Search results for "Language" in Home Design Ideas

Photos © Anice HoachlanderOur client was drawn to the property in Wesley Heights as it was in an established neighborhood of stately homes, on a quiet street with views of park. They wanted a traditional home for their young family with great entertaining spaces that took full advantage of the site.
The site was the challenge. The natural grade of the site was far from traditional. The natural grade at the rear of the property was about thirty feet above the street level. Large mature trees provided shade and needed to be preserved.
The solution was sectional. The first floor level was elevated from the street by 12 feet, with French doors facing the park. We created a courtyard at the first floor level that provide an outdoor entertaining space, with French doors that open the home to the courtyard.. By elevating the first floor level, we were able to allow on-grade parking and a private direct entrance to the lower level pub "Mulligans". An arched passage affords access to the courtyard from a shared driveway with the neighboring homes, while the stone fountain provides a focus.
A sweeping stone stair anchors one of the existing mature trees that was preserved and leads to the elevated rear garden. The second floor master suite opens to a sitting porch at the level of the upper garden, providing the third level of outdoor space that can be used for the children to play.
The home's traditional language is in context with its neighbors, while the design allows each of the three primary levels of the home to relate directly to the outside.
Builder: Peterson & Collins, Inc
Photos © Anice Hoachlander

For a family putting down lasting roots in Park City, this 10,000-square-foot estate within the gated enclave of Quarry Mountain Ranch is conceived as both sanctuary and legacy. Designed to evolve alongside its owners, the home balances permanence with a deep sensitivity to the land it inhabits.
Thoughtfully positioned within an alpine meadow shaped by the gentle flow of McLeod Creek, the residence embraces its setting. The waterway threads through the property, sustaining native grasses and drawing elk, deer, and migratory birdlife, grounding daily life in the rhythms of season and landscape.
Broad planes of glass and sheltering rooflines frame uninterrupted views of ski slopes and distant ridgelines, while long sightlines pull natural light deep into the interior. Terraces and covered outdoor rooms mediate between house and meadow, creating spaces for gathering, reflection, and year-round connection to the outdoors.
A restrained palette of wood and stone echoes the textures of the terrain, lending warmth and durability to the home’s contemporary expression. A separate guest house extends the architectural language, forming a discreet compound that supports family life, hospitality, and the enduring cadence of alpine living.
Architecture: Advanced Design
Interior Design: Erin Brewer Design

This residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine.
Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home.
The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living.
This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut.
Photography by Kevin Kunstadt
Find the right local pro for your project

Example of a large urban wooden u-shaped metal railing staircase design in Chicago with painted risers

http://alangastelum.com
Example of a small eclectic master medium tone wood floor bedroom design in New York with gray walls and no fireplace
Example of a small eclectic master medium tone wood floor bedroom design in New York with gray walls and no fireplace

This residence was a complete gut renovation of a 4-story row house in Park Slope, and included a new rear extension and penthouse addition. The owners wished to create a warm, family home using a modern language that would act as a clean canvas to feature rich textiles and items from their world travels. As with most Brooklyn row houses, the existing house suffered from a lack of natural light and connection to exterior spaces, an issue that Principal Brendan Coburn is acutely aware of from his experience re-imagining historic structures in the New York area. The resulting architecture is designed around moments featuring natural light and views to the exterior, of both the private garden and the sky, throughout the house, and a stripped-down language of detailing and finishes allows for the concept of the modern-natural to shine.
Upon entering the home, the kitchen and dining space draw you in with views beyond through the large glazed opening at the rear of the house. An extension was built to allow for a large sunken living room that provides a family gathering space connected to the kitchen and dining room, but remains distinctly separate, with a strong visual connection to the rear garden. The open sculptural stair tower was designed to function like that of a traditional row house stair, but with a smaller footprint. By extending it up past the original roof level into the new penthouse, the stair becomes an atmospheric shaft for the spaces surrounding the core. All types of weather – sunshine, rain, lightning, can be sensed throughout the home through this unifying vertical environment. The stair space also strives to foster family communication, making open living spaces visible between floors. At the upper-most level, a free-form bench sits suspended over the stair, just by the new roof deck, which provides at-ease entertaining. Oak was used throughout the home as a unifying material element. As one travels upwards within the house, the oak finishes are bleached to further degrees as a nod to how light enters the home.
The owners worked with CWB to add their own personality to the project. The meter of a white oak and blackened steel stair screen was designed by the family to read “I love you” in Morse Code, and tile was selected throughout to reference places that hold special significance to the family. To support the owners’ comfort, the architectural design engages passive house technologies to reduce energy use, while increasing air quality within the home – a strategy which aims to respect the environment while providing a refuge from the harsh elements of urban living.
This project was published by Wendy Goodman as her Space of the Week, part of New York Magazine’s Design Hunting on The Cut.
Photography by Kevin Kunstadt

A good garden keeps the critters out while allowing easy access when you want to go grab a few cherry tomatoes or head of lettuce. All of our gardens are fully enclosed with attractive fencing and have at least one gate for convenient entrance. Other great features include raised beds filled with nutrient rich organic soil, weed-controlled isles covered with quality pea gravel, and all-natural (untreated) lumber.

The kitchen at Reclaimed Wonder is a study in modern rustic charm, anchored by a striking black backsplash that brings depth and contrast to the space. Warm reclaimed wood, indigenous stone, and thoughtfully layered finishes create a kitchen that feels both artful and inviting—designed as much for beauty as for gathering. Created by the talented architects at Platt Architecture, this custom home is located within the private Wade Hampton Golf Club community in Cashiers, North Carolina. Every detail of the home was carefully considered, from the reclaimed beams and wall planks to the warm amber lighting that enhances the natural palette. Set against the serene beauty of the mountains, Reclaimed Wonder offers a refined retreat that feels deeply connected to its surroundings.
J,Weiland

Jared McKenna Photography
Mountain style open concept gray floor family room photo in Boston with a wood stove, a metal fireplace and a wall-mounted tv
Mountain style open concept gray floor family room photo in Boston with a wood stove, a metal fireplace and a wall-mounted tv

Hampton House – NY
NY-based BAHND design studio selected reSAWN’s HAI shou sugi ban charred cypress for exterior siding for this private residence in The Hamptons.
PRODUCT
HAI :: shou sugi ban cypress wall cladding
DETAILS
Exterior Siding:
HAI – #2 common grade
shou-sugi-ban charred cypress, burnt and sealed on all 4 sides
+/-7/8” thick X 5-1/8” wide X 6-16’ random length
Tongue & Groove
ABOUT THE PROJECT
This private residence off a beautiful, secluded road in The Hamptons features a modern façade clad in reSAWN’s HAI shou sugi ban charred wood specified by BAHND design studio.
BAHND DESIGN STUDIO is an architecture and design practice founded by Amanda Beethe to develop thoughtful, modern, sustainable architecture and design. They work with absolute dedication to the context of each project, ensuring that every space speaks to its owner in their own language. Their concepts draw inspiration from the place of each project: the history, nature and culture, and incorporate that into its future form.

Design ideas for a large farmhouse partial sun backyard landscaping in San Francisco.

Spacecrafting Photography
Inspiration for a transitional exterior home remodel in Minneapolis
Inspiration for a transitional exterior home remodel in Minneapolis

Bruce Cole Photography
Inspiration for a contemporary galley medium tone wood floor and brown floor kitchen remodel with flat-panel cabinets, white cabinets, stainless steel appliances and an island
Inspiration for a contemporary galley medium tone wood floor and brown floor kitchen remodel with flat-panel cabinets, white cabinets, stainless steel appliances and an island

Mid-Century Remodel on Tabor Hill
This sensitively sited house was designed by Robert Coolidge, a renowned architect and grandson of President Calvin Coolidge. The house features a symmetrical gable roof and beautiful floor to ceiling glass facing due south, smartly oriented for passive solar heating. Situated on a steep lot, the house is primarily a single story that steps down to a family room. This lower level opens to a New England exterior. Our goals for this project were to maintain the integrity of the original design while creating more modern spaces. Our design team worked to envision what Coolidge himself might have designed if he'd had access to modern materials and fixtures.
With the aim of creating a signature space that ties together the living, dining, and kitchen areas, we designed a variation on the 1950's "floating kitchen." In this inviting assembly, the kitchen is located away from exterior walls, which allows views from the floor-to-ceiling glass to remain uninterrupted by cabinetry.
We updated rooms throughout the house; installing modern features that pay homage to the fine, sleek lines of the original design. Finally, we opened the family room to a terrace featuring a fire pit. Since a hallmark of our design is the diminishment of the hard line between interior and exterior, we were especially pleased for the opportunity to update this classic work.

www.LeichtCA.com
MODO | DESIGN OPTIONS
A functional vision for the backsplash. The house of LEICHT has designed the MODO system, focusing on the exciting contrast of metal and natural wood. It will enhance every modern kitchen with it's clear lines and puristic form language. It provides easy access to the required cooking utensils and eases the straight lined kitchen architecture at the same time.
A horizontal square railing of stainless steel colored aluminium screwed directly onto the niche back wall, provides the basic support element. Several function elements in lacquered solid oak are suspended here in various positions. The choice of instruments: shelves, paper roll holders, hook rail, utensil holder and a knife block. Separate function items can also be used as a shelf for smaller items. All lighting developed and designed by LEICHT demonstrates energy efficiency class A+ UL listed and is thus highly efficient. premium LED light with 4100 K (Kelvin) luminous color.

The Back Bay House is comprised of two main structures, a nocturnal wing and a daytime wing, joined by a glass gallery space. The daytime wing maintains an informal living arrangement that includes the dining space placed in an intimate alcove, a large country kitchen and relaxing seating area which opens to a classic covered porch and on to the water’s edge. The nocturnal wing houses three bedrooms. The master at the water side enjoys views and sounds of the wildlife and the shore while the two subordinate bedrooms soak in views of the garden and neighboring meadow.
To bookend the scale and mass of the house, a whimsical tower was included to the nocturnal wing. The tower accommodates flex space for a bunk room, office or studio space. Materials and detailing of this house are based on a classic cottage vernacular language found in these sorts of buildings constructed in pre-war north america and harken back to a simpler time and scale. Eastern white cedar shingles, white painted trim and moulding collectively add a layer of texture and richness not found in today’s lexicon of detail. The house is 1,628 sf plus a 228 sf tower and a detached, two car garage which employs massing, detail and scale to allow the main house to read as dominant but not overbearing.
Designed by BC&J Architecture.

The Back Bay House is comprised of two main structures, a nocturnal wing and a daytime wing, joined by a glass gallery space. The daytime wing maintains an informal living arrangement that includes the dining space placed in an intimate alcove, a large country kitchen and relaxing seating area which opens to a classic covered porch and on to the water’s edge. The nocturnal wing houses three bedrooms. The master at the water side enjoys views and sounds of the wildlife and the shore while the two subordinate bedrooms soak in views of the garden and neighboring meadow.
To bookend the scale and mass of the house, a whimsical tower was included to the nocturnal wing. The tower accommodates flex space for a bunk room, office or studio space. Materials and detailing of this house are based on a classic cottage vernacular language found in these sorts of buildings constructed in pre-war north america and harken back to a simpler time and scale. Eastern white cedar shingles, white painted trim and moulding collectively add a layer of texture and richness not found in today’s lexicon of detail. The house is 1,628 sf plus a 228 sf tower and a detached, two car garage which employs massing, detail and scale to allow the main house to read as dominant but not overbearing.
Designed by BC&J Architecture.
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