Search results for "Never seal" in Home Design Ideas

Example of a small classic 3/4 white tile and stone tile mosaic tile floor alcove shower design in Chicago with an undermount sink, recessed-panel cabinets, black cabinets, quartzite countertops, a two-piece toilet and gray walls

Tucked away in the backwoods of Torch Lake, this home marries “rustic” with the sleek elegance of modern. The combination of wood, stone and metal textures embrace the charm of a classic farmhouse. Although this is not your average farmhouse. The home is outfitted with a high performing system that seamlessly works with the design and architecture.
The tall ceilings and windows allow ample natural light into the main room. Spire Integrated Systems installed Lutron QS Wireless motorized shades paired with Hartmann & Forbes windowcovers to offer privacy and block harsh light. The custom 18′ windowcover’s woven natural fabric complements the organic esthetics of the room. The shades are artfully concealed in the millwork when not in use.
Spire installed B&W in-ceiling speakers and Sonance invisible in-wall speakers to deliver ambient music that emanates throughout the space with no visual footprint. Spire also installed a Sonance Landscape Audio System so the homeowner can enjoy music outside.
Each system is easily controlled using Savant. Spire personalized the settings to the homeowner’s preference making controlling the home efficient and convenient.

Inspiration for a large timeless dark wood floor kitchen remodel in Sacramento with a farmhouse sink, raised-panel cabinets, white cabinets, marble countertops, gray backsplash, glass tile backsplash, stainless steel appliances and two islands
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Our newest Q™ Premium Natural Quartz star, Carrara Grigio™, is getting rave reviews for its realistic look inspired by natural Italian Carrara Marble. The perfect blend of creamy white and warm gray, the striking color creation is accented by subtle veining to offer incredible depth. The durability of natural quartz paired with the classic warm gray marble look makes it an ideal choice for kitchens and bathrooms.

An Ohio family in search of a place to enjoy the Portuguese coast acquired a four-bedroom apartment just outside the center of Cascais. Our studio was engaged to turn a compartmented interior into a holiday residence for a household that gathers in numbers: one that could seat everyone at once and still hold the ease and lightness of a home by the beach.
The original plan included a kitchen and laundry room sealed off from the living room, floor finishes and levels that changed from threshold to threshold, and bathrooms in varying styles. Work began by redefining the alignments and circulation. The principal transformation was the opening of the kitchen, creating a more generous social setting centered on a bespoke island fitted with storage and seating.
The interior takes its cues from the building’s geometric façade, which projects and recedes in volumes and voids. Bespoke joinery in oak and lacquer carries continuity and order through the apartment. Concealed storage runs throughout: at the entrance, in the dining area, along the living area, and beneath built-in benches. The laundry is merged into the kitchen behind perforated doors for ventilation while keeping the service area discreet. Behind the sofa, a console slips a workspace into the living area without conceding its openness.
Curved elements answer the rectilinear architecture; artisanal glazed vertical tiles repeat from the backsplashes onto custom side tables. The palette stays deliberately narrow; the muted oak and lacquer are joined by a softened timber floor, Portuguese Lioz stone, and walls painted to the color of bare plaster. Existing doors and baseboards were repainted in a warm light gray that draws the original elements into the language of the new interior. Upholstery and decorative accents hint at the terracotta, sky blue, and yellow of the façade.
The bedrooms are set with upholstered headboards on oak frames, bedside tables that extend those outlines, and wardrobes fit for a long stay. Locally made rugs, bedcovers, and throw pillows soften the composition. In the bathrooms, the plans were reorganized and the showers enlarged. Lioz was used for the counters and sinks, shelves, shower bases, and bathtub surround, with microcement bringing a soothing warmth to the walls, and storage in floating cabinets. Deeper in tone than the rest of the apartment yet never dim, they are quietly elegant rooms made for lingering — taking one’s time getting ready, or unwinding at the end of a day.
PHOTOGRAPHY: © ALEXANDER BOGORODSKIY

The crisp Antique White finish of the Peruga Double Bath Vanity offers a light, airy feel to your bathroom. Featuring antique-style handles for each of the cabinet doors and 3 central drawers, this vanity screams Old World class in every direction. You'll love how sophisticated it will look in your home, especially when paired with any of the 5 beautiful top options to choose from. Add the beautiful matching linen cabinet to your bedroom decor and you'll never complain about not having enough space again. Made from the same top quality solid oak, this linen cabinet boasts a glass paneled top cabinet with frosted glass on each side, a middle drawer, and a lower cabinet with a gorgeous frame-like design. Each door is equipped with soft-close European hinges and the finish is made to match your vanity with a 12-step hand glazed finishing process.
Please note: the triple panel mirror in the main image is no longer available. Instead, a matching 47.25" Single panel mirror (see detailed images) is available from the drop-down menus.
Dimensions
Vanity
60"W x 23.5"D x 35.5"H
Optional Accessories
Large Mirror
47.25"W x 3.7"D x 41.5"H
Linen Cabinet
20.5"W x 16.25"D x 65"H
Features
Quality materials are important to the longevity of your bathroom vanity. Cheap vanities made with particle board or MDF tend to sag, warp, split, discolor, and expand over time. This is especially true in humid climates, such as the environment found in a normal bathroom. Since bathroom humidity is so common, bathroom vanities need to be extremely durable. They also need to be strong enough to endure lots of usage-based wear and tear. Vanities are typically made of MDF, birch, rubberwood, or natural oak. Generally, MDF is approximately 30 % the quality of oak, birch is 50% the quality of oak, and rubberwood is typically 90% the quality of oak, where "quality" is defined as the strength, integrity, and durability of the material. Solid oak is without question the strongest, most durable, and most resilient of all vanity materials. Only the highest-quality and best made vanities are manufactured from natural oak. Premier Collection
Vanities that are marked as Premier Collection are the best vanities in the industry where no expense has been spared. These are the best vanities money can buy made from small quantities of handpicked solid hard woods that are hand finished to perfection. To be considered part of the Premium Collection the vanity must get A+++ grades in: Wood used, Interior Construction, Counter Top, and Finish.
Wood Used:
Premier Collections uses Kiln dried wood in small batches to insure proper drying to prevent cracking and warping. All wood is cared for in great detail to prevent cracking and warping so that your vanity looks as good as they day it arrived for many years.
Vanity Tops:
Premier Collections vanities that have stone tops use a thicker stone, up to 3cm (1cm more than industry average), providing a more luxurious look. All of the vanities with stone tops are sealed to prevent watermarks and minor stains.
Construction:
Premium Collection vanities use hard wood box framed construction that provides strength and durability for decades. All vanities have working drawers with able storage made with slide ball bearing drawers and or soft close mounts. Center drawers are boxed and fitted around plumbing for additional storage.
Finish:
Premium Collection vanities are all hand stained, hand painted, using up to a 15 layer sealing and finishing process to avoid future fading, cracking, or peeling.
- 100% handmade and finished
- Grade A, solid kiln-dried oak construction
- Single-door cabinet on each side with antique-style handles
- Frame type construction with an Old World style joinery
- Full extension drawers with ball-bearing glides
- Hand-applied varnish in 3 layers to prevent warping
- Multi-layered hand glazed finish for a cabinet that is resistant to peeling, cracking and fading
- 5 Beautiful finishes to choose from!
- Choose from Cream Marble, Black Granite, Tropical Brown Granite, Carrera White Marble, or Travertine tops
- Pre-drilled for 8" faucet spread
- **Faucets Not Included**
Quality materials are important to the longevity of your bathroom vanity. Cheap vanities made with particle board or MDF tend to sag, warp, split, discolor, and expand over time. This is especially true in humid climates, such as the environment found in a normal bathroom. Since bathroom humidity is so common, bathroom vanities need to be extremely durable. They also need to be strong enough to endure lots of usage-based wear and tear. Vanities are typically made of MDF, birch, rubberwood, or natural oak. Generally, MDF is approximately 30 % the quality of oak, birch is 50% the quality of oak, and rubberwood is typically 90% the quality of oak, where "quality" is defined as the strength, integrity, and durability of the material. Solid oak is without question the strongest, most durable, and most resilient of all vanity materials. Only the highest-quality and best made vanities are manufactured from natural oak. Premier Collection
Vanities that are marked as Premier Collection are the best vanities in the industry where no expense has been spared. These are the best vanities money can buy made from small quantities of handpicked solid hard woods that are hand finished to perfection. To be considered part of the Premium Collection the vanity must get A+++ grades in: Wood used, Interior Construction, Counter Top, and Finish.
Wood Used:
Premier Collections uses Kiln dried wood in small batches to insure proper drying to prevent cracking and warping. All wood is cared for in great detail to prevent cracking and warping so that your vanity looks as good as they day it arrived for many years.
Vanity Tops:
Premier Collections vanities that have stone tops use a thicker stone, up to 3cm (1cm more than industry average), providing a more luxurious look. All of the vanities with stone tops are sealed to prevent watermarks and minor stains.
Construction:
Premium Collection vanities use hard wood box framed construction that provides strength and durability for decades. All vanities have working drawers with able storage made with slide ball bearing drawers and or soft close mounts. Center drawers are boxed and fitted around plumbing for additional storage.
Finish:
Premium Collection vanities are all hand stained, hand painted, using up to a 15 layer sealing and finishing process to avoid future fading, cracking, or peeling.

An Ohio family in search of a place to enjoy the Portuguese coast acquired a four-bedroom apartment just outside the center of Cascais. Our studio was engaged to turn a compartmented interior into a holiday residence for a household that gathers in numbers: one that could seat everyone at once and still hold the ease and lightness of a home by the beach.
The original plan included a kitchen and laundry room sealed off from the living room, floor finishes and levels that changed from threshold to threshold, and bathrooms in varying styles. Work began by redefining the alignments and circulation. The principal transformation was the opening of the kitchen, creating a more generous social setting centered on a bespoke island fitted with storage and seating.
The interior takes its cues from the building’s geometric façade, which projects and recedes in volumes and voids. Bespoke joinery in oak and lacquer carries continuity and order through the apartment. Concealed storage runs throughout: at the entrance, in the dining area, along the living area, and beneath built-in benches. The laundry is merged into the kitchen behind perforated doors for ventilation while keeping the service area discreet. Behind the sofa, a console slips a workspace into the living area without conceding its openness.
Curved elements answer the rectilinear architecture; artisanal glazed vertical tiles repeat from the backsplashes onto custom side tables. The palette stays deliberately narrow; the muted oak and lacquer are joined by a softened timber floor, Portuguese Lioz stone, and walls painted to the color of bare plaster. Existing doors and baseboards were repainted in a warm light gray that draws the original elements into the language of the new interior. Upholstery and decorative accents hint at the terracotta, sky blue, and yellow of the façade.
The bedrooms are set with upholstered headboards on oak frames, bedside tables that extend those outlines, and wardrobes fit for a long stay. Locally made rugs, bedcovers, and throw pillows soften the composition. In the bathrooms, the plans were reorganized and the showers enlarged. Lioz was used for the counters and sinks, shelves, shower bases, and bathtub surround, with microcement bringing a soothing warmth to the walls, and storage in floating cabinets. Deeper in tone than the rest of the apartment yet never dim, they are quietly elegant rooms made for lingering — taking one’s time getting ready, or unwinding at the end of a day.
PHOTOGRAPHY: © ALEXANDER BOGORODSKIY

Sponsored
Delaware, OH
Buckeye Basements, Inc.
Central Ohio's Basement Finishing ExpertsBest Of Houzz '13-'21

An Ohio family in search of a place to enjoy the Portuguese coast acquired a four-bedroom apartment just outside the center of Cascais. Our studio was engaged to turn a compartmented interior into a holiday residence for a household that gathers in numbers: one that could seat everyone at once and still hold the ease and lightness of a home by the beach.
The original plan included a kitchen and laundry room sealed off from the living room, floor finishes and levels that changed from threshold to threshold, and bathrooms in varying styles. Work began by redefining the alignments and circulation. The principal transformation was the opening of the kitchen, creating a more generous social setting centered on a bespoke island fitted with storage and seating.
The interior takes its cues from the building’s geometric façade, which projects and recedes in volumes and voids. Bespoke joinery in oak and lacquer carries continuity and order through the apartment. Concealed storage runs throughout: at the entrance, in the dining area, along the living area, and beneath built-in benches. The laundry is merged into the kitchen behind perforated doors for ventilation while keeping the service area discreet. Behind the sofa, a console slips a workspace into the living area without conceding its openness.
Curved elements answer the rectilinear architecture; artisanal glazed vertical tiles repeat from the backsplashes onto custom side tables. The palette stays deliberately narrow; the muted oak and lacquer are joined by a softened timber floor, Portuguese Lioz stone, and walls painted to the color of bare plaster. Existing doors and baseboards were repainted in a warm light gray that draws the original elements into the language of the new interior. Upholstery and decorative accents hint at the terracotta, sky blue, and yellow of the façade.
The bedrooms are set with upholstered headboards on oak frames, bedside tables that extend those outlines, and wardrobes fit for a long stay. Locally made rugs, bedcovers, and throw pillows soften the composition. In the bathrooms, the plans were reorganized and the showers enlarged. Lioz was used for the counters and sinks, shelves, shower bases, and bathtub surround, with microcement bringing a soothing warmth to the walls, and storage in floating cabinets. Deeper in tone than the rest of the apartment yet never dim, they are quietly elegant rooms made for lingering — taking one’s time getting ready, or unwinding at the end of a day.
PHOTOGRAPHY: © ALEXANDER BOGORODSKIY

Designers gave the house a wood-and-steel façade that blends traditional and industrial elements.Photography by Eric Hausman
Designers gave the house a wood-and-steel façade that blends traditional and industrial elements. This home’s noteworthy steel shipping container construction material, offers a streamlined aesthetic and industrial vibe, with sustainable attributes and strength. Recycled shipping containers are fireproof, impervious to water and stronger than traditional building materials. Inside, muscular concrete walls, burnished cedar beams and custom oak cabinetry give the living spaces definition, decorative might, and storage and seating options.
For more than 40 years, Fredman Design Group has been in the business of Interior Design. Throughout the years, we’ve built long-lasting relationships with our clients through our client-centric approach. When creating designs, our decisions depend on the personality of our clients—their dreams and their aspirations. We manifest their lifestyle by incorporating elements of design with those of our clients to create a unique environment, down to the details of the upholstery and accessories. We love it when a home feels finished and lived in, with various layers and textures.
While each of our clients and their stories has varied over the years, they’ve come to trust us with their projects—whether it’s a single room to the larger complete renovation, addition, or new construction.
They value the collaborative team that is behind each project, embracing the diversity that each designer is able to bring to their project through their love of art, travel, fashion, nature, history, architecture or film—ultimately falling in love with the nurturing environments we create for them.
We are grateful for the opportunity to tell each of clients’ stories through design. What story can we help you tell?
Call us today to schedule your complimentary consultation - 312-587-9184

You say you don’t know what color can match your kitchen or bath decor, because your floor is beige or black or some other color that no one match, your cabinets are dark brown or who knows what and your appliance are stainless steel or you have a kaleidoscope of colors and you are all confused because nothing looks good, Don’t despair, Introducing Kashmir White, Stock # PW-987 comes in 119” X 56“ Citrine® Quartz Stone, Inc. and it is more affordable then you think.
As you already may know, quartz is one of the hardest materials on earth, making it more durable than granite, marble or soapstone. Only diamond, sapphire, and topaz are stronger than quartz. However, since no counter tops are made from those elements, quartz is the king of the counter top because of its durability luminescence and elegance. Citrine® Quartz is 94% natural quartz and only 6% resin it will never require any sanding, sealing or polishing, and unlike granite or marble they do not accumulate molds or soap scum when property maintained. They are sure to always remain just as glossy and smooth as the first day they were installed, and we back it up with a LIFETIME WARRANTY.
Citrine® Quartz Stone has drastically risen in popularity and has even began to supplant the natural stones. Consumer Reports rates it as “The best counter tops material”. Citrine® quartz is the ideal option for a stress-free counter top, if you are remodeling your kitchen, bathroom, office or even building a new one.
We can also fabricate if you provide the drawings with measurements to our email; quartz@citrineus.com our estimator will contact you with a preliminary estimate.
Citrine® Quartz tip # 002 Our Master Quartz installers use miter joints, which reduces the use of grout or caulk by about 80% and gives the aesthetics of one continuous flowing slab.
Customer’s tip # 138 Use Hope’s Perfect Granite Spray it is 100% streak free and will give your luminous Quartz a mirror like finish.
Customer’s tip # 150 Use Isopropyl alcohol to remove ink marks by rubbing on the affected area with a cloth. No cleaning required after removal.

An Ohio family in search of a place to enjoy the Portuguese coast acquired a four-bedroom apartment just outside the center of Cascais. Our studio was engaged to turn a compartmented interior into a holiday residence for a household that gathers in numbers: one that could seat everyone at once and still hold the ease and lightness of a home by the beach.
The original plan included a kitchen and laundry room sealed off from the living room, floor finishes and levels that changed from threshold to threshold, and bathrooms in varying styles. Work began by redefining the alignments and circulation. The principal transformation was the opening of the kitchen, creating a more generous social setting centered on a bespoke island fitted with storage and seating.
The interior takes its cues from the building’s geometric façade, which projects and recedes in volumes and voids. Bespoke joinery in oak and lacquer carries continuity and order through the apartment. Concealed storage runs throughout: at the entrance, in the dining area, along the living area, and beneath built-in benches. The laundry is merged into the kitchen behind perforated doors for ventilation while keeping the service area discreet. Behind the sofa, a console slips a workspace into the living area without conceding its openness.
Curved elements answer the rectilinear architecture; artisanal glazed vertical tiles repeat from the backsplashes onto custom side tables. The palette stays deliberately narrow; the muted oak and lacquer are joined by a softened timber floor, Portuguese Lioz stone, and walls painted to the color of bare plaster. Existing doors and baseboards were repainted in a warm light gray that draws the original elements into the language of the new interior. Upholstery and decorative accents hint at the terracotta, sky blue, and yellow of the façade.
The bedrooms are set with upholstered headboards on oak frames, bedside tables that extend those outlines, and wardrobes fit for a long stay. Locally made rugs, bedcovers, and throw pillows soften the composition. In the bathrooms, the plans were reorganized and the showers enlarged. Lioz was used for the counters and sinks, shelves, shower bases, and bathtub surround, with microcement bringing a soothing warmth to the walls, and storage in floating cabinets. Deeper in tone than the rest of the apartment yet never dim, they are quietly elegant rooms made for lingering — taking one’s time getting ready, or unwinding at the end of a day.
PHOTOGRAPHY: © ALEXANDER BOGORODSKIY

An Ohio family in search of a place to enjoy the Portuguese coast acquired a four-bedroom apartment just outside the center of Cascais. Our studio was engaged to turn a compartmented interior into a holiday residence for a household that gathers in numbers: one that could seat everyone at once and still hold the ease and lightness of a home by the beach.
The original plan included a kitchen and laundry room sealed off from the living room, floor finishes and levels that changed from threshold to threshold, and bathrooms in varying styles. Work began by redefining the alignments and circulation. The principal transformation was the opening of the kitchen, creating a more generous social setting centered on a bespoke island fitted with storage and seating.
The interior takes its cues from the building’s geometric façade, which projects and recedes in volumes and voids. Bespoke joinery in oak and lacquer carries continuity and order through the apartment. Concealed storage runs throughout: at the entrance, in the dining area, along the living area, and beneath built-in benches. The laundry is merged into the kitchen behind perforated doors for ventilation while keeping the service area discreet. Behind the sofa, a console slips a workspace into the living area without conceding its openness.
Curved elements answer the rectilinear architecture; artisanal glazed vertical tiles repeat from the backsplashes onto custom side tables. The palette stays deliberately narrow; the muted oak and lacquer are joined by a softened timber floor, Portuguese Lioz stone, and walls painted to the color of bare plaster. Existing doors and baseboards were repainted in a warm light gray that draws the original elements into the language of the new interior. Upholstery and decorative accents hint at the terracotta, sky blue, and yellow of the façade.
The bedrooms are set with upholstered headboards on oak frames, bedside tables that extend those outlines, and wardrobes fit for a long stay. Locally made rugs, bedcovers, and throw pillows soften the composition. In the bathrooms, the plans were reorganized and the showers enlarged. Lioz was used for the counters and sinks, shelves, shower bases, and bathtub surround, with microcement bringing a soothing warmth to the walls, and storage in floating cabinets. Deeper in tone than the rest of the apartment yet never dim, they are quietly elegant rooms made for lingering — taking one’s time getting ready, or unwinding at the end of a day.
PHOTOGRAPHY: © ALEXANDER BOGORODSKIY

An Ohio family in search of a place to enjoy the Portuguese coast acquired a four-bedroom apartment just outside the center of Cascais. Our studio was engaged to turn a compartmented interior into a holiday residence for a household that gathers in numbers: one that could seat everyone at once and still hold the ease and lightness of a home by the beach.
The original plan included a kitchen and laundry room sealed off from the living room, floor finishes and levels that changed from threshold to threshold, and bathrooms in varying styles. Work began by redefining the alignments and circulation. The principal transformation was the opening of the kitchen, creating a more generous social setting centered on a bespoke island fitted with storage and seating.
The interior takes its cues from the building’s geometric façade, which projects and recedes in volumes and voids. Bespoke joinery in oak and lacquer carries continuity and order through the apartment. Concealed storage runs throughout: at the entrance, in the dining area, along the living area, and beneath built-in benches. The laundry is merged into the kitchen behind perforated doors for ventilation while keeping the service area discreet. Behind the sofa, a console slips a workspace into the living area without conceding its openness.
Curved elements answer the rectilinear architecture; artisanal glazed vertical tiles repeat from the backsplashes onto custom side tables. The palette stays deliberately narrow; the muted oak and lacquer are joined by a softened timber floor, Portuguese Lioz stone, and walls painted to the color of bare plaster. Existing doors and baseboards were repainted in a warm light gray that draws the original elements into the language of the new interior. Upholstery and decorative accents hint at the terracotta, sky blue, and yellow of the façade.
The bedrooms are set with upholstered headboards on oak frames, bedside tables that extend those outlines, and wardrobes fit for a long stay. Locally made rugs, bedcovers, and throw pillows soften the composition. In the bathrooms, the plans were reorganized and the showers enlarged. Lioz was used for the counters and sinks, shelves, shower bases, and bathtub surround, with microcement bringing a soothing warmth to the walls, and storage in floating cabinets. Deeper in tone than the rest of the apartment yet never dim, they are quietly elegant rooms made for lingering — taking one’s time getting ready, or unwinding at the end of a day.
PHOTOGRAPHY: © ALEXANDER BOGORODSKIY

An Ohio family in search of a place to enjoy the Portuguese coast acquired a four-bedroom apartment just outside the center of Cascais. Our studio was engaged to turn a compartmented interior into a holiday residence for a household that gathers in numbers: one that could seat everyone at once and still hold the ease and lightness of a home by the beach.
The original plan included a kitchen and laundry room sealed off from the living room, floor finishes and levels that changed from threshold to threshold, and bathrooms in varying styles. Work began by redefining the alignments and circulation. The principal transformation was the opening of the kitchen, creating a more generous social setting centered on a bespoke island fitted with storage and seating.
The interior takes its cues from the building’s geometric façade, which projects and recedes in volumes and voids. Bespoke joinery in oak and lacquer carries continuity and order through the apartment. Concealed storage runs throughout: at the entrance, in the dining area, along the living area, and beneath built-in benches. The laundry is merged into the kitchen behind perforated doors for ventilation while keeping the service area discreet. Behind the sofa, a console slips a workspace into the living area without conceding its openness.
Curved elements answer the rectilinear architecture; artisanal glazed vertical tiles repeat from the backsplashes onto custom side tables. The palette stays deliberately narrow; the muted oak and lacquer are joined by a softened timber floor, Portuguese Lioz stone, and walls painted to the color of bare plaster. Existing doors and baseboards were repainted in a warm light gray that draws the original elements into the language of the new interior. Upholstery and decorative accents hint at the terracotta, sky blue, and yellow of the façade.
The bedrooms are set with upholstered headboards on oak frames, bedside tables that extend those outlines, and wardrobes fit for a long stay. Locally made rugs, bedcovers, and throw pillows soften the composition. In the bathrooms, the plans were reorganized and the showers enlarged. Lioz was used for the counters and sinks, shelves, shower bases, and bathtub surround, with microcement bringing a soothing warmth to the walls, and storage in floating cabinets. Deeper in tone than the rest of the apartment yet never dim, they are quietly elegant rooms made for lingering — taking one’s time getting ready, or unwinding at the end of a day.
PHOTOGRAPHY: © ALEXANDER BOGORODSKIY

An Ohio family in search of a place to enjoy the Portuguese coast acquired a four-bedroom apartment just outside the center of Cascais. Our studio was engaged to turn a compartmented interior into a holiday residence for a household that gathers in numbers: one that could seat everyone at once and still hold the ease and lightness of a home by the beach.
The original plan included a kitchen and laundry room sealed off from the living room, floor finishes and levels that changed from threshold to threshold, and bathrooms in varying styles. Work began by redefining the alignments and circulation. The principal transformation was the opening of the kitchen, creating a more generous social setting centered on a bespoke island fitted with storage and seating.
The interior takes its cues from the building’s geometric façade, which projects and recedes in volumes and voids. Bespoke joinery in oak and lacquer carries continuity and order through the apartment. Concealed storage runs throughout: at the entrance, in the dining area, along the living area, and beneath built-in benches. The laundry is merged into the kitchen behind perforated doors for ventilation while keeping the service area discreet. Behind the sofa, a console slips a workspace into the living area without conceding its openness.
Curved elements answer the rectilinear architecture; artisanal glazed vertical tiles repeat from the backsplashes onto custom side tables. The palette stays deliberately narrow; the muted oak and lacquer are joined by a softened timber floor, Portuguese Lioz stone, and walls painted to the color of bare plaster. Existing doors and baseboards were repainted in a warm light gray that draws the original elements into the language of the new interior. Upholstery and decorative accents hint at the terracotta, sky blue, and yellow of the façade.
The bedrooms are set with upholstered headboards on oak frames, bedside tables that extend those outlines, and wardrobes fit for a long stay. Locally made rugs, bedcovers, and throw pillows soften the composition. In the bathrooms, the plans were reorganized and the showers enlarged. Lioz was used for the counters and sinks, shelves, shower bases, and bathtub surround, with microcement bringing a soothing warmth to the walls, and storage in floating cabinets. Deeper in tone than the rest of the apartment yet never dim, they are quietly elegant rooms made for lingering — taking one’s time getting ready, or unwinding at the end of a day.
PHOTOGRAPHY: © ALEXANDER BOGORODSKIY

An Ohio family in search of a place to enjoy the Portuguese coast acquired a four-bedroom apartment just outside the center of Cascais. Our studio was engaged to turn a compartmented interior into a holiday residence for a household that gathers in numbers: one that could seat everyone at once and still hold the ease and lightness of a home by the beach.
The original plan included a kitchen and laundry room sealed off from the living room, floor finishes and levels that changed from threshold to threshold, and bathrooms in varying styles. Work began by redefining the alignments and circulation. The principal transformation was the opening of the kitchen, creating a more generous social setting centered on a bespoke island fitted with storage and seating.
The interior takes its cues from the building’s geometric façade, which projects and recedes in volumes and voids. Bespoke joinery in oak and lacquer carries continuity and order through the apartment. Concealed storage runs throughout: at the entrance, in the dining area, along the living area, and beneath built-in benches. The laundry is merged into the kitchen behind perforated doors for ventilation while keeping the service area discreet. Behind the sofa, a console slips a workspace into the living area without conceding its openness.
Curved elements answer the rectilinear architecture; artisanal glazed vertical tiles repeat from the backsplashes onto custom side tables. The palette stays deliberately narrow; the muted oak and lacquer are joined by a softened timber floor, Portuguese Lioz stone, and walls painted to the color of bare plaster. Existing doors and baseboards were repainted in a warm light gray that draws the original elements into the language of the new interior. Upholstery and decorative accents hint at the terracotta, sky blue, and yellow of the façade.
The bedrooms are set with upholstered headboards on oak frames, bedside tables that extend those outlines, and wardrobes fit for a long stay. Locally made rugs, bedcovers, and throw pillows soften the composition. In the bathrooms, the plans were reorganized and the showers enlarged. Lioz was used for the counters and sinks, shelves, shower bases, and bathtub surround, with microcement bringing a soothing warmth to the walls, and storage in floating cabinets. Deeper in tone than the rest of the apartment yet never dim, they are quietly elegant rooms made for lingering — taking one’s time getting ready, or unwinding at the end of a day.
PHOTOGRAPHY: © ALEXANDER BOGORODSKIY

An Ohio family in search of a place to enjoy the Portuguese coast acquired a four-bedroom apartment just outside the center of Cascais. Our studio was engaged to turn a compartmented interior into a holiday residence for a household that gathers in numbers: one that could seat everyone at once and still hold the ease and lightness of a home by the beach.
The original plan included a kitchen and laundry room sealed off from the living room, floor finishes and levels that changed from threshold to threshold, and bathrooms in varying styles. Work began by redefining the alignments and circulation. The principal transformation was the opening of the kitchen, creating a more generous social setting centered on a bespoke island fitted with storage and seating.
The interior takes its cues from the building’s geometric façade, which projects and recedes in volumes and voids. Bespoke joinery in oak and lacquer carries continuity and order through the apartment. Concealed storage runs throughout: at the entrance, in the dining area, along the living area, and beneath built-in benches. The laundry is merged into the kitchen behind perforated doors for ventilation while keeping the service area discreet. Behind the sofa, a console slips a workspace into the living area without conceding its openness.
Curved elements answer the rectilinear architecture; artisanal glazed vertical tiles repeat from the backsplashes onto custom side tables. The palette stays deliberately narrow; the muted oak and lacquer are joined by a softened timber floor, Portuguese Lioz stone, and walls painted to the color of bare plaster. Existing doors and baseboards were repainted in a warm light gray that draws the original elements into the language of the new interior. Upholstery and decorative accents hint at the terracotta, sky blue, and yellow of the façade.
The bedrooms are set with upholstered headboards on oak frames, bedside tables that extend those outlines, and wardrobes fit for a long stay. Locally made rugs, bedcovers, and throw pillows soften the composition. In the bathrooms, the plans were reorganized and the showers enlarged. Lioz was used for the counters and sinks, shelves, shower bases, and bathtub surround, with microcement bringing a soothing warmth to the walls, and storage in floating cabinets. Deeper in tone than the rest of the apartment yet never dim, they are quietly elegant rooms made for lingering — taking one’s time getting ready, or unwinding at the end of a day.
PHOTOGRAPHY: © ALEXANDER BOGORODSKIY

This kitchen in Bamberg came together in Dallas White granite, a stone that reads clean and bright without going stark. The background carries soft grays with subtle movement through it, enough character to keep the eye interested but calm enough to work with just about any cabinet color a builder picks for a spec house like this one. That's part of why it gets used so often in kitchens meant to show well and live well at the same time.
Granite's still one of the best choices you can make for a kitchen countertop, and Dallas White in particular holds up the way granite's supposed to. It's dense, it resists heat, and you can set a hot pan on it without worrying about scorching. Scratches aren't a concern with normal use, and the surface takes a polish that lasts for years. We seal it going in and that's about all the maintenance it ever needs.
Getting a granite slab like this into a kitchen right takes more than just cutting to size. We template the space first to make sure the seams land where they won't draw attention, usually tucked near the sink or stove, and any countertop longer than about 8 to 9 feet is going to need one. Matching the pattern across a seam so it reads as one continuous piece is where the work actually happens. The edge here is eased, a clean, simple line that lets the stone itself do the talking instead of competing with it.
Day to day, this is the kind of countertop that just works. Wipe it down, don't worry about it, and it'll look the same ten years from now as it does today. That durability is exactly what a spec house kitchen needs, something that shows well to a buyer walking through and keeps performing long after they've moved in.
We do a lot of work through the Midlands, and Bamberg jobs like this one are a good example of what granite still does better than almost anything else on the market. It's a straightforward material that never stops earning its keep in a kitchen, and this one turned out exactly the way it should.

An Ohio family in search of a place to enjoy the Portuguese coast acquired a four-bedroom apartment just outside the center of Cascais. Our studio was engaged to turn a compartmented interior into a holiday residence for a household that gathers in numbers: one that could seat everyone at once and still hold the ease and lightness of a home by the beach.
The original plan included a kitchen and laundry room sealed off from the living room, floor finishes and levels that changed from threshold to threshold, and bathrooms in varying styles. Work began by redefining the alignments and circulation. The principal transformation was the opening of the kitchen, creating a more generous social setting centered on a bespoke island fitted with storage and seating.
The interior takes its cues from the building’s geometric façade, which projects and recedes in volumes and voids. Bespoke joinery in oak and lacquer carries continuity and order through the apartment. Concealed storage runs throughout: at the entrance, in the dining area, along the living area, and beneath built-in benches. The laundry is merged into the kitchen behind perforated doors for ventilation while keeping the service area discreet. Behind the sofa, a console slips a workspace into the living area without conceding its openness.
Curved elements answer the rectilinear architecture; artisanal glazed vertical tiles repeat from the backsplashes onto custom side tables. The palette stays deliberately narrow; the muted oak and lacquer are joined by a softened timber floor, Portuguese Lioz stone, and walls painted to the color of bare plaster. Existing doors and baseboards were repainted in a warm light gray that draws the original elements into the language of the new interior. Upholstery and decorative accents hint at the terracotta, sky blue, and yellow of the façade.
The bedrooms are set with upholstered headboards on oak frames, bedside tables that extend those outlines, and wardrobes fit for a long stay. Locally made rugs, bedcovers, and throw pillows soften the composition. In the bathrooms, the plans were reorganized and the showers enlarged. Lioz was used for the counters and sinks, shelves, shower bases, and bathtub surround, with microcement bringing a soothing warmth to the walls, and storage in floating cabinets. Deeper in tone than the rest of the apartment yet never dim, they are quietly elegant rooms made for lingering — taking one’s time getting ready, or unwinding at the end of a day.
PHOTOGRAPHY: © ALEXANDER BOGORODSKIY

This kitchen in Bamberg came together in Dallas White granite, a stone that reads clean and bright without going stark. The background carries soft grays with subtle movement through it, enough character to keep the eye interested but calm enough to work with just about any cabinet color a builder picks for a spec house like this one. That's part of why it gets used so often in kitchens meant to show well and live well at the same time.
Granite's still one of the best choices you can make for a kitchen countertop, and Dallas White in particular holds up the way granite's supposed to. It's dense, it resists heat, and you can set a hot pan on it without worrying about scorching. Scratches aren't a concern with normal use, and the surface takes a polish that lasts for years. We seal it going in and that's about all the maintenance it ever needs.
Getting a granite slab like this into a kitchen right takes more than just cutting to size. We template the space first to make sure the seams land where they won't draw attention, usually tucked near the sink or stove, and any countertop longer than about 8 to 9 feet is going to need one. Matching the pattern across a seam so it reads as one continuous piece is where the work actually happens. The edge here is eased, a clean, simple line that lets the stone itself do the talking instead of competing with it.
Day to day, this is the kind of countertop that just works. Wipe it down, don't worry about it, and it'll look the same ten years from now as it does today. That durability is exactly what a spec house kitchen needs, something that shows well to a buyer walking through and keeps performing long after they've moved in.
We do a lot of work through the Midlands, and Bamberg jobs like this one are a good example of what granite still does better than almost anything else on the market. It's a straightforward material that never stops earning its keep in a kitchen, and this one turned out exactly the way it should.
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