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Three Phases, One Family: Inside a Klopf Eichler Remodel
When an executive mom and her two young children moved into their Eichler, she made a deliberate choice: to renovate the home in a way that honored, rather than erased, the qualities that make Eichlers distinctive in the first place. That decision set the tone for what would become a five-year, three-phase collaboration with architecture and interior design firm Klopf Architecture and general contractor Keycon, that touched nearly every room in the house and, along the way, turned a client-architect relationship into something closer.
Living Through the Work
Unlike many remodels where clients decamp to a rental during construction, this family stayed put through all three phases. That meant the Klopf team didn't just design the home, they watched it get lived in room by room in real time. Phase 1 covered the kitchen and living areas; by the time the team moved into later phases, they had already seen how the family actually used the spaces they'd designed earlier.
That feedback loop and conversations with the client shaped the rest of the project directly. She said “throughout the various phases as they were completed, each day I noticed a new detail,” and shared her feedback with the design team. For instance, she loved the countertops chosen for the kitchen in Phase 1, so those same countertops appeared in the bathrooms designed in later phases. She loved the playful backsplash tile in the kitchen, so a similar sense of pattern and play carried into her bathroom in Phase 2 and a second bath in Phase 3. The result is a home where each phase speaks to the ones before it, rather than reading as a series of disconnected updates.
Opening Up the Center of the House
At the heart of the project was a reorganization of the home's most-used spaces. Klopf reclaimed a former dining area off the great room to build a larger kitchen, opening it directly onto the living space and freeing up room for the family to actually gather for reading, games, meals, TV, and the ordinary business of daily life with two kids and a dog.
New floor-to-ceiling glass panels now connect the living space to the home's atrium, pulling light and views in from both directions, doubling down on the indoor-outdoor connection the style is known for. But more glass also meant less privacy, particularly at the entry, where a new wall of glass would otherwise open the courtyard directly to the street. Klopf's solution was a custom-designed slanted wood slat pivot gate at the front of the house: a piece that lets light filter through while blocking sight lines from passersby. It's a small architectural gesture that solves a real problem, creating privacy without sacrificing the light-filled openness the redesign was built around.
Each of the children's bedrooms was custom-tailored to its occupant, a detail that mattered more with each passing year as the "young kids" in Phase 1 grew into the teenagers they became by the project's close.
Five Years and Increased Capabilities
A project of this length rarely survives with the same team intact, and this one didn't. Klopf’s original project leader left the firm part way through, but John Klopf and Elise Webb remained on the project from start to finish for continuity. Instead of shrinking, the Klopf team actually grew when their new interior design department was formed in 2024. The client was excited about Klopf’s new interiors capabilities, and welcomed Justine Alvarez and Ekaterina Nesterova on board to expand what had been an architectural scope into an architecture-plus-interiors effort. In the end Klopf handled the design from exterior envelope and layout down to the materials, colors, furnishings, décor, and finishing touches.
What began as an architectural renovation ended up as something more comprehensive: a complete reimagining of the home's interiors as well as its bones, extending down to details as small as the containers on the bathroom counter.
Carrying the Vision Through to the Furnishings
Klopf's interior design department helped turn good architecture into a place a family actually lives. The interiors team worked closely with the client on furniture, fabrics, lighting, and accessories, sourcing and coordinating with makers and vendors in both the U.S. and Europe.
The guiding idea was continuity: every piece needed to feel like it belonged in the house, not added to it. The custom counter stools are a good example. Intended to pick up on the cabinetry materials already in the kitchen, they were designed with carefully selected leather so the seating reads as part of the same architectural language. The sofa, rug, pillows, and other pieces followed the same logic, with material, color, and proportion all considered against the architecture they'd sit inside. Even the playful character of the bathroom tile found its way into the furnishings, translating into fun, playful accents in the textiles and finishes while staying period-appropriate to the Eichler itself.
Benefitting from the feedback loop that shaped the architecture from phase to phase, the interiors team took cues from material and design decisions made in earlier phases when selecting the furnishings, so that the finished home reads as one continuous idea rather than a set of separate decisions layered on top of each other.
That continuity came with its own hardships. A few months after furniture purchasing began, new tariffs took effect, affecting the overall furniture budget and adding complexity to ordering and expediting pieces. Developing custom furniture added a further layer of coordination on top of that: aligning fabric and leather samples and wood finishes with the architecture meant close, ongoing communication with makers throughout fabrication. With some pieces produced internationally, lead times, shipping, and customs all had to be carefully managed; in a few instances, that pushed the timeline out further still. In the end, the extra time was worth it: it's what allowed the team to get the materials and details right and keep the design cohesive throughout the home.
A Relationship, Not Just a Project
Ask the Klopf team what made this project unique, and the answer isn't really about square footage or finishes. It's about time. Over five years, the team got to know the family in a way a shorter project never allows — watching the kids head off to summer camp, meeting the foster kittens that passed through the house, getting to know the dog walker's daily routine. It became a professional relationship that was also a personal one.
That closeness extended into the design process itself once the interiors team came on board. The client made a point of involving her kids in meetings about their own rooms, letting them weigh in on the vision and hopes they had for the spaces. Her daughter, in particular, was thrilled at the chance to work with an interior designer and help build her dream room, a small detail that speaks to how thoroughly this project became a family effort, not just a service delivered to one.
That closeness shows up in the house itself. During Phase 1, the client asked everyone involved to sign the pony wall in the new kitchen. The Klopf team, the client, her kids, and the Keycon crew all left their names there, a permanent record of the people who built the house together. The Client said: “I am filled with joy and gratitude to be able to live in such a beautiful space and to have gotten the chance to work with such a talented team. The mark of true artistry is the attention to detail that allows one to experience the design in different ways. One might be looking at the same view, but because of the way the light moves, it’s a totally different perspective.”
By the time the third phase wrapped, there was a running joke on site: nobody actually wanted the project to end, and the team half-seriously floated the idea of a "Phase 4." It's a fitting note for a project defined less by any single renovation than by five years of a family and their architects growing, quite literally, alongside one another.
Klopf Architecture Team: John Klopf, AIA, Elise Webb, Yegvenia Torres-Zavala, Justine Alvarez, and Ekaterina Nesterova
Interior Design and FF&E: Klopf Architecture
Structural Engineer: BASE Design Inc.
Contractor: Keycon Inc.
Photography: ©2026 Mariko Reed
Year Completed: 2026
Location: Palo Alto, CA

Three Phases, One Family: Inside a Klopf Eichler Remodel
When an executive mom and her two young children moved into their Eichler, she made a deliberate choice: to renovate the home in a way that honored, rather than erased, the qualities that make Eichlers distinctive in the first place. That decision set the tone for what would become a five-year, three-phase collaboration with architecture and interior design firm Klopf Architecture and general contractor Keycon, that touched nearly every room in the house and, along the way, turned a client-architect relationship into something closer.
Living Through the Work
Unlike many remodels where clients decamp to a rental during construction, this family stayed put through all three phases. That meant the Klopf team didn't just design the home, they watched it get lived in room by room in real time. Phase 1 covered the kitchen and living areas; by the time the team moved into later phases, they had already seen how the family actually used the spaces they'd designed earlier.
That feedback loop and conversations with the client shaped the rest of the project directly. She said “throughout the various phases as they were completed, each day I noticed a new detail,” and shared her feedback with the design team. For instance, she loved the countertops chosen for the kitchen in Phase 1, so those same countertops appeared in the bathrooms designed in later phases. She loved the playful backsplash tile in the kitchen, so a similar sense of pattern and play carried into her bathroom in Phase 2 and a second bath in Phase 3. The result is a home where each phase speaks to the ones before it, rather than reading as a series of disconnected updates.
Opening Up the Center of the House
At the heart of the project was a reorganization of the home's most-used spaces. Klopf reclaimed a former dining area off the great room to build a larger kitchen, opening it directly onto the living space and freeing up room for the family to actually gather for reading, games, meals, TV, and the ordinary business of daily life with two kids and a dog.
New floor-to-ceiling glass panels now connect the living space to the home's atrium, pulling light and views in from both directions, doubling down on the indoor-outdoor connection the style is known for. But more glass also meant less privacy, particularly at the entry, where a new wall of glass would otherwise open the courtyard directly to the street. Klopf's solution was a custom-designed slanted wood slat pivot gate at the front of the house: a piece that lets light filter through while blocking sight lines from passersby. It's a small architectural gesture that solves a real problem, creating privacy without sacrificing the light-filled openness the redesign was built around.
Each of the children's bedrooms was custom-tailored to its occupant, a detail that mattered more with each passing year as the "young kids" in Phase 1 grew into the teenagers they became by the project's close.
Five Years and Increased Capabilities
A project of this length rarely survives with the same team intact, and this one didn't. Klopf’s original project leader left the firm part way through, but John Klopf and Elise Webb remained on the project from start to finish for continuity. Instead of shrinking, the Klopf team actually grew when their new interior design department was formed in 2024. The client was excited about Klopf’s new interiors capabilities, and welcomed Justine Alvarez and Ekaterina Nesterova on board to expand what had been an architectural scope into an architecture-plus-interiors effort. In the end Klopf handled the design from exterior envelope and layout down to the materials, colors, furnishings, décor, and finishing touches.
What began as an architectural renovation ended up as something more comprehensive: a complete reimagining of the home's interiors as well as its bones, extending down to details as small as the containers on the bathroom counter.
Carrying the Vision Through to the Furnishings
Klopf's interior design department helped turn good architecture into a place a family actually lives. The interiors team worked closely with the client on furniture, fabrics, lighting, and accessories, sourcing and coordinating with makers and vendors in both the U.S. and Europe.
The guiding idea was continuity: every piece needed to feel like it belonged in the house, not added to it. The custom counter stools are a good example. Intended to pick up on the cabinetry materials already in the kitchen, they were designed with carefully selected leather so the seating reads as part of the same architectural language. The sofa, rug, pillows, and other pieces followed the same logic, with material, color, and proportion all considered against the architecture they'd sit inside. Even the playful character of the bathroom tile found its way into the furnishings, translating into fun, playful accents in the textiles and finishes while staying period-appropriate to the Eichler itself.
Benefitting from the feedback loop that shaped the architecture from phase to phase, the interiors team took cues from material and design decisions made in earlier phases when selecting the furnishings, so that the finished home reads as one continuous idea rather than a set of separate decisions layered on top of each other.
That continuity came with its own hardships. A few months after furniture purchasing began, new tariffs took effect, affecting the overall furniture budget and adding complexity to ordering and expediting pieces. Developing custom furniture added a further layer of coordination on top of that: aligning fabric and leather samples and wood finishes with the architecture meant close, ongoing communication with makers throughout fabrication. With some pieces produced internationally, lead times, shipping, and customs all had to be carefully managed; in a few instances, that pushed the timeline out further still. In the end, the extra time was worth it: it's what allowed the team to get the materials and details right and keep the design cohesive throughout the home.
A Relationship, Not Just a Project
Ask the Klopf team what made this project unique, and the answer isn't really about square footage or finishes. It's about time. Over five years, the team got to know the family in a way a shorter project never allows — watching the kids head off to summer camp, meeting the foster kittens that passed through the house, getting to know the dog walker's daily routine. It became a professional relationship that was also a personal one.
That closeness extended into the design process itself once the interiors team came on board. The client made a point of involving her kids in meetings about their own rooms, letting them weigh in on the vision and hopes they had for the spaces. Her daughter, in particular, was thrilled at the chance to work with an interior designer and help build her dream room, a small detail that speaks to how thoroughly this project became a family effort, not just a service delivered to one.
That closeness shows up in the house itself. During Phase 1, the client asked everyone involved to sign the pony wall in the new kitchen. The Klopf team, the client, her kids, and the Keycon crew all left their names there, a permanent record of the people who built the house together. The Client said: “I am filled with joy and gratitude to be able to live in such a beautiful space and to have gotten the chance to work with such a talented team. The mark of true artistry is the attention to detail that allows one to experience the design in different ways. One might be looking at the same view, but because of the way the light moves, it’s a totally different perspective.”
By the time the third phase wrapped, there was a running joke on site: nobody actually wanted the project to end, and the team half-seriously floated the idea of a "Phase 4." It's a fitting note for a project defined less by any single renovation than by five years of a family and their architects growing, quite literally, alongside one another.
Klopf Architecture Team: John Klopf, AIA, Elise Webb, Yegvenia Torres-Zavala, Justine Alvarez, and Ekaterina Nesterova
Interior Design and FF&E: Klopf Architecture
Structural Engineer: BASE Design Inc.
Contractor: Keycon Inc.
Photography: ©2026 Mariko Reed
Year Completed: 2026
Location: Palo Alto, CA

Three Phases, One Family: Inside a Klopf Eichler Remodel
When an executive mom and her two young children moved into their Eichler, she made a deliberate choice: to renovate the home in a way that honored, rather than erased, the qualities that make Eichlers distinctive in the first place. That decision set the tone for what would become a five-year, three-phase collaboration with architecture and interior design firm Klopf Architecture and general contractor Keycon, that touched nearly every room in the house and, along the way, turned a client-architect relationship into something closer.
Living Through the Work
Unlike many remodels where clients decamp to a rental during construction, this family stayed put through all three phases. That meant the Klopf team didn't just design the home, they watched it get lived in room by room in real time. Phase 1 covered the kitchen and living areas; by the time the team moved into later phases, they had already seen how the family actually used the spaces they'd designed earlier.
That feedback loop and conversations with the client shaped the rest of the project directly. She said “throughout the various phases as they were completed, each day I noticed a new detail,” and shared her feedback with the design team. For instance, she loved the countertops chosen for the kitchen in Phase 1, so those same countertops appeared in the bathrooms designed in later phases. She loved the playful backsplash tile in the kitchen, so a similar sense of pattern and play carried into her bathroom in Phase 2 and a second bath in Phase 3. The result is a home where each phase speaks to the ones before it, rather than reading as a series of disconnected updates.
Opening Up the Center of the House
At the heart of the project was a reorganization of the home's most-used spaces. Klopf reclaimed a former dining area off the great room to build a larger kitchen, opening it directly onto the living space and freeing up room for the family to actually gather for reading, games, meals, TV, and the ordinary business of daily life with two kids and a dog.
New floor-to-ceiling glass panels now connect the living space to the home's atrium, pulling light and views in from both directions, doubling down on the indoor-outdoor connection the style is known for. But more glass also meant less privacy, particularly at the entry, where a new wall of glass would otherwise open the courtyard directly to the street. Klopf's solution was a custom-designed slanted wood slat pivot gate at the front of the house: a piece that lets light filter through while blocking sight lines from passersby. It's a small architectural gesture that solves a real problem, creating privacy without sacrificing the light-filled openness the redesign was built around.
Each of the children's bedrooms was custom-tailored to its occupant, a detail that mattered more with each passing year as the "young kids" in Phase 1 grew into the teenagers they became by the project's close.
Five Years and Increased Capabilities
A project of this length rarely survives with the same team intact, and this one didn't. Klopf’s original project leader left the firm part way through, but John Klopf and Elise Webb remained on the project from start to finish for continuity. Instead of shrinking, the Klopf team actually grew when their new interior design department was formed in 2024. The client was excited about Klopf’s new interiors capabilities, and welcomed Justine Alvarez and Ekaterina Nesterova on board to expand what had been an architectural scope into an architecture-plus-interiors effort. In the end Klopf handled the design from exterior envelope and layout down to the materials, colors, furnishings, décor, and finishing touches.
What began as an architectural renovation ended up as something more comprehensive: a complete reimagining of the home's interiors as well as its bones, extending down to details as small as the containers on the bathroom counter.
Carrying the Vision Through to the Furnishings
Klopf's interior design department helped turn good architecture into a place a family actually lives. The interiors team worked closely with the client on furniture, fabrics, lighting, and accessories, sourcing and coordinating with makers and vendors in both the U.S. and Europe.
The guiding idea was continuity: every piece needed to feel like it belonged in the house, not added to it. The custom counter stools are a good example. Intended to pick up on the cabinetry materials already in the kitchen, they were designed with carefully selected leather so the seating reads as part of the same architectural language. The sofa, rug, pillows, and other pieces followed the same logic, with material, color, and proportion all considered against the architecture they'd sit inside. Even the playful character of the bathroom tile found its way into the furnishings, translating into fun, playful accents in the textiles and finishes while staying period-appropriate to the Eichler itself.
Benefitting from the feedback loop that shaped the architecture from phase to phase, the interiors team took cues from material and design decisions made in earlier phases when selecting the furnishings, so that the finished home reads as one continuous idea rather than a set of separate decisions layered on top of each other.
That continuity came with its own hardships. A few months after furniture purchasing began, new tariffs took effect, affecting the overall furniture budget and adding complexity to ordering and expediting pieces. Developing custom furniture added a further layer of coordination on top of that: aligning fabric and leather samples and wood finishes with the architecture meant close, ongoing communication with makers throughout fabrication. With some pieces produced internationally, lead times, shipping, and customs all had to be carefully managed; in a few instances, that pushed the timeline out further still. In the end, the extra time was worth it: it's what allowed the team to get the materials and details right and keep the design cohesive throughout the home.
A Relationship, Not Just a Project
Ask the Klopf team what made this project unique, and the answer isn't really about square footage or finishes. It's about time. Over five years, the team got to know the family in a way a shorter project never allows — watching the kids head off to summer camp, meeting the foster kittens that passed through the house, getting to know the dog walker's daily routine. It became a professional relationship that was also a personal one.
That closeness extended into the design process itself once the interiors team came on board. The client made a point of involving her kids in meetings about their own rooms, letting them weigh in on the vision and hopes they had for the spaces. Her daughter, in particular, was thrilled at the chance to work with an interior designer and help build her dream room, a small detail that speaks to how thoroughly this project became a family effort, not just a service delivered to one.
That closeness shows up in the house itself. During Phase 1, the client asked everyone involved to sign the pony wall in the new kitchen. The Klopf team, the client, her kids, and the Keycon crew all left their names there, a permanent record of the people who built the house together. The Client said: “I am filled with joy and gratitude to be able to live in such a beautiful space and to have gotten the chance to work with such a talented team. The mark of true artistry is the attention to detail that allows one to experience the design in different ways. One might be looking at the same view, but because of the way the light moves, it’s a totally different perspective.”
By the time the third phase wrapped, there was a running joke on site: nobody actually wanted the project to end, and the team half-seriously floated the idea of a "Phase 4." It's a fitting note for a project defined less by any single renovation than by five years of a family and their architects growing, quite literally, alongside one another.
Klopf Architecture Team: John Klopf, AIA, Elise Webb, Yegvenia Torres-Zavala, Justine Alvarez, and Ekaterina Nesterova
Interior Design and FF&E: Klopf Architecture
Structural Engineer: BASE Design Inc.
Contractor: Keycon Inc.
Photography: ©2026 Mariko Reed
Year Completed: 2026
Location: Palo Alto, CA
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Computer numerical control or CNC machining is an automated manufacturing process used to make components of devices or appliances. It employs computer-aided software and codes to control complex machinery, including mills, grinders, lathes, and cutters. It is used to manufacture multiple parts from diverse raw materials such as aluminium, brass, acrylic, plastics, and wood.
It is a subtractive process in which a solid piece of material is carved into a 2D or 3D object of any shape or size. This enables the creation of prototypes for parts and finished products. It also enables automated mass production of parts such as fittings, housings, brackets, gears, fasteners, shafts, electrical contacts, and moulds using specific materials.
This process is a quick, safe, versatile, precise, and cost-effective production method. These advantages allow it to be used for various applications in industries ranging from healthcare and electronics to aerospace and the military. Moreover, it is used to create parts for several objects you use at home every day.
Here are 10 things in your house that you may not know are manufactured using CNC machining:
1. Kitchen Appliances
Several manufacturers employ CNC machines to create heavy-duty parts for durable kitchen appliances. Through pre-programmed software, the machine produces parts of different shapes, sizes, colours, and textures using a variety of materials like metals and plastic.
CNC-machined components of kitchen appliances include metal plates, covers, textured handles, pins, rings, and wires. These small but essential parts improve the utility of your everyday kitchen appliances such as the electric can opener, dishwasher, hand blender, grinder, and coffee brewing machine.
2. Electronic Devices
Components of electronic devices are usually small in size and have fine details and shapes that require precision machining. CNC machines offer the flexibility and efficiency to manufacture large and small parts of various shapes, sizes, and materials required to complete electronic appliances.
CNC machining enables accurate, computerized prototyping and the production of detailed, intricate, and sensitive parts from a wide range of metals. It can be used to produce parts such as connectors, housing, wires, heat sinks, semiconductors, and fixtures. It can also be used to create the chassis or the framework of various electronic appliances.
You can find CNC-machined parts in the following electronic home appliances:
- Laptops and Computers
- Mobile phones
- Cameras
- Television
- Speakers
- Keyboard
- Mouse
- Router
- Refrigerator
- Air conditioner
- Washing machine
- Fans, air purifiers, and humidifiers
- Robotic vacuum cleaners
- Remote control

Collaboration with Canonbury Homes and Frank Neely Design Associates.
Inspiration for a timeless open concept kitchen remodel in Atlanta with beaded inset cabinets and two islands
Inspiration for a timeless open concept kitchen remodel in Atlanta with beaded inset cabinets and two islands

It’s no surprise these Hanover clients reached out to Cathy and Ed of Renovisions for design and build services as they wanted a local professional bath specialist to turn their plain builder-grade bath into a luxurious handicapped accessible master bath.
Renovisions had safety and universal design in mind while creating this customized two-person super shower and well-appointed master bath so their clients could escape to a special place to relax and energize their senses while also helping to conserve time and water as it is used simultaneously by them.
This completely water proofed spacious 4’x8’ walk-in curb-less shower with lineal drain system and larger format porcelain tiles was a must have for our senior client –with larger tiles there are less grout lines, easier to clean and easier to maneuver using a walker to enter and exit the master bath.
Renovisions collaborated with their clients to design a spa-like bath with several amenities and added conveniences with safety considerations. The bench seat that spans the width of the wall was a great addition to the shower. It’s a comfortable place to sit down and stretch out and also to keep warm as electric mesh warming materials were used along with a programmable thermostat to keep these homeowners toasty and cozy!
Careful attention to all of the details in this master suite created a peaceful and elegant environment that, simply put, feels divine. Adding details such as the warming towel rack, mosaic tiled shower niche, shiny polished chrome decorative safety grab bars that also serve as towel racks and a towel rack inside the shower area added a measure of style. A stately framed mirror over the pedestal sink matches the warm white painted finish of the linen storage cabinetry that provides functionality and good looks to this space. Pull-down safety grab bars on either side of the comfort height high-efficiency toilet was essential to keep safety as a top priority.
Water, water everywhere for this well deserving couple – multiple shower heads enhances the bathing experience for our client with mobility issues as 54 soft sprays from each wall jet provide a soothing and cleansing effect – a great choice because they do not require gripping and manipulating handles yet provide a sleek look with easy cleaning. The thermostatic valve maintains desired water temperature and volume controls allows the bather to utilize the adjustable hand-held shower on a slide-bar- an ideal fixture to shower and spray down shower area when done.
A beautiful, frameless clear glass enclosure maintains a clean, open look without taking away from the stunning and richly grained marble-look tiles and decorative elements inside the shower. In addition to its therapeutic value, this shower is truly a design focal point of the master bath with striking tile work, beautiful chrome fixtures including several safety grab bars adding aesthetic value as well as safety benefits.

Sponsored
Columbus, OH
Wannemacher Interiors
Customized Award-Winning Interior Design Solutions in Franklin Cnty OH

Riemer Floors installed Milliken Carpet, Stitches in Silver Taupe.
Mid-sized transitional carpeted u-shaped staircase photo in Detroit with carpeted risers
Mid-sized transitional carpeted u-shaped staircase photo in Detroit with carpeted risers

PEACOCK FANTASY - Custom Designed Peacock Wall Mural in brilliant colors. Notice how it has just the right amount of color | Have a custom mosaic idea? We can help, with our brilliant Italian-trained mosaicists and easy-to-install tiled masterpieces. Worldwide shipping available on the complete range of quality handcrafted marble & glass mosaic products. For inquires and more info, contact us: http://mecartworks.com

Exquisite and unique, Calacatta Classique Quartz stuns with its clean whites and striking through-body veining. This showstopper countertop offers the look of luxurious marble in durable and maintenance-free quartz.

Because the double doors were the showpiece of the courtyard entry, the homeowners chose a different latch and lock for their side yard gate. They chose the Nero Contemporary Lever Latch and Square Modern Style Deadbolt in black.
This photo shows the interior of the gate, latching against a fence panel.
Photos by 360 Yardware

Sponsored
Delaware, OH
Buckeye Basements, Inc.
Central Ohio's Basement Finishing ExpertsBest Of Houzz '13-'21

Andrew Cutright
Inspiration for a small traditional full sun backyard concrete paver water fountain landscape in DC Metro.
Inspiration for a small traditional full sun backyard concrete paver water fountain landscape in DC Metro.

Shiloh Cabinetry. Polar White, Inset
Kitchen - transitional kitchen idea in Manchester with white cabinets, beaded inset cabinets, marble countertops, white backsplash, marble backsplash and stainless steel appliances
Kitchen - transitional kitchen idea in Manchester with white cabinets, beaded inset cabinets, marble countertops, white backsplash, marble backsplash and stainless steel appliances

Riad Tile
Bathroom - contemporary cement tile floor and pink floor bathroom idea in Santa Barbara
Bathroom - contemporary cement tile floor and pink floor bathroom idea in Santa Barbara

Sponsored
Delaware, OH
Buckeye Basements, Inc.
Central Ohio's Basement Finishing ExpertsBest Of Houzz '13-'21

This grand residence is situated on the picturesque Lakeshore Road of Burlington, Ontario Canada. Representing a 'from-the-ground-up' project, the 10,000 square foot home boasts classic architecture with a fresh contemporary overlay.
Roy Timm Photography

New Installation of Red Oak Wood, 3 1/4 in width. White-washed Bona Stain was used, Bona Finish, as well as Bona Traffic HD.
**This photo is of the Red Oak Wood (3 1/4 inch) prior to the application of the white-washed Bona Stain.

This 30" x 24" abstract acrylic painting has been done in shades of cobalt blue, sky blue, citrine, chartreuse, white, soft sea green, and royal blue. Finished in gloss varnish to protect the piece from dust and UV light for years to come. Can be hung vertically or horizontally. Gorgeous vivid rich colors in a great contemporary style.
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