Search results for "Mediate" in Home Design Ideas

Built by Glenn Layton Homes in Paradise Key South Beach, Jacksonville Beach, Florida.
Example of a mid-sized beach style detached two-car garage design in Jacksonville
Example of a mid-sized beach style detached two-car garage design in Jacksonville

For a family putting down lasting roots in Park City, this 10,000-square-foot estate within the gated enclave of Quarry Mountain Ranch is conceived as both sanctuary and legacy. Designed to evolve alongside its owners, the home balances permanence with a deep sensitivity to the land it inhabits.
Thoughtfully positioned within an alpine meadow shaped by the gentle flow of McLeod Creek, the residence embraces its setting. The waterway threads through the property, sustaining native grasses and drawing elk, deer, and migratory birdlife, grounding daily life in the rhythms of season and landscape.
Broad planes of glass and sheltering rooflines frame uninterrupted views of ski slopes and distant ridgelines, while long sightlines pull natural light deep into the interior. Terraces and covered outdoor rooms mediate between house and meadow, creating spaces for gathering, reflection, and year-round connection to the outdoors.
A restrained palette of wood and stone echoes the textures of the terrain, lending warmth and durability to the home’s contemporary expression. A separate guest house extends the architectural language, forming a discreet compound that supports family life, hospitality, and the enduring cadence of alpine living.
Architecture: Advanced Design
Interior Design: Erin Brewer Design

For a family putting down lasting roots in Park City, this 10,000-square-foot estate within the gated enclave of Quarry Mountain Ranch is conceived as both sanctuary and legacy. Designed to evolve alongside its owners, the home balances permanence with a deep sensitivity to the land it inhabits.
Thoughtfully positioned within an alpine meadow shaped by the gentle flow of McLeod Creek, the residence embraces its setting. The waterway threads through the property, sustaining native grasses and drawing elk, deer, and migratory birdlife, grounding daily life in the rhythms of season and landscape.
Broad planes of glass and sheltering rooflines frame uninterrupted views of ski slopes and distant ridgelines, while long sightlines pull natural light deep into the interior. Terraces and covered outdoor rooms mediate between house and meadow, creating spaces for gathering, reflection, and year-round connection to the outdoors.
A restrained palette of wood and stone echoes the textures of the terrain, lending warmth and durability to the home’s contemporary expression. A separate guest house extends the architectural language, forming a discreet compound that supports family life, hospitality, and the enduring cadence of alpine living.
Architecture: Advanced Design
Interior Design: Erin Brewer Design
Find the right local pro for your project

For a family putting down lasting roots in Park City, this 10,000-square-foot estate within the gated enclave of Quarry Mountain Ranch is conceived as both sanctuary and legacy. Designed to evolve alongside its owners, the home balances permanence with a deep sensitivity to the land it inhabits.
Thoughtfully positioned within an alpine meadow shaped by the gentle flow of McLeod Creek, the residence embraces its setting. The waterway threads through the property, sustaining native grasses and drawing elk, deer, and migratory birdlife, grounding daily life in the rhythms of season and landscape.
Broad planes of glass and sheltering rooflines frame uninterrupted views of ski slopes and distant ridgelines, while long sightlines pull natural light deep into the interior. Terraces and covered outdoor rooms mediate between house and meadow, creating spaces for gathering, reflection, and year-round connection to the outdoors.
A restrained palette of wood and stone echoes the textures of the terrain, lending warmth and durability to the home’s contemporary expression. A separate guest house extends the architectural language, forming a discreet compound that supports family life, hospitality, and the enduring cadence of alpine living.
Architecture: Advanced Design
Interior Design: Erin Brewer Design

Designer Showhouse Meditation Room for The Holiday House 2019: Designed by Sara Touijer
Example of a mid-sized trendy guest carpeted and blue floor bedroom design in New York with white walls, a hanging fireplace and a plaster fireplace
Example of a mid-sized trendy guest carpeted and blue floor bedroom design in New York with white walls, a hanging fireplace and a plaster fireplace

The home office opens up to an outdoor courtyard to the north, providing even light throughout the day and a nice place to open up for a short retreat
Jason & Anna Photography

For a family putting down lasting roots in Park City, this 10,000-square-foot estate within the gated enclave of Quarry Mountain Ranch is conceived as both sanctuary and legacy. Designed to evolve alongside its owners, the home balances permanence with a deep sensitivity to the land it inhabits.
Thoughtfully positioned within an alpine meadow shaped by the gentle flow of McLeod Creek, the residence embraces its setting. The waterway threads through the property, sustaining native grasses and drawing elk, deer, and migratory birdlife, grounding daily life in the rhythms of season and landscape.
Broad planes of glass and sheltering rooflines frame uninterrupted views of ski slopes and distant ridgelines, while long sightlines pull natural light deep into the interior. Terraces and covered outdoor rooms mediate between house and meadow, creating spaces for gathering, reflection, and year-round connection to the outdoors.
A restrained palette of wood and stone echoes the textures of the terrain, lending warmth and durability to the home’s contemporary expression. A separate guest house extends the architectural language, forming a discreet compound that supports family life, hospitality, and the enduring cadence of alpine living.
Architecture: Advanced Design
Interior Design: Erin Brewer Design

A trellis outside the doors mediates western sunlight and heat gain, enhanced by perfectly concealed motorized blinds. The light shelf at the clerestory bounces daylight deeper into the space. // Image : Benjamin Benschneider Photography

See this beautiful young family's home in Murphy come to life. Once grey and mostly monochromatic, we were hired to bring color, life and purposeful functionality to several spaces. A family study was created to include loads of color, workstations for four, and plenty of storage. The dining and family rooms were updated by infusing color, transitional wall decor and furnishings with beautiful, yet sustainable fabrics. The master bath was reinvented with new granite counter tops, art and accessories to give it some additional personality.
Our most recent update includes a multi-functional teen hang out space and a private loft that serves as an executive’s work-from-home office, mediation area and a place for this busy mom to escape and relax.
![[Bracketed Space] House](https://st.hzcdn.com/fimgs//pictures/exteriors/bracketed-space-house-mf-architecture-img~04f1aa7007d2cebc_5708-1-4333c74-w360-h360-b0-p0.jpg)
The site descends from the street and is privileged with dynamic natural views toward a creek below and beyond. To incorporate the existing landscape into the daily life of the residents, the house steps down to the natural topography. A continuous and jogging retaining wall from outside to inside embeds the structure below natural grade at the front with flush transitions at its rear facade. All indoor spaces open up to a central courtyard which terraces down to the tree canopy, creating a readily visible and occupiable transitional space between man-made and nature.
The courtyard scheme is simplified by two wings representing common and private zones - connected by a glass dining “bridge." This transparent volume also visually connects the front yard to the courtyard, clearing for the prospect view, while maintaining a subdued street presence. The staircase acts as a vertical “knuckle,” mediating shifting wing angles while contrasting the predominant horizontality of the house.
Crips materiality and detailing, deep roof overhangs, and the one-and-half story wall at the rear further enhance the connection between outdoors and indoors, providing nuanced natural lighting throughout and a meaningful framed procession through the property.
Photography
Spaces and Faces Photography

Recycled wood siding re-milled to recall the scale of historic lap siding. Reclaimed timbers with raw steel brackets. Cut limestone recalls the pattern of the cliffs above and relates to the scale of historic brick. Steel siding recalls historic mining structures in the mountainous region. Patinated copper standing seam roof.

Three 5,500sf homes and one 6,000sf home now sit on a very unique site in the historically designated Society Hill neighborhood. To the east sits 101 Walnut, a twelve story contemporary white residential tower, while to the west sits Bookbinder’s, a 5 story Greek Revival building and one of Philadelphia’s most significant landmarked historic sites. Between these two buildings, the Walnut St Estates mediates form, height, materiality and design concept. The project’s masonry and glass exterior is articulated by a delicate brick solar screen who’s proportions and color reference the contemporary influence to the east, while the underlying building form, height and mass of the project echo the scale and tonality of Bookbinders to the west. The home’s interior features walnut hardwood and limestone tile floors, walnut ceilings, custom millwork, and highly detailed stairs and railings. The 4/5 bedroom, 5 full and 2 half bath homes feature two car garage parking and in-law suite on the ground level with a classic piano nobile on the 2nd floor with a double height space in the front. A library and additional bedrooms sit on the 3rd floor while the master suite covers the entire 4th floor and circulates around an open sky garden. The roof lounge features two terraces and a second Poggenpohl kitchen making for an unparalleled entertaining space. The Walnut Street Estates project redefined expectations in the luxury home market of Philadelphia and it’s amenities, details and concepts are imitated throughout the city.

Full view of the Ipe wood bell stand and hand-carved Japanese dragons. Behind the bell stand is another, smaller mediation space that's made of Ipe wood and faces a zen garden. Further in the back are stairs made of Ipe that lead to an atrium.

## I. Spatial Composition & Architectural Volume
This is a compact urban salon organized with almost Miesian discipline around a single, decisive gesture: the L-configuration of low, tuxedo-armed banquette seating that hugs two perimeter walls and turns the room inward upon itself. The plan reads as a conversation pit without excavation—the seat heights are deliberately suppressed, the backs held low, so that the horizon of upholstery never competes with the aperture behind it. Above, a flat, unadorned plaster soffit-plane is held tight to the wall line, its perimeter reveal drawing a crisp shadow-gap that lets the ceiling appear to float free of the fabric-wrapped walls. The architectural protagonist is the millwork: a deep-jambed picture window recessed within a wide, radiused casing of pale rift-sawn oak, its returns thickened into a continuous window seat and low credenza that transitions seamlessly into flanking cabinetry. This joinery performs double duty as tectonic frame and furniture, resolving the corner where the sofa arm meets the wall with a fitted oak console rather than a leftover void. On the right, a taller oak portal—part case-goods, part passage—houses a monolithic dark media volume, its recessive blackness anchoring the composition's east edge and countering the pull of the glazing. Sightlines are carefully triangulated: the low furniture, the horizontal blind valance, and the parapet railing beyond stack into a series of registers that push the eye out over the rooftops, borrowing the cityscape as a fourth wall.
## II. Materiality, Color & Texture
The palette is a study in warm neutrality calibrated across a very narrow tonal band, where interest is generated by texture rather than chroma. Walls are sheathed in a woven grasscloth or linen-weave wallcovering in oatmeal-taupe, its subtle grain absorbing light and lending the envelope a matte, tactile softness that reads almost suede-like in raking illumination. Against this, the oak millwork supplies a honeyed mid-tone with visible cathedral figure, satin-lacquered rather than glossed, so the wood glows without reflecting. Upholstery is a heavy natural linen in flax, deeply channel-tufted and biscuit-quilted—an insistent geometry of dimples and seams that catches light and prevents the mass from flattening. The textile program is where the room permits itself wit: indigo-and-ecru ikat or resist-dyed pillows introduce the only true saturation and the only irregular, hand-made mark; a wool blanket-stripe cushion in wheat, dove, and slate mediates between them; and the tailored roman shade and pinch-pleat drapery, in a subtly striated ombré weave of bronze, sand, and pewter, act as a tonal bridge between wall and wood. Below, the field shifts cool—an abrasi or silk-and-wool rug in ink and petrol blue, overlaid with a sinuous ogee lattice in muted gold, whose viscose sheen produces directional shimmer against the room's otherwise matte disposition. Leather appears twice, in caramel-toned saddle upholstery on the twin benches and ottoman, its topstitched panels and strap-pull detailing offering the crispest edge in the room; the espresso-stained coffee table and plinths supply the necessary chromatic bass note. A single celadon-and-blush ceramic vessel, with its banded, glazed belly, functions as a deliberate polychrome accent—an object of arrested attention within a rigorously restrained field.
## III. Lighting, Atmosphere & Style Profile
Daylight is the primary luminaire and it is meticulously managed. The roman shade is dropped to roughly one-third, cropping the sky and glare while framing the mid-ground rooftops—a device that converts an ordinary window into a horizontal, cinematic panorama. Concealed cove or integrated LED lighting within the oak jamb washes the reveal from within, so the window surround reads as a self-illuminated frame and the transition from interior brightness to exterior daylight is softened rather than silhouetted; the same strategy grazes the wall panel behind the sofa, producing a gentle vertical gradient. Artificial light is otherwise almost entirely decorative and directional: a swing-arm wall sconce in antiqued brass with a domed, spun-metal shade cantilevers over the corner console, its low placement establishing a task-scaled pool of warmth and reinforcing the room's insistent horizontality. The resultant atmosphere is hushed, enveloping, and distinctly crepuscular—a lounge tuned for late-afternoon light and low conversation. Stylistically, the project synthesizes a mid-century modern armature—low-slung planar seating, tuxedo arms, brass and dark wood—with the tactile restraint of contemporary Warm Minimalism and a discernible strain of Japanese-influenced spatial editing: deep reveals, floating planes, an appreciation for the void, and objects placed with ikebana-like economy. One might classify it as Refined Urban Modernism, or a bespoke Warm Minimalism, in which luxury is expressed not through ornament but through the precision of joinery, the depth of the material palette, and the discipline with which the view is framed.

## Spatial Composition & Architectural Volume
This is a kitchen conceived less as a service zone than as a precisely calibrated architectural volume, resolved through an L-configuration of full-height cabinetry that terminates against a monolithic island set on an intentional diagonal to the orthogonal grid of the herringbone flooring. The island's waterfall treatment — a slab returning to the floor in a single unbroken plane — functions as both a peninsular counter and a piece of quasi-sculptural infrastructure, its overhang generating a shallow banquette-adjacent seating zone without resorting to a conventional breakfast bar. Above, a coffered soffit executed in flush drywall with a continuous cove-lit reveal establishes a datum line that both compresses and defines the working core, while the adjacent tray ceiling reads as a distinct volume, spatially decoupling the kitchen from the living room beyond. That threshold is the composition's most disciplined gesture: a wide cased opening framed in mitered rift-cut oak paneling, its architrave articulated as a shadow-gapped reveal rather than applied trim, drawing a deep enfilade sightline through to the window wall, its Roman shades, and the mid-rise cityscape beyond. Millwork here performs structurally as well as visually — the oak-clad pilasters and the fluted, hand-carved textural panel at right operate as pseudo-columnar elements, organizing the plan into legible bays.
## Materiality, Color & Texture
The palette is constructed on a deliberate dialectic between two wood registers. The envelope employs a pale, quarter-sawn white oak with a honeyed, faintly amber undertone, its figure suppressed and its finish matte, functioning as a luminous neutral ground. Against this, the cabinetry deploys a deeply fumed or ebonized ash — likely a heavily lacquered, open-grain veneer — where the cathedral figuring is exaggerated into near-graphic striation and the high-gloss sheen produces a lacquered, almost Art Deco lustre. This contrast of value (blonde against bitter chocolate) and of sheen (matte against specular) is the project's principal tension. Mediating between them is the stone: a white quartzite or dolomitic marble with soft grey-taupe veining and a distinctly warm, cream-adjacent field, book-matched across the full-height backsplash and repeated on the island slab, its subtly honed surface refusing the glare of a polished finish. Metallic accents are restrained and consistently warm — satin brass on the pendant canopies and stool footrails, blackened bronze on the hardware, glazing frames, and the stools' slender tubular frames. Textiles introduce a low-frequency counterpoint: nubby bouclé upholstery on the sectional, a striated woven sheer at left, ikat-patterned cushions, and a tonal blue-grey geometric rug that supplies the only chromatic departure from the room's ochre-to-espresso spectrum.
## Lighting, Atmosphere & Style Profile
The lighting scheme is layered with unusual rigor. Daylight is admitted obliquely, filtered through the plaid-toned Roman shades of the adjacent living room, so the kitchen receives it secondhand — soft, directional, and already warmed. Artificial light works in three tiers: the recessed cove uplighting that grazes the soffit and dissolves the ceiling's edges; concealed under-cabinet illumination that renders the stone backsplash as a glowing plane; and the pair of spun-brass disc pendants suspended on slender blackened stems, whose downward-facing diffusers deliver a controlled pool of task light while their polished undersides register as small suns in the composition. The absence of visible downlight clutter is notable and disciplined. The resulting atmosphere is enveloping and low-glare — cosseting rather than clinical — with a distinctly residential, almost salon-like decorum reinforced by the framed genre painting hung casually on the oak paneling, a curatorial gesture that domesticates the kitchen decisively. Stylistically, the project reads as **Warm Modernist Luxe**, drawing on the vocabulary of high-craft European cabinetry and mid-century Milanese interiors: the grain-forward veneers, brass discs, and slender bronze seating carry a whisper of 1970s Italian sophistication, while the flush detailing, shadow-gap reveals, and rigorous suppression of ornament situate it firmly in contemporary practice. It is tailored rather than austere — a demonstration that minimalist discipline and material sensuality need not be adversaries.

For a family putting down lasting roots in Park City, this 10,000-square-foot estate within the gated enclave of Quarry Mountain Ranch is conceived as both sanctuary and legacy. Designed to evolve alongside its owners, the home balances permanence with a deep sensitivity to the land it inhabits.
Thoughtfully positioned within an alpine meadow shaped by the gentle flow of McLeod Creek, the residence embraces its setting. The waterway threads through the property, sustaining native grasses and drawing elk, deer, and migratory birdlife, grounding daily life in the rhythms of season and landscape.
Broad planes of glass and sheltering rooflines frame uninterrupted views of ski slopes and distant ridgelines, while long sightlines pull natural light deep into the interior. Terraces and covered outdoor rooms mediate between house and meadow, creating spaces for gathering, reflection, and year-round connection to the outdoors.
A restrained palette of wood and stone echoes the textures of the terrain, lending warmth and durability to the home’s contemporary expression. A separate guest house extends the architectural language, forming a discreet compound that supports family life, hospitality, and the enduring cadence of alpine living.
Architecture: Advanced Design
Interior Design: Erin Brewer Design

Nicole Reid Photography
Example of a mid-sized transitional dark wood floor and brown floor multiuse home gym design in Edmonton with gray walls
Example of a mid-sized transitional dark wood floor and brown floor multiuse home gym design in Edmonton with gray walls

Ashley Capp
Inspiration for a small eclectic open concept vinyl floor living room remodel in Toronto with gray walls and a tv stand
Inspiration for a small eclectic open concept vinyl floor living room remodel in Toronto with gray walls and a tv stand
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