The stair has steel structure and laser-cut steel railings. The treads are solid oak. The railing design is based on hand-drawn ink brush lines. Photo: Benjamin Benschneider

Inspired by a cool, tranquil space punctuated with high-end details such as convenient folding teak shower benches, polished nickel and laser-cut marble shower tiles that add bright swirls of visual movement. And the hidden surprise is the stack washer/dryer unit built into the tasteful center floor to ceiling cabinet.

The home office highlights the clients' bold, yet subtle style. Interior Designer: Amanda Teal Photographer: John Merkl
Example of a mid-sized transitional built-in desk medium tone wood floor and brown floor study room design in San Francisco with white walls

A long time ago, in a galaxy far, far away… A returning client wished to create an office environment that would refuel his childhood and current passion: Star Wars. Creating exhibit-style surroundings to incorporate iconic elements from the epic franchise was key to the success for this home office. A life-sized statue of Harrison Ford’s character Han Solo, a longstanding piece of the homeowner’s collection, is now featured in a custom glass display case is the room’s focal point. The glowing backlit pattern behind the statue is a reference to the floor design shown in the scene featuring Han being frozen in carbonite. The command center is surrounded by iconic patterns custom-designed in backlit laser-cut metal panels. The exquisite millwork around the room was refinished, and porcelain floor slabs were cut in a pattern to resemble the chess table found on the legendary spaceship Millennium Falcon. A metal-clad fireplace with a hidden television mounting system, an iridescent ceiling treatment, wall coverings designed to add depth, a custom-designed desk made by a local artist, and an Italian rocker chair that appears to be from a galaxy, far, far, away... are all design elements that complete this once-in-a-galaxy home office that would make any Jedi proud. Photo Credit: David Duncan Livingston

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

This home’s former kitchen was transformed into a hardworking mudroom - equal parts utility and charm. An exterior entrance makes it a natural drop zone, while custom cabinetry, rolling laundry bins, and ample storage keep the space highly functional. Moody blue locker-style cabinets add depth and character, and laser-cut detailing delivers both function and a refined design detail in an often overlooked corner of the home.

Inspired by a cool, tranquil space punctuated with high-end details such as convenient folding teak shower benches, polished nickel and laser-cut marble shower tiles that add bright swirls of visual movement. And the hidden surprise is the stack washer/dryer unit built into the tasteful center floor to ceiling cabinet.

Mali Azima
Living room - large 1960s enclosed medium tone wood floor living room idea in Atlanta with gray walls and a standard fireplace

Ceiling-mounted sensor faucet and laser cut onyx sink and counter are reflected in the antique mirror. Photo credits: Michael Baxter
Powder room - contemporary dark wood floor powder room idea in Phoenix with an integrated sink, brown walls and gray countertops

Mid-sized trendy gray two-story wood exterior home photo in Seattle

The client didn't want the entire roof covered as it is only really used in summer so the addition of the laser cut steel screens gives a unique look while allowing the spring and summer sun to filter through with beautiful shadows appearing on the decking below. The screens are individual 6" x3" steel sheet that has been laser cut then rusted before being sealed to lock in the unique beauty and protect for long lasting wear and tear.

Blending ancient art and modern technology, students utilized an advanced laser cutter to transfer a Mandala design onto the tongue and groove siding.

Photo: Robert Burns © 2015 Houzz
Inspiration for an eclectic home design remodel in Portland

Benny Chan
Mid-sized trendy master medium tone wood floor bedroom photo in Los Angeles with white walls and no fireplace

A dramatic screening solution was designed using Parasoleil panels. We installed these metal panels with an outdoor fabric back drop to add contrast. These panels are back lit in the evenings for dazzling drama at night.

Staircase - transitional wooden curved staircase idea in Los Angeles with wooden risers

This is an example of a tropical front yard gravel landscaping in San Diego.

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

laser cut entry screen
Inspiration for a modern living room remodel in Austin