The Kiguchi family moved into their Austin, Texas home in 1994. Built in the 1980’s as part of a neighborhood development, they happily raised their family here but longed for something more contemporary. Once they became empty nesters, they decided it was time for a major remodel. After spending many years visiting Austin AIA Home Tours that highlight contemporary residential architecture, they had a lot of ideas and in 2013 were ready to interview architects and get their renovation underway. The project turned into a major remodel due to an unstable foundation. Architects Ben Arbib and Ed Hughey, of Arbib Hughey Design were hired to solve the structural issue and look for inspiration in the bones of the house, which sat on top of a hillside and was surrounded by great views. Unfortunately, with the old floor plan, the beautiful views were hidden by small windows that were poorly placed. In order to bring more natural light into the house the window sizes and configurations had to be addressed, all while keeping in mind the homeowners desire for a modern look and feel. To achieve a more contemporary and sophisticated front of house, a new entry was designed that included removing a two-story bay window and porch. The entrance of the home also became more integrated with the landscape creating a template for new foliage to be planted. Older exterior materials were updated to incorporate a more muted palette of colors with a metal roof, dark grey siding in the back and white stucco in the front. Deep eaves were added over many of the new large windows for clean lines and sun protection. “Inside it was about opening up the floor plan, expanding the views throughout the house, and updating the material palette to get a modern look that was also warm and inviting,” said Ben from Arbib Hughey Design. “Prior to the remodel, the house had the typical separation of rooms. We removed the walls between them and changed all of the windows to Milgard Thermally Improved Aluminum to connect the inside with the outside. No matter where you are you get nice views and natural light.” The architects wanted to create some drama, which they accomplished with the window placement and opening up the interior floor plan to an open concept approach. Cabinetry was used to help delineate intimate spaces. To add warmth to an all-white living room, white-washed oak wood floors were installed and pine planks were used around the fireplace. The large windows served as artwork bringing the color of nature into the space. An octagon shaped, elevated dining room, (named “the turret”), had a big impact on the design of the house. They architects rounded the corners and added larger window openings overlooking a new sunken garden. The great room was also softened by rounding out the corners and that circular theme continued throughout the house, being picked up in skylight wells and kitchen cabinetry. A staircase leading to a catwalk was added and the result was a two-story window wall that flooded the home with natural light. When asked why Milgard® Thermally Improved Aluminum windows were selected, the architectural team listed many reasons: 1) Aesthetics: “We liked the slim profiles and narrow sightlines. The window frames never get in the way of the view and that was important to us. They also have a very contemporary look that went well with our design.” 2) Options: “We liked that we could get large sliding doors that matched the windows, giving us a very cohesive look and feel throughout the project.” 3) Cost Effective: “Milgard windows are affordable. You get a good product at a good price.” 4) Custom Sizes: “Milgard windows are customizable, which allowed us to get the right window for each location.” Ready to take on your own traditional to modern home remodeling project? Arbib Hughey Design advises, “Work with a good architect. That means picking a team that is creative, communicative, listens well and is responsive. We think it’s important for an architect to listen to their clients and give them something they want, not something the architect thinks they should have. At the same time you want an architect who is willing and able to think outside the box and offer up design options that you may not have considered. Design is about a lot of back and forth, trying out ideas, getting feedback and trying again.” The home was completely transformed into a unique, contemporary house perfectly integrated with its site. Internally the home has a natural flow for the occupants and externally it is integrated with the surroundings taking advantage of great natural light. As a side note, it was highly praised as part of the Austin AIA homes tour.

Amy Birrer Photography I have been working as a kitchen and bath designer in the Pacific Northwest for 13 years. I love engaging with new clients, ascertaining their needs through various interviews and meetings and then collaborating as we build their finished concept together. The variety of design styles, room layouts and function changes so much between one person and the next that no two finished products are remotely the same. This fluidity allows for endless possibilities for exploration in my field. It keeps the job interesting and has always given me a particular sense of reward and accomplishment as we near completion. The greatest personal recompense in this chosen profession is being able to walk with a client through this process and come out the other side with that client feeling elated with the end result.

Leona Mozes Photography for Nina Azoulay Design
Example of a large transitional l-shaped gray floor and ceramic tile eat-in kitchen design in Montreal with a double-bowl sink, recessed-panel cabinets, white cabinets, white backsplash, stainless steel appliances, an island, white countertops, quartzite countertops and ceramic backsplash

The bird that puts the cloth in motion with a fast wing! Or is he ready to fly away? With this design we want to stimulate your imagination! The rough lines will allow you to create your own story. In her work Nanette wants to go beyond a beautiful picture. It’s a search for powerful shapes, colors and positions that are not aesthetics but achieve the right tension. A collection of layered illustrations builds into a being in its own context. Before creating a digital drawing, each design is hand drawn. It is essential that a design breathes life. The creative behind Inktvogel is Nanette Smeets. A graphic designer and artist with a thought flow that never sleeps. The tapestry free flight is part of our Collaborations collection. Want to know more about Nanette? Then read the interview with her on our designers page.

This kitchen was part of a whole house remodel. We removed a wall between the dining room and kitchen to create an open plan. A butler's pantry was created from a former laundry room. The owners wanted lot's of light,openess and a beachy feel. A bonus space was the bar created in the dining area. Wow, an amazing transformation! Photos by Kate Falconer Photography.

Amy Birrer I have been working as a kitchen and bath designer in the Pacific Northwest for 13 years. I love engaging with new clients, ascertaining their needs through various interviews and meetings and then collaborating as we build their finished concept together. The variety of design styles, room layouts and function changes so much between one person and the next that no two finished products are remotely the same. This fluidity allows for endless possibilities for exploration in my field. It keeps the job interesting and has always given me a particular sense of reward and accomplishment as we near completion. The greatest personal recompense in this chosen profession is being able to walk with a client through this process and come out the other side with that client feeling elated with the end result.

Based on extensive interviews with our clients, our challenges were to create an environment that was an artistic mix of traditional and clean lines. They wanted it dramatic and sophisticated. They also wanted each piece to be special and unique, as well as artsy. Because our clients were young and have an active son, they wanted their home to be comfortable and practical, as well as beautiful. The clients wanted a sophisticated and up-to-date look. They loved brown, turquoise and orange. The other challenge we faced, was to give each room its own identity while maintaining a consistent flow throughout the home. Each space shared a similar color palette and uniqueness, while the furnishings, draperies, and accessories provided individuality to each room. We incorporated comfortable and stylish furniture with artistic accents in pillows, throws, artwork and accessories. Each piece was selected to not only be unique, but to create a beautiful and sophisticated environment. We hunted the markets for all the perfect accessories and artwork that are the jewelry in this artistic living area. Some of the selections included clean moldings, walnut floors and a backsplash with mosaic glass tile. In the living room we went with a cleaner look, but used some traditional accents such as the embroidered casement fabric and the paisley fabric on the chair and pillows. A traditional bow front chest with a crackled turquoise lacquer was used in the foyer.

Amy Birrer I have been working as a kitchen and bath designer in the Pacific Northwest for 13 years. I love engaging with new clients, ascertaining their needs through various interviews and meetings and then collaborating as we build their finished concept together. The variety of design styles, room layouts and function changes so much between one person and the next that no two finished products are remotely the same. This fluidity allows for endless possibilities for exploration in my field. It keeps the job interesting and has always given me a particular sense of reward and accomplishment as we near completion. The greatest personal recompense in this chosen profession is being able to walk with a client through this process and come out the other side with that client feeling elated with the end result.

Transitional home office photo in Bridgeport

In the summer of 2012 we embarked on a remodel of our 1912 Craftsman. We wanted to redo the kitchen and the upper floor which contained the master bedroom, bathroom, guest room and office. We interviewed approximately 5 other architects prior to finding Mark. We knew right away he was the right person for the job. He was patient, thorough and we could tell he truly loved our home and wanted to work with us to make it even better. His vast experience showed through during the interview process which validated his portfolio. Mark truly became a trusted advisor who would guide us through this remodel process from beginning to end. His planning was precise and he came by many times to re-measure to get every detail accounted for. He was patient and helpful as we made decisions and then changed our minds! He was with us every week of the 10 weeks of the remodel. He attended each weekly meeting with the General Contractor and was at the house numerous other times guiding and really looking out for our best interests. I came to trust him enough to ask his opinion on almost everything from layout to colors and decorating tips! He consistently threw out ideas....many of which we took. Additionally Mark was a tremendous help in referring us to contractors, designers, and retailers to help us along the way. I am ecstatic over the results of the remodel. The kitchen and bath are truly beautiful and full of modern conveniences while maintaining the integrity of the 1912 structure. We were right about our decision to hire Mark and we wholehearted recommend him as an outstanding architect, and more!!

Asher Associates Architects; Brandywine Developers, Builder; Megan Gorelick Interiors; John Dimaio, Photography
Example of a transitional exterior home design in Philadelphia

This home was built in the 70's and as you can imagine has acquired a few "ailments" over the past 40 years, one of the more serious being the deterioration of the front entrance. The brick started to loosen over the years and eventually started to break apart completely, it got to the point that the family could not use the front entrance at all due to the safety hazard it represented. After interviewing with several contractors the home owners contacted David Sharp with DSLD Land Management and he was able to ease the tension and offer a solution that not only resulted in a beautifully restored front entrance but that also fit comfortably into their budget. The project took less than a week to complete and as you can imagine the home owners are thrilled with the final product!

This home was built in the 70's and as you can imagine has acquired a few "ailments" over the past 40 years, one of the more serious being the deterioration of the front entrance. The brick started to loosen over the years and eventually started to break apart completely, it got to the point that the family could not use the front entrance at all due to the safety hazard it represented. After interviewing with several contractors the home owners contacted David Sharp with DSLD Land Management and he was able to ease the tension and offer a solution that not only resulted in a beautifully restored front entrance but that also fit comfortably into their budget. The project took less than a week to complete and as you can imagine the home owners are thrilled with the final product!

This home was built in the 70's and as you can imagine has acquired a few "ailments" over the past 40 years, one of the more serious being the deterioration of the front entrance. The brick started to loosen over the years and eventually started to break apart completely, it got to the point that the family could not use the front entrance at all due to the safety hazard it represented. After interviewing with several contractors the home owners contacted David Sharp with DSLD Land Management and he was able to ease the tension and offer a solution that not only resulted in a beautifully restored front entrance but that also fit comfortably into their budget. The project took less than a week to complete and as you can imagine the home owners are thrilled with the final product!

This home was built in the 70's and as you can imagine has acquired a few "ailments" over the past 40 years, one of the more serious being the deterioration of the front entrance. The brick started to loosen over the years and eventually started to break apart completely, it got to the point that the family could not use the front entrance at all due to the safety hazard it represented. After interviewing with several contractors the home owners contacted David Sharp with DSLD Land Management and he was able to ease the tension and offer a solution that not only resulted in a beautifully restored front entrance but that also fit comfortably into their budget. The project took less than a week to complete and as you can imagine the home owners are thrilled with the final product!

Amy Birrer I have been working as a kitchen and bath designer in the Pacific Northwest for 13 years. I love engaging with new clients, ascertaining their needs through various interviews and meetings and then collaborating as we build their finished concept together. The variety of design styles, room layouts and function changes so much between one person and the next that no two finished products are remotely the same. This fluidity allows for endless possibilities for exploration in my field. It keeps the job interesting and has always given me a particular sense of reward and accomplishment as we near completion. The greatest personal recompense in this chosen profession is being able to walk with a client through this process and come out the other side with that client feeling elated with the end result.

© Robert Granoff Photography
Bedroom - contemporary bedroom idea in New York with white walls

Amy Birrer I have been working as a kitchen and bath designer in the Pacific Northwest for 13 years. I love engaging with new clients, ascertaining their needs through various interviews and meetings and then collaborating as we build their finished concept together. The variety of design styles, room layouts and function changes so much between one person and the next that no two finished products are remotely the same. This fluidity allows for endless possibilities for exploration in my field. It keeps the job interesting and has always given me a particular sense of reward and accomplishment as we near completion. The greatest personal recompense in this chosen profession is being able to walk with a client through this process and come out the other side with that client feeling elated with the end result.

Example of a mid-sized transitional freestanding desk dark wood floor and brown floor study room design in New York with beige walls and no fireplace