This 2022 project was a fully custom mix and writing suite designed for multi-Grammy and Dove Award–winning producer and songwriter Kyle Lee. The goal was to create an environment that mirrors his creative workflow—quiet, natural, highly accurate, and intentionally crafted for long sessions of collaboration and focused work. The layout is compact but feels open thanks to high ceilings, soft daylight from the surrounding windows, and a palette of warm textures and natural materials. The room maintains a clean, grounded aesthetic without sacrificing technical performance, balancing style and acoustical precision in a way that supports both creativity and accuracy. Acoustic isolation was a core priority. The suite is fully separated from the rest of the home using sound-reducing wall assemblies, custom bass management including a full soft-ceiling trap and a false rear wall trap, and full-lite doors designed for controlled leakage. The result is a private, self-contained environment that integrates seamlessly with the home’s flow yet transforms into a focused creative space the moment the doors close. Monitoring was built around Kyle’s preferred ATC SCM45A loudspeakers, paired with Dynaudio subwoofers and calibrated specifically to the room’s frequency response. Every treatment, material, and speaker position was selected to ensure what Kyle hears while mixing precisely translates to the final master. The finished suite delivers an effortless feel with professional-grade performance—an inspiring, accurate, and dependable space built to support Kyle’s work at the highest level.

This 2022 project was a fully custom mix and writing suite designed for multi-Grammy and Dove Award–winning producer and songwriter Kyle Lee. The goal was to create an environment that mirrors his creative workflow—quiet, natural, highly accurate, and intentionally crafted for long sessions of collaboration and focused work. The layout is compact but feels open thanks to high ceilings, soft daylight from the surrounding windows, and a palette of warm textures and natural materials. The room maintains a clean, grounded aesthetic without sacrificing technical performance, balancing style and acoustical precision in a way that supports both creativity and accuracy. Acoustic isolation was a core priority. The suite is fully separated from the rest of the home using sound-reducing wall assemblies, custom bass management including a full soft-ceiling trap and a false rear wall trap, and full-lite doors designed for controlled leakage. The result is a private, self-contained environment that integrates seamlessly with the home’s flow yet transforms into a focused creative space the moment the doors close. Monitoring was built around Kyle’s preferred ATC SCM45A loudspeakers, paired with Dynaudio subwoofers and calibrated specifically to the room’s frequency response. Every treatment, material, and speaker position was selected to ensure what Kyle hears while mixing precisely translates to the final master. The finished suite delivers an effortless feel with professional-grade performance—an inspiring, accurate, and dependable space built to support Kyle’s work at the highest level.

This 2022 project was a fully custom mix and writing suite designed for multi-Grammy and Dove Award–winning producer and songwriter Kyle Lee. The goal was to create an environment that mirrors his creative workflow—quiet, natural, highly accurate, and intentionally crafted for long sessions of collaboration and focused work. The layout is compact but feels open thanks to high ceilings, soft daylight from the surrounding windows, and a palette of warm textures and natural materials. The room maintains a clean, grounded aesthetic without sacrificing technical performance, balancing style and acoustical precision in a way that supports both creativity and accuracy. Acoustic isolation was a core priority. The suite is fully separated from the rest of the home using sound-reducing wall assemblies, custom bass management including a full soft-ceiling trap and a false rear wall trap, and full-lite doors designed for controlled leakage. The result is a private, self-contained environment that integrates seamlessly with the home’s flow yet transforms into a focused creative space the moment the doors close. Monitoring was built around Kyle’s preferred ATC SCM45A loudspeakers, paired with Dynaudio subwoofers and calibrated specifically to the room’s frequency response. Every treatment, material, and speaker position was selected to ensure what Kyle hears while mixing precisely translates to the final master. The finished suite delivers an effortless feel with professional-grade performance—an inspiring, accurate, and dependable space built to support Kyle’s work at the highest level.

This 2022 project was a fully custom mix and writing suite designed for multi-Grammy and Dove Award–winning producer and songwriter Kyle Lee. The goal was to create an environment that mirrors his creative workflow—quiet, natural, highly accurate, and intentionally crafted for long sessions of collaboration and focused work. The layout is compact but feels open thanks to high ceilings, soft daylight from the surrounding windows, and a palette of warm textures and natural materials. The room maintains a clean, grounded aesthetic without sacrificing technical performance, balancing style and acoustical precision in a way that supports both creativity and accuracy. Acoustic isolation was a core priority. The suite is fully separated from the rest of the home using sound-reducing wall assemblies, custom bass management including a full soft-ceiling trap and a false rear wall trap, and full-lite doors designed for controlled leakage. The result is a private, self-contained environment that integrates seamlessly with the home’s flow yet transforms into a focused creative space the moment the doors close. Monitoring was built around Kyle’s preferred ATC SCM45A loudspeakers, paired with Dynaudio subwoofers and calibrated specifically to the room’s frequency response. Every treatment, material, and speaker position was selected to ensure what Kyle hears while mixing precisely translates to the final master. The finished suite delivers an effortless feel with professional-grade performance—an inspiring, accurate, and dependable space built to support Kyle’s work at the highest level.

This 2022 project was a fully custom mix and writing suite designed for multi-Grammy and Dove Award–winning producer and songwriter Kyle Lee. The goal was to create an environment that mirrors his creative workflow—quiet, natural, highly accurate, and intentionally crafted for long sessions of collaboration and focused work. The layout is compact but feels open thanks to high ceilings, soft daylight from the surrounding windows, and a palette of warm textures and natural materials. The room maintains a clean, grounded aesthetic without sacrificing technical performance, balancing style and acoustical precision in a way that supports both creativity and accuracy. Acoustic isolation was a core priority. The suite is fully separated from the rest of the home using sound-reducing wall assemblies, custom bass management including a full soft-ceiling trap and a false rear wall trap, and full-lite doors designed for controlled leakage. The result is a private, self-contained environment that integrates seamlessly with the home’s flow yet transforms into a focused creative space the moment the doors close. Monitoring was built around Kyle’s preferred ATC SCM45A loudspeakers, paired with Dynaudio subwoofers and calibrated specifically to the room’s frequency response. Every treatment, material, and speaker position was selected to ensure what Kyle hears while mixing precisely translates to the final master. The finished suite delivers an effortless feel with professional-grade performance—an inspiring, accurate, and dependable space built to support Kyle’s work at the highest level.

This 2022 project was a fully custom mix and writing suite designed for multi-Grammy and Dove Award–winning producer and songwriter Kyle Lee. The goal was to create an environment that mirrors his creative workflow—quiet, natural, highly accurate, and intentionally crafted for long sessions of collaboration and focused work. The layout is compact but feels open thanks to high ceilings, soft daylight from the surrounding windows, and a palette of warm textures and natural materials. The room maintains a clean, grounded aesthetic without sacrificing technical performance, balancing style and acoustical precision in a way that supports both creativity and accuracy. Acoustic isolation was a core priority. The suite is fully separated from the rest of the home using sound-reducing wall assemblies, custom bass management including a full soft-ceiling trap and a false rear wall trap, and full-lite doors designed for controlled leakage. The result is a private, self-contained environment that integrates seamlessly with the home’s flow yet transforms into a focused creative space the moment the doors close. Monitoring was built around Kyle’s preferred ATC SCM45A loudspeakers, paired with Dynaudio subwoofers and calibrated specifically to the room’s frequency response. Every treatment, material, and speaker position was selected to ensure what Kyle hears while mixing precisely translates to the final master. The finished suite delivers an effortless feel with professional-grade performance—an inspiring, accurate, and dependable space built to support Kyle’s work at the highest level.

This 2022 project was a fully custom mix and writing suite designed for multi-Grammy and Dove Award–winning producer and songwriter Kyle Lee. The goal was to create an environment that mirrors his creative workflow—quiet, natural, highly accurate, and intentionally crafted for long sessions of collaboration and focused work. The layout is compact but feels open thanks to high ceilings, soft daylight from the surrounding windows, and a palette of warm textures and natural materials. The room maintains a clean, grounded aesthetic without sacrificing technical performance, balancing style and acoustical precision in a way that supports both creativity and accuracy. Acoustic isolation was a core priority. The suite is fully separated from the rest of the home using sound-reducing wall assemblies, custom bass management including a full soft-ceiling trap and a false rear wall trap, and full-lite doors designed for controlled leakage. The result is a private, self-contained environment that integrates seamlessly with the home’s flow yet transforms into a focused creative space the moment the doors close. Monitoring was built around Kyle’s preferred ATC SCM45A loudspeakers, paired with Dynaudio subwoofers and calibrated specifically to the room’s frequency response. Every treatment, material, and speaker position was selected to ensure what Kyle hears while mixing precisely translates to the final master. The finished suite delivers an effortless feel with professional-grade performance—an inspiring, accurate, and dependable space built to support Kyle’s work at the highest level.

This 2022 project was a fully custom mix and writing suite designed for multi-Grammy and Dove Award–winning producer and songwriter Kyle Lee. The goal was to create an environment that mirrors his creative workflow—quiet, natural, highly accurate, and intentionally crafted for long sessions of collaboration and focused work. The layout is compact but feels open thanks to high ceilings, soft daylight from the surrounding windows, and a palette of warm textures and natural materials. The room maintains a clean, grounded aesthetic without sacrificing technical performance, balancing style and acoustical precision in a way that supports both creativity and accuracy. Acoustic isolation was a core priority. The suite is fully separated from the rest of the home using sound-reducing wall assemblies, custom bass management including a full soft-ceiling trap and a false rear wall trap, and full-lite doors designed for controlled leakage. The result is a private, self-contained environment that integrates seamlessly with the home’s flow yet transforms into a focused creative space the moment the doors close. Monitoring was built around Kyle’s preferred ATC SCM45A loudspeakers, paired with Dynaudio subwoofers and calibrated specifically to the room’s frequency response. Every treatment, material, and speaker position was selected to ensure what Kyle hears while mixing precisely translates to the final master. The finished suite delivers an effortless feel with professional-grade performance—an inspiring, accurate, and dependable space built to support Kyle’s work at the highest level.

This 2022 project was a fully custom mix and writing suite designed for multi-Grammy and Dove Award–winning producer and songwriter Kyle Lee. The goal was to create an environment that mirrors his creative workflow—quiet, natural, highly accurate, and intentionally crafted for long sessions of collaboration and focused work. The layout is compact but feels open thanks to high ceilings, soft daylight from the surrounding windows, and a palette of warm textures and natural materials. The room maintains a clean, grounded aesthetic without sacrificing technical performance, balancing style and acoustical precision in a way that supports both creativity and accuracy. Acoustic isolation was a core priority. The suite is fully separated from the rest of the home using sound-reducing wall assemblies, custom bass management including a full soft-ceiling trap and a false rear wall trap, and full-lite doors designed for controlled leakage. The result is a private, self-contained environment that integrates seamlessly with the home’s flow yet transforms into a focused creative space the moment the doors close. Monitoring was built around Kyle’s preferred ATC SCM45A loudspeakers, paired with Dynaudio subwoofers and calibrated specifically to the room’s frequency response. Every treatment, material, and speaker position was selected to ensure what Kyle hears while mixing precisely translates to the final master. The finished suite delivers an effortless feel with professional-grade performance—an inspiring, accurate, and dependable space built to support Kyle’s work at the highest level.

This soundproof media room by Meshberg Group is a sophisticated, plush man cave boasting a state of the art theater, custom sectional sofa, custom linen wall panel with walnut niche, cove LED WAC lighting and even secret hiding places for the bachelor owner.

This project is a conversion of the Architect's AIA Award-recognized studio into a live/work residence. An additional 725 sf allowed the project to completely in-fill an urban building site in a mixed residential/commercial neighborhood while accommodating a private courtyard and pool. Very few modifications were needed to the original studio building to convert the space available to a kitchen and dining space on the first floor and a bedroom, bath and home office on the second floor. The east-side addition includes a butler's pantry, powder room, living room, patio and pool on the first floor and a master suite on the second. The original finishes of metal and concrete were expanded to include concrete masonry and stucco. The masonry now extends from the living space into the outdoor courtyard, creating the illusion that the courtyard is an actual extension of the house. The previous studio and the current live/work home have been on multiple AIA and RDA home tours during its various phases. TK Images, Houston

Recently, TaskRabbit challenged a group of 10 Taskers to build a Tiny House in the middle of Manhattan in just 72 hours – all for a good cause. Building a fully outfitted tiny house in 3 days was a tall order – a build like this often takes months – but we set out to prove the power of collaboration, showing the kind of progress that can be made when people come together, bringing their best insights, skills and creativity to achieve something that seems impossible. It was quite a week. New York was wonderful (and quite lovely, despite a bit of rain), our Taskers were incredible, and TaskRabbit’s Tiny House came together in record time, due to the planning, dedication and hard work of all involved. A Symbol for Change The TaskRabbit Tiny House was auctioned off with 100% of the proceeds going to our partner, Community Solutions, a national nonprofit helping communities take on complex social challenges – issues like homelessness, unemployment and health inequity – through collaboration and creative problem solving. This Tiny House was envisioned as a small symbol of the change that is possible when people have the right tools and opportunities to work together. Through our three-day build, our Taskers proved that amazing things can happen when we put our hearts into creating substantive change in our communities. The Winning Bid We’re proud to report that we were able to raise $26,600 to support Community Solutions’ work. Sarah, a lovely woman from New Hampshire, placed the winning bid – and it’s nice to know our tiny home is in good hands. #ATinyTask: Behind the Scenes The Plans A lot of time and effort went into making sure this Tiny Home was as efficient, cozy and welcoming as possible. Our master planners, designer Lesley Morphy and TaskRabbit Creative Director Scott Smith, maximized every square inch in the little house with comfort and style in mind, utilizing a lofted bed, lofted storage, a floor-to-ceiling tiled shower, a compost toilet, and custom details throughout. There’s a surprising amount of built-in storage in the kitchen, while a conscious decision was made to keep the living space open so you could actually exist comfortably without feeling cramped. The Build Our Taskers worked long, hard shifts while our team made sure they were well fed, hydrated and in good spirits. The team brought amazing energy and we couldn’t be prouder of the way they worked together. Stay tuned, as we’ll be highlighting more of our Tiny House Taskers’ stories in coming days – they were so great that we want to make sure all of you get to know them better. The Final Product Behold, the completed Tiny House! For more photos, be sure to check out our Facebook page. This was an incredibly inspiring project, and we really enjoyed watching the Tiny House come to life right in the middle of Manhattan. It was amazing to see what our Taskers are capable of, and we’re so glad we were able to support Community Solutions and help fight homelessness, unemployment and health inequity with #ATinyTask.

Recently, TaskRabbit challenged a group of 10 Taskers to build a Tiny House in the middle of Manhattan in just 72 hours – all for a good cause. Building a fully outfitted tiny house in 3 days was a tall order – a build like this often takes months – but we set out to prove the power of collaboration, showing the kind of progress that can be made when people come together, bringing their best insights, skills and creativity to achieve something that seems impossible. It was quite a week. New York was wonderful (and quite lovely, despite a bit of rain), our Taskers were incredible, and TaskRabbit’s Tiny House came together in record time, due to the planning, dedication and hard work of all involved. A Symbol for Change The TaskRabbit Tiny House was auctioned off with 100% of the proceeds going to our partner, Community Solutions, a national nonprofit helping communities take on complex social challenges – issues like homelessness, unemployment and health inequity – through collaboration and creative problem solving. This Tiny House was envisioned as a small symbol of the change that is possible when people have the right tools and opportunities to work together. Through our three-day build, our Taskers proved that amazing things can happen when we put our hearts into creating substantive change in our communities. The Winning Bid We’re proud to report that we were able to raise $26,600 to support Community Solutions’ work. Sarah, a lovely woman from New Hampshire, placed the winning bid – and it’s nice to know our tiny home is in good hands. #ATinyTask: Behind the Scenes The Plans A lot of time and effort went into making sure this Tiny Home was as efficient, cozy and welcoming as possible. Our master planners, designer Lesley Morphy and TaskRabbit Creative Director Scott Smith, maximized every square inch in the little house with comfort and style in mind, utilizing a lofted bed, lofted storage, a floor-to-ceiling tiled shower, a compost toilet, and custom details throughout. There’s a surprising amount of built-in storage in the kitchen, while a conscious decision was made to keep the living space open so you could actually exist comfortably without feeling cramped. The Build Our Taskers worked long, hard shifts while our team made sure they were well fed, hydrated and in good spirits. The team brought amazing energy and we couldn’t be prouder of the way they worked together. Stay tuned, as we’ll be highlighting more of our Tiny House Taskers’ stories in coming days – they were so great that we want to make sure all of you get to know them better. The Final Product Behold, the completed Tiny House! For more photos, be sure to check out our Facebook page. This was an incredibly inspiring project, and we really enjoyed watching the Tiny House come to life right in the middle of Manhattan. It was amazing to see what our Taskers are capable of, and we’re so glad we were able to support Community Solutions and help fight homelessness, unemployment and health inequity with #ATinyTask.

1915 N Baker Street in Santa Ana has been completely renovated and artfully restored Ranch home located in the Historic community of West Floral Park. MILLS ACT potential! This amazing 1953 home was meticulously renovated with over $125k of upgrades, maintaining the Vintage Ranch Style charm of yesterday while updating to the conveniences of today. With over 12,000sqft lot, this beautiful home features heating and AC, solid hardwood floors throughout, open living space, huge picture windows, dining room with Original 1950’s wainscoting, and a new kitchen with breakfast nook and Dutch door. This gourmet kitchen is highlighted by a brand new 36” Italian Bertazzoni gas range convection oven, ORIGINAL 1950’s Thermador electric oven, soft-close drawers/cabinets, 36″ farmhouse sink, butcher block counters and real brick German Schmear backsplash. Three spacious bedrooms with ample closet space & prewired for ceiling fans. En-suite master bath and secondary bath both remodeled with period-specific pieces, privacy windows, motion-detected canned lights and humidity sensors. Third bedroom has it’s own fireplace and double French doors leading to an enclosed sunroom. Renovated, detached Guest Quarters boasting over 250sqft with private entrance, hardwood floors, kitchenette, and 3/4 bath. Large 2 car garage with new cabinets and counter top. Back yard has valencia orange, navel orange, persimmon and lemon trees. Close to 5, 22 & 57 freeways, Main Place Mall and walking distance to Santiago Elem/middle school. A MUST SEE!

Concrete can be made to look like any substance. Tile, stone, wood, brick, etc. With unlimited color options, Ky-Kan Coatings can transform any room in your home or business using lightweight, beautiful concrete.

Elfa shelving is the perfect storage solution to make the most of your space. A combination of file boxes and canvas bins provide functional, yet artful, storage.

Brad Haines knows a thing or two about building things. The intensely creative and innovative founder of Oklahoma City-based Haines Capital is the driving force behind numerous successful companies including Bank 7 (NASDAQ BSVN), which proudly reported record year-end earnings since going public in September of last year. He has beautifully built, renovated, and personally thumb printed all of his commercial spaces and residences. “Our theory is to keep things sophisticated but comfortable,” Brad says. That’s the exact approach he took in his personal haven in Nichols Hills, Oklahoma. Painstakingly renovated over the span of two years by Candeleria Foster Design-Build of Oklahoma City, his home boasts museum-white, authentic Venetian plaster walls and ceilings; charcoal tiled flooring; imported marble in the master bath; and a pretty kitchen you’ll want to emulate. Reminiscent of an edgy luxury hotel, it is a vibe conjured by Cantoni designer Nicole George. “The new remodel plan was all about opening up the space and layering monochromatic color with lots of texture,” says Nicole, who collaborated with Brad on two previous projects. “The color palette is minimal, with charcoal, bone, amber, stone, linen and leather.” “Sophisticated“Sophisticated“Sophisticated“Sophisticated“Sophisticated Nicole helped oversee space planning and selection of interior finishes, lighting, furnishings and fine art for the entire 7,000-square-foot home. It is now decked top-to-bottom in pieces sourced from Cantoni, beginning with the custom-ordered console at entry and a pair of Glacier Suspension fixtures over the stairwell. “Every angle in the house is the result of a critical thought process,” Nicole says. “We wanted to make sure each room would be purposeful.” To that end, “we reintroduced the ‘parlor,’ and also redefined the formal dining area as a bar and drink lounge with enough space for 10 guests to comfortably dine,” Nicole says. Brad’s parlor holds the Swing sectional customized in a silky, soft-hand charcoal leather crafted by prominent Italian leather furnishings company Gamma. Nicole paired it with the Kate swivel chair customized in a light grey leather, the sleek DK writing desk, and the Black & More bar cabinet by Malerba. “Nicole has a special design talent and adapts quickly to what we expect and like,” Brad says. To create the restaurant-worthy dining space, Nicole brought in a black-satin glass and marble-topped dining table and mohair-velvet chairs, all by Italian maker Gallotti & Radice. Guests can take a post-dinner respite on the adjoining room’s Aston sectional by Gamma. In the formal living room, Nicole paired Cantoni’s Fashion Affair club chairs with the Black & More cocktail table, and sofas sourced from Désirée, an Italian furniture upholstery company that creates cutting-edge yet comfortable pieces. The color-coordinating kitchen and breakfast area, meanwhile, hold a set of Guapa counter stools in ash grey leather, and the Ray dining table with light-grey leather Cattelan Italia chairs. The expansive loggia also is ideal for entertaining and lounging with the Versa grand sectional, the Ido cocktail table in grey aged walnut and Dolly chairs customized in black nubuck leather. Nicole made most of the design decisions, but, “she took my suggestions seriously and then put me in my place,” Brad says. She had the master bedroom’s Marlon bed by Gamma customized in a remarkably soft black leather with a matching stitch and paired it with onyx gloss Black & More nightstands. “The furnishings absolutely complement the style,” Brad says. “They are high-quality and have a modern flair, but at the end of the day, are still comfortable and user-friendly.” The end result is a home Brad not only enjoys, but one that Nicole also finds exceptional. “I honestly love every part of this house,” Nicole says. “Working with Brad is always an adventure but a privilege that I take very seriously, from the beginning of the design process to installation.”

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

We used: Custom cherry cabinetry in Arts & Crafts Shaker style by Kabinart in Boulder and Espresso stains. Liberty Hardware Venetian bronze 1-1/2" cabinet knobs. KitchenAid Architect II Series 22 CF counter-depth French door refrigerator. KitchenAid Architect Series II 27" convection single wall oven. KitchenAid 36" 6-burner dual fuel freestanding commercial-style range. KitchenAid Architect II Series 24" dishwasher. Sharp Insight Pro Series 24" built-in microwave drawer (Model #KB6524PS). Crystorama Solaris 12" wide pendant lights in English bronze. Granite countertops in Brown Fantasy. 3"x6" polished marble backsplash. Paint colors: Walls: Glidden Silver Cloud 30YY 63/024 Ceilings/Trims/Doors: Glidden Swan White GLC23 Robert B. Narod Photography