It’s not just major restoration work we do at Tile Doctor, sometimes a simple clean and seal is all that is required and that was the case at this property in Evesham. This medieval market town lies within the Vale of Evesham and is encompassed by the River Avon. It is located between the larger towns of Worcester, Cheltenham and Stratford-upon-Avon. I was contacted by the owner and I arranged a visit to view their Victorian Hallway. The floor was in very good condition, but the previous sealer was now in-effective and the floor was dull and needed a good clean and seal. The colours were starting to fade, and it was due some attention. Sealers do wear off over time so if you have a similar floor to this it’s worth bearing that in mind. We discussed the work required and the cost involved, my quote was accepted, and the work scheduled. On arrival I set up my equipment and covered any areas of carpet to protect from splashing during cleaning. I then used Tile Doctor Remove and Go spraying the product onto the floor allowing it to dwell for 10 minutes thus breaking down any sealers. This product is a non-flammable, multi-purpose stripper which works best when left to soak in for some time before scrubbing. This product is also great for drawing out ingrained stains and removing heavy grease build up. The floor was then pasted with Tile Doctor Acid Gel which works to neutralise any alkaline salts in the tiles that can cause efflorescence later. This is a common issue with old floors which often do not have a damp proof membrane in place. I then went to work with my scrubbing machine and a black pad and worked the products into the tile. The resulting slurry was then rinsed off with water and removed with a wet vacuum. I then went over the floor with microfibres and water to remove any remaining marks before leaving it to dry off overnight and ready for sealing. I returned the following day and started by checking the floor was dry using a moisture meter. To seal the floor, I chose Tile Doctor Seal and Go Extra which is a fully breathable semi- gloss sealer which made a huge difference to the floor. Choosing a fully breathable sealer is important for floors that don’t have a damp proof membrane as you want to encourage any dampness to rise through the tile and not get trapped underneath where it might spread into the walls. The deep clean and new seal brought out the vibrant colours in the tiles which were now shining through enhances by the lovely sheen which customer was very pleased with. For aftercare I left the customer with a bottle of Tile Doctor Neutral Tile Cleaner which being concentrated goes a long way. Once diluted with water the product becomes completely pH neutral which unlike most household cleaners and washing up liquids which contain bleaches won’t prematurely degrade the sealer with use. Mark Conway Worcestershire Tile Doctor

I recently made a trip down to South Molton, a small town which sits on the River Mole. The river, actually a tributary of the River Taw, gets its name from the two small towns it runs by, North Molton and South Molton. Anyway I digress, my client asked me to take a look at a Chinese Slate floor in her house, as it was in dire need of a good clean due to the original sealer having worn off over time allowing the dirt to become ingrained in the tile. As this particular type of floor is naturally quite rough, I advised my client to have the Slate milled flat. This would not only make the floor easier to clean on a regular basis, but also it would reduce the hazard of people tripping over the exposed edges. However, the milling procedure is expensive due to the need to use a special grinding disc formed of diamond segments, which is then attached to a rotary machine and used on the stone. My client decided against this, instead opting for a thorough clean and seal. This would be the first time the floor had ever received a proper clean – it had not even been cleaned when the tilers first fitted it! My choice of product for the cleaning was Tile Doctor Pro-Clean, a high alkaline cleaner which, along with Slate, is suitable for use on other natural stone floors such as Limestone, Granite and Travertine. The product, diluted with clean water, was applied evenly to the floor using a Polybrush, as well as a rotary machine fitted with a buffing pad. This also helped to remove any remaining old sealer although, as aforementioned, the vast majority of the old sealer had already worn away. Following this, I cleaned the grout using Tile Doctor Grout Clean-Up and a long-handled stiff grout brush. Grout Clean-Up penetrates below the surface of the grout to lift out grout haze and general dirt. After completing the cleaning I rinsed the floor several times with clean water to remove any trace of cleaning product. The floor was then left to dry completely before sealing, as any moisture left over on the floor could have impacted on the sealer. When I returned to seal the floor I opted to use Tile Doctor High Shine Sealer, which is suitable for use on textured natural stone floors, as well as textured ceramic, textured porcelain, and a range of others. Five coats of High Shine Sealer were applied, providing the floor with durable surface protection and a nice high-sheen finish. This dramatically improved the appearance of the floor to the point that it is hard to believe this is the first time it has been treated to a proper clean and seal! Both myself and my client were very pleased with the results. Chinese Slate is one of the most beautiful and characterful types of stone for tiled floors, so it was very rewarding to be able to make such a difference here.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

While most people in town considered this building a "tear-down", the new homeowners wanted to revive the property with an ambitions renovation and addition project. Two major challenges needed to be overcome on this project: the first was preserving the integrity of the original 200 year old barn; the second was designing a complementary structure that would co-exist on the site without looking like a 21st century addition. In order to achieve these goals, our team studied how farm buildings evolve on a site over time. Additions are usually constructed based on need and function. With this protocol in mind, a grain silo was designed to act as our entry tower and buffer the intersection of the two buildings. The silo acts as our focal point and allowed us to construct very simple buildings to house the balance of the owner’s program. The team paid very close attention to scale, use of materials (many of which were recycled) and developed a vocabulary of modern interior detailing that would complement the original house. Specific program requirements for the project included: large entertainment spaces, gourmet kitchen with adjacent family room, a squash court, multiple bedrooms and bathrooms, master suite, and plenty of storage space. In addition, since both adults work from home and receive clients in their offices, two offices needed to be created and it was critical to separate the work areas for the more private family spaces. The new silo, with central stair, became the element that allowed these different program needs to coexist effectively.

Our Clients, the proud owners of a landmark 1860’s era Italianate home, desired to greatly improve their daily ingress and egress experience. With a growing young family, the lack of a proper entry area and attached garage was something they wanted to address. They also needed a guest suite to accommodate frequent out-of-town guests and visitors. But in the homeowner’s own words, “He didn’t want to be known as the guy who ‘screwed up’ this beautiful old home”. Our design challenge was to provide the needed space of a significant addition, but do so in a manner that would respect the historic home. Our design solution lay in providing a “hyphen”: a multi-functional daily entry breezeway connector linking the main house with a new garage and in-law suite above.

Photo: Carolyn Reyes © 2016 Houzz
Inspiration for a timeless exterior home remodel in Los Angeles

A builder grade bathroom gets a major upgrade. The client was amazing as she did this remodel while having a torn Achilles tendon while she was in a boot before and after surgery all while her husband was out of town for work. This prompted the request for a large, curbless shower with a barn door. We removed the dated unused corner tub to expand the shower and added a bench under the window for additional storage. The vanity got a functional make-over with better storage for toiletries. His and hers pull-outs and drawers provided ample space. The traditional fixtures blend with the more contemporary tile and color pallet giving the bathroom an elegant soothing feel.

Photo: Kayla Stark © 2015 Houzz
Transitional home design photo in New Orleans

Our Clients, the proud owners of a landmark 1860’s era Italianate home, desired to greatly improve their daily ingress and egress experience. With a growing young family, the lack of a proper entry area and attached garage was something they wanted to address. They also needed a guest suite to accommodate frequent out-of-town guests and visitors. But in the homeowner’s own words, “He didn’t want to be known as the guy who ‘screwed up’ this beautiful old home”. Our design challenge was to provide the needed space of a significant addition, but do so in a manner that would respect the historic home. Our design solution lay in providing a “hyphen”: a multi-functional daily entry breezeway connector linking the main house with a new garage and in-law suite above.

Although a mere 22 feet wide, the townhouse soars five stories, exemplifying vertical living at its finest. Floor-to-ceiling windows on each level create a streamlined facade and opens the house up to expansive views of the Hudson River and New Jersey beyond. Adrienne DeRosa Photography © 2014 Houzz Photo: Adrienne DeRosa Photography © 2014 Houzz Design: Cortney and Robert Novogratz

Two years before this photo shoot, a Bloomington couple came to SYI wondering whether to renovate their dated bi-level or upgrade to a new house entirely: the classic love-it-or-list-it dilemma. The whole house needed to be touched, really: bathrooms and kitchen, lighting and flooring and paint everywhere, not to mention new furniture to fill in and improve the living spaces. We spent a year with this family, considering options that were less transformative but allowed for the whole house to be upgraded, as well as options that dramatically changed the main living space but meant the rest of the house would have to wait. Meanwhile, they kept an eye out for better digs in town: a house at their price point, that met their family's needs and matched their aesthetic without major construction. After a year of hunting, hemming and hawing: they pulled the trigger. Give us the whole enchilada in the kitchen and main living space, they said. There's no other house for us. The bathrooms and basement can wait. Make this space, where we spend all our time, a place we love to be. Walls and ceilings came down; clerestory windows went in. A stunning 4-panel sliding door-cum-window wall replaced two separate doors in two separate rooms, and the sun streaming in now gives this house in Indiana a California-like access to the outdoors. The central custom screen does triple duty: displaying the client's objets d'art, hiding an HVAC chase, and holding up the ceiling. The gas fireplace is completely new, with custom shelving on either side. Of course, in 2017, the kitchen anchors everything. Family Central, it features custom cabinetry, honed quartz, a new window wall, and a huge island. Materials are earthy and natural, lending a warm modern effect to the space. The medium stain of the wood and overall horizontality of the design are a nod to the home's era (1967), while white cabinetry and charcoal tile provide a neutral but crisp backdrop for the family's stunning and colorful art collection. The result: an ordinary bi-level is now an extraordinary home, unlike any other in Bloomington. Contractor: Rusty Peterson Construction Cabinetry: Tim Graber Furniture Photography: Gina Rogers

Oriental Designer Rugs. Oushak are Turkish rugs that use a particular style of design, named by convention after the city of Ushak, Turkey – one of the bigger towns in the Western region of Anatolia, which was a major hub of rug production from the early days of the Ottoman Empire, into the early 20th century and today.

A builder grade bathroom gets a major upgrade. The client was amazing as she did this remodel while having a torn Achilles tendon while she was in a boot before and after surgery all while her husband was out of town for work. This prompted the request for a large, curbless shower with a barn door. We removed the dated unused corner tub to expand the shower and added a bench under the window for additional storage. The vanity got a functional make-over with better storage for toiletries. His and hers pull-outs and drawers provided ample space. The traditional fixtures blend with the more contemporary tile and color pallet giving the bathroom an elegant soothing feel.

Two years before this photo shoot, a Bloomington couple came to SYI wondering whether to renovate their dated bi-level or upgrade to a new house entirely: the classic love-it-or-list-it dilemma. The whole house needed to be touched, really: bathrooms and kitchen, lighting and flooring and paint everywhere, not to mention new furniture to fill in and improve the living spaces. We spent a year with this family, considering options that were less transformative but allowed for the whole house to be upgraded, as well as options that dramatically changed the main living space but meant the rest of the house would have to wait. Meanwhile, they kept an eye out for better digs in town: a house at their price point, that met their family's needs and matched their aesthetic without major construction. After a year of hunting, hemming and hawing: they pulled the trigger. Give us the whole enchilada in the kitchen and main living space, they said. There's no other house for us. The bathrooms and basement can wait. Make this space, where we spend all our time, a place we love to be. Walls and ceilings came down; clerestory windows went in. A stunning 4-panel sliding door-cum-window wall replaced two separate doors in two separate rooms, and the sun streaming in now gives this house in Indiana a California-like access to the outdoors. The central custom screen does triple duty: displaying the client's objets d'art, hiding an HVAC chase, and holding up the ceiling. The gas fireplace is completely new, with custom shelving on either side. Of course, in 2017, the kitchen anchors everything. Family Central, it features custom cabinetry, honed quartz, a new window wall, and a huge island. Materials are earthy and natural, lending a warm modern effect to the space. The medium stain of the wood and overall horizontality of the design are a nod to the home's era (1967), while white cabinetry and charcoal tile provide a neutral but crisp backdrop for the family's stunning and colorful art collection. The result: an ordinary bi-level is now an extraordinary home, unlike any other in Bloomington. Contractor: Rusty Peterson Construction Cabinetry: Tim Graber Furniture Photography: Gina Rogers

A builder grade bathroom gets a major upgrade. The client was amazing as she did this remodel while having a torn Achilles tendon while she was in a boot before and after surgery all while her husband was out of town for work. This prompted the request for a large, curbless shower with a barn door. We removed the dated unused corner tub to expand the shower and added a bench under the window for additional storage. The vanity got a functional make-over with better storage for toiletries. His and hers pull-outs and drawers provided ample space. The traditional fixtures blend with the more contemporary tile and color pallet giving the bathroom an elegant soothing feel.

Erik Grammer Photography - I recently came across a post on Facebook with a photo of an elderly couple with a quote saying "We were born in a time when if something was broken we would fix it, not throw it away..." This quote resonated with me. I found myself thinking of it while working on the same house - for the fourth time. I affectionately call this beautiful Southern California beach house the Humpty Dumpty home. I started a wonderful business relationship with one of my favorite clients back in 2003. Initially, I was called in to "fix" and finish what another designer started. Once completed and with everything just so, the couple unfortunately divorced and amicably divided the art, rugs and furnishings. I was hired for a second time to recreate each room as close as possible to replace all items that were missing. The house was happily restored back to the original design and all was well for a few years. My client relocated to the East Coast for a temporary job assignment and the house was rented to a person (whose name I can't say) from a famous all-girl band. During this time there was a problem with the upstairs laundry room and water damage occurred. I was hired for the third time to help repair and update (ever so slightly) some areas in the house. My client requested to keep the design and feeling of the house intact because he loved it so much. A few years passed before a pipe broke in the master bathroom while the new renter was out of town on vacation. Unfortunately, things like this do happen - and if not attended to quickly, major damage can occur. In this case, nearly the entire house was flooded requiring it to be completely gutted and stripped down to the floorboards and studs. In January of this year, I was hired to help the client, the insurance company, and the contractor put the house back together again. But unlike the Humpty Dumpty story, this house has actually been put back together again - several times over. Although, this house and client have experienced some challenges, I say this is a perfect example of design success. My client has had many opportunities to change and create something new in his environment with every mis-adventure. Instead, he realizes his home is exactly the way he likes it. It has been such an honor to work with this man who is definitive, trusting, and confident enough to create (or re-create) the perfect home that "fits" his personality and lifestyle. Although this Humpty Dumpty home has been good for my business, I hope the next project with this client is to decorate another property - perhaps a New York City Apartment!

A builder grade bathroom gets a major upgrade. The client was amazing as she did this remodel while having a torn Achilles tendon while she was in a boot before and after surgery all while her husband was out of town for work. This prompted the request for a large, curbless shower with a barn door. We removed the dated unused corner tub to expand the shower and added a bench under the window for additional storage. The vanity got a functional make-over with better storage for toiletries. His and hers pull-outs and drawers provided ample space. The traditional fixtures blend with the more contemporary tile and color pallet giving the bathroom an elegant soothing feel.

Beach style yellow exterior home photo in Boston

Two years before this photo shoot, a Bloomington couple came to SYI wondering whether to renovate their dated bi-level or upgrade to a new house entirely: the classic love-it-or-list-it dilemma. The whole house needed to be touched, really: bathrooms and kitchen, lighting and flooring and paint everywhere, not to mention new furniture to fill in and improve the living spaces. We spent a year with this family, considering options that were less transformative but allowed for the whole house to be upgraded, as well as options that dramatically changed the main living space but meant the rest of the house would have to wait. Meanwhile, they kept an eye out for better digs in town: a house at their price point, that met their family's needs and matched their aesthetic without major construction. After a year of hunting, hemming and hawing: they pulled the trigger. Give us the whole enchilada in the kitchen and main living space, they said. There's no other house for us. The bathrooms and basement can wait. Make this space, where we spend all our time, a place we love to be. Walls and ceilings came down; clerestory windows went in. A stunning 4-panel sliding door-cum-window wall replaced two separate doors in two separate rooms, and the sun streaming in now gives this house in Indiana a California-like access to the outdoors. The central custom screen does triple duty: displaying the client's objets d'art, hiding an HVAC chase, and holding up the ceiling. The gas fireplace is completely new, with custom shelving on either side. Of course, in 2017, the kitchen anchors everything. Family Central, it features custom cabinetry, honed quartz, a new window wall, and a huge island. Materials are earthy and natural, lending a warm modern effect to the space. The medium stain of the wood and overall horizontality of the design are a nod to the home's era (1967), while white cabinetry and charcoal tile provide a neutral but crisp backdrop for the family's stunning and colorful art collection. The result: an ordinary bi-level is now an extraordinary home, unlike any other in Bloomington. Contractor: Rusty Peterson Construction Cabinetry: Tim Graber Furniture Photography: Gina Rogers