Get the cabin of your dreams with a new front door and a beam mantel. This Belleville Smooth 2 panel door with Adelaide Glass is a gorgeous upgrade and will add a pop of color for you. The Hand Hewn Wooden Beam Mantel is great for adding in natural tones to enhance the rustic feel. Door: BLS-106-21-2 Beam Mantel: BMH-EC Visit us at ELandELWoodProducts.com to see more options

The front elevation makes use of many traditional cottage elements, combining steep roof lines with graceful curves. Clover windows and natural stone give a timeless feeling to the front. The metal roof reflects the sky, and softens the presence of the house. Photographer: Daniel Contelmo Jr.

Exclusive House Plan 73345HS is a 3 bedroom 3.5 bath beauty with the master on main and a 4 season sun room that will be a favorite hangout. The front porch is 12' deep making it a great spot for use as outdoor living space which adds to the 3,300+ sq. ft. inside. Ready when you are. Where do YOU want to build? Plans: http://bit.ly/73345hs Photo Credit: Garrison Groustra

Spacecrafters Photography
Entryway - craftsman green entryway idea in Minneapolis

Benjamin Benschneider
Example of a mid-sized minimalist exterior home design in Seattle

The Main Stay House exists as a straightforward proposal on an urban infill lot, paring down the components of a house to a minimal amount of planes and openings. The scheme is anchored by a modern entry sequence and a staircase volume, both clad in iron spot masonry externally and internally, creating thresholds between the respective realms of public, common and private, by minimal means. The masonry contrasts with an otherwise muted interior atmosphere of smooth, desaturated surfaces. The entry sequence is a twist upon the conventional domestic front door, front facade, and fence. The front masonry wall replaces the typical residential fence and frames an indirect access to the front door, functioning as a privacy barrier while revealing slices of the interior to the public street. The staircase bifurcates the layout to provide a clear division between the common and private zones of the house, while clearly reading as a mass from all outside view. Brick and glass become portals between common and private zones. The design consolidates the service core along the west façade, allowing the structure to fully open the living zone to the pool court and existing trees. This directly connects interior and exterior, as well as human and nature. Freedom to vary the program or functional use of the area is enabled and strongly encouraged. Photography: Charles Davis Smith

Located on a marsh in the upper reaches of the Lieutenant River in Old Lyme, the existing house was well-sited and well-built, but the design failed to exploit the views and more importantly was a confused combination of contemporary and traditional elements. The new homeowners, a successful businesswoman and an accomplished artist and photographer, were interested in creating a fully-contemporary environment to open up space, connect indoors with outdoors, display artwork and showcase the husband’s distinctive photographs. One glaring deficiency was the curb appeal and approach sequence: the grade sloped down and the path to the house followed, but this led to an uncomfortable dip and abrupt rise to the front door. By creating a virtual “moat,” occupied by a grid of raised-bed grasses contained in aluminum-clad boxes, and spanning the moat with an ipe bridge, the approach becomes level and engaging. The façade of the existing house was blank and bland, and with no cover. Adding a deep overhang with a wide porch creates a welcoming, covered condition, accentuated by a 6’ wide pivoting front door that feels more like a moving piece of wall. Another deficiency was the connection to the outdoors. By adding glass to the front and back of the house, and removing interior walls selectively, the house takes on a diaphanous quality that allows one to see through to the marsh beyond, even when in the driveway. The raised-bed grasses act as abstract, geometric versions of the marsh beyond. A large, pyramidal skylight establishes a spatial hierarchy around which the rooms revolve. The house featured several tray-ceilinged spaces – living room, kitchen, and master bedroom – that were poorly-proportioned and with panels at the top that resembled inset flat panel doors. The solution was to use a different strategy for each: the bedroom turns the ceiling into an eggshell through the use of a creative trim detail; the living room has an oversized sculptural, backlit lighting element; and the kitchen has a collage of painted rectangular forms that support or include lighting pieces. A palette of concrete, blackened steel, stainless steel and colors carefully chosen by homeowner and architect create an interior and exterior environment punctuated by moments that are as artistic as the featured works in the black-ceilinged gallery.

The first glimpse of Innovation House as you enter the grand circular drive does not disappoint. The home’s European style starts at the property line with stone pavers and a large bronze finished mailbox by Frontgate. The exterior of Innovation House is striking: each of the front rooms’ tall ceilings adds interest to the roof line. Stone facing and window trim painted to coordinate with the stone’s warm hues adds depth and interest. What you don’t notice right from the start is the energy savings provided by Innovation House’s efficient and cleverly hidden mechanical systems like the 21 seer, solar-ready HVAC units behind the house and recycled rubber landscape mulch. Even though Innovation House’s 11,000 square foot interior is magnificent, the graceful front archway and stained French entry doors create a welcome that beckons. Sources: mailbox by Frontgate; composite concrete slate roofing; landscape lighting by Kichler; landscaping by Sugar Hill Outdoors; pavers by Belgard; HVAC by Service Experts and Lenox; spray foam insulation by Southern Foam and Coating; recycled rubber mulch by Mulch One; paint by Certa Pro. Photo Credit: GreinTime Productions

When a world class sailing champion approached us to design a Newport home for his family, with lodging for his sailing crew, we set out to create a clean, light-filled modern home that would integrate with the natural surroundings of the waterfront property, and respect the character of the historic district. Our approach was to make the marine landscape an integral feature throughout the home. One hundred eighty degree views of the ocean from the top floors are the result of the pinwheel massing. The home is designed as an extension of the curvilinear approach to the property through the woods and reflects the gentle undulating waterline of the adjacent saltwater marsh. Floodplain regulations dictated that the primary occupied spaces be located significantly above grade; accordingly, we designed the first and second floors on a stone “plinth” above a walk-out basement with ample storage for sailing equipment. The curved stone base slopes to grade and houses the shallow entry stair, while the same stone clads the interior’s vertical core to the roof, along which the wood, glass and stainless steel stair ascends to the upper level. One critical programmatic requirement was enough sleeping space for the sailing crew, and informal party spaces for the end of race-day gatherings. The private master suite is situated on one side of the public central volume, giving the homeowners views of approaching visitors. A “bedroom bar,” designed to accommodate a full house of guests, emerges from the other side of the central volume, and serves as a backdrop for the infinity pool and the cove beyond. Also essential to the design process was ecological sensitivity and stewardship. The wetlands of the adjacent saltwater marsh were designed to be restored; an extensive geo-thermal heating and cooling system was implemented; low carbon footprint materials and permeable surfaces were used where possible. Native and non-invasive plant species were utilized in the landscape. The abundance of windows and glass railings maximize views of the landscape, and, in deference to the adjacent bird sanctuary, bird-friendly glazing was used throughout. Photo: Michael Moran/OTTO Photography

Cozy sitting area that opens to the screen porch, right on the water's edge, Rumford fireplace. This project was a Guest House for a long time Battle Associates Client. Smaller, smaller, smaller the owners kept saying about the guest cottage right on the water's edge. The result was an intimate, almost diminutive, two bedroom cottage for extended family visitors. White beadboard interiors and natural wood structure keep the house light and airy. The fold-away door to the screen porch allows the space to flow beautifully. Photographer: Nancy Belluscio

Front double door entrance to Japanese Tea House. Photo displays a wood front porch with a reclaimed sandstone in the middle. The building is constructed with 8 different kinds of wood. The Japanese-style roof is constructed from copper and contains 4 skylight windows. Photo Credits: Dan Drobnick

Located on a marsh in the upper reaches of the Lieutenant River in Old Lyme, the existing house was well-sited and well-built, but the design failed to exploit the views and more importantly was a confused combination of contemporary and traditional elements. The new homeowners, a successful businesswoman and an accomplished artist and photographer, were interested in creating a fully-contemporary environment to open up space, connect indoors with outdoors, display artwork and showcase the husband’s distinctive photographs. One glaring deficiency was the curb appeal and approach sequence: the grade sloped down and the path to the house followed, but this led to an uncomfortable dip and abrupt rise to the front door. By creating a virtual “moat,” occupied by a grid of raised-bed grasses contained in aluminum-clad boxes, and spanning the moat with an ipe bridge, the approach becomes level and engaging. The façade of the existing house was blank and bland, and with no cover. Adding a deep overhang with a wide porch creates a welcoming, covered condition, accentuated by a 6’ wide pivoting front door that feels more like a moving piece of wall. Another deficiency was the connection to the outdoors. By adding glass to the front and back of the house, and removing interior walls selectively, the house takes on a diaphanous quality that allows one to see through to the marsh beyond, even when in the driveway. The raised-bed grasses act as abstract, geometric versions of the marsh beyond. A large, pyramidal skylight establishes a spatial hierarchy around which the rooms revolve. The house featured several tray-ceilinged spaces – living room, kitchen, and master bedroom – that were poorly-proportioned and with panels at the top that resembled inset flat panel doors. The solution was to use a different strategy for each: the bedroom turns the ceiling into an eggshell through the use of a creative trim detail; the living room has an oversized sculptural, backlit lighting element; and the kitchen has a collage of painted rectangular forms that support or include lighting pieces. A palette of concrete, blackened steel, stainless steel and colors carefully chosen by homeowner and architect create an interior and exterior environment punctuated by moments that are as artistic as the featured works in the black-ceilinged gallery.

This 5,200-square foot modern farmhouse is located on Manhattan Beach’s Fourth Street, which leads directly to the ocean. A raw stone facade and custom-built Dutch front-door greets guests, and customized millwork can be found throughout the home. The exposed beams, wooden furnishings, rustic-chic lighting, and soothing palette are inspired by Scandinavian farmhouses and breezy coastal living. The home’s understated elegance privileges comfort and vertical space. To this end, the 5-bed, 7-bath (counting halves) home has a 4-stop elevator and a basement theater with tiered seating and 13-foot ceilings. A third story porch is separated from the upstairs living area by a glass wall that disappears as desired, and its stone fireplace ensures that this panoramic ocean view can be enjoyed year-round. This house is full of gorgeous materials, including a kitchen backsplash of Calacatta marble, mined from the Apuan mountains of Italy, and countertops of polished porcelain. The curved antique French limestone fireplace in the living room is a true statement piece, and the basement includes a temperature-controlled glass room-within-a-room for an aesthetic but functional take on wine storage. The takeaway? Efficiency and beauty are two sides of the same coin.

Down-to-studs remodel and second floor addition. The original house was a simple plain ranch house with a layout that didn’t function well for the family. We changed the house to a contemporary Mediterranean with an eclectic mix of details. Space was limited by City Planning requirements so an important aspect of the design was to optimize every bit of space, both inside and outside. The living space extends out to functional places in the back and front yards: a private shaded back yard and a sunny seating area in the front yard off the kitchen where neighbors can easily mingle with the family. A Japanese bath off the master bedroom upstairs overlooks a private roof deck which is screened from neighbors’ views by a trellis with plants growing from planter boxes and with lanterns hanging from a trellis above. Photography by Kurt Manley. https://saikleyarchitects.com/portfolio/modern-mediterranean/

Eric Roth
Inspiration for a mid-sized timeless red three-story wood gable roof remodel in Boston

The new front elevation of the Manhattan Beach Mid-Century Modern house. The original house from the 1950s was by famed architect Edward Ficket. In the 1980s a bad addition was done that hid the original house and completely changed the character.. Our goal was to revamp the entire house and in the process restore some of the mid-century magic.

Down-to-studs remodel and second floor addition. The original house was a simple plain ranch house with a layout that didn’t function well for the family. We changed the house to a contemporary Mediterranean with an eclectic mix of details. Space was limited by City Planning requirements so an important aspect of the design was to optimize every bit of space, both inside and outside. The living space extends out to functional places in the back and front yards: a private shaded back yard and a sunny seating area in the front yard off the kitchen where neighbors can easily mingle with the family. A Japanese bath off the master bedroom upstairs overlooks a private roof deck which is screened from neighbors’ views by a trellis with plants growing from planter boxes and with lanterns hanging from a trellis above. Photography by Kurt Manley. https://saikleyarchitects.com/portfolio/modern-mediterranean/

This is not your traditional bungalow! While it shares some of the hallmarks of this historic home style, this bungalow brings the classic single-story design into the twenty-first century. The black-and-white facade shows a simple, but incredibly well thought out design consisting of mostly straight lines and glass. Modern architecture is all about simple designs where less is more. Clean and uncluttered home exterior trends have gained popularity over the years, as many homeowners are yearning to live peacefully without excess. Clean lines, basic forms, single-use of colour, repetition of structures and strategic use of metal, stone, stucco and glass materials are defining characteristics of this custom home in the upper-scale, inner-city community of North Glenmore Park in Calgary, Alberta.

Michael Downes
Front door - contemporary front door idea in Melbourne with a medium wood front door