This West Austin couple was halfway through a re-design on their home when their dream house popped up for sale. Without hesitation they bought it and a new project was hatched. While the new house was in better shape, it needed several improvements including a new primary bathroom. Now this contemporary spa-like retreat features a vanity with a floating cabinet with large storage drawers, basket storage and a thick marble countertop, black mirrors and hardware. Accent tile runs from the floor up the shower wall. Set in a herringbone pattern, the tile adds color, texture and is the focal point of the room.

Modern Platform Bed / Bedroom Set Linea by Huppe Up Line Made in Canada Linea by Up Huppe is a new modern bedroom set with up-to-date European design and finest made in Canada quality. The Linea Bed is entirely upholstered in Fabric, Leatherette or genuine Leather available in a variety of colors. The Headboard is a bit curved, providing not only a superb look, but also extra comfort. The whole bed is supported by tubular steel legs lacquered in a matt color up to your choice. The Linea Bed as well as the optional casegoods are completely finished from all sides, allowing to place any piece of this bedroom set even in the center of your room. All the pieces within the Linea collection are made of wood veneer and solid Walnut, that can be ordered according to your choice in one of six available wood stain finishes. The interiors of the bedroom case goods are made of Birch that is also finished to protect your even the most delicate clothes. Moreover, the drawers are equipped with soft-closing hardware. Optional Nightstands, Dressers and Chests can be ordered either on short wooden legs or same as bed high steel metal legs. Features: Designed by Up Huppe Bed is upholstered in fabric, eco-leather or leather of different colors Metal legs available in a variety of matt lacquered colors Case-goods structure is available in six walnut finishes Case-goods are finished all around and equipped with self-clothing slow motion slides Bed only requires a mattress that sits on a wooden platform with slats or panels The starting price is for the Linea Queen size bed in Light Natural Walnut finish, Black #324 Lacquer and PL #060 Fabric Upholstery. Dimensions: Queen Size Bed: W67.5" x D94.8" x H40" King Size Bed: W85" x D94.8" x H40" 1-Drawer Nightstand: W24" x D19" x H18" 2-Drawer Nightstand (wooden legs): W24" x D19" x H19" 2-Drawer Nightstand (metal base): W24" x D19" x H23.5" 6-Drawer Dresser (wooden legs): W70" x D19" x H24" 6-Drawer Dresser (metal base): W70" x D19" x H31" 3-Drawer Chest (wooden legs): W36" x D19" x H29" 3-Drawer Chest (metal base): W36" x D19" x H36.3" 5-Drawer Chest (wooden legs): W36" x D19" x H45.5" 5-Drawer Chest (metal base): W36" x D19" x H52.5" Horizontal Mirror: W48" x D1.5" x H23" Floor Mirror: W25" x D1.5" x H77"

Example of a trendy rooftop rooftop deck design in Dallas with no cover

The goal of this project was to upgrade the builder grade finishes and create an ergonomic space that had a contemporary feel. This bathroom transformed from a standard, builder grade bathroom to a contemporary urban oasis. This was one of my favorite projects, I know I say that about most of my projects but this one really took an amazing transformation. By removing the walls surrounding the shower and relocating the toilet it visually opened up the space. Creating a deeper shower allowed for the tub to be incorporated into the wet area. Adding a LED panel in the back of the shower gave the illusion of a depth and created a unique storage ledge. A custom vanity keeps a clean front with different storage options and linear limestone draws the eye towards the stacked stone accent wall. Houzz Write Up: https://www.houzz.com/magazine/inside-houzz-a-chopped-up-bathroom-goes-streamlined-and-swank-stsetivw-vs~27263720 The layout of this bathroom was opened up to get rid of the hallway effect, being only 7 foot wide, this bathroom needed all the width it could muster. Using light flooring in the form of natural lime stone 12x24 tiles with a linear pattern, it really draws the eye down the length of the room which is what we needed. Then, breaking up the space a little with the stone pebble flooring in the shower, this client enjoyed his time living in Japan and wanted to incorporate some of the elements that he appreciated while living there. The dark stacked stone feature wall behind the tub is the perfect backdrop for the LED panel, giving the illusion of a window and also creates a cool storage shelf for the tub. A narrow, but tasteful, oval freestanding tub fit effortlessly in the back of the shower. With a sloped floor, ensuring no standing water either in the shower floor or behind the tub, every thought went into engineering this Atlanta bathroom to last the test of time. With now adequate space in the shower, there was space for adjacent shower heads controlled by Kohler digital valves. A hand wand was added for use and convenience of cleaning as well. On the vanity are semi-vessel sinks which give the appearance of vessel sinks, but with the added benefit of a deeper, rounded basin to avoid splashing. Wall mounted faucets add sophistication as well as less cleaning maintenance over time. The custom vanity is streamlined with drawers, doors and a pull out for a can or hamper. A wonderful project and equally wonderful client. I really enjoyed working with this client and the creative direction of this project. Brushed nickel shower head with digital shower valve, freestanding bathtub, curbless shower with hidden shower drain, flat pebble shower floor, shelf over tub with LED lighting, gray vanity with drawer fronts, white square ceramic sinks, wall mount faucets and lighting under vanity. Hidden Drain shower system. Atlanta Bathroom.

Low Gear Photography
Kitchen/dining room combo - mid-sized traditional light wood floor kitchen/dining room combo idea in Kansas City with gray walls

This Manhattan Upper East side apartment renovation introduces memories of California into a New York setting for clients who embrace the Big Apple lifestyle but didn’t want to give up their Marin County, California comforts. The carved out ceilings and walls add a new dimension to the space; while the blond color woods and curved shapes bring memories of a calmer life. The overall result of the apartment design is a fun, warm and relaxing refuge from their current, higher energy lives. Photography: Charles Callister Jr.

Gorgeous townhouse with stylish black windows, 10 ft. ceilings on the first floor, first-floor guest suite with full bath and 2-car dedicated parking off the alley. Dining area with wainscoting opens into kitchen featuring large, quartz island, soft-close cabinets and stainless steel appliances. Uniquely-located, white, porcelain farmhouse sink overlooks the family room, so you can converse while you clean up! Spacious family room sports linear, contemporary fireplace, built-in bookcases and upgraded wall trim. Drop zone at rear door (with keyless entry) leads out to stamped, concrete patio. Upstairs features 9 ft. ceilings, hall utility room set up for side-by-side washer and dryer, two, large secondary bedrooms with oversized closets and dual sinks in shared full bath. Owner’s suite, with crisp, white wainscoting, has three, oversized windows and two walk-in closets. Owner’s bath has double vanity and large walk-in shower with dual showerheads and floor-to-ceiling glass panel. Home also features attic storage and tankless water heater, as well as abundant recessed lighting and contemporary fixtures throughout.

The client’s request was quite common - a typical 2800 sf builder home with 3 bedrooms, 2 baths, living space, and den. However, their desire was for this to be “anything but common.” The result is an innovative update on the production home for the modern era, and serves as a direct counterpoint to the neighborhood and its more conventional suburban housing stock, which focus views to the backyard and seeks to nullify the unique qualities and challenges of topography and the natural environment. The Terraced House cautiously steps down the site’s steep topography, resulting in a more nuanced approach to site development than cutting and filling that is so common in the builder homes of the area. The compact house opens up in very focused views that capture the natural wooded setting, while masking the sounds and views of the directly adjacent roadway. The main living spaces face this major roadway, effectively flipping the typical orientation of a suburban home, and the main entrance pulls visitors up to the second floor and halfway through the site, providing a sense of procession and privacy absent in the typical suburban home. Clad in a custom rain screen that reflects the wood of the surrounding landscape - while providing a glimpse into the interior tones that are used. The stepping “wood boxes” rest on a series of concrete walls that organize the site, retain the earth, and - in conjunction with the wood veneer panels - provide a subtle organic texture to the composition. The interior spaces wrap around an interior knuckle that houses public zones and vertical circulation - allowing more private spaces to exist at the edges of the building. The windows get larger and more frequent as they ascend the building, culminating in the upstairs bedrooms that occupy the site like a tree house - giving views in all directions. The Terraced House imports urban qualities to the suburban neighborhood and seeks to elevate the typical approach to production home construction, while being more in tune with modern family living patterns. Overview: Elm Grove Size: 2,800 sf, 3 bedrooms, 2 bathrooms Completion Date: September 2014 Services: Architecture, Landscape Architecture Interior Consultants: Amy Carman Design

Master Bathroom. Custom sink vanity. Don Freeman Studio photography
Inspiration for a small transitional master white tile mosaic tile floor bathroom remodel in New York with an undermount sink, shaker cabinets, medium tone wood cabinets and white walls

The Garvin-Weeks Farmstead in beautiful North Reading, built c1790, has enjoyed a first floor makeover complete with a new kitchen, family room and master suite. Particular attention was given to preserve the historic details of the house while modernizing and opening up the space for today’s lifestyle. The open concept farmhouse style kitchen is striking with its antique beams and rafters, handmade and hand planed cabinets, distressed floors, custom handmade soapstone farmer’s sink, marble counter tops, kitchen island comprised of reclaimed wood with a milk paint finish, all setting the stage for the elaborate custom painted tile work. Skylights above bathe the space in natural light. Walking through the warm family room gives one the sense of history and days gone by, culminating in a quintessential looking, but fabulously updated new England master bedroom and bath. A spectacular addition that feels and looks like it has always been there! Photos by Eric Roth

To optimize the views of the lake and maximize natural ventilation this 8,600 square-foot woodland oasis accomplishes just that and more. A selection of local materials of varying scales for the exterior and interior finishes, complements the surrounding environment and boast a welcoming setting for all to enjoy. A perfect combination of skirl siding and hand dipped shingles unites the exterior palette and allows for the interior finishes of aged pine paneling and douglas fir trim to define the space. This residence, houses a main-level master suite, a guest suite, and two upper-level bedrooms. An open-concept scheme creates a kitchen, dining room, living room and screened porch perfect for large family gatherings at the lake. Whether you want to enjoy the beautiful lake views from the expansive deck or curled up next to the natural stone fireplace, this stunning lodge offers a wide variety of spatial experiences. Photographer: Joseph St. Pierre

This Manhattan Upper East side apartment renovation introduces memories of California into a New York setting for clients who embrace the Big Apple lifestyle but didn’t want to give up their Marin County, California comforts. The carved out ceilings and walls add a new dimension to the space; while the blond color woods and curved shapes bring memories of a calmer life. The overall result of the apartment design is a fun, warm and relaxing refuge from their current, higher energy lives. Photography: Charles Callister Jr.

Combining the popular 6 ft Buckingham Round Table with the Buckingham Benches creates a perfect level of comfort for outdoor dining and picnicking. The table can accept an optional umbrella to create a more relaxing atmosphere, and an optional Lazy Susan can provide all around access. The Buckingham Bench Dining Set features: 1 Buckingham Round Table, 4 Buckingham Benches. Seating up to 12. Optional cushions for the benches made with Quick Dry Foam® core and 100% solution dyed Sunbrella fabrics. Built with 100% Grade A Teak harvested from sustainable plantations in Indonesia, every piece is precision manufactured to standard specifications for commercial and residential use. Optional Teak Finishes available. Sizes: Table-71"D x 30"H; Curved Bench - 69.5 L on outside edge/52 L on Inside Edge x 24W x 36 H

The vignette within Barrett Technology’s Design Center is one of its kind in the industry. Built to inspire and inform, this kitchen showcases today’s most innovative solutions in real world settings. All the technology (video, audio, lighting, security and HVAC) is controlled through a single app on the iPad. Even the motorized window shades, task & accent lighting are controlled via the Lutron Lighting Control System. It allows for lighting scene selection at the touch of a single button – including a “Cook” scene which when pressed will activate the lighting to an optimal 100% over the kitchen sink & island areas and will also drop the motorized spice rack from behind the wall cabinet. Project specs: Thermador appliances, Caesarstone countertops in honed Pebble. Single app control system by Savant. Photographer - Bruce Van Inwegen

When this young family of four and their aging dog, Bernie, moved into their new home, it was evident that changes needed to be made for the house to work for them. The kitchen was cramped and crowded and didn’t allow for the large family gatherings they enjoyed hosting. Without a mudroom between the garage and kitchen, there was no place to drop groceries, schoolbags, coats or boots. And an unused dining room sat empty, save for the furniture. We immediately set out to open up walls and make better use of the space. A mudroom was added, outfitted with cabinetry lockers for jackets and schoolbags with room for baskets for shoes under the bench. A glass pocket door was installed to let the light flow from the window on the front of the house into the adjacent kitchen. In the kitchen, we took advantage of the unused dining room and broke through the wall creating one large, open plan, kitchen and family room. An expansive island was installed to provide seating in the kitchen and give sight lines from the sink to the family room from which to keep an eye on the littles while they played. A desk area was also created in front of one of the windows, giving great light for homework and crafts. While the floor-to-ceiling windows in the dining room kept us to a galley kitchen layout, their dog, Bernie was thankful we maintained his views of the park-like setting in the backyard.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

We updated this 1907 two-story family home for re-sale. We added modern design elements and amenities while retaining the home’s original charm in the layout and key details. The aim was to optimize the value of the property for a prospective buyer, within a reasonable budget. New French doors from kitchen and a rear bedroom open out to a new bi-level deck that allows good sight lines, functional outdoor living space, and easy access to a garden full of mature fruit trees. French doors from an upstairs bedroom open out to a private high deck overlooking the garden. The garage has been converted to a family room that opens to the garden. The bathrooms and kitchen were remodeled the kitchen with simple, light, classic materials and contemporary lighting fixtures. New windows and skylights flood the spaces with light. Stained wood windows and doors at the kitchen pick up on the original stained wood of the other living spaces. New redwood picture molding was created for the living room where traces in the plaster suggested that picture molding has originally been. A sweet corner window seat at the living room was restored. At a downstairs bedroom we created a new plate rail and other redwood trim matching the original at the dining room. The original dining room hutch and woodwork were restored and a new mantel built for the fireplace. We built deep shelves into space carved out of the attic next to upstairs bedrooms and added other built-ins for character and usefulness. Storage was created in nooks throughout the house. A small room off the kitchen was set up for efficient laundry and pantry space. We provided the future owner of the house with plans showing design possibilities for expanding the house and creating a master suite with upstairs roof dormers and a small addition downstairs. The proposed design would optimize the house for current use while respecting the original integrity of the house. Photography: John Hayes, Open Homes Photography https://saikleyarchitects.com/portfolio/classic-craftsman-update/

“Compelling.” That’s how one of our judges characterized this stair, which manages to embody both reassuring solidity and airy weightlessness. Architect Mahdad Saniee specified beefy maple treads—each laminated from two boards, to resist twisting and cupping—and supported them at the wall with hidden steel hangers. “We wanted to make them look like they are floating,” he says, “so they sit away from the wall by about half an inch.” The stainless steel rods that seem to pierce the treads’ opposite ends are, in fact, joined by threaded couplings hidden within the thickness of the wood. The result is an assembly whose stiffness underfoot defies expectation, Saniee says. “It feels very solid, much more solid than average stairs.” With the rods working in tension from above and compression below, “it’s very hard for those pieces of wood to move.” The interplay of wood and steel makes abstract reference to a Steinway concert grand, Saniee notes. “It’s taking elements of a piano and playing with them.” A gently curved soffit in the ceiling reinforces the visual rhyme. The jury admired the effect but was equally impressed with the technical acumen required to achieve it. “The rhythm established by the vertical rods sets up a rigorous discipline that works with the intricacies of stair dimensions,” observed one judge. “That’s really hard to do.”

This Manhattan Upper East side apartment renovation introduces memories of California into a New York setting for clients who embrace the Big Apple lifestyle but didn’t want to give up their Marin County, California comforts. The carved out ceilings and walls add a new dimension to the space; while the blond color woods and curved shapes bring memories of a calmer life. The overall result of the apartment design is a fun, warm and relaxing refuge from their current, higher energy lives. Photography: Charles Callister Jr.