Created from a former breezeway this laundry room and mudroom is bright and cheery, Photos by Susan Gilmore
Inspiration for a mid-sized cottage single-wall porcelain tile laundry room remodel in Minneapolis with an utility sink, a side-by-side washer/dryer, recessed-panel cabinets, white cabinets and quartz countertops

The upper level of this gorgeous Trex deck is the central entertaining and dining space and includes a beautiful concrete fire table and a custom cedar bench that floats over the deck. Light brown custom cedar screen walls provide privacy along the landscaped terrace and compliment the warm hues of the decking. Clean, modern light fixtures are also present in the deck steps, along the deck perimeter, and throughout the landscape making the space well-defined in the evening as well as the daytime.

Atrium - AFTER
Example of a mid-sized 1960s courtyard deck design in San Francisco with decking and no cover

Designer: Fumiko Faiman, Photographer: Jeri Koegel
Small trendy gray tile and porcelain tile porcelain tile and black floor tub/shower combo photo in Orange County with flat-panel cabinets, dark wood cabinets, gray walls, an integrated sink, a two-piece toilet, a hinged shower door and quartz countertops

Matthew Millman Photography http://www.matthewmillman.com/
Mid-sized trendy backyard rectangular and tile lap hot tub photo in San Francisco

INTERNATIONAL AWARD WINNER. 2018 NKBA Design Competition Best Overall Kitchen. 2018 TIDA International USA Kitchen of the Year. 2018 Best Traditional Kitchen - Westchester Home Magazine design awards. The designer's own kitchen was gutted and renovated in 2017, with a focus on classic materials and thoughtful storage. The 1920s craftsman home has been in the family since 1940, and every effort was made to keep finishes and details true to the original construction. For sources, please see the website at www.studiodearborn.com. Photography, Timothy Lenz.

INTERNATIONAL AWARD WINNER. 2018 NKBA Design Competition Best Overall Kitchen. 2018 TIDA International USA Kitchen of the Year. 2018 Best Traditional Kitchen - Westchester Home Magazine design awards. The designer's own kitchen was gutted and renovated in 2017, with a focus on classic materials and thoughtful storage. The 1920s craftsman home has been in the family since 1940, and every effort was made to keep finishes and details true to the original construction. For sources, please see the website at www.studiodearborn.com. Photography, Adam Kane Macchia

Master Bathroom, Luxurious bathroom with an Art Deco feel. The Sherle Wagner faucets are like little pieces of sculpture. Tone on tone wall finish. Ann Sacks Tile. Frank Hodge Interiors Photo: Michael J Lee

Homeowners aimed to bring the lovely outdoors into better view when they removed the two 90's dated columns that divided the kitchen from the family room and eat-in area. They also transformed the range wall when they added two wood encasement windows which frame the custom zinc hood and allow a soft light to penetrate the kitchen. Custom beaded inset cabinetry was designed with a busy family of 5 in mind. A coffee station hides behind the appliance garage, the paper towel holder is partially concealed in a rolling drawer and three custom pullout drawers with soft close hinges hold many items that would otherwise be located on the countertop or under the sink. A 48" Viking gas range took the place of a 30" electric cooktop and a Bosch microwave drawer is now located in the island to make space for the newly added beverage cooler. Due to size and budget constaints, we kept the basic footprint so every space was carefully planned for function and design. The family stayed true to their casual lifestyle with the black honed countertops but added a little bling with the rustic crystal chandelier, crystal prism arched sconces and calcutta gold herringbone backsplash. But the owner's favorite add was the custom island designed as an antique furniture piece with the essenza blue quartzite countertop cut with a demi-bull stepout. The kids can now sit at the ample sized counter and enjoy breakfast or finish homework in the comfortable cherry red swivel chairs which add a pop to the otherwise understated tones. This newly remodeled kitchen checked all the homeowner's desires.

Photo: Whitney Lyons © 2014 Houzz
Inspiration for a mid-sized modern l-shaped concrete floor eat-in kitchen remodel in Portland with flat-panel cabinets, medium tone wood cabinets, white backsplash, subway tile backsplash and white walls

Study room - traditional freestanding desk dark wood floor study room idea in Denver with gray walls and no fireplace

Hi everyone, I'm Sarah and Ogun we are here with fine line kitchens. So we are a couple working together. I do the interior design and remodeling of the space material selection meeting with the clients. And I handled operations outside, you know meaning all the construction work that is taking place the inside. The houses that we work in. I handle all the aspects of the construction, so today's project is very special. We're in Vienna and the client had a very big family. It's a family of seven that lives here. So we had a few aspects that we needed to keep in mind while designing this one. Having everybody be able to sit on the island. So we wanted plenty of seating all the way around. We didn't want anybody standing or anything like that. So what we did is we maximize the space. The center island is the biggest part of the kitchen. We use a natural stone to kind of give it a beautiful texture versus quartz. It's kind of standard white or kind of fabricated, so I wanted something very natural. We did this because I took my inspiration from the outside, so the inspiration if you look at the view right in front of me is there are so many greens there's a lot of brass accents and I wanted to bring this. Into this kitchen while designing it for my clients. She is very warm very. She wanted a very homey, comfy kind of look for the kitchen. So that's what we did today. As you can see, the cabinets are sage green, very light, so I still think it's a neutral, but it's a lighter color that again brings the outside in and we combine that with the oak right behind me so it's a slightly warm oak. It's not very dark. It's not very light. It's a medium brown and the same color went on the island. To kind of tie these two in and the backsplash, my favorite part is where you can see a little bit of design. It is, in my opinion still classic, but includes a pattern so the outside part is as we said in the beginning, is handled by my husband. I'd like him to speak a little bit about that. Thanks, Sarah, I want to talk to you guys a little bit about the construction part of this project. Originally this kitchen was located mostly in this area. They had their stove there sing. It was more of a peninsula layout in Sarah's and the customer vision they wanted. They wanted to get rid of the peninsula and they want to be able to have a huge island that can at least sit seven people because they're familiar with seven. So we wanted to make sure that we can achieve this design and bring it to life so that they can be happy with this layout. Some of the challenges we had, the house, the home being, you know, old home. There were a lot of you know the older electrical and plumbing that had to be replaced. We had to relocate the stove from here to this area. Over here we had put a nice foot fan that we had to relocate all the ductwork and the plumbing. Was being on the peninsula area. We had to relocate it to the center islands. So we achieved all this and kind of like bring it to bring in this kitchen up to date it looks beautiful. That's true, so yes, the old layout did not function for my clients because everything was kind of gathered on one side of the kitchen. So there was like a peninsula right there. So the end of this island kind of continued straight. And that was just the L shape. Kind of where everything was and there used to be another big table here, so they were using only kind of half of the space. So like I said at the beginning, our vision was to kind of feed everybody at the island, create some symmetry. 'cause I love that. So as you can see behind me, this is kind of the focal point symmetrical. Everything is kind of even we wanted to also panel the fridge here so it mimics the pantry and another size. So when you're looking at it, it is bringing again that symmetry back again. I hope you enjoyed this kitchen and this video and I'll see you soon. So how do you think this project turned out? It's nice. I like the color. I think it turned out nice. It's kind of like a little bit different color than what we always do. So I realize. Are you giving me a little bit of credit here that I did something different? Are you proud? I'm so proud of you. Other than that I like it. That they have kind of like a two sink. So if this was our kitchen, if we ever like you can have your own. I can have mine if we ever get into a fight then this can be like my own kitchen. Why are we gonna bring in a fight right now? So I'm cooking anyway. You're grilling most of the time, So what are you even talking about? My kitchen? That's my kitchen. You can just take the small sink. That's fine. It's always good to have your own space right there, so anyways. Thank you guys for watching. We hope to see you soon and if you have any questions please click the link below. It'll lead you to our website, house, YouTube and all of the social media is so nice to have you guys. We'll see you soon. Thanks bye bye-bye.

Front elevation at dusk Mark Herboth photography
Inspiration for a timeless two-car garage remodel in Raleigh

Inspiration for a mediterranean kitchen remodel in Phoenix with an undermount sink, shaker cabinets, white cabinets, white backsplash and stainless steel appliances

Doors off the landing to bedrooms and bathroom. Doors and handles are bespoke, made by a local joiner. Photo credit: Mark Bolton Photography
Hallway - mid-sized contemporary concrete floor hallway idea in Gloucestershire with blue walls

The Kiguchi family moved into their Austin, Texas home in 1994. Built in the 1980’s as part of a neighborhood development, they happily raised their family here but longed for something more contemporary. Once they became empty nesters, they decided it was time for a major remodel. After spending many years visiting Austin AIA Home Tours that highlight contemporary residential architecture, they had a lot of ideas and in 2013 were ready to interview architects and get their renovation underway. The project turned into a major remodel due to an unstable foundation. Architects Ben Arbib and Ed Hughey, of Arbib Hughey Design were hired to solve the structural issue and look for inspiration in the bones of the house, which sat on top of a hillside and was surrounded by great views. Unfortunately, with the old floor plan, the beautiful views were hidden by small windows that were poorly placed. In order to bring more natural light into the house the window sizes and configurations had to be addressed, all while keeping in mind the homeowners desire for a modern look and feel. To achieve a more contemporary and sophisticated front of house, a new entry was designed that included removing a two-story bay window and porch. The entrance of the home also became more integrated with the landscape creating a template for new foliage to be planted. Older exterior materials were updated to incorporate a more muted palette of colors with a metal roof, dark grey siding in the back and white stucco in the front. Deep eaves were added over many of the new large windows for clean lines and sun protection. “Inside it was about opening up the floor plan, expanding the views throughout the house, and updating the material palette to get a modern look that was also warm and inviting,” said Ben from Arbib Hughey Design. “Prior to the remodel, the house had the typical separation of rooms. We removed the walls between them and changed all of the windows to Milgard Thermally Improved Aluminum to connect the inside with the outside. No matter where you are you get nice views and natural light.” The architects wanted to create some drama, which they accomplished with the window placement and opening up the interior floor plan to an open concept approach. Cabinetry was used to help delineate intimate spaces. To add warmth to an all-white living room, white-washed oak wood floors were installed and pine planks were used around the fireplace. The large windows served as artwork bringing the color of nature into the space. An octagon shaped, elevated dining room, (named “the turret”), had a big impact on the design of the house. They architects rounded the corners and added larger window openings overlooking a new sunken garden. The great room was also softened by rounding out the corners and that circular theme continued throughout the house, being picked up in skylight wells and kitchen cabinetry. A staircase leading to a catwalk was added and the result was a two-story window wall that flooded the home with natural light. When asked why Milgard® Thermally Improved Aluminum windows were selected, the architectural team listed many reasons: 1) Aesthetics: “We liked the slim profiles and narrow sightlines. The window frames never get in the way of the view and that was important to us. They also have a very contemporary look that went well with our design.” 2) Options: “We liked that we could get large sliding doors that matched the windows, giving us a very cohesive look and feel throughout the project.” 3) Cost Effective: “Milgard windows are affordable. You get a good product at a good price.” 4) Custom Sizes: “Milgard windows are customizable, which allowed us to get the right window for each location.” Ready to take on your own traditional to modern home remodeling project? Arbib Hughey Design advises, “Work with a good architect. That means picking a team that is creative, communicative, listens well and is responsive. We think it’s important for an architect to listen to their clients and give them something they want, not something the architect thinks they should have. At the same time you want an architect who is willing and able to think outside the box and offer up design options that you may not have considered. Design is about a lot of back and forth, trying out ideas, getting feedback and trying again.” The home was completely transformed into a unique, contemporary house perfectly integrated with its site. Internally the home has a natural flow for the occupants and externally it is integrated with the surroundings taking advantage of great natural light. As a side note, it was highly praised as part of the Austin AIA homes tour.

KuDa Photography
Example of an eclectic concrete floor living room design in Portland with multicolored walls, no fireplace and no tv

Example of a transitional living room design in Los Angeles

Attractive living as an architectural experiment: a 136-year-old water tower, a listed building with a spectacular 360-degree panorama view over the City of London. The task, to transform it into a superior residence, initially seemed an absolute impossibility. But when the owners came across architect Mike Collier, they had found a partner who was to make the impossible possible. The tower, which had been empty for decades, underwent radical renovation work and was extended by a four-storey cube containing kitchen, dining and living room - connected by glazed tunnels and a lift shaft. The kitchen, realised by Enclosure Interiors in Tunbridge Wells, Kent, with furniture from LEICHT is the very heart of living in this new building. Shiny white matt-lacquered kitchen fronts (AVANCE-LR), tone-on-tone with the worktops, reflect the light in the room and thus create expanse and openness. The surface of the handle-less kitchen fronts has a horizontal relief embossing; depending on the light incidence, this results in a vitally structured surface. The free-standing preparation isle with its vertical side panels with a seamlessly integrated sink represents the transition between kitchen and living room. The fronts of the floor units facing the dining table were extended to the floor to do away with the plinth typical of most kitchens. Ceiling-high tall units on the wall provide plenty of storage space; the electrical appliances are integrated here invisible to the eye. Floor units on a high plinth which thus appear to be floating form the actual cooking centre within the kitchen, attached to the wall. A range of handle-less wall units concludes the glazed niche at the top. LEICHT international: “Architecture and kitchen” in the centre of London. www.LeichtUSA.com