast, with the diffused southern wash filtered through the linen shade to produce a luminous, shadowless bloom across the marble and a raking, grain-revealing light along the oak. The design conspicuously withholds decorative fixtures; instead, light is architecturalized — the églomisé panels flanking the mirror function as concealed backlit apertures, glowing softly to provide flattering vertical face-lighting at the vanity, while the perimeter ceiling reveal implies a cove source for ambient wash. This suppression of visible hardware is central to the atmosphere: serene, hushed, and hotel-like in its precision, yet domesticated by the flowers and the intimate scale of the nook. Stylistically the project synthesizes into a refined **Soft Minimalism with a couture-modernist inflection** — the reductive planarity and reveal-detailing of contemporary minimalism warmed by mid-century Scandinavian wood craft and elevated by discreet Art Deco–adjacent flourishes in the metalwork and glass. It is a vocabulary of quiet luxury, where value is signaled not through ornament but through the tolerances of the joinery, the calibration of tone-on-tone, and the confidence to let a single ranunculus carry the room's only note of chroma.

Kitchen Remodel, was completed as a result of a sewage backup incident. Prior layout was L shape Kitchen layout with awkward angle on dishwasher end, that ended straight into the wall. Cabinets right of dishwasher and above were added including a 24 inch pantry to the right. This added considerable amount of space to the kitchen even though it required the use of a vanity cabinet in order to make that happen. Project has received new drawers for that vanity box that needed to be custom made in order to make that cabinet work. Overall customer seems extremely happy at the results.

Kitchen Remodel, was completed as a result of a sewage backup incident. Prior layout was L shape Kitchen layout with awkward angle on dishwasher end, that ended straight into the wall. Cabinets right of dishwasher and above were added including a 24 inch pantry to the right. This added considerable amount of space to the kitchen even though it required the use of a vanity cabinet in order to make that happen. Project has received new drawers for that vanity box that needed to be custom made in order to make that cabinet work. Overall customer seems extremely happy at the results.

We’ve heard many kinds of renovation horror stories, and this project might top all. Prior to Chapter, the clients had been working with a different contractor on their renovation. Unfortunately, just as they were nearing completion, an incident occurred during the floor refinishing process, where a flammable product was used, resulting in a devastating fire that damaged the entire apartment. The challenge for Chapter wasn’t just rebuilding a burnt-down apartment but also rebuilding the trust of our clients in people handling their renovation. However, over time, they have gradually regained confidence in our team in every stage of the renovation we successfully accomplished.

Kitchen Remodel, was completed as a result of a sewage backup incident. Prior layout was L shape Kitchen layout with awkward angle on dishwasher end, that ended straight into the wall. Cabinets right of dishwasher and above were added including a 24 inch pantry to the right. This added considerable amount of space to the kitchen even though it required the use of a vanity cabinet in order to make that happen. Project has received new drawers for that vanity box that needed to be custom made in order to make that cabinet work. Overall customer seems extremely happy at the results.

Love is all around Dick "RJ" Valentine, especially when he enters his home garage. A professional race car driver, entrepreneur, chairman of The MBA Group of Companies, and owner of F1 Boston and F1 Outdoors kart racing facility, Dick is surrounded by some of his most prized possessions: a radiant blue Hennessey Venom Viper 650, a twin turbo Porsche, a 500e Mercedes, and a BMW model 750il, an M5 and an M6. And that's just the four-wheelers. Dick's garage is also home to four motorcycles: a BMW 1200LT, a BMW 1200RS, a Ducati 996F, and a Ducati ST4F. "I've basically driven everything short of the space shuttle," he jokes. His wife adds, "If it doesn't make noise, leak or have wheels, Dick doesn't want any part of it!" Driving for gold. RJ has been racing professionally for 30 years and has raced virtually every type of competitive race car at tracks all over the world, including IMSA Corvettes, Trans-Am Camaros, Riley & Scott MK3 World Sports Cars, BMW M3 V8's, Dodge Vipers, Porsche 911s, Pontiac GTO.Rs and Porsche GT3s. He has more than 325 professional road racing starts, and is one of only seven people to eclipse 120 starts in the Trans-Am Series. RJ's career Trans-Am record includes a 62% incidence of top ten finishes and in excess of 20 top-five finishes. In 2007, RJ and teammate Andy Lally claimed 5 victories, 2 seconds and placed 3rd for the 2007 GT Championship in the Grand-Am Rolex Sports Car Series aboard the #66 TRG CRG/Maxter Porsche GT3. He has driven in over 20 consecutive Rolex 24 Hours at Daytona, a significant achievement given the grueling nature of this 24-hour endurance race. He uses his garage to house and service not only his personal vehicles, but his professional karts as well. That's where Lista comes in. Dick stores all his tools and parts using Lista garage workbenches with drawer cabinet pedestals, stationary riser shelves and overhead cabinets with retractable doors. "We use only Lista equipment in our racing trailers and at F1 Boston. In the racing environment, precision and quality are the name of the game. Lista is the gold standard in the business. So I wouldn't have used anything but Lista in my own garage."

LEICHT’s new surface programme PEARL adds a luxurious touch to the kitchen space with its silky mother- of-pearl effect. A subtle shimmer is created by the incidence of light thanks to special finishing. Without appearing hectic, PEARL is a lively alternative to matt surfaces.

LEICHT’s new surface programme PEARL adds a luxurious touch to the kitchen space with its silky mother- of-pearl effect. A subtle shimmer is created by the incidence of light thanks to special finishing. Without appearing hectic, PEARL is a lively alternative to matt surfaces.

Kitchen Remodel, was completed as a result of a sewage backup incident. Prior layout was L shape Kitchen layout with awkward angle on dishwasher end, that ended straight into the wall. Cabinets right of dishwasher and above were added including a 24 inch pantry to the right. This added considerable amount of space to the kitchen even though it required the use of a vanity cabinet in order to make that happen. Project has received new drawers for that vanity box that needed to be custom made in order to make that cabinet work. Overall customer seems extremely happy at the results.

Kitchen Remodel, was completed as a result of a sewage backup incident. Prior layout was L shape Kitchen layout with awkward angle on dishwasher end, that ended straight into the wall. Cabinets right of dishwasher and above were added including a 24 inch pantry to the right. This added considerable amount of space to the kitchen even though it required the use of a vanity cabinet in order to make that happen. Project has received new drawers for that vanity box that needed to be custom made in order to make that cabinet work. Overall customer seems extremely happy at the results.

This plan's site is slopping. It has 4 bedrooms 3 baths, a large living/dining area, and a view-oriented porch. The kitchen is organized around distinctive key-shaped food prep and dining island that seats seven. A two-sided fireplace separates the open kitchen from the more intimate hearth room. and also it has A mudroom and spacious butler's pantry round out the main floor. Upstairs are the master suite, another bedroom, and a bunk room; there's a guest/in-law apartment is over the garage. The day-lit basement includes a kitchenette and another bunk room.

## I. Spatial Composition & Architectural Volume This bedroom operates as an exercise in controlled asymmetry, its plan organized around a freestanding headboard wall that reads less as partition than as inhabited architecture. Framed in a crisp oak reveal that traces its full perimeter, the wall detaches from the ceiling plane and terminates short of the right-hand elevation, generating a threshold that draws the eye into a secondary corridor volume beyond. This device — the *poché* wall as spatial pivot — establishes a layered enfilade: the intimate sleeping zone in the foreground, a transitional dressing passage in the middle distance, and a slot of daylight at the terminus. The ceiling is articulated with a shallow recessed tray and delicate stepped cornice, a restrained gesture toward classical Parisian *moulure* that regulates the room's proportion without ornamental excess. Sightlines are deliberately choreographed: the bed sits low and horizontal, the joinery plinth of the nightstand cantilevers from the wall to preserve floor-plane continuity, and the herringbone parquet visible beyond the threshold introduces a directional pull that animates what would otherwise be a static rectilinear volume. The result is a composition of nested frames — millwork within millwork — that lends considerable depth to a comparatively compact footprint. ## II. Materiality, Color & Texture The palette is tonal rather than chromatic, calibrated within a narrow band of oatmeal, greige, and pale putty, and enlivened almost entirely through surface incident. The dominant wallcovering — a vertically striated, marquetry-like textile of tessellated ivory and taupe fibers — supplies a subtle warp-and-weft rhythm that shifts under raking light, functioning as texture masquerading as pattern. Against this, rift-sawn white oak framing introduces a honeyed, gently reddish undertone, while the bespoke bedside cabinet deploys a radiating sunburst veneer in a blush-tinged walnut or eucalyptus, its book-matched geometry providing the room's single moment of overt figuration. Textiles carry the tonal counterweight: the channel-tufted headboard in a muted heather-aubergine linen offers the deepest saturation in the frame, cooling the prevailing warmth, while cotton percale with contrast tape borders, a slubbed lumbar cushion, and a hand-stitched matelassé coverlet with tambour scrollwork build a gradient of tactility from crisp to plush. The doorway's parchment-and-verdigris art panel — appearing as a gilded, oxidized *gessoed* screen — supplies a patinated, almost frescoed counterpoint, while unlacquered brass at the sconce introduces the only metallic warmth, deliberately restrained. ## III. Lighting, Atmosphere & Style Profile Illumination is handled with notable discretion. Natural light enters obliquely from an off-frame source at right, filtered through a floor-to-ceiling striated linen drapery that diffuses rather than admits, producing an even, shadowless wash consistent with northern European daylight. A secondary aperture — the narrow vertical slot glimpsed down the corridor — acts as a luminous punctuation mark, terminating the sightline with a slender bar of brightness that draws the occupant forward. Artificial lighting is intentionally sparse and task-oriented: a brass scissor-arm sconce with an unbleached linen shade, adjustable and near-vernacular in its mechanism, provides articulated reading light while contributing a note of atelier informality against the otherwise refined joinery. The absence of visible downlights or decorative pendants reinforces the room's quietude. Stylistically, the scheme resolves into a sophisticated **Soft Minimalism** inflected with contemporary Parisian classicism — the restraint and tonal discipline of the former, the millwork rigor and proportional literacy of the latter, warmed by a *wabi*-adjacent appreciation for patina and handwork. It is a room that eschews statement in favor of atmosphere, achieving luxury through material intelligence and the calibrated withholding of contrast.

Love is all around Dick "RJ" Valentine, especially when he enters his home garage. A professional race car driver, entrepreneur, chairman of The MBA Group of Companies, and owner of F1 Boston and F1 Outdoors kart racing facility, Dick is surrounded by some of his most prized possessions: a radiant blue Hennessey Venom Viper 650, a twin turbo Porsche, a 500e Mercedes, and a BMW model 750il, an M5 and an M6. And that's just the four-wheelers. Dick's garage is also home to four motorcycles: a BMW 1200LT, a BMW 1200RS, a Ducati 996F, and a Ducati ST4F. "I've basically driven everything short of the space shuttle," he jokes. His wife adds, "If it doesn't make noise, leak or have wheels, Dick doesn't want any part of it!" Driving for gold. RJ has been racing professionally for 30 years and has raced virtually every type of competitive race car at tracks all over the world, including IMSA Corvettes, Trans-Am Camaros, Riley & Scott MK3 World Sports Cars, BMW M3 V8's, Dodge Vipers, Porsche 911s, Pontiac GTO.Rs and Porsche GT3s. He has more than 325 professional road racing starts, and is one of only seven people to eclipse 120 starts in the Trans-Am Series. RJ's career Trans-Am record includes a 62% incidence of top ten finishes and in excess of 20 top-five finishes. In 2007, RJ and teammate Andy Lally claimed 5 victories, 2 seconds and placed 3rd for the 2007 GT Championship in the Grand-Am Rolex Sports Car Series aboard the #66 TRG CRG/Maxter Porsche GT3. He has driven in over 20 consecutive Rolex 24 Hours at Daytona, a significant achievement given the grueling nature of this 24-hour endurance race. He uses his garage to house and service not only his personal vehicles, but his professional karts as well. That's where Lista comes in. Dick stores all his tools and parts using Lista garage workbenches with drawer cabinet pedestals, stationary riser shelves and overhead cabinets with retractable doors. "We use only Lista equipment in our racing trailers and at F1 Boston. In the racing environment, precision and quality are the name of the game. Lista is the gold standard in the business. So I wouldn't have used anything but Lista in my own garage."

Kitchen Remodel, was completed as a result of a sewage backup incident. Prior layout was L shape Kitchen layout with awkward angle on dishwasher end, that ended straight into the wall. Cabinets right of dishwasher and above were added including a 24 inch pantry to the right. This added considerable amount of space to the kitchen even though it required the use of a vanity cabinet in order to make that happen. Project has received new drawers for that vanity box that needed to be custom made in order to make that cabinet work. Overall customer seems extremely happy at the results.

Kitchen Remodel, was completed as a result of a sewage backup incident. Prior layout was L shape Kitchen layout with awkward angle on dishwasher end, that ended straight into the wall. Cabinets right of dishwasher and above were added including a 24 inch pantry to the right. This added considerable amount of space to the kitchen even though it required the use of a vanity cabinet in order to make that happen. Project has received new drawers for that vanity box that needed to be custom made in order to make that cabinet work. Overall customer seems extremely happy at the results.

Love is all around Dick "RJ" Valentine, especially when he enters his home garage. A professional race car driver, entrepreneur, chairman of The MBA Group of Companies, and owner of F1 Boston and F1 Outdoors kart racing facility, Dick is surrounded by some of his most prized possessions: a radiant blue Hennessey Venom Viper 650, a twin turbo Porsche, a 500e Mercedes, and a BMW model 750il, an M5 and an M6. And that's just the four-wheelers. Dick's garage is also home to four motorcycles: a BMW 1200LT, a BMW 1200RS, a Ducati 996F, and a Ducati ST4F. "I've basically driven everything short of the space shuttle," he jokes. His wife adds, "If it doesn't make noise, leak or have wheels, Dick doesn't want any part of it!" Driving for gold. RJ has been racing professionally for 30 years and has raced virtually every type of competitive race car at tracks all over the world, including IMSA Corvettes, Trans-Am Camaros, Riley & Scott MK3 World Sports Cars, BMW M3 V8's, Dodge Vipers, Porsche 911s, Pontiac GTO.Rs and Porsche GT3s. He has more than 325 professional road racing starts, and is one of only seven people to eclipse 120 starts in the Trans-Am Series. RJ's career Trans-Am record includes a 62% incidence of top ten finishes and in excess of 20 top-five finishes. In 2007, RJ and teammate Andy Lally claimed 5 victories, 2 seconds and placed 3rd for the 2007 GT Championship in the Grand-Am Rolex Sports Car Series aboard the #66 TRG CRG/Maxter Porsche GT3. He has driven in over 20 consecutive Rolex 24 Hours at Daytona, a significant achievement given the grueling nature of this 24-hour endurance race. He uses his garage to house and service not only his personal vehicles, but his professional karts as well. That's where Lista comes in. Dick stores all his tools and parts using Lista garage workbenches with drawer cabinet pedestals, stationary riser shelves and overhead cabinets with retractable doors. "We use only Lista equipment in our racing trailers and at F1 Boston. In the racing environment, precision and quality are the name of the game. Lista is the gold standard in the business. So I wouldn't have used anything but Lista in my own garage."

Kitchen Remodel, was completed as a result of a sewage backup incident. Prior layout was L shape Kitchen layout with awkward angle on dishwasher end, that ended straight into the wall. Cabinets right of dishwasher and above were added including a 24 inch pantry to the right. This added considerable amount of space to the kitchen even though it required the use of a vanity cabinet in order to make that happen. Project has received new drawers for that vanity box that needed to be custom made in order to make that cabinet work. Overall customer seems extremely happy at the results.

Nestled in the culinary hearts of several Singaporean homes were kitchen cabinets crying out for revival. The Pro-Handy team responded with the "Revive & Thrive" initiative, a detailed venture dedicated to restoring the former glory of weary kitchen storage units, turning sagging shelves and creaking doors into the pride of the kitchen. Each kitchen narrated a different story and presented unique challenges - from aged hinges whispering tales of frequent use, to water-damaged wood recounting incidents of spills and overflows. Our specialists embarked on each repair odyssey with a keen diagnostic gaze, identifying issues imperceptible to the untrained eye. The restoration process was an artful orchestration of carpentry, painting, and restructuring. Loose screws were tightened, lost fixtures replaced, and unhinged doors respectfully repositioned. Where the wood was beyond repair, our craftsmen seamlessly integrated new, high-quality materials, ensuring consistency with the original aesthetics. But the project transcended mere repairs. It was about reinvigorating a space of warmth and family memories. The team maximized functionality through minor adjustments, optimizing storage space without compromising the kitchen's original charm. The culmination saw cabinets standing tall - sturdy, functional, and rejuvenated. "Revive & Thrive" concluded with clients reacquainting themselves with their transformed kitchen spaces. The Pro-Handy touch had not just repaired but also breathed new life into each kitchen, reigniting the joy of cooking and the comfort of gathering in a space not just restored, but truly revived.