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This home’s kitchen isn’t large and needed to somehow hold a mudroom area as the detached garage enters into the space. I carefully planned out all storage needs and we were able to add a wide, double door cabinet closet by the back door. The upper area holds coats and clutter. The lower doors have hooks and boot trays for backpacks and shoes. Paneling the Subzero fridge helps with softening the weight of the large appliance, as does the panel on the dishwasher. Little details like the skirt on the toe area and the beautiful hood and island posts make this smaller work space truly special!

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A sliding storage element and a series of sliding panels create distinct spaces within a compact 390 sf Manhattan apartment. Sliding elements are motorized and can operated manually.

The fire pit seating area is a lovely focal point with a large, modern rectangular fire table from Brown Jordan in charcoal grey finish. The modern seating has a woven rope back and arms from Madegoods with a vibrant pattern upholstery. This outdoor living space is both sophisticated and inviting.

The Glenhill house settles gracefully into a mature pine forest, its form composed as a quiet study of light, proportion, and crafted detail. A two-story residence lifted above a drive-through garage, it is designed as a sequence of framed views — each room capturing the vertical rhythm of pines, shifting daylight, and the subtle movement of the landscape. Boundaries dissolve as floor-to-ceiling glass opens living spaces to broad terraces and cantilevered balconies, allowing the forest to inhabit the interior as much as the residents inhabit the site. A finely tuned steel frame enables deep overhangs and slender structural lines, giving the house its floating clarity. These long spans soften the transition between indoors and out, casting calibrated shadows across stone floors and hand-finished wood surfaces. Every junction, from the precision-cut steel connections to the custom millwork, reflects an elevated commitment to craft. Materials are chosen not only for their beauty but for the way they register light—the warmth of timber, the quiet solidity of stone, the reflective sheen of metal. The owner’s collection of art integrates seamlessly into the architectural language. Display walls and open sightlines turn circulation paths into gallery promenades, while the garage level becomes both threshold and exhibition space for the automobile collection. At dusk, the home glows lantern-like within the pines, revealing a composition where structure, material, and nature are held in delicate balance. It is a dwelling shaped less as an object in the woods and more as a crafted extension of the forest itself. The project began with an unexpected challenge: the original lot, once selected for its beauty, became untenable when neighboring homeowners objected to the presence of a modern house. Rather than compromise the vision, the team embraced a new site, one even more deeply woven into the pine forest, and treated the change as an opportunity to refine the project’s relationship to nature and craft. Working within a densely wooded parcel required choreography as much as construction. Limited access routes, the need to preserve mature trees, and the precision demands of steel erection shaped a carefully phased process. Contractors navigated the site with restraint, placing each piece of steel like a line of poetry between trunks. The resulting frame, powerful yet minimal, was later infilled with lumber to create a hybrid system — efficient, warm, and capable of carrying cantilevers far beyond what wood alone could achieve. These extended overhangs became the project’s quiet gesture of shelter and shadow. Collaboration with the interior designer was integral to the home’s harmony. Together, the team refined material transitions so stone, wood, and metal could pass from exterior to interior with a single visual glance. Craftsmanship elevated everyday moments: concealed hardware, sculpted millwork, and the sourcing of a solid limestone soaking tub, carved from a single block, all contribute to the home’s sense of intentional calm. What emerged is a house shaped by constraint, strengthened by collaboration, and refined through an unwavering commitment to detail — an architectural refuge where complexity was transformed into clarity, and obstacles into opportunities for deeper expression. Material selection became an essential extension of the home’s design philosophy, reinforcing the crafted clarity of each space. Hand-selected stone slabs were book-matched for the fireplace and bath walls, creating veined compositions that read like natural murals. Custom- built windows, engineered with specialty-coated glazing and rigorously pressure-tested, provide both protection and extraordinary visual transparency. Above, concealed truss framing houses recessed air diffusers and hidden shades, allowing ceilings to remain quiet and uninterrupted. The horizontal planes of the flat roof are achieved with a commercial-grade membrane system, delivering the crisp, modern silhouette the design demands. At the exterior, natural stone grounds the home to its site, stitching the architecture to the forest floor and rooting the dwelling in the land from which its materials are drawn.

Wing Wong, Memories TTL
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Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

SERENE STEAM SHOWER SPA SENSORY SPLASH MODEL COMPLETE UNIT NO Generators - NO Electrical Required! Install the world’s first Eco Friendly Steam Spa in your home shower enclosure. The Sensory Splash model is our latest, signature spa system, including our exclusive steam/hot vapor feature, Bluetooth audio and an Essential Oils mechanism. This model also includes a full shower feature described as a pressure balanced, hot and cold mixing valve with a two function diverter for switching between a shower head and a hand held shower for regular shower use, and incorporates a pressure balanced mixing valve system for optimum performance. Steam/hot vapor is our patented, signature feature. Available finishes are: Brushed Satin - Polished Mirror An impressive alternative to regular steam generators With a Serene Steam system you can enjoy all the benefits of a personal spa in the comfort of your home. Rejuvenate your senses and relax with a hot and humid spa session. Most people would jump at an opportunity like this and Serene Steam has invented and designed innovative methods to create a complete wellness environment producing heat, steam/hot vapor infused with your choice of Essential Oils for the ultimate relaxation and rejuvenation as an elegant stand-alone unit installed in your shower enclosure . Serene Steam is bringing innovation to the wellness culture. The way we perceive and gauge relaxation is about to change with a Serene Steam spa system. Now you have the perfect opportunity to pamper yourself in your personal shower enclosure with a beautifully designed spa system which produces a hot and humid spa environment. Benefits - A hot steam spa, or steam shower environment has a physiological effect on the body which is very similar to that of a sauna. The hot vapors and heat may open up the pores, increases the metabolism, elevates the heart rate, and the body begins to sweat. This can result in health benefits, especially when a hot steamy environment is used safely and frequently (please read precautions). Some spas have also introduced the use of Aromatherapy in their systems to provide additional health benefits and relax clients. Enjoy a Serene Steam Spa system in your own shower enclosure. Clearer skin - May improve the clarity of their skin over time. Stress relief - One of the most powerful benefits may be the ability to reduce both physical and mental stress. Metabolism and weight loss - In some instances, a hot steamy environment can even assist with weight management due to heavier perspiration. WHY CONSIDER A SERENE STEAM SPA SYSTEM? The fundamental reason among others, is that Serene Steam does not require any generators, nor any electricity at all. Rather, It is an impressive alternative to bulky electrical generators and has been certified by IAPMO for easy installation by a qualified plumber or contractor. A Serene Steam Spa system brings a moist heat, Essential Oils infused steam/Spa experience into your existing shower enclosure and generally requires basic installation. Unlike competitors who require generators and an electrical supply to create a hot spa environment, (also known as a steam shower, wet sauna and alike), Serene Steam only requires the two primary connections which already exist in every bathroom - A water supply, and a drain, that's it. There are also no extra "a la carte" expenses required (other than basic plumbing parts) after you have purchased a Serene Steam Spa system. Everything is ready out of the box and only requires basic off the shelf plumbing fittings to install. You may require an additional spa bench for your new spa (not included). All models are inclusive of our patented steam/hot vapor feature, a Bluetooth Audio system for music and phone calls, and a dedicated Aromatherapy feature for using Essential oils . When constructing a shower enclosure to use with any steam product, or alike, the type of wall materials which you use may also have an impact on the shower enclosure temperature and the time required to reach optimal comfort, please check with your local contractor. Remember, regardless of which steam system you use, all shower enclosures must be steam ready, and your local contractor or plumber should know how to seal your shower enclosure correctly to avoid the hot water vapors from exiting your shower enclosure during use. PREFERRED SHOWER SIZE: During use, Serene Steam provides an impressive amount of steam/hot vapor to occupy most standard shower enclosures, However, as with most steam shower enclosures, the smaller the area, the more effective the heat will feel. With Serene Steam there is no specific size shower required due to the way it functions, also bearing in mind that with a movable spa bench (not included) it is possible to position yourself within any desired location should you have an extra-large/nonstandard shower enclosure. The diagram below should be a good indication of the preferred size of your shower enclosure. Please note that not all shower enclosures will provide the exact same results. Certifications: cUPC - IAPMO certified, meets all local and federal ASTM standards ICG-54-2019 for shower panels and steam showers. Green Business Bureau Certified. Product Specifications Constructed from 16 gauge, 304 Stainless Steel. The main body panel and mixing valve panel are designed to appear as one-themed unit for a beautiful flush wall mount. Main hot & cold mixing valve Aromatherapy Feature Main body panel Height: 27 inches Width: 6 inches Depth: 3.5 inches - Flush mount Mixing valve panel Height: 9 inches Width: 6 inches Depth: based on construction parameters Total height and width of the installed unit is approximately: 38 x 6 inches (flush with wall). Patented and IAPMO certified. Disclaimer The content on this site is not a substitute for a qualified physician, pharmacist, or other healthcare professionals. All content regarding benefits of a hot spa, or steam environment on this site is opinion, and is based entirely on ubiquitous publications supporting the opinion. Content is also gathered from public, & known sources & is as accurate as the general information provided & is opinion only, and not claimed by Serene Steam in any way whatsoever. MADE IN USA Join us at flooringsupplyshop.com for this product and many others Patent U.S.A. & INTERNATIONAL

Our clients for this project are a professional couple with a young family. They approached us to help with extending and improving their home in London SW2 to create an enhanced space both aesthetically and functionally for their growing family. We were appointed to provide a full architectural and interior design service, including the design of some bespoke furniture too. A core element of the brief was to design a kitchen living and dining space that opened into the garden and created clear links from inside to out. This new space would provide a large family area they could enjoy all year around. We were also asked to retain the good bits of the current period living spaces while creating a more modern day area in an extension to the rear. It was also a key requirement to refurbish the upstairs bathrooms while the extension and refurbishment works were underway. The solution was a 21m2 extension to the rear of the property that mirrored the neighbouring property in shape and size. However, we added some additional features, such as the projecting glass box window seat. The new kitchen features a large island unit to create a workspace with storage, but also room for seating that is perfect for entertaining friends, or homework when the family gets to that age. The sliding folding doors, paired with floor tiling that ran from inside to out, created a clear link from the garden to the indoor living space. Exposed brick blended with clean white walls creates a very contemporary finish throughout the extension, while the period features have been retained in the original parts of the house.

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