Search results for "Manipulate" in Home Design Ideas

Activity at our mill seems to increase in autumn. This season is no exception: Langhorne Carpets family has been busy making our new Pixels, awaiting the installation of a new historic reproduction in a grand government building, and ramping up our collaborations with cutting-edge designers.
Still, we wanted to stop to recognize the creativity of longtime Morrow family friend Edward Murphy, a Buckingham, Pennsylvania-based artist who re-purposed a box of our hand-punched cardboard Jacquards in his studio.
Murphy is a sculptor known for his exploration and manipulation of geometric shapes, and his use of found natural objects such as bark and old wood. He shares studio space with his wife, a painter. The couple works side by side in a late-19th century blacksmith’s barn on their countryside property. Years ago, Ed brought home a box of unused Jacquards—the traditional, rectangular hole-perforated cards that run through our looms, dictating the pattern of each of our carpets—from the mill, envisioning using them for a future project. For eight years, those Jacquards sat idle. Then he decided to renovate the barn, turn the second floor into an office, and use the cards as a window treatment.
A large window looks southwesterly onto the artists’ property, offering a stunning view of nearby farms. But this summer was a hot one. The Murphys needed relief from the sun streaming into their office. That’s when Ed remembered his already-strung cards. “I just flashed on it. The cards were exactly the right size,” he recalled. He screwed them in place, and, behold: “A beautiful pattern of dots that are just random enough let in just enough light, and disperses the pattern into the room.”
Langhorne Carpets applauds our friend Ed Murphy’s creative reuse—and always welcomes creative thinkers and makers to our Penndel, Bucks County mill for tours and inspiration.

Asked by her client to review a typically mundane South Hampton ‘50s saltbox because “the last designer they talked to said they would have to add on to make the house anything,” Ms. Cohen approached the renovation in exactly the opposite manner. To refine the small building footprint, precise architectural gestures were used with a series of finely calibrated moments make the space more gracious and welcoming. Architectural acts were bold in concept but not in actual construction work; such as capturing the car garage to add a hyper modern sunroom/den along with a powder room and laundry. Reconfiguring one side of the house’s roofline to manipulate the space into a sensational master suite saved the north side of the house from remaining an un-useful attic space. This inner sanctum of bedroom and master bath is reminiscent of a Hampton’s beachscape in all its elegance and minimalism. The only square footage actually added was a tiny 4X4 corner as an addition to the front entry, oddly an essential piece of real estate to make an actual vestibule. All these refinements make for a crafted, articulate result rather than bowing to the bigger is better theme, which is more prevalent in the Hamptons.
The function of the plan and the accompanying finishes are impressive. The Jack and Jill bathroom, an invention of the American post-war housing boom, was outfitted in handsome walnut Duravit vanity cabinets and neutral finishes. The master bath, with its expansive skylights, might be mistaken for a conceptual art installation due to its evocative marble countertop in striped ethereal hues. Finally, Ms. Cohen uses wallpaper like a museum curator, hanging an iconic Knoll pattern to punctuate the dining/media space.
Each room in the house was sculpted via a palette of watercolor blue of varying saturations. Fabrics were culled from the greats of modernist textiles, Maharam’s Quatrefoil pattern in blue and Knoll classic Sway pattern in sea shades. The blue on white “beach” scheme runs from a soft cotton candy sky in the girl’s room to an immersive David Sutherland Park Bark wallpaper in the powder room. This intellectual inquiry as to what are the true colors at the beach belays the sophistication that surpasses the usual nautical curse of the average beach house. Out of the corner of your eye, in almost every quadrant of the house, is a burst of colorful expression and delight; this serves as Ms. Cohen’s painterly gift to the client.
Ms. Cohen’s hidden strength is her ability to choreograph a seating area. Whether it is a formal living room or the ultimate hang out spot, each space has the right amount of distance, intimacy and dare I say intrigue to make the arrangements inviting. Each conversation, because it really looks like a fine chat can be had, has an elegant side table ready for duty and all tête-à-têtes are regulated to a sumptuous area rugs. Habitants in Ms. Cohen’s world only work through deep discourse.

PROGRAM: RESIDENTIAL
LOCATION: UMHLANGA, DURBAN, SOUTH AFRICA
SIZE: 750m²
BLOC ARCHITECTS & KEVIN LLOYD ARCHITECTS
On a tight site this design strived to maximise the garden. We achieved this by making the green space the priority and designed the home around the ideal central courtyard.
This process created a form that opened up to the north sun and rotated the upper levels to face the sea views. The green band through the site has become a space that is forever changing, the sliding screens and roof create a room that can be manipulated by the weather.
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At times, the most remarkable spaces emerge when we begin with a clean slate. In this particular project, we had the privilege to design a completely custom home, starting from scratch for our client. They simply entrusted us with a piece of land, and from that point forward, we handled everything. Our primary objective for this project was to craft an exceptional, contemporary, and practical dream home for a family of four. By creatively manipulating height variations at the front of the house, we conceived the standout element of the home: the impressive windows that showcase the bespoke steel spinal staircase.

Plantation shutters are a type of window treatment. It may be made of wood or faux wood.
The louvers mounted in a solid frame and are manipulated by a tilt rod which could is mostly be hidden at the back or in the middle of the shutter.
Know more about this product by visiting our website www.beltwayblinds.com

Extensive contemporary outdoor renovation featuring a pool, hot tub outdoor kitchen and dining and a Miso fire pit.
Wildflower is a major project by Flintstones Masonry & Home Improvements and is located on a hillside in Victoria, BC. The backyard of the home was so steeply sloping prior to the project, that is was virtually unusable. Extensive manipulation of grades allowed for a raised pool deck and kitchen area resulting in an expansive area for the clients to enjoy and entertain on. The project features a complementary combination of materials with varying and contrasting textures: coloured concrete, pre-cast concrete, flamed basalt, ledge stone, and pairs beautifully with the ideally situated, hand cast concrete, Paloform Miso firepit.
Photos courtesy of Flintsones Masonry

Through the combination of modest topographic manipulations and the layering of high-performing native plant communities, the landscape was designed to fully exploit the site’s 270 degree ocean-front exposure. A selection of strategically placed mature native trees and shrubs were integrated within this expanded landscape fabric to improve and visually anchor the scale of the architecture to its landscape context. With the landscape viewed and experienced from multiple levels and points of view, its composition and spatial structure required a unique visual and functional resiliency.

Architect: Cheryl O'Brien
Firm: C. O'Brien Architects Inc.
Photo Credit: Lex Wainwright
All images appearing in the C. O'Brien Architects Inc. web site are the exclusive property of Cheryl A. O'Brien and are protected under the United States and International Copyright laws.
The images may not be reproduced, copied, transmitted or manipulated without the written permission of Cheryl A. O'Brien.
Use of any image as the basis for another photographic concept or illustration (digital, artist rendering or alike) is a violation of the United States and International Copyright laws. All images are copyrighted © 2001 - 2014 Cheryl A. O'Brien.

This project was a part of the 2017 Decorators' Showhouse in Columbus, Ohio. Twelve designers each created a room within the Columbus Museum of Art, making this the first showhouse to take place within a museum. Each designer was allowed to use a piece of artwork from the museum's collection in their space.
The intent of this design was to create a contemporary, gender-neutral nursery with touches of mid-century modern style. Mid-century modern design is sleek, simple, functional and bright. Here, the combination of vintage and contemporary furnishings and accessories all come together to create a space that is calm, yet inspires creative play.
The artwork, California Landscape by Stanton Macdonald-Wright, sets this tone. His modern abstract, devoid of illustration uses blocks of color to create space and form. This idea of geometric abstracts is repeated throughout the design of the room. Interesting shapes that can be manipulated with eye or hand are very fitting for a nursery. This is a space where a child can dream and play, grow and learn, and also rest. It is a room that could evolve over time while continuing to inspire a child for many years.
“I strive to divest my work of all anecdote and illustration and to purify it to the point where the emotions of the spectator will be wholly aesthetic, as when listening to good music…”
- Stanton Macdonald-Wright, circa 1915
Photo Credit: Marshall Evan Photography
Construction: Jameson Building Co.

Entering a dimly-lit and dark Foyer, one makes a turn and …
Photographer: Beton Brut

PROGRAM: RESIDENTIAL
LOCATION: UMHLANGA, DURBAN, SOUTH AFRICA
SIZE: 750m²
BLOC ARCHITECTS & KEVIN LLOYD ARCHITECTS
On a tight site this design strived to maximise the garden. We achieved this by making the green space the priority and designed the home around the ideal central courtyard.
This process created a form that opened up to the north sun and rotated the upper levels to face the sea views. The green band through the site has become a space that is forever changing, the sliding screens and roof create a room that can be manipulated by the weather.

The project is a single-family home designed to amplify the awareness of nature through the manipulation of key viewpoints.
Photo credit: Ben Hill
Inspiration for a contemporary exterior home remodel in Houston
Inspiration for a contemporary exterior home remodel in Houston

This stand alone cabinet was designed to house stereo equipment. It features a 360 degree rotating top to allow access to the backs of stereo components and tall legs to stand over a subwoofer. Alaskan hemlock, dovetailed walnut and raw steel legs. The design can be manipulated to fit your exact needs!

Plantation shutters are a type of window treatment. It may be made of wood or faux wood.
The louvers mounted in a solid frame and are manipulated by a tilt rod which could is mostly be hidden at the back or in the middle of the shutter.
Know more about this product by visiting our website www.beltwayblinds.com

Get highly secured by manipulating high security doors get highly secured steel doors for securing your home

This unique home on edge of downtown Calgary is a longer term project we had the privilege to design and implement. We were involved early in the extensive renovation process to provide input on design elements and help resolve logistical issues on the site. Among the many elements in the garden a large water feature was desired, in part to help mask traffic noise, as well as numerous areas to entertain, relax, and explore.
Both large and dry-pack Rundlestone was utilized along with stamped concrete for much of the hardscaping. The slope was manipulated to construct the water feature which includes numerous falls, a stream, pond and bio-filter. Stucco walls were constructed on part of the property and river-stone walls were reconstructed to match the existing walls from the previous development. Extensive plantings throughout the grounds highlight and accent the hardscape and were designed for four seasons of interest.

"Gavin Dale is a registered building designer of works primarily focused within the rural landscape of western New South Wales.
Origami House looks at the core idea of the iconic Australian rural shed in an exposed environment. Open spaces that contain the necessary activities of daily life that can be easily manipulated to provide for large family gatherings or quieter spaces of reflection.
The residence sets out primarily to achieve the expectations of the clients and reinforce the rural context of corrugated iron and raw and robust building materials.
Two rectangular ‘tubes’ were aligned to the North then slid apart. This provided for unobstructed views combined with effective cross ventilation. The gabled roof line folds along a branched ridge, which in turn creates a vanishing point for the internal timber lined ceilings.
The simple palette of grey metal, Barestone and radial sawn timber blends with the subdued basalt geology and agricultural landscape. This robust exterior is warmed internally by local crushed granite rammed earth thermal mass spline walls. These walls separate bedroom and living spaces that reach out beyond the façade to integrate with the landscaping and provide the robust shelter and protection from the elements."

Walls were softly washed in muted sages and umbers, and columns were faux finished with marble and gold/silver leafing.
Elegant bedroom photo in Atlanta
Elegant bedroom photo in Atlanta

At times, the most remarkable spaces emerge when we begin with a clean slate. In this particular project, we had the privilege to design a completely custom home, starting from scratch for our client. They simply entrusted us with a piece of land, and from that point forward, we handled everything. Our primary objective for this project was to craft an exceptional, contemporary, and practical dream home for a family of four. By creatively manipulating height variations at the front of the house, we conceived the standout element of the home: the impressive windows that showcase the bespoke steel spinal staircase.

Making a real impression by designing & building with exceptional people is exactly the effect JL Design & the client as owner-builder have achieved with “Scarborough House” in Scarborough, NSW. The brief required the dwelling to take maximum advantage of stunning views over the ocean & nearby escarpment cliffs. The residence was also to be a contemporary modernist four bedroom family dwelling, maximising built external living & pool areas. The client was extensively involved with the overall design, & carried out material selection, interior detailing and selection of fixtures and fittings. This collective method guaranteed a result where the client as the builder, through continued personal investment throughout the design and construction achieved a stunning result. The concrete, steelwork, windows, timber & various forms of cladding, joinery and concealed lighting are all custom made hand crafted elements. The design called for minimal tolerances, requiring a high level of skill and cooperation between trades. “Scarborough House” features BlueScope Colorbond monument matt ribbed wall cladding with rendered & ‘rendered look’ areas in off-white. A vertical feature hardwood timber screen to the side of the entry softens the ‘industrial’ feel, giving a modernist external appearance. Carefully calculated overhangs allow a passive solar solution to heating & cooling, with efficient reverse-cycle air conditioning required only during weather extremes. Internally, timber floors to the upper living areas give a feel of comfort & warmth. The warm, substantial character of the dwelling is carefully composed by means of the clarity of the detailing, a palette of tactical natural materials and the careful manipulation of light.
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