Bathroom Remodeling Oklahoma City – Structural Work Before Finish Work This OKC bathroom remodel is currently in progress — and this is the phase most homeowners never see. Before tile. Before fixtures. Before paint. We started with structural corrections. This bathroom required: • Framing modifications for proper alignment • Doorway layout adjustment to improve flow • Substrate preparation for large-format tile • Laser leveling for precision installation • Reinforcement to prevent long-term cracking Bathroom remodeling in Oklahoma City isn’t just cosmetic. In many Oklahoma homes — especially older properties — movement, framing inconsistencies, and layout inefficiencies must be corrected before installing high-end finishes. Large-format tile demands structural stability. If the framing isn’t square, the finish won’t hold. That’s why we approach every project as a bathroom remodeling contractor in Oklahoma City, not just an installer. This custom shower upgrade is moving toward: • Full walk-in shower conversion • Oversized marble-look slab tile • Integrated recessed niche • Improved space functionality If you’re planning an OKC bathroom remodel, make sure your contractor addresses structure before design. Because remodeling done on unstable framing is remodeling done twice. ? Serving Oklahoma City, Edmond, Moore, Norman, Yukon, Mustang, Piedmont & surrounding areas. Stay tuned for more progress!

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Before & After project! Magical, Storybook, Renovated 1919 Grand Craftsman Bungalow on a gorgeous tree-lined street in Spaulding Square HPOZ Taken by: Noam Baram

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

The owners of this kitchen had spent the money to upgrade the finishes in their kitchen upon building the home 12 years ago, but after living in the space for several years they realized how nonfunctional the layout really was. The (then) two preschool aged children had grown into busy, hungry teenagers with many friends who also liked to hang out at the house. So the family needed a more functional kitchen with better traffic flow, space for daily activities revolving around the kitchen at different times of day, and a kitchen that could accommodate cooking for and serving large groups. Furthermore, the dark, traditional finishes no longer reflected the homeowners’ style. They requested a brighter, more relaxed, coastal style that reflected their love of the seaside cities they like to visit. Originally, the kitchen was U-shaped with a narrow island in the middle. The island created narrow aisles that bottle-necked at the dishwasher, refrigerator, and cooktop areas. There was a pass-through from the foyer into the kitchen, but the owners never liked that the pass-through was also located so close to the powder room. The awkward proximity was unappealing and made guests feel uncomfortable. The kitchen’s storage was made up of lots of narrow cabinets, apothecary drawers, clipped corner units, and very few drawers. It lacked useful storage for the larger items the family used on a daily basis. And the kitchen’s only pantry was small closet that had only builder-grade, narrow shelving with no illumination to be able to see the contents inside. Overall, the kitchen’s lighting plan was poorly executed. Only six recessed cans illuminated the entire kitchen and nook areas. The under cabinet lighting was not evenly distributed either. In fact, the builder had mis-placed the under cabinet lighting around the decorative pilasters which made for choppy, dark cubbies. Further, the builder didn’t include any lighting over the sink or the bar area, which meant whoever was doing the dishes was always in their own shadow. That, coupled with the steep overhang of the game room above made the bar area feel like a dim, cavernous space that wasn’t inviting or task oriented. The kitchen looked out into the main living space, but the raised bar and a narrow wall (which held the only large cabinet in the kitchen) created more of a barrier than a relationship to the living room or breakfast nook. In fact, one couldn’t even see the breakfast nook from the cooktop or sink areas due to its orientation. The raised bar top was too narrow to comfortably sit to either dine at or chat from due to the lack of knee space. The the homeowners confided that the kitchen felt more like a dark, dirty prison than place where the family, or their guests, wanted to gather and commune. The clients' needs and desires were: ➢ to create a kitchen that would be a space the family loved to be in; to relate to the adjacent spaces all around, and to have better flow for entertaining large groups ➢ to remove the walls between the breakfast nook and living area and to be able to utilize the natural light from the windows in both those areas ➢ to incorporate a functional chopping block for prepping fresh food for home cooked meals, an island with a large sink and drain board, 2 pull out trash cans, and seating for at least the 2 teens to eat or do homework ➢ to design a kitchen and breakfast nook with an airy, coastal, relaxed vibe that blended with the rest of the house's coastal theme ➢ to integrate a layered lighting plan which would include ample general illumination, specific task lighting, decorative lighting, and lots of illuminated storage ➢ to design a kitchen with not only more storage for all the husband’s kitchen gadgets and collection of oils and spices, but smart storage, including a coffee/breakfast bar and a place to store and conceal the toaster oven and microwave ➢ to find a way to utilize the large open space between the kitchen, pantry area, and breakfast nook Twelve Stones Designs achieved the owner's goals by: ➢ removing the walls between the kitchen and living room to allow the natural light to filter in from the adjacent rooms and to create a connection between the kitchen, nook, and living spaces for a sense of unity and communion ➢ removing the existing pantry and designing 3 large pantry style cabinets with LED tape lights and rollout drawers to house lots of kitchen appliances, gadgets, and tons of groceries. We also took the cabinets all the way up to the 9’ ceiling for additional storage for seasonal items and bulk storage. ➢ designing 2 islands - 1 with a gorgeous black walnut chopping block that houses a drawer for chopping and carving knives and a custom double pull out trash unit for point of use utilization - and 1 that houses the dishwasher, a large Blanco Gourmet sink with integrated drain board, woven baskets for fresh root vegetables and kitchen towels, plenty of drawer storage for kitchen items, and bar seating for up to 4 diners. ➢ closing off the space between the kitchen and the powder room to create a beautiful new private alcove for the powder room as well as adding some decorative storage. This also gave us space to include more tall storage near the new range for precision placement of the husband’s extensive oil and spice collection as well as a location for a combo-steam oven the wife wanted for baking and cooking healthy meals. The project is enhanced functionally by: ➢ incorporated USB and standard receptacles for the kids’ laptops and phone charging in the large island ➢ designing the small island to include additional open shelving for items used on a daily basis such as a variety of bowls, plates, and colanders. This set up also works well for the husband who prefers to “plate” his dinners in restaurant-style fashion before presenting them to the table. ➢ the integration of specific storage units, such as double stacked cutlery drawers, a custom spice pull-out, a Kuerig coffee and tea pod drawer, and custom double stacked utensil drawers ➢ moving the refrigerator to the old oven location - this eliminated the bottle neck as well as created a better relationship to the eating table. It also utilizes the floor space between the pantry, nook, and kitchen ➢ creating a banquet style breakfast nook - this banquette seating not only doubles the amount of seating for large gatherings but it better utilizes the odd space between the kitchen and the previous nook area. It also helps to create a distinct pathway from the mudroom room through the pantry area, kitchen, nook, and living room. ➢ the coffee/breakfast bar area which includes the perfect location for the concealed microwave and toaster oven, convenient storage for the coffee pods and tea accoutrements. Roll-out drawers below also house the smoothie maker, hot water kettle, and a plethora of smoothie-making ingredients such as protein powders, smoothie additives, etc. Furthermore, the drawers below the Keurig house measuring utensil, cutlery, baking supplies and tupperware storage. ➢ incorporating lots of wide drawers and pullouts to accommodate large cookware. ➢ utilizing as much vertical space as possible by building storage to the ceiling which accommodates the family’s abundant amount of serving platters, baking sheets, bakeware, casserole dishes, and additional cutting boards. The project is enhanced aesthetically by: ➢ new 5-piece Versailles pattern porcelain tile that now seamlessly joins the entire down stairs area together creating a bright, cohesiveness feeling instead of choppy separated spaces - it also adds a coastal feeling ➢ designing a cabinet to conceal the microwave and toaster oven ➢ the coastal influenced light fixtures over the nook table and island ➢ the sandy colors of the Langdon Cambria countertops. The swirling pattern and sparkling quartz pieces remind the homeowner of black-and-tan sandy beaches ➢ the striped banquet seating whose creamy white background and blue-green stripes were the inspiration for the cabinet and wall colors. ➢ All the interior doors were painted black to coordinate with the blacks and grays in the backsplash tile and countertop. This also adds a hint of tailored formality to an otherwise casual space. ➢ the use of WAC's Oculux small aperture LED units for the overhead lighting complimented with Diode LED strips for task lighting under the cabinets and inside the pantry and glass wall cabinets. All of the lighting applications are on separate dimmer switches. Innovative uses of materials or construction methods by Realty Restoration LLC: ➢ Each 1-1/2” x 3” block of reclaimed end-grain black walnut that makes up the center island chopping block was hand milled and built in the shop. It was designed to look substantial and proportional to the surrounding elements, executed by creating the 4 inch tall top with a solid wood chamfered edge band. ➢ The metal doors on either side of the vent hood were also custom designed for this project and built in the Realty Restoration LLC shop. They are made 1x2, 11-gauge mild steel with ribbed glass. Weighing 60 lbs a piece, heavy duty cabinet hinges were added to support the weight of the door and keep them from sagging. ➢ Under-cabinet receptacles were added along the range wall in order to have a clean, uninterrupted backsplash. Design obstacles to overcome: ➢ Because we were removing the demising walls between the kitchen and living room, we had to find a way to plumb and vent the new island. We did this by tunneling through the slab (the slab had post tension cables which prevented us from just trenching) to run a new wet vent through a nearby structural wall. We pulled the existing hot and cold lines between upper floor joists and ran them down the structural wall as well and up through a conduit in the tunnel. ➢ Since we were converting from wall overs to a gas range it allowed us to utilize the 220 feed for the wall ovens to provide a new sub panel for all the new kitchen circuits ➢ Due to framing deficiencies inherited from the original build there was a 1-1/2” differential in the floor-to-ceiling height over a 20 foot span; by utilizing the process of cutting and furring coupled with the crown moulding details on the cabinet elevations we were able to mask the problem and provide seamless transitions between the cabinet components. Evidence of superior craftsmanship: ➢ uniquely designed, one-of-a-kind metal “X” end panels on the large island. The end panels were custom made in the Realty Restoration LLC shop and fitted to the exact dimensions of the island. The welding seams are completely indistinguishable - the posts look like they are cut from a single sheet of metal ➢ square metal posts on the small island were also custom made and designed to compliment and carry through the metal element s throughout the kitchen ➢ the beautiful, oversized end panels on the pantry cabinets which give the breakfast nook a tailored look ➢ integrating a large format 5 piece Versailles tile pattern to seamlessly flow from the existing spaces into the new kitchen space ➢ By constructing a custom cabinet that jogged around a corner we could not remodel (housing the entry way coat closet) we were able to camouflage the adjacent wall offset within the upper and lower cabinets. By designing around the existing jog in the structural walls we accomplished a few things: we were able to find the space to house, and hide, the microwave and toaster oven yet still have a clean cohesive appearance from the kitchen side. Additionally, the owners were able to keep their much needed coat closet and we didn’t have to increase the budget with unnecessary structural work.

Mike and Michelle of Lake Barrington knew they needed extra space. Their home was becoming too crowded for their family with blossoming teenagers, so a basement renovation offered the perfect solution for more space for the kids and more room to entertain for the adults. “Our project consisted of expanding our laundry room, putting in a first floor wet bar so we had adult space upstairs, while also renovating our basement for a family-friendly and teen-functional area as well,” Michelle says. They found Advance Design Studio through a neighbor who gave a glowing recommendation, giving Michelle and Mike the confidence they needed to move forward with a major home renovation. They felt like they knew Advance Design before they even worked together. When they met with the owner Todd Jurs and designer Nicole Ryan, Mike and Michelle knew they were getting a trustworthy, dependable team that could create the project they had been dreaming about for 7 years. Having virtually no natural light to work with, one of the biggest design challenges was creating a basement that did not feel dark and depressing. The Advance team got to work creating architectural archways and custom detailed dry-stack stone columns artfully designed into the space, adding a dramatic element that made the space feel less like a basement or more like a relaxing family room. Color 3D renderings were created to portray what the space would look like so Mike and Michelle could visualize the space in advance. Detailed trim and crown moldings grace the built in buffet and wet bar making for an amazingly functional space that lacks nothing in style and visual interest. Cherry wood cabinetry by Dura Supreme is featured in the space with a “Cocoa Brown” finish and includes beautiful mirrored glass doors embellished with unique elliptical mullion details. A built-in microwave, dishwasher and mini fridge add practicality to the ample entertainment mecca. An under mounted sink finishes the space joined with a intricate mosaic tile backsplash and “Ventisca Polished” quartz countertops. The basement is absolutely perfect for hosting friends and family with expertly designed key areas such as a game space for the kids, a movie area for the family, an ample workout room with luxurious full bath, and even built in wine storage. The family absolutely loves the new basement living space, and has already enjoyed numerous family movie nights and sleep-overs with friends. While custom cabinets made by Dura Supreme were used to create unique spaces that lived up to Mike and Michelle’s expectations., heated flooring under the 16”x16” “Mongolian Spring” tile was installed giving all tiled areas of the basement a much cozier feel, eliminating that cold hard surface most of us hate in our basements! The new basement must-have requirement list included a new bath space, which was incorporated adjacent to the work out room. The sleek shower door and cabinets in the new bathroom make guests and family feel like they are in an elegant hotel. The new guest bath features 4”x36” “Silver Screen” honed marble tile in a brick pattern on the shower walls and 2”x2” “Chenille” limestone tile in a hexagon mosaic pattern on the shower floor. “I came in with very specific requirements for our three project areas,” Michelle says. “There was not one time that I felt like I was asking for something that was not going to turn out how I anticipated.” Tying in multiple rooms during a renovation if you have can do it makes a lot of sense and saves money in the long run. A fully functional laundry room as well was a must on this family’s wish list. Michelle wanted to add space to the existing cramped and awkward laundry room, and Mike wanted to make sure they could still park a car in the garage. Reconfiguring interior walls required borrowing unused space cleverly from the garage in order to enlarge the laundry room space. Drawers under the stairs added beautiful hidden storage created almost magically out of dead space. White painted Dura Supreme cabinets bring additional light into the small space; while the 16”x16” cleft slate tile flooring provides excellent contrast and the naturally earthy feel Michelle wanted. Quartz countertops with a 3”x12” “Debut Dew” subway tile backsplash add elegance to the now upliftingly bright laundry room. The extra space makes doing laundry much more pleasurable and the added storage is a great for all those little things like winter hats and gloves, umbrellas and the like. “The Advance Design project team was phenomenal to work with,” Michelle says. “They came in, shared the plans with us and walked us through the expectations. We always knew what was coming next.” Converting an existing closet space, the wet bar upstairs was challenging because they wanted a functional area that didn’t look or feel like cabinets just sticking out of a closet. So the Advance team transformed this ordinary closet space into a stunning wet bar that architecturally appears as if it’s always been there. Traditional, elegant hand carved custom molding matching the adjacent fireplace ties the new entertainment bar area in nicely with the existing family room and kitchen area. Featuring a built in wine refrigerator, Dura Supreme cabinetry in deep cherry wood elegantly displays wine bottles and etched glass mullion doors that fill with soft light in the evening hours. Cambria “Windermere” quartz countertops with a sophisticated hammered copper sink and a glimmering backsplash round out the stunning wet bar. Hosting parties and family functions has become much more enjoyable now that they have a dedicated beverage serving area large enough to include hors devours. All three projects were designed and constructed together at the same time, making for a cohesive project that was administered smoothly and easily both for the design team and for the family. Disruption to the home was minimal as each phase was completed in each project conclusively, and design and meeting time for the homeowner was efficient and organized making for an enjoyable process. “Advance Design was great to work with,” Michelle says. “I would highly recommend them to anyone considering a home improvement project. They took the time at the beginning to understand our needs, our budget, and our vision for our home. The field team was great, attentive, on time, cleaned up each day and made the overall experience very positive. We couldn't be happier with the finished product.” With the help of our talented, award winning design team you can create the basement, laundry room, or any other home renovation that you have been dreaming of. With our “Common Sense Remodeling” approach, the process of renovating you home has never been easier. Contact us today at 847-836-2600 or schedule an appointment to talk with us about that kitchen remodeling project. Joe Nowak

DESIGN BUILD REMODEL | Home Office Transformation | FOUR POINT DESIGN BUILD INC. This space was once a child's bedroom and now doubles as a professional home photography post production office and a dressing room for graceful ballerinas! This completely transformed 3,500+ sf family dream home sits atop the gorgeous hills of Calabasas, CA and celebrates the strategic and eclectic merging of contemporary and mid-century modern styles with the earthy touches of a world traveler! AS SEEN IN Better Homes and Gardens | BEFORE & AFTER | 10 page feature and COVER | Spring 2016 To see more of this fantastic transformation, watch for the launch of our NEW website and blog THE FOUR POINT REPORT, where we celebrate this and other incredible design build journey! Launching September 2016. Photography by Riley Jamison #ballet #photography #remodel #LAinteriordesigner #builder #dreamproject #oneinamillion

A Hampton style sofa has become a necessity in home decor as people become more familiar with the Hampton interior style. Hampton style sofas are a good choice for timeless design if you are replacing or buying a new one. When you are uncertain of what you want, buying a sofa can seem challenging. If you're trying to select La maison hampton furniture for one of your home's most important rooms, you have a lot to take into account. It maust suit your taste and function.
Couches require thought and consideration. It is important that you choose a style and a color that goes well with your living area, along with a durable material that meets your needs. The front door must also be able to accommodate the rug. So, don't forget to familiarize yourself with the different sizes, fillings, and textures before creating your budget. You don't have to spend a lot of money on a new sofa, but while there are some places where you can save money, there are others where you should invest.
First, Let's Talk about the Vibe of sofa style
First and foremost, you should consider the style of your sofa. Choose a sofa whose style fits the current theme of your home. It may seem very obvious, but many people simply buy whatever suits their fancy, and unfortunately, the style of the room is a lot of the time different from what suits their fancy.
If the rug or the art above the sofa don't go together, it might not work in the room. It's imperative to get the look right before adding the rest of these elements. Make sure you consider how you wish the room to feel when you're in it. If you're looking for something more colorful, or you have a particular style in mind, such as mid-century (then googling 'Hampton style sofas' will prove valuable). A sofa that looks great but is super-comfy might end up looking completely out of place if you skip this step.
Next, We will Discuss Functionality of sofas
It is important to consider what you will be doing with the sofa. Although I am convinced that the answer is "to sit on", we need to dig deeper. Can you, for instance, sit down for drinks in this formal sitting room when company comes over? Do you watch television in this room every day? There is a rumpus room upstairs for the kids to interact with their friends and eat and drink on it? There might be Hampton style sofas in the guest room.
For your convenience, I have compiled a full list of Hampton style sofas here. Depending on the situation, each sofa style needs to be different. Typically, formal couches tend to be less comfortable. They're usually more rigid and upright. Couches for watching TV should be cushier; they should be comfortable. We know that many teens are not concerned about Hampton style sofas maintenance, so kids zones need sofas that are able to withstand more wear and tear. This is something high schools should teach.
This story shows you the importance of not skipping this important ‘how will it be used? At this point, you should have an idea of how you'll use the Hampton style sofas. Consider, for instance, a sofa with a bold color and a formal feel for your living room. If you want a couch with a relaxed feel, choose a neutral shade with a cushy feel.
Dimensions of an ideal hamptons style sofa
Before you buy a Hampton style sofa, you must measure the size of your current living room. You will probably not fit it if you don't do this. A large one will either overwhelm the room and leave no room for a coffee table, or a small one will look dwarfed in comparison. When a pandemic strikes, scale is everything.
You should be able to fit the sofa into the room comfortably without it feeling too large or small. Measure the width of your La maison hampton furniture style sofas first with a tape measure. Consider if you'd like side tables beside your sofa. In that case, you would need to measure the width of either side of your sofa and add around 50cm to either side (most decent side tables have a width of about 50cm).
In addition to measuring Hampton style sofas depth, you should also measure the width. There are some sofas that can be as deep as a metre (from the front of the sofa cushion to its back). Since your sofa will need an allowance of 50cm from the edge of the coffee table to the front of the sofa, and a minimum of 50cm on the other side of the coffee table, you might want to measure your current coffee table to ensure it matches.
Another Important Factor is Height
In an open-plan living room, this element is particularly important if your sofa crosses the space. When you have a sectional sofa, for example, one of the ends will likely cut across the room, so the back should be low so your eye can still pass over the back.
One of the top 10 living room design mistakes I make is to place tall-backed Hampton style sofas across the room, a mistake that really cramps the style of the whole space. It happens way too often.
Although the height won't be a major issue if the sofa is backed up against a wall, it is still worth considering the size of the art you want to hang above it. If you want neck support whilst watching TV, a low-back sofa might not be for you. My neck tends to become less and less flexible as I get older. It's a sad fact, but true nonetheless. If you find yourself in the same situation, you should consider high-back Hampton style sofas.
Sofa Cushions: How Low are They?
Many people don't think about this dimension when purchasing a sofa online, especially if they're doing so for the first time. If you're road-testing the sofa in-store, you'll know if it's too low for you right away, but an online purchase is something else.
Low-profile sofas have a seat height of 40 cm or less. The sofa's 60cm seat height will make it much more difficult to get up and out of it. The importance of this factor increases as we age or if we have mobility problems. The seat you're sitting in should allow you to stand up comfortably, without feeling like you need assistance.
Additionally, the height of your coffee table should not be higher than the seat cushions on the sofa, because the table should never be higher than the seat cushions on the sofa. They should never be higher than each other. Make sure you take notes!
What Else is There in the Room?
A good idea when choosing a sofa is to consider what other elements will be in the room. For a well-designed, elegantly-resolved living room, you'll need a sofa, rug, coffee table, side table/s, lamp, TV unit, and wall art. The room will not feel right if you buy a massive sectional sofa that takes up the entire room and leaves no space for a coffee table or side tables.
You should measure out your sofa, keeping in mind that the other pieces La maison hampton furniture and decor will also need to fit into the space. All pieces of furniture need to have enough space to breathe. It's best not to have all the furniture crammed into the point where sitting down means hitting your legs or feet against pieces.
You probably now understand that choosing a couch is more about the couch itself than with how to choose it. So think of the big picture whenever you choose something.
Two Two-Seaters, or a Sectional Sofa?
People often have to wrestle with the question of whether they should buy two sofas or one sectional when figuring out how to choose a sofa. Sectionals are usually preferable to two separate two-seater sofas. However, the corner piece is rarely occupied anyway. Often, the corner piece of a sectional is so tiny that it is impossible for a person to sit there comfortably. Therefore, think about whether you actually need this over getting two x two-seater sofas and arranging them into an L-shape.
If you don't have a large living room, you might prefer 2 x two-seater sofas instead. Sectional sofas are best for larger rooms. With the visual break of all that fabric dominating the corner, it will do the room a world of good. Furthermore, you can use the space between your sofas to put a side table so you can place drinks, or a table lamp, there.
You may want to consider getting 1 x two-seater sofa and an armchair instead, if you have a really small living room. Even though you want to seat as many people as possible, you should let the room determine how many people the sofa can accommodate.
A Guide to Picking the Right Material
The material of the sofa is obviously very important when it comes to picking out the right one. The best advice I can offer is to consider who will use the sofa and how that will impact maintenance.
Leather sofas are easier to clean than fabric ones when kids or pets are present. Leather has the disadvantage of retaining heat in the winter and being cold in the summer. Cushions work well with leather sofas, but velvet ones work better with leather sofas. Leather will show up claw marks more easily on some pets (like my cats).
It is true that fabric sofas are softer and cozier, but they can also be more difficult to clean. Having a slipcover sofa is a godsend if you have pets or toddlers, but they're not too easy to maintain.
You should consider how much patience you have to keep the sofa clean and who uses it. That will make it easier to decide what material to use. I work with a sofa supplier who has bomb-proof fabric that is so easy to clean that you can literally serve dinner right onto the cushions without making an utter mess.

A Hampton style sofa has become a necessity in home decor as people become more familiar with the Hampton interior style. Hampton style sofas are a good choice for timeless design if you are replacing or buying a new one. When you are uncertain of what you want, buying a sofa can seem challenging. If you're trying to select La maison hampton furniture for one of your home's most important rooms, you have a lot to take into account. It maust suit your taste and function.

Couches require thought and consideration. It is important that you choose a style and a color that goes well with your living area, along with a durable material that meets your needs. The front door must also be able to accommodate the rug. So, don't forget to familiarize yourself with the different sizes, fillings, and textures before creating your budget. You don't have to spend a lot of money on a new sofa, but while there are some places where you can save money, there are others where you should invest.

First, Let's Talk about the Vibe of sofa style

First and foremost, you should consider the style of your sofa. Choose a sofa whose style fits the current theme of your home. It may seem very obvious, but many people simply buy whatever suits their fancy, and unfortunately, the style of the room is a lot of the time different from what suits their fancy.

If the rug or the art above the sofa don't go together, it might not work in the room. It's imperative to get the look right before adding the rest of these elements. Make sure you consider how you wish the room to feel when you're in it. If you're looking for something more colorful, or you have a particular style in mind, such as mid-century (then googling 'Hampton style sofas' will prove valuable). A sofa that looks great but is super-comfy might end up looking completely out of place if you skip this step.

Next, We will Discuss Functionality of sofas

It is important to consider what you will be doing with the sofa. Although I am convinced that the answer is "to sit on", we need to dig deeper. Can you, for instance, sit down for drinks in this formal sitting room when company comes over? Do you watch television in this room every day? There is a rumpus room upstairs for the kids to interact with their friends and eat and drink on it? There might be Hampton style sofas in the guest room.

For your convenience, I have compiled a full list of Hampton style sofas here. Depending on the situation, each sofa style needs to be different. Typically, formal couches tend to be less comfortable. They're usually more rigid and upright. Couches for watching TV should be cushier; they should be comfortable. We know that many teens are not concerned about Hampton style sofas maintenance, so kids zones need sofas that are able to withstand more wear and tear. This is something high schools should teach.

This story shows you the importance of not skipping this important ‘how will it be used? At this point, you should have an idea of how you'll use the Hampton style sofas. Consider, for instance, a sofa with a bold color and a formal feel for your living room. If you want a couch with a relaxed feel, choose a neutral shade with a cushy feel.

Dimensions of an ideal hamptons style sofa

Before you buy a Hampton style sofa, you must measure the size of your current living room. You will probably not fit it if you don't do this. A large one will either overwhelm the room and leave no room for a coffee table, or a small one will look dwarfed in comparison. When a pandemic strikes, scale is everything.

You should be able to fit the sofa into the room comfortably without it feeling too large or small. Measure the width of your La maison hampton furniture style sofas first with a tape measure. Consider if you'd like side tables beside your sofa. In that case, you would need to measure the width of either side of your sofa and add around 50cm to either side (most decent side tables have a width of about 50cm).

In addition to measuring Hampton style sofas depth, you should also measure the width. There are some sofas that can be as deep as a metre (from the front of the sofa cushion to its back). Since your sofa will need an allowance of 50cm from the edge of the coffee table to the front of the sofa, and a minimum of 50cm on the other side of the coffee table, you might want to measure your current coffee table to ensure it matches.

Another Important Factor is Height

In an open-plan living room, this element is particularly important if your sofa crosses the space. When you have a sectional sofa, for example, one of the ends will likely cut across the room, so the back should be low so your eye can still pass over the back.

One of the top 10 living room design mistakes I make is to place tall-backed Hampton style sofas across the room, a mistake that really cramps the style of the whole space. It happens way too often.

Although the height won't be a major issue if the sofa is backed up against a wall, it is still worth considering the size of the art you want to hang above it. If you want neck support whilst watching TV, a low-back sofa might not be for you. My neck tends to become less and less flexible as I get older. It's a sad fact, but true nonetheless. If you find yourself in the same situation, you should consider high-back Hampton style sofas.

Sofa Cushions: How Low are They?

Many people don't think about this dimension when purchasing a sofa online, especially if they're doing so for the first time. If you're road-testing the sofa in-store, you'll know if it's too low for you right away, but an online purchase is something else. Low-profile sofas have a seat height of 40 cm or less. The sofa's 60cm seat height will make it much more difficult to get up and out of it. The importance of this factor increases as we age or if we have mobility problems.

The seat you're sitting in should allow you to stand up comfortably, without feeling like you need assistance. Additionally, the height of your coffee table should not be higher than the seat cushions on the sofa, because the table should never be higher than the seat cushions on the sofa. They should never be higher than each other. Make sure you take notes!

What Else is There in the Room?

A good idea when choosing a sofa is to consider what other elements will be in the room. For a well-designed, elegantly-resolved living room, you'll need a sofa, rug, coffee table, side table/s, lamp, TV unit, and wall art. The room will not feel right if you buy a massive sectional sofa that takes up the entire room and leaves no space for a coffee table or side tables.

You should measure out your sofa, keeping in mind that the other pieces La maison hampton furniture and decor will also need to fit into the space. All pieces of furniture need to have enough space to breathe. It's best not to have all the furniture crammed into the point where sitting down means hitting your legs or feet against pieces. You probably now understand that choosing a couch is more about the couch itself than with how to choose it. So think of the big picture whenever you choose something.

Two Two-Seaters, or a Sectional Sofa?

People often have to wrestle with the question of whether they should buy two sofas or one sectional when figuring out how to choose a sofa. Sectionals are usually preferable to two separate two-seater sofas. However, the corner piece is rarely occupied anyway. Often, the corner piece of a sectional is so tiny that it is impossible for a person to sit there comfortably. Therefore, think about whether you actually need this over getting two x two-seater sofas and arranging them into an L-shape.

If you don't have a large living room, you might prefer 2 x two-seater sofas instead. Sectional sofas are best for larger rooms. With the visual break of all that fabric dominating the corner, it will do the room a world of good. Furthermore, you can use the space between your sofas to put a side table so you can place drinks, or a table lamp, there.

You may want to consider getting 1 x two-seater sofa and an armchair instead, if you have a really small living room. Even though you want to seat as many people as possible, you should let the room determine how many people the sofa can accommodate.

A Guide to Picking the Right Material

The material of the sofa is obviously very important when it comes to picking out the right one. The best advice I can offer is to consider who will use the sofa and how that will impact maintenance.

Leather sofas are easier to clean than fabric ones when kids or pets are present. Leather has the disadvantage of retaining heat in the winter and being cold in the summer. Cushions work well with leather sofas, but velvet ones work better with leather sofas. Leather will show up claw marks more easily on some pets (like my cats).

It is true that fabric sofas are softer and cozier, but they can also be more difficult to clean. Having a slipcover sofa is a godsend if you have pets or toddlers, but they're not too easy to maintain.

You should consider how much patience you have to keep the sofa clean and who uses it. That will make it easier to decide what material to use. I work with a sofa supplier who has bomb-proof fabric that is so easy to clean that you can literally serve dinner right onto the cushions without making an utter mess.

A Hampton style sofa has become a necessity in home decor as people become more familiar with the Hampton interior style. Hampton style sofas are a good choice for timeless design if you are replacing or buying a new one. When you are uncertain of what you want, buying a sofa can seem challenging. If you're trying to select La maison hampton furniture for one of your home's most important rooms, you have a lot to take into account. It maust suit your taste and function.

Couches require thought and consideration. It is important that you choose a style and a color that goes well with your living area, along with a durable material that meets your needs. The front door must also be able to accommodate the rug. So, don't forget to familiarize yourself with the different sizes, fillings, and textures before creating your budget. You don't have to spend a lot of money on a new sofa, but while there are some places where you can save money, there are others where you should invest.

First, Let's Talk about the Vibe of sofa style

First and foremost, you should consider the style of your sofa. Choose a sofa whose style fits the current theme of your home. It may seem very obvious, but many people simply buy whatever suits their fancy, and unfortunately, the style of the room is a lot of the time different from what suits their fancy.

If the rug or the art above the sofa don't go together, it might not work in the room. It's imperative to get the look right before adding the rest of these elements. Make sure you consider how you wish the room to feel when you're in it. If you're looking for something more colorful, or you have a particular style in mind, such as mid-century (then googling 'Hampton style sofas' will prove valuable). A sofa that looks great but is super-comfy might end up looking completely out of place if you skip this step.

Next, We will Discuss Functionality of sofas

It is important to consider what you will be doing with the sofa. Although I am convinced that the answer is "to sit on", we need to dig deeper. Can you, for instance, sit down for drinks in this formal sitting room when company comes over? Do you watch television in this room every day? There is a rumpus room upstairs for the kids to interact with their friends and eat and drink on it? There might be Hampton style sofas in the guest room.

For your convenience, I have compiled a full list of Hampton style sofas here. Depending on the situation, each sofa style needs to be different. Typically, formal couches tend to be less comfortable. They're usually more rigid and upright. Couches for watching TV should be cushier; they should be comfortable. We know that many teens are not concerned about Hampton style sofas maintenance, so kids zones need sofas that are able to withstand more wear and tear. This is something high schools should teach.

This story shows you the importance of not skipping this important ‘how will it be used? At this point, you should have an idea of how you'll use the Hampton style sofas. Consider, for instance, a sofa with a bold color and a formal feel for your living room. If you want a couch with a relaxed feel, choose a neutral shade with a cushy feel.

Dimensions of an ideal hamptons style sofa

Before you buy a Hampton style sofa, you must measure the size of your current living room. You will probably not fit it if you don't do this. A large one will either overwhelm the room and leave no room for a coffee table, or a small one will look dwarfed in comparison. When a pandemic strikes, scale is everything.

You should be able to fit the sofa into the room comfortably without it feeling too large or small. Measure the width of your La maison hampton furniture style sofas first with a tape measure. Consider if you'd like side tables beside your sofa. In that case, you would need to measure the width of either side of your sofa and add around 50cm to either side (most decent side tables have a width of about 50cm).

In addition to measuring Hampton style sofas depth, you should also measure the width. There are some sofas that can be as deep as a metre (from the front of the sofa cushion to its back). Since your sofa will need an allowance of 50cm from the edge of the coffee table to the front of the sofa, and a minimum of 50cm on the other side of the coffee table, you might want to measure your current coffee table to ensure it matches.

Another Important Factor is Height

In an open-plan living room, this element is particularly important if your sofa crosses the space. When you have a sectional sofa, for example, one of the ends will likely cut across the room, so the back should be low so your eye can still pass over the back.

One of the top 10 living room design mistakes I make is to place tall-backed Hampton style sofas across the room, a mistake that really cramps the style of the whole space. It happens way too often.

Although the height won't be a major issue if the sofa is backed up against a wall, it is still worth considering the size of the art you want to hang above it. If you want neck support whilst watching TV, a low-back sofa might not be for you. My neck tends to become less and less flexible as I get older. It's a sad fact, but true nonetheless. If you find yourself in the same situation, you should consider high-back Hampton style sofas.

Sofa Cushions: How Low are They?

Many people don't think about this dimension when purchasing a sofa online, especially if they're doing so for the first time. If you're road-testing the sofa in-store, you'll know if it's too low for you right away, but an online purchase is something else. Low-profile sofas have a seat height of 40 cm or less. The sofa's 60cm seat height will make it much more difficult to get up and out of it. The importance of this factor increases as we age or if we have mobility problems.

The seat you're sitting in should allow you to stand up comfortably, without feeling like you need assistance. Additionally, the height of your coffee table should not be higher than the seat cushions on the sofa, because the table should never be higher than the seat cushions on the sofa. They should never be higher than each other. Make sure you take notes!

What Else is There in the Room?

A good idea when choosing a sofa is to consider what other elements will be in the room. For a well-designed, elegantly-resolved living room, you'll need a sofa, rug, coffee table, side table/s, lamp, TV unit, and wall art. The room will not feel right if you buy a massive sectional sofa that takes up the entire room and leaves no space for a coffee table or side tables.

You should measure out your sofa, keeping in mind that the other pieces La maison hampton furniture and decor will also need to fit into the space. All pieces of furniture need to have enough space to breathe. It's best not to have all the furniture crammed into the point where sitting down means hitting your legs or feet against pieces. You probably now understand that choosing a couch is more about the couch itself than with how to choose it. So think of the big picture whenever you choose something.

Two Two-Seaters, or a Sectional Sofa?

People often have to wrestle with the question of whether they should buy two sofas or one sectional when figuring out how to choose a sofa. Sectionals are usually preferable to two separate two-seater sofas. However, the corner piece is rarely occupied anyway. Often, the corner piece of a sectional is so tiny that it is impossible for a person to sit there comfortably. Therefore, think about whether you actually need this over getting two x two-seater sofas and arranging them into an L-shape.

If you don't have a large living room, you might prefer 2 x two-seater sofas instead. Sectional sofas are best for larger rooms. With the visual break of all that fabric dominating the corner, it will do the room a world of good. Furthermore, you can use the space between your sofas to put a side table so you can place drinks, or a table lamp, there.

You may want to consider getting 1 x two-seater sofa and an armchair instead, if you have a really small living room. Even though you want to seat as many people as possible, you should let the room determine how many people the sofa can accommodate.

A Guide to Picking the Right Material

The material of the sofa is obviously very important when it comes to picking out the right one. The best advice I can offer is to consider who will use the sofa and how that will impact maintenance.

Leather sofas are easier to clean than fabric ones when kids or pets are present. Leather has the disadvantage of retaining heat in the winter and being cold in the summer. Cushions work well with leather sofas, but velvet ones work better with leather sofas. Leather will show up claw marks more easily on some pets (like my cats).

It is true that fabric sofas are softer and cozier, but they can also be more difficult to clean. Having a slipcover sofa is a godsend if you have pets or toddlers, but they're not too easy to maintain.

You should consider how much patience you have to keep the sofa clean and who uses it. That will make it easier to decide what material to use. I work with a sofa supplier who has bomb-proof fabric that is so easy to clean that you can literally serve dinner right onto the cushions without making an utter mess.

DESIGN BUILD REMODEL | Master Bath Transformation | FOUR POINT DESIGN BUILD INC | Part Ten This completely transformed 3,500+ sf family dream home sits atop the gorgeous hills of Calabasas, CA and celebrates the strategic and eclectic merging of contemporary and mid-century modern styles with the earthy touches of a world traveler! AS SEEN IN Better Homes and Gardens | BEFORE & AFTER | 10 page feature and COVER | Spring 2016 To see more of this fantastic transformation, watch for the launch of our NEW website and blog THE FOUR POINT REPORT, where we celebrate this and other incredible design build journey! Launching September 2016. Photography by Riley Jamison #masterbathroom #remodel #LAinteriordesigner #builder #dreamproject #oneinamillion

  Morning routines shouldn’t involve a traffic jam at the sink. The 2025 Houzz Bathroom Trends Study found that 65 percent of U.S. renovators now choose a double-sink vanity to skip the wait. Designers agree: Titan Builders dubbed 2025 “the year of bigger, storage-packed double vanities,” forecasting dual-basin setups in family, guest, and even powder baths. As KBIS 2025 launches land, prototypes for 2026 layer in spa-grade wood, built-in outlets, and planet-friendly finishes. In this guide, we rank six standout models and show you how to size, install, and enjoy a clutter-free, two-sink future.   Methodology and selection criteria   A well-planned double-sink vanity keeps busy morning routines calm and clutter-free.   Before we crowned any winners, we mapped the entire 2024–2026 double-sink (dual-basin) market. That meant parsing KBIS exhibitor releases, scraping bestseller lists from Home Depot, Lowe’s, and Wayfair, and reviewing designer short lists in trade magazines. The sweep produced 110 candidate vanities, giving us visibility into every style, price tier, and material in play.   We then scored each model against six weighted factors that continue to matter long after installers leave:  

1. Build quality – 25 percent.Solid hardwood frames, dovetail drawers, and furniture-grade plywood backs, never particleboard in disguise.  
2. Design versatility – 20 percent.Lines and finishes that suit modern, classic, or farmhouse baths without dating quickly.  
3. Sustainability – 15 percent.FSC-certified wood, CARB 2 compliance, and low-VOC finishes for healthier air.  
4. Storage efficiency – 15 percent.Deep drawers, tilt-outs, or power cubbies that corral countertop clutter.  
5. Value for money – 15 percent.Fair street price for the materials, stone tops, sinks, and soft-close hardware included.  
6. Brand reputation and warranty – 10 percent.Manufacturers with responsive support and at least a one-year parts guarantee.

  Three hard gates kept the field honest: each finalist had to ship in North America by early 2026, include a countertop plus two sinks, and hold a minimum four-star user rating. We also filtered out mass-produced MDF boxes and pay-to-play “editor’s picks” in favor of furniture-grade builds with transparent spec sheets. Double-sink listings on Willowbathandvanity.com spell out hardwood or birch-and-plywood construction, specify when MDF and pressboard are not used, and list dovetail drawer boxes, soft-close hardware, and downloadable spec drawings, the kind of detail that made it easier to confirm build quality and layout before shortlisting a model.   After the cuts, six vanities remained, each leading a different use case: luxury showpiece, budget hero, small-bath savior, tech lover’s pick, farmhouse favorite, or bold-color newcomer. The following sections explain why each model earned its spot and where it may have trade-offs, helping you buy with confidence.   Best overall: Willow “Charlotte” 72-inch solid-teak double vanity   The Willow “Charlotte” 72-inch solid-teak double vanity blends heirloom warmth with a durable marble top and deep storage.   Imagine yacht-grade teak refashioned into bathroom furniture; that is Willow’s Charlotte. Stretching 72 × 22 inches (183 × 56 cm), the cabinet feels built-in yet warms the room with genuine wood grain. Every panel and drawer front is solid teak, not veneer, so the wood’s natural oils resist humidity while MDF competitors swell and peel. Willow sources its teak from FSC-certified plantations and finishes it with low-VOC sealers, earning points for durability and indoor-air health.   Open a drawer and you notice commercial-grade heft: dovetail joinery, full-extension soft-close glides, and storage tall enough for a 10-inch (25 cm) hairspray can. Two under-sink bays flank four center drawers, and the factory-installed 1-inch Carrara marble top arrives pre-drilled for 8-inch widespread faucets, eliminating stone-shop delays. Need plumbing diagrams or alternative countertop choices? Check out Willow Bath and Vanity for downloadable spec drawings, finish upgrades, and matching teak mirrors before you order.   Key specs

• Footprint: 72 W × 22 D × 36 H in. (183 × 56 × 91 cm)
• Crated weight: 506 lb / 230 kg
• Street price: about $2,575 with marble top and basins, Q4 2025  

  Reality check: at a quarter ton, Charlotte requires a two-person lift or pro delivery, and marble benefits from yearly sealing. Treat it well and expect decades of service. For a dual-basin centerpiece that blends heirloom character with commercial-grade build, Charlotte sets the benchmark.   Best budget buy: Spring Mill “Emlyn” 60-inch double vanity   Spring Mill’s Emlyn vanity delivers double-sink convenience, a shallow profile and turnkey under-$800 pricing for tight hall baths.   When you want dual-basin convenience without draining the budget, Emlyn delivers. The 60.5 × 18.75 × 32.9 in. cabinet (154 × 48 × 84 cm) arrives fully assembled with its top attached and usually lists between $700 and $800 online. That price is roughly one-third of most mid-tier doubles, a welcome break when tile, plumbing, and lighting costs stack up.   Spring Mill controls costs with painted MDF sides and a laminate backer, yet the finish still feels designer: Admiral Blue or Pearl Gray over Shaker doors, finished with a seamless cultured-marble top. One integrated slab means no grout lines and no undermount rims to caulk.   The trim 18.75-in. (48-cm) depth fits hall baths where standard 22-in. units block door swings. Storage stays simple but useful: two under-sink cabinets plus a pair of full-extension drawers for brushes, toothpaste, and floss.   Treat Emlyn gently and expect five to seven years of service, perfect for rentals, flips, or a stopgap remodel. A quick silicone bead along the back edge stops splash creep, and felt pads prevent metal bins from scratching the resin surface.   Installation suits a single Saturday. Level the feet, connect two 4-in. centerset faucets, and move on to paint touch-ups; no stone-shop scheduling or custom templates required. Dollar for dollar, Emlyn delivers more visual impact than any budget vanity in our test group.   Best for small spaces: Allen + Roth “Haverhill” 48-inch weathered-oak double vanity   Allen + Roth’s Haverhill vanity squeezes dual sinks and barn-door storage into a space-friendly 48-inch footprint.   Small bathroom, big wish list? Haverhill packs dual-basin convenience into a 48 × 22 × 34.8 in. frame (122 × 56 × 88 cm) without feeling cramped. Its signature move is a sliding barn-style center door that glides sideways, preserving clearance in tight rooms.   The cabinet uses a plywood core wrapped in hand-distressed oak veneer, finished in a soft weathered gray that pairs with matte-black or brushed-nickel fixtures. A pre-sealed black engineered-stone top shrugs off splash marks; a quick wipe keeps it spotless.   Storage surprises: two under-sink bays plus three full-extension drawers provide soft-close hardware and a rock-solid feel.   Trade-offs: basins sit close, so elbows can bump, and the dark top highlights toothpaste specks; keep a microfiber cloth handy. For condos, kids’ Jack-and-Jill baths, or any remodel where walls refuse to move, Haverhill delivers two sinks in the footprint of one.   Quick specs

• Footprint: 48 W × 22 D in. (122 × 56 cm)
• Height: 34.8 in. (88 cm) with backsplash
• Sliding barn door plus 3 drawers
• Pre-drilled 8-in. faucet spacing, sinks included

  Best smart vanity: OVE Decors “Tahoe III” 60-inch midnight-blue double vanity Tired of cord clutter? Tahoe III fixes it. Each top drawer holds a UL-listed power bar with four outlets and two USB ports, so razors, toothbrushes, and hair tools stay plugged in yet out of sight.     Tahoe III tucks power outlets and grooming tools into the top drawer, keeping the double-sink countertop blissfully clear.   Built with solid-wood rails and furniture-grade plywood, the cabinet wears a velvety midnight-blue lacquer and a 1.25-in. (3 cm) sealed quartz top that shrugs off spills. Interior organizers sort cotton pads and clippers, while a heat-safe holster stores a hair dryer.   An integrated junction box connects to a nearby GFCI in minutes. Soft-close drawers, adjustable shelves, and full-extension glides complete the premium feel.   Quick specs

• Footprint: 60 W × 21 D × 34 H in. (152 × 53 × 86 cm)
• Integrated power: 4 AC + 2 USB, UL-listed
• Crated weight: 300 lb / 136 kg
• Street price: about $2,349 at Home Depot, Q4 2025  

  Factor in professional delivery and install, and reviews still praise the “zero-countertop-clutter” payoff. For households running on devices, Tahoe III pairs dual-basin style with built-in smarts.   Best modern farmhouse: Water Creation “Paisley” 72-inch rustic-sienna double vanity   Water Creation’s Paisley vanity brings warm Rustic Sienna wood and apron-front basins to a modern farmhouse bath.   Farmhouse rooms often rely on painted shiplap, while Paisley flips the script with warm hardwood in a Rustic Sienna stain, topped by crisp Carrara marble and two apron-front basins for equal parts country charm and boutique-hotel polish.   Built from solid birch and oak with undermount soft-close glides, the 72 × 22 × 34 in. cabinet (183 × 56 × 86 cm) leaves space for perfume on the left, a beard trimmer on the right, and still provides breathing room. Three center drawers keep razors separate from hair ties, while each under-sink bay includes an adjustable shelf for tall bottles. Oil-rubbed bronze pulls ship standard, and the 8-32 screw pattern works with most aftermarket knobs.   Marble benefits from a yearly sealer and quick wipe-downs, and it rewards care with timeless style. The vanity arrives fully assembled; crate weight sits near 380 lb / 172 kg, so confirm doorway widths and recruit lifting help. Street price averaged $2,299 at Home Depot in late 2025.   Quick specs

• Footprint: 72 W × 22 D in. (183 × 56 cm)
• Height: 34 in. (86 cm) plus 4 in. backsplash
• Counter: 1 in. Carrara marble, apron-front sinks included
• Hardware: oil-rubbed bronze, soft-close doors and drawers  

  For remodels inspired by barn doors, patterned cement tile, or reclaimed wood accents, Paisley anchors the look and delivers long-term durability.   Best statement color: Kohler “Tone” 60-inch double vanity (2026 preview)   Kohler’s upcoming Tone vanity brings hotel-inspired color and a waterfall quartz top to double-sink baths.   After a decade of white and gray, rich color returns, and Kohler’s upcoming Tone vanity moves it into the mainstream. Slated for Spring 2026, according to product managers at the KBIS 2025 press briefing, the collection wraps a Shaker shell in hotel-inspired finishes: Forest Green, Deep Terracotta, and Midnight Teal.   Design touches match the drama. Brushed-gold pulls, a waterfall quartz top that folds over both sides, and razor-thin 3 mm door reveals create a tailored look. Beneath the lacquer, a solid-poplar frame and furniture-grade plywood mirror the proven Kohler Jute recipe, so strength keeps pace with style.   Inside, adjustable dividers, a bamboo organizer tray, and soft-close hardware rated for 50,000 cycles control clutter. Engineers also added a slim power bank behind the top drawer for charging shavers or phones. Shipped in two main pieces (base and top), Tone can navigate stairs more easily than fully assembled units.   Quick preview specs*

• Footprint: 60 W × 22 D × 34 H in. (152 × 56 × 86 cm)
• Construction: solid poplar and plywood, waterfall quartz top
• Integrated slim power bank, soft-close doors and drawers
• Target price: just under $2,300 with top and basins  

  *Specifications and pricing remain provisional until the official launch. Fans of bold color at a mid-market price can set a calendar alert now; early production runs often sell out quickly. Quick-glance comparison table   Model Footprint (W × D) Frame material Countertop Signature perk Street price* Willow Charlotte 72 × 22 in. (183 × 56 cm) Solid teak 1-in. Carrara marble FSC-certified hardwood $1,900 Spring Mill Emlyn 60 × 18.75 in. (152 × 48 cm) Painted MDF Seamless cultured marble Turnkey under-$800 kit $700 Allen + Roth Haverhill 48 × 21.5 in. (122 × 55 cm) Plywood and oak veneer Black engineered stone Sliding barn door $1,200 OVE Tahoe III 60 × 21 in. (152 × 53 cm) Solid wood and plywood 1.25-in. quartz Drawer-integrated power $1,999 Water Creation Paisley 72 × 22 in. (183 × 56 cm) Solid birch and oak 1-in. Carrara marble Apron-front sinks $1,900 Kohler Tone† 60 × 22 in. (152 × 56 cm) Solid poplar and plywood Waterfall quartz Saturated designer colors < $2,300   If cabinet depth limits your layout, Emlyn’s 18.75-inch body wins. Want built-in outlets? Tahoe III stands alone. Looking for heirloom durability? Charlotte’s solid teak leads the pack. Use the grid for quick elimination, then check the detailed reviews; warranty, service quality, and installation quirks often decide the final pick.   Buying guide: how to pick the right double vanity Measure first, mood-board later. A comfortable dual-basin vanity requires at least 60 in. (152 cm) of wall, plus a few extra inches so doors and drawers clear. In narrow baths, depth becomes the deal breaker. Units measuring 21 in. (53 cm) or less keep morning traffic moving.     Use at least 60 inches of wall, a shallow depth in narrow baths and 30 inches of clear floor space in front of your double-sink vanity.   Plumbing reality check. Converting a single to a double adds a second drain and tees off the hot- and cold-water lines. Floor-exit pipes favor a back panel you can notch, while wall-mounted vanities depend on in-wall supplies and solid blocking for support.   Materials equal lifespan. Solid hardwood and furniture-grade plywood shrug off steam, whereas particleboard swells. If budget points to MDF, seal every raw edge with caulk on day one; the barrier can add several extra years.   Storage style vs. plumbing clutter. Drawers keep makeup and chargers tidy but steal space where P-traps sit. Cabinets swallow tall bottles yet turn into black holes unless you add rollout trays. Many households choose a hybrid: drawers in the center, doors beneath each sink.   Top talk. Marble feels luxe but benefits from annual sealing. Quartz costs a bit more yet laughs at self-tanner and curling-iron heat. Seamless cultured-marble tops lower cost and simplify cleaning, though they scratch more easily.   Accessibility and clearance. Maintain at least 30 in. (760 mm) of clear floor space in front of the vanity to satisfy ADA guidelines and allow two people to bend without bumping hips. ADA also requires floating units to offer 27 in. (685 mm) of knee space for wheelchair users.   Last, vet the brand. A vanity proves its worth when a company can overnight replacement hinges after a move. Established manufacturers publish part numbers and answer the phone, peace of mind worth a small premium.  

An Arts & Crafts Bungalow is one of my favorite styles of homes. We have quite a few of them in our Stockton Mid-Town area. And when C&L called us to help them remodel their 1923 American Bungalow, I was beyond thrilled. As per usual, when we get a new inquiry, we quickly Google the project location while we are talking to you on the phone. My excitement escalated when I saw the Google Earth Image of the sweet Sage Green bungalow in Mid-Town Stockton. "Yes, we would be interested in working with you," I said trying to keep my cool. But what made it even better was meeting C&L and touring their home, because they are the nicest young couple, eager to make their home period perfect. Unfortunately, it had been slightly molested by some bad house-flippers, and we needed to bring the bathroom back to it "roots." We knew we had to banish the hideous brown tile and cheap vanity quickly. But C&L complained about the condensation problems and the constant fight with mold. This immediately told me that improper remodeling had occurred and we needed to remedy that right away. The Before: Frustrations with a Botched Remodel The bathroom needed to be brought back to period appropriate design with all the functionality of a modern bathroom. We thought of things like marble countertop, white mosaic floor tiles, white subway tile, board and batten molding, and of course a fabulous wallpaper. This small (and only) bathroom on a tight budget required a little bit of design sleuthing to figure out how we could get the proper look and feel. Our goal was to determine where to splurge and where to economize and how to complete the remodel as quickly as possible because C&L would have to move out while construction was going on. The Process: Hard Work to Remedy Design and Function During our initial design study, (which included 2 hours in the owners’ home), we noticed framed images of William Morris Arts and Crafts textile patterns and knew this would be our design inspiration. We presented C&L with three options and they quickly selected the Pimpernel Design Concept. We had originally selected the Black and Olive colors with a black vanity, mirror, and black and white floor tile. C&L liked it but weren’t quite sure about the black, We went back to the drawing board and decided the William & Co Pimpernel Wallpaper in Bayleaf and Manilla color with a softer gray painted vanity and mirror and white floor tile was more to their liking. After the Design Concept was approved, we went to work securing the building permit, procuring all the elements, and scheduling our trusted tradesmen to perform the work. We did uncover some shoddy work by the flippers such as live electrical wires hidden behind the wall, plumbing venting cut-off and buried in the walls (hence the constant dampness), the tub barely balancing on two fence boards across the floor joist, and no insulation on the exterior wall. All of the previous blunders were fixed and the bathroom put back to its previous glory. We could feel the house thanking us for making it pretty again. The After Reveal: Cohesive Design Decisions We selected a simple white subway tile for the tub/shower. This is always classic and in keeping with the style of the house. We selected a pre-fab vanity and mirror, but they look rich with the quartz countertop. There is much more storage in this small vanity than you would think. The Transformation: A Period Perfect Refresh We began the remodel just as the pandemic reared and stay-in-place orders went into effect. As C&L were already moved out and living with relatives, we got the go-ahead from city officials to get the work done (after all, how can you shelter in place without a bathroom?). All our tradesmen were scheduled to work so that only one crew was on the job site at a time. We stayed on the original schedule with only a one week delay. The end result is the sweetest little bathroom I've ever seen (and I can't wait to start work on C&L's kitchen next). Thank you for joining me in this project transformation. I hope this inspired you to think about being creative with your design projects, determining what works best in keeping with the architecture of your space, and carefully assessing how you can have the best life in your home.

The owners of this kitchen had spent the money to upgrade the finishes in their kitchen upon building the home 12 years ago, but after living in the space for several years they realized how nonfunctional the layout really was. The (then) two preschool aged children had grown into busy, hungry teenagers with many friends who also liked to hang out at the house. So the family needed a more functional kitchen with better traffic flow, space for daily activities revolving around the kitchen at different times of day, and a kitchen that could accommodate cooking for and serving large groups. Furthermore, the dark, traditional finishes no longer reflected the homeowners’ style. They requested a brighter, more relaxed, coastal style that reflected their love of the seaside cities they like to visit. Originally, the kitchen was U-shaped with a narrow island in the middle. The island created narrow aisles that bottle-necked at the dishwasher, refrigerator, and cooktop areas. There was a pass-through from the foyer into the kitchen, but the owners never liked that the pass-through was also located so close to the powder room. The awkward proximity was unappealing and made guests feel uncomfortable. The kitchen’s storage was made up of lots of narrow cabinets, apothecary drawers, clipped corner units, and very few drawers. It lacked useful storage for the larger items the family used on a daily basis. And the kitchen’s only pantry was small closet that had only builder-grade, narrow shelving with no illumination to be able to see the contents inside. Overall, the kitchen’s lighting plan was poorly executed. Only six recessed cans illuminated the entire kitchen and nook areas. The under cabinet lighting was not evenly distributed either. In fact, the builder had mis-placed the under cabinet lighting around the decorative pilasters which made for choppy, dark cubbies. Further, the builder didn’t include any lighting over the sink or the bar area, which meant whoever was doing the dishes was always in their own shadow. That, coupled with the steep overhang of the game room above made the bar area feel like a dim, cavernous space that wasn’t inviting or task oriented. The kitchen looked out into the main living space, but the raised bar and a narrow wall (which held the only large cabinet in the kitchen) created more of a barrier than a relationship to the living room or breakfast nook. In fact, one couldn’t even see the breakfast nook from the cooktop or sink areas due to its orientation. The raised bar top was too narrow to comfortably sit to either dine at or chat from due to the lack of knee space. The the homeowners confided that the kitchen felt more like a dark, dirty prison than place where the family, or their guests, wanted to gather and commune. The clients' needs and desires were: ➢ to create a kitchen that would be a space the family loved to be in; to relate to the adjacent spaces all around, and to have better flow for entertaining large groups ➢ to remove the walls between the breakfast nook and living area and to be able to utilize the natural light from the windows in both those areas ➢ to incorporate a functional chopping block for prepping fresh food for home cooked meals, an island with a large sink and drain board, 2 pull out trash cans, and seating for at least the 2 teens to eat or do homework ➢ to design a kitchen and breakfast nook with an airy, coastal, relaxed vibe that blended with the rest of the house's coastal theme ➢ to integrate a layered lighting plan which would include ample general illumination, specific task lighting, decorative lighting, and lots of illuminated storage ➢ to design a kitchen with not only more storage for all the husband’s kitchen gadgets and collection of oils and spices, but smart storage, including a coffee/breakfast bar and a place to store and conceal the toaster oven and microwave ➢ to find a way to utilize the large open space between the kitchen, pantry area, and breakfast nook Twelve Stones Designs achieved the owner's goals by: ➢ removing the walls between the kitchen and living room to allow the natural light to filter in from the adjacent rooms and to create a connection between the kitchen, nook, and living spaces for a sense of unity and communion ➢ removing the existing pantry and designing 3 large pantry style cabinets with LED tape lights and rollout drawers to house lots of kitchen appliances, gadgets, and tons of groceries. We also took the cabinets all the way up to the 9’ ceiling for additional storage for seasonal items and bulk storage. ➢ designing 2 islands - 1 with a gorgeous black walnut chopping block that houses a drawer for chopping and carving knives and a custom double pull out trash unit for point of use utilization - and 1 that houses the dishwasher, a large Blanco Gourmet sink with integrated drain board, woven baskets for fresh root vegetables and kitchen towels, plenty of drawer storage for kitchen items, and bar seating for up to 4 diners. ➢ closing off the space between the kitchen and the powder room to create a beautiful new private alcove for the powder room as well as adding some decorative storage. This also gave us space to include more tall storage near the new range for precision placement of the husband’s extensive oil and spice collection as well as a location for a combo-steam oven the wife wanted for baking and cooking healthy meals. The project is enhanced functionally by: ➢ incorporated USB and standard receptacles for the kids’ laptops and phone charging in the large island ➢ designing the small island to include additional open shelving for items used on a daily basis such as a variety of bowls, plates, and colanders. This set up also works well for the husband who prefers to “plate” his dinners in restaurant-style fashion before presenting them to the table. ➢ the integration of specific storage units, such as double stacked cutlery drawers, a custom spice pull-out, a Kuerig coffee and tea pod drawer, and custom double stacked utensil drawers ➢ moving the refrigerator to the old oven location - this eliminated the bottle neck as well as created a better relationship to the eating table. It also utilizes the floor space between the pantry, nook, and kitchen ➢ creating a banquet style breakfast nook - this banquette seating not only doubles the amount of seating for large gatherings but it better utilizes the odd space between the kitchen and the previous nook area. It also helps to create a distinct pathway from the mudroom room through the pantry area, kitchen, nook, and living room. ➢ the coffee/breakfast bar area which includes the perfect location for the concealed microwave and toaster oven, convenient storage for the coffee pods and tea accoutrements. Roll-out drawers below also house the smoothie maker, hot water kettle, and a plethora of smoothie-making ingredients such as protein powders, smoothie additives, etc. Furthermore, the drawers below the Keurig house measuring utensil, cutlery, baking supplies and tupperware storage. ➢ incorporating lots of wide drawers and pullouts to accommodate large cookware. ➢ utilizing as much vertical space as possible by building storage to the ceiling which accommodates the family’s abundant amount of serving platters, baking sheets, bakeware, casserole dishes, and additional cutting boards. The project is enhanced aesthetically by: ➢ new 5-piece Versailles pattern porcelain tile that now seamlessly joins the entire down stairs area together creating a bright, cohesiveness feeling instead of choppy separated spaces - it also adds a coastal feeling ➢ designing a cabinet to conceal the microwave and toaster oven ➢ the coastal influenced light fixtures over the nook table and island ➢ the sandy colors of the Langdon Cambria countertops. The swirling pattern and sparkling quartz pieces remind the homeowner of black-and-tan sandy beaches ➢ the striped banquet seating whose creamy white background and blue-green stripes were the inspiration for the cabinet and wall colors. ➢ All the interior doors were painted black to coordinate with the blacks and grays in the backsplash tile and countertop. This also adds a hint of tailored formality to an otherwise casual space. ➢ the use of WAC's Oculux small aperture LED units for the overhead lighting complimented with Diode LED strips for task lighting under the cabinets and inside the pantry and glass wall cabinets. All of the lighting applications are on separate dimmer switches. Innovative uses of materials or construction methods by Realty Restoration LLC: ➢ Each 1-1/2” x 3” block of reclaimed end-grain black walnut that makes up the center island chopping block was hand milled and built in the shop. It was designed to look substantial and proportional to the surrounding elements, executed by creating the 4 inch tall top with a solid wood chamfered edge band. ➢ The metal doors on either side of the vent hood were also custom designed for this project and built in the Realty Restoration LLC shop. They are made 1x2, 11-gauge mild steel with ribbed glass. Weighing 60 lbs a piece, heavy duty cabinet hinges were added to support the weight of the door and keep them from sagging. ➢ Under-cabinet receptacles were added along the range wall in order to have a clean, uninterrupted backsplash. Design obstacles to overcome: ➢ Because we were removing the demising walls between the kitchen and living room, we had to find a way to plumb and vent the new island. We did this by tunneling through the slab (the slab had post tension cables which prevented us from just trenching) to run a new wet vent through a nearby structural wall. We pulled the existing hot and cold lines between upper floor joists and ran them down the structural wall as well and up through a conduit in the tunnel. ➢ Since we were converting from wall overs to a gas range it allowed us to utilize the 220 feed for the wall ovens to provide a new sub panel for all the new kitchen circuits ➢ Due to framing deficiencies inherited from the original build there was a 1-1/2” differential in the floor-to-ceiling height over a 20 foot span; by utilizing the process of cutting and furring coupled with the crown moulding details on the cabinet elevations we were able to mask the problem and provide seamless transitions between the cabinet components. Evidence of superior craftsmanship: ➢ uniquely designed, one-of-a-kind metal “X” end panels on the large island. The end panels were custom made in the Realty Restoration LLC shop and fitted to the exact dimensions of the island. The welding seams are completely indistinguishable - the posts look like they are cut from a single sheet of metal ➢ square metal posts on the small island were also custom made and designed to compliment and carry through the metal element s throughout the kitchen ➢ the beautiful, oversized end panels on the pantry cabinets which give the breakfast nook a tailored look ➢ integrating a large format 5 piece Versailles tile pattern to seamlessly flow from the existing spaces into the new kitchen space ➢ By constructing a custom cabinet that jogged around a corner we could not remodel (housing the entry way coat closet) we were able to camouflage the adjacent wall offset within the upper and lower cabinets. By designing around the existing jog in the structural walls we accomplished a few things: we were able to find the space to house, and hide, the microwave and toaster oven yet still have a clean cohesive appearance from the kitchen side. Additionally, the owners were able to keep their much needed coat closet and we didn’t have to increase the budget with unnecessary structural work.

The beautiful shingle home was built several years prior, but progress stalled and the interior was never fully finished off, creating more of a weekend crash pad than second home. We had 4 months to fully furnish and accessorize the 4+ bedroom home before they hosted a large family reunion. We tackled a function problem first. The home, with its open floor plan, had multiple types of flooring, which only served to chop up the space. Worse, most of the flooring was cream carpet and not suitable for waterfront living. We replaced the mismatch with durable driftwood floors that will stand up to years of sandy feet and party spills. We selected and installed all the finishing touches - furniture, window treatments, accessories, bedding and art. And we beat our reunion deadline by a week, giving the homeowners a chance to enjoy it all to themselves before the guests arrived

This customer had some real difficulty in getting their fantastic Travertine tiled kitchen area looking as good as it should. The cleaning methods they had previously employed were unable to prevent the tiles from appearing dull, and the customer was also unable to deal with the displeasing marks and small cracks damaging the stone. Keen to get the floor back to looking its best, the customer called me down to their property, which overlooks the beautiful countryside area of Ashbourne, to see what could be done to restore the tiles. Upon my arrival at the property, I assessed the situation and resolved that the best way to restore the polish and general appearance of the floor was to use a process known as burnishing. The burnishing process, which involves the application of four diamond encrusted polishing pads of varying grit, works to grind away ingrained dirt while smoothing and polishing rough surfaces. Most commonly we use burnishing to restore the shine to Limestone and Marble tiles, but it can be used on most types of natural stone floor where a deep polish is required. To start the process, I applied the Coarse 400 grit burnishing pad to the floor using a small amount of water as lubrication in order to break down and remove any old sealer from the stone. Once this had been done across the entirety of the floor, I removed any soiled water with a wet-vac machine; this removal of soiled residue was repeated after each use of a burnishing pad. Next, I moved on to the Medium 800 grit pad which is less coarse than the 400 grit, but still rough enough still to break down layers of ingrained dirt. I followed this up with the application of a Fine 1500 grit pad, which started to smooth down the rough areas of the surface to prepare the floor for a final polish with an even finer burnishing pad later on. Before moving straight on to the final of the four pads, I took the time to carefully fill in the all of the small cracks and holes in the stone, before leaving the floor to dry until the next day. The next morning, I returned to the property to finish off the floor restoration. As soon as I arrived I used a damp tester to make sure the floor was completely dry. Noticing a number of small damp spots, I opted to use my heat gun to speed up the drying process. Once the floor was completely dry, I used the Very Fine 3000 burnishing pad – the last of the four – without any lubricant to finally achieve a high quality polished finish. For polished floors it is recommended to use an impregnating sealer that penetrates into the pores of the stone rather than sitting on the surface of the floor, as this ensures the quality of the polish isn’t damaged. As such I opted to use Tile Doctor Colour Grow to seal the tiles. This is a colour intensifying sealer that provides durable surface protection and allows the surface to breathe whilst enhancing the natural colours in the stone. It’s important that any sealer that doesn’t penetrate into the stone is removed by polishing it off with a cloth. After completing the seal, I went over the floor for a final time with the 3000 grit diamond burnishing pad to leave a smooth and shiny polished finish. Needless to say that the customer was very happy with result as they had never before been able to get the floor looking this good! Tony Olmet Derbyshire Tile Doctor

The stained shutters come in a variety stains and are a perfect solution for specialty shaped windows. Our shutters are flexible in design and let you decide how you want your shutters to operate and allows you to enjoy more view than ever before with louvers as large as 4.5” (plantation shutters). Our wood shutters have a satin coating, protecting them from common spills and making cleanup as simple as dusting with a soft, dry cloth. We have several types of shutters to match your needs and budget. We have FREE in-home consultation and FREE showroom appointments. You can also stop in our showroom anytime during our normal business hours. Our professional Design Specialists are never pushy and believe in putting the client’s needs first. Give us a call today to get started on your shutter project today. 317-273-8343 Showroom: 1159 Country Club Road Indianapolis, In 46234 M-F 9am-5pm *Evenings & Saturdays by Appointments

The white shutters come in a variety of soothing colors and stains and are a perfect solution for specialty shaped windows & doors. Our shutters are flexible in design and let you decide how you want your shutters to operate and allows you to enjoy more view than ever before with louvers as large as 4.5” (plantation shutters). Our wood shutters have a satin coating, protecting them from common spills and making cleanup as simple as dusting with a soft, dry cloth. We have several types of shutters to match your needs and budget. We have FREE in-home consultation and FREE showroom appointments. You can also stop in our showroom anytime during our normal business hours. Our professional Design Specialists are never pushy and believe in putting the client’s needs first. Give us a call today to get started on your shutter project today. 317-273-8343 Showroom: 1159 Country Club Road Indianapolis, In 46234 M-F 9am-5pm *Evenings & Saturdays by Appointments

The owners of this kitchen had spent the money to upgrade the finishes in their kitchen upon building the home 12 years ago, but after living in the space for several years they realized how nonfunctional the layout really was. The (then) two preschool aged children had grown into busy, hungry teenagers with many friends who also liked to hang out at the house. So the family needed a more functional kitchen with better traffic flow, space for daily activities revolving around the kitchen at different times of day, and a kitchen that could accommodate cooking for and serving large groups. Furthermore, the dark, traditional finishes no longer reflected the homeowners’ style. They requested a brighter, more relaxed, coastal style that reflected their love of the seaside cities they like to visit. Originally, the kitchen was U-shaped with a narrow island in the middle. The island created narrow aisles that bottle-necked at the dishwasher, refrigerator, and cooktop areas. There was a pass-through from the foyer into the kitchen, but the owners never liked that the pass-through was also located so close to the powder room. The awkward proximity was unappealing and made guests feel uncomfortable. The kitchen’s storage was made up of lots of narrow cabinets, apothecary drawers, clipped corner units, and very few drawers. It lacked useful storage for the larger items the family used on a daily basis. And the kitchen’s only pantry was small closet that had only builder-grade, narrow shelving with no illumination to be able to see the contents inside. Overall, the kitchen’s lighting plan was poorly executed. Only six recessed cans illuminated the entire kitchen and nook areas. The under cabinet lighting was not evenly distributed either. In fact, the builder had mis-placed the under cabinet lighting around the decorative pilasters which made for choppy, dark cubbies. Further, the builder didn’t include any lighting over the sink or the bar area, which meant whoever was doing the dishes was always in their own shadow. That, coupled with the steep overhang of the game room above made the bar area feel like a dim, cavernous space that wasn’t inviting or task oriented. The kitchen looked out into the main living space, but the raised bar and a narrow wall (which held the only large cabinet in the kitchen) created more of a barrier than a relationship to the living room or breakfast nook. In fact, one couldn’t even see the breakfast nook from the cooktop or sink areas due to its orientation. The raised bar top was too narrow to comfortably sit to either dine at or chat from due to the lack of knee space. The the homeowners confided that the kitchen felt more like a dark, dirty prison than place where the family, or their guests, wanted to gather and commune. The clients' needs and desires were: ➢ to create a kitchen that would be a space the family loved to be in; to relate to the adjacent spaces all around, and to have better flow for entertaining large groups ➢ to remove the walls between the breakfast nook and living area and to be able to utilize the natural light from the windows in both those areas ➢ to incorporate a functional chopping block for prepping fresh food for home cooked meals, an island with a large sink and drain board, 2 pull out trash cans, and seating for at least the 2 teens to eat or do homework ➢ to design a kitchen and breakfast nook with an airy, coastal, relaxed vibe that blended with the rest of the house's coastal theme ➢ to integrate a layered lighting plan which would include ample general illumination, specific task lighting, decorative lighting, and lots of illuminated storage ➢ to design a kitchen with not only more storage for all the husband’s kitchen gadgets and collection of oils and spices, but smart storage, including a coffee/breakfast bar and a place to store and conceal the toaster oven and microwave ➢ to find a way to utilize the large open space between the kitchen, pantry area, and breakfast nook Twelve Stones Designs achieved the owner's goals by: ➢ removing the walls between the kitchen and living room to allow the natural light to filter in from the adjacent rooms and to create a connection between the kitchen, nook, and living spaces for a sense of unity and communion ➢ removing the existing pantry and designing 3 large pantry style cabinets with LED tape lights and rollout drawers to house lots of kitchen appliances, gadgets, and tons of groceries. We also took the cabinets all the way up to the 9’ ceiling for additional storage for seasonal items and bulk storage. ➢ designing 2 islands - 1 with a gorgeous black walnut chopping block that houses a drawer for chopping and carving knives and a custom double pull out trash unit for point of use utilization - and 1 that houses the dishwasher, a large Blanco Gourmet sink with integrated drain board, woven baskets for fresh root vegetables and kitchen towels, plenty of drawer storage for kitchen items, and bar seating for up to 4 diners. ➢ closing off the space between the kitchen and the powder room to create a beautiful new private alcove for the powder room as well as adding some decorative storage. This also gave us space to include more tall storage near the new range for precision placement of the husband’s extensive oil and spice collection as well as a location for a combo-steam oven the wife wanted for baking and cooking healthy meals. The project is enhanced functionally by: ➢ incorporated USB and standard receptacles for the kids’ laptops and phone charging in the large island ➢ designing the small island to include additional open shelving for items used on a daily basis such as a variety of bowls, plates, and colanders. This set up also works well for the husband who prefers to “plate” his dinners in restaurant-style fashion before presenting them to the table. ➢ the integration of specific storage units, such as double stacked cutlery drawers, a custom spice pull-out, a Kuerig coffee and tea pod drawer, and custom double stacked utensil drawers ➢ moving the refrigerator to the old oven location - this eliminated the bottle neck as well as created a better relationship to the eating table. It also utilizes the floor space between the pantry, nook, and kitchen ➢ creating a banquet style breakfast nook - this banquette seating not only doubles the amount of seating for large gatherings but it better utilizes the odd space between the kitchen and the previous nook area. It also helps to create a distinct pathway from the mudroom room through the pantry area, kitchen, nook, and living room. ➢ the coffee/breakfast bar area which includes the perfect location for the concealed microwave and toaster oven, convenient storage for the coffee pods and tea accoutrements. Roll-out drawers below also house the smoothie maker, hot water kettle, and a plethora of smoothie-making ingredients such as protein powders, smoothie additives, etc. Furthermore, the drawers below the Keurig house measuring utensil, cutlery, baking supplies and tupperware storage. ➢ incorporating lots of wide drawers and pullouts to accommodate large cookware. ➢ utilizing as much vertical space as possible by building storage to the ceiling which accommodates the family’s abundant amount of serving platters, baking sheets, bakeware, casserole dishes, and additional cutting boards. The project is enhanced aesthetically by: ➢ new 5-piece Versailles pattern porcelain tile that now seamlessly joins the entire down stairs area together creating a bright, cohesiveness feeling instead of choppy separated spaces - it also adds a coastal feeling ➢ designing a cabinet to conceal the microwave and toaster oven ➢ the coastal influenced light fixtures over the nook table and island ➢ the sandy colors of the Langdon Cambria countertops. The swirling pattern and sparkling quartz pieces remind the homeowner of black-and-tan sandy beaches ➢ the striped banquet seating whose creamy white background and blue-green stripes were the inspiration for the cabinet and wall colors. ➢ All the interior doors were painted black to coordinate with the blacks and grays in the backsplash tile and countertop. This also adds a hint of tailored formality to an otherwise casual space. ➢ the use of WAC's Oculux small aperture LED units for the overhead lighting complimented with Diode LED strips for task lighting under the cabinets and inside the pantry and glass wall cabinets. All of the lighting applications are on separate dimmer switches. Innovative uses of materials or construction methods by Realty Restoration LLC: ➢ Each 1-1/2” x 3” block of reclaimed end-grain black walnut that makes up the center island chopping block was hand milled and built in the shop. It was designed to look substantial and proportional to the surrounding elements, executed by creating the 4 inch tall top with a solid wood chamfered edge band. ➢ The metal doors on either side of the vent hood were also custom designed for this project and built in the Realty Restoration LLC shop. They are made 1x2, 11-gauge mild steel with ribbed glass. Weighing 60 lbs a piece, heavy duty cabinet hinges were added to support the weight of the door and keep them from sagging. ➢ Under-cabinet receptacles were added along the range wall in order to have a clean, uninterrupted backsplash. Design obstacles to overcome: ➢ Because we were removing the demising walls between the kitchen and living room, we had to find a way to plumb and vent the new island. We did this by tunneling through the slab (the slab had post tension cables which prevented us from just trenching) to run a new wet vent through a nearby structural wall. We pulled the existing hot and cold lines between upper floor joists and ran them down the structural wall as well and up through a conduit in the tunnel. ➢ Since we were converting from wall overs to a gas range it allowed us to utilize the 220 feed for the wall ovens to provide a new sub panel for all the new kitchen circuits ➢ Due to framing deficiencies inherited from the original build there was a 1-1/2” differential in the floor-to-ceiling height over a 20 foot span; by utilizing the process of cutting and furring coupled with the crown moulding details on the cabinet elevations we were able to mask the problem and provide seamless transitions between the cabinet components. Evidence of superior craftsmanship: ➢ uniquely designed, one-of-a-kind metal “X” end panels on the large island. The end panels were custom made in the Realty Restoration LLC shop and fitted to the exact dimensions of the island. The welding seams are completely indistinguishable - the posts look like they are cut from a single sheet of metal ➢ square metal posts on the small island were also custom made and designed to compliment and carry through the metal element s throughout the kitchen ➢ the beautiful, oversized end panels on the pantry cabinets which give the breakfast nook a tailored look ➢ integrating a large format 5 piece Versailles tile pattern to seamlessly flow from the existing spaces into the new kitchen space ➢ By constructing a custom cabinet that jogged around a corner we could not remodel (housing the entry way coat closet) we were able to camouflage the adjacent wall offset within the upper and lower cabinets. By designing around the existing jog in the structural walls we accomplished a few things: we were able to find the space to house, and hide, the microwave and toaster oven yet still have a clean cohesive appearance from the kitchen side. Additionally, the owners were able to keep their much needed coat closet and we didn’t have to increase the budget with unnecessary structural work.