These luxury authentic flat-weave collection represent an ancient method of creating a faux animal hair pile which was widespread amongst nomads from Central Asia to Turkey. Woven with cotton warps and Angora goat hair wefts. The goat hair creates the long haired fur-like look. Angora goats are named after the Turkish province of their origin, Ankara and these goats produce the fibre known as mohair. The lustrous hair of the angora goat occurs in every natural shade ranging from black through browns to white, thus making possible a wide variety of colour-schemes with no dyes. More about Mohair… Mohair is one of the oldest textile fibres in use. The Angora goat is thought to originate from the mountains of Tibet, reaching Turkey in the 16th century. Mohair is warm in winter as it has great insulating properties, while remaining cool in summer due to its moisture wicking properties. It’s possible to use double-side, hairy side for winter, woven side for summer. It is durable, naturally elastic, flame resistant, crease resistant, and does not felt. It is a luxury fiber, like cashmere, angora and silk, and is more expensive than most wools that comes from sheep. Mohair is composed mostly of keratin, a protein found in the hair, wool, horns and skin of all mammals.

Located in the heart of a 1920’s urban neighborhood, this classically designed home went through a dramatic transformation. Several updates over the years had rendered the space dated and feeling disjointed. The main level received cosmetic updates to the kitchen, dining, formal living and family room to bring the decor out of the 90’s and into the 21st century. Space from a coat closet and laundry room was reallocated to the transformation of a storage closet into a stylish powder room. Upstairs, custom cabinetry, built-ins, along with fixture and material updates revamped the look and feel of the bedrooms and bathrooms. But the most striking alterations occurred on the home’s exterior, with the addition of a 24′ x 52′ pool complete with built-in tanning shelf, programmable LED lights and bubblers as well as an elevated spa with waterfall feature. A custom pool house was added to compliment the original architecture of the main home while adding a kitchenette, changing facilities and storage space to enhance the functionality of the pool area. The landscaping received a complete overhaul and Oaks Rialto pavers were added surrounding the pool, along with a lounge space shaded by a custom-built pergola. These renovations and additions converted this residence from well-worn to a stunning, urban oasis.

These clients have a large family with teen kids and wanted a modern updated basement to accommodate their social activities and draw the kids to their house to hang out. With plenty of room in the basement, we designed a full-service bar, equipped with a sink, dishwasher drawers, icemaker, beverage refrigerator and liquor storage. Framing was added over the bar to accentuate the shape of the bar and give the feeling of a floating bulkhead. A wall of glass mosaic was added to give texture and depth to the space, along with a leather upholstered overlay on the front of the bar. The counter tops are a combination of Quartz and Eucalyptus wood with poured resin over the top for protection. There is a lounge area with a projection TV and 84” wide screen with plenty of seating and storage for games. The other end of the basement hosts a ping pong table set aside for the serious players. The existing lighting was removed and a new lighting layout with fixtures were installed to address any activities that might be occurring in the various spaces. The end result is an incredible living space in the basement for both the teens and their friends, as well as the adults to enjoy games on the big screen as well as a rambunctious game of ping pong.

Interior finish is Polished Granite color is Thunderhill, tile at the waterline and on the exposed infinity wall is a tile designed by Ann Sachs and it's 3"x6" in size, color is Slate Gray with a standard matte finish. Precast stone was used on the pool's raised walls. Horizontal on the pool coping and then vertically for the wall fascia. This elevated infinity pool had to meet a variety of unique design challenges. (1) The bottom of the pool shell is 10ft-12ft above grade, and the bottom of the pool is flat to be able to achieve maximum pool depth above base flood elevation requirements. This pool is in a FEMA flood zone – VE Zone and the flood water must be able to pass underneath the pool in the event of any type of flood event should one occur. (2) You’ll also notice this pool also has a raised wall/seating ledge around the pool’s perimeter. The pool wall is about 20 inches above the deck due to the bottom of the pool shell needing to be 10ft above FEMA base flood. The house could only be built so high due to Sullivan’s Island building regulations and the pool had to be designed coming out of the deck of the 1st floor elevation to achieve the 4ft depth. The homeowners also wanted the level spa to disappear as much as possible into the pool design, so we sloped the dam wall towards the spa.

These luxury authentic flat-weave collection represent an ancient method of creating a faux animal hair pile which was widespread amongst nomads from Central Asia to Turkey. Woven with cotton warps and Angora goat hair wefts. The goat hair creates the long haired fur-like look. Angora goats are named after the Turkish province of their origin, Ankara and these goats produce the fibre known as mohair. The lustrous hair of the angora goat occurs in every natural shade ranging from black through browns to white, thus making possible a wide variety of colour-schemes with no dyes. More about Mohair… Mohair is one of the oldest textile fibres in use. The Angora goat is thought to originate from the mountains of Tibet, reaching Turkey in the 16th century. Mohair is warm in winter as it has great insulating properties, while remaining cool in summer due to its moisture wicking properties. It’s possible to use double-side, hairy side for winter, woven side for summer. It is durable, naturally elastic, flame resistant, crease resistant, and does not felt. It is a luxury fiber, like cashmere, angora and silk, and is more expensive than most wools that comes from sheep. Mohair is composed mostly of keratin, a protein found in the hair, wool, horns and skin of all mammals.

These luxury authentic flat-weave collection represent an ancient method of creating a faux animal hair pile which was widespread amongst nomads from Central Asia to Turkey. Woven with cotton warps and Angora goat hair wefts. The goat hair creates the long haired fur-like look. Angora goats are named after the Turkish province of their origin, Ankara and these goats produce the fibre known as mohair. The lustrous hair of the angora goat occurs in every natural shade ranging from black through browns to white, thus making possible a wide variety of colour-schemes with no dyes. More about Mohair… Mohair is one of the oldest textile fibres in use. The Angora goat is thought to originate from the mountains of Tibet, reaching Turkey in the 16th century. Mohair is warm in winter as it has great insulating properties, while remaining cool in summer due to its moisture wicking properties. It’s possible to use double-side, hairy side for winter, woven side for summer. It is durable, naturally elastic, flame resistant, crease resistant, and does not felt. It is a luxury fiber, like cashmere, angora and silk, and is more expensive than most wools that comes from sheep. Mohair is composed mostly of keratin, a protein found in the hair, wool, horns and skin of all mammals.

Interior finish is Polished Granite color is Thunderhill, tile at the waterline and on the exposed infinity wall is a tile designed by Ann Sachs and it's 3"x6" in size, color is Slate Gray with a standard matte finish. Precast stone was used on the pool's raised walls. Horizontal on the pool coping and then vertically for the wall fascia. This elevated infinity pool had to meet a variety of unique design challenges. (1) The bottom of the pool shell is 10ft-12ft above grade, and the bottom of the pool is flat to be able to achieve maximum pool depth above base flood elevation requirements. This pool is in a FEMA flood zone – VE Zone and the flood water must be able to pass underneath the pool in the event of any type of flood event should one occur. (2) You’ll also notice this pool also has a raised wall/seating ledge around the pool’s perimeter. The pool wall is about 20 inches above the deck due to the bottom of the pool shell needing to be 10ft above FEMA base flood. The house could only be built so high due to Sullivan’s Island building regulations and the pool had to be designed coming out of the deck of the 1st floor elevation to achieve the 4ft depth. The homeowners also wanted the level spa to disappear as much as possible into the pool design, so we sloped the dam wall towards the spa.

Anchored by the homeowner’s 42-foot-long painting, the interiors of this Palm Springs residence were designed to showcase the owner’s art collection, and create functional spaces for daily living that can be easily adapted for large social gatherings. Referencing the environment and architecture in both form and material, the finishes and custom furnishings bring the interior to life. Alluding to the roofs that suspend over the building, the sofas seem to hover above the carpets while the knife-edge table top appears to float above a metal base. Bleached and cerused wood mimic the “desert effect” that would naturally occur in this environment, while the textiles on the sofa are the same shade as the rocks of the landscape. Monolithic concrete floors connect all of the spaces while concealing mechanical systems, and stone thresholds signal vertical level changes and exterior transitions. Large wall masses provide the optimal backdrop for the homeowner’s oversized art. The wall structures ground the interior, while the opposing expanses of glass frame the desert views. The location and use of operable doors and windows allows the house to naturally ventilate, reducing cooling loads. The furnishings create spaces in an architectural fashion. Designed and fabricated for flexibility, the pieces easily accommodate the owners’ large social gatherings. The dining table can be split into two and the sofas can be pushed out along the walls, opening the center of the space to entertain. The design of the interior spaces and furnishings seamlessly integrates the setting, architecture, artwork and spaces into a cohesive whole.

A female mining bee on American plum (Prunus americana). This photo illustrates where mining bee females collect pollen: on the lower part of the hind leg, as well as higher up on the hind leg and the side of the thorax, giving the appearance that pollen is collected in their ‘armpit’.

The Lakota Residence occupies a spectacular 10-acre site in the hills above northwest Portland, Oregon. The residence consists of a main house of nearly 10,000 sf and a caretakers cottage/guest house of 1,200 sf over a shop/garage. Both have been sited to capture the four mountain Cascade panorama plus views to the city and the Columbia River gorge while maintaining an internal privacy. The buildings are set in a highly manicured and refined immediate site set within a largely forested environment complete with a variety of wildlife. Successful business people, the owners desired an elegant but "edgey" retreat that would accommodate an active social life while still functional as "mission control" for their construction materials business. There are days at a time when business is conducted from Lakota. The three-level main house has been benched into an edge of the site. Entry to the middle or main floor occurs from the south with the entry framing distant views to Mt. St. Helens and Mt. Rainier. Conceived as a ruin upon which a modernist house has been built, the radiused and largely opaque stone wall anchors a transparent steel and glass north elevation that consumes the view. Recreational spaces and garage occupy the lower floor while the upper houses sleeping areas at the west end and office functions to the east. Obsessive with their concern for detail, the owners were involved daily on site during the construction process. Much of the interiors were sketched on site and mocked up at full scale to test formal concepts. Eight years from site selection to move in, the Lakota Residence is a project of the old school process.

The Lakota Residence occupies a spectacular 10-acre site in the hills above northwest Portland, Oregon. The residence consists of a main house of nearly 10,000 sf and a caretakers cottage/guest house of 1,200 sf over a shop/garage. Both have been sited to capture the four mountain Cascade panorama plus views to the city and the Columbia River gorge while maintaining an internal privacy. The buildings are set in a highly manicured and refined immediate site set within a largely forested environment complete with a variety of wildlife. Successful business people, the owners desired an elegant but "edgey" retreat that would accommodate an active social life while still functional as "mission control" for their construction materials business. There are days at a time when business is conducted from Lakota. The three-level main house has been benched into an edge of the site. Entry to the middle or main floor occurs from the south with the entry framing distant views to Mt. St. Helens and Mt. Rainier. Conceived as a ruin upon which a modernist house has been built, the radiused and largely opaque stone wall anchors a transparent steel and glass north elevation that consumes the view. Recreational spaces and garage occupy the lower floor while the upper houses sleeping areas at the west end and office functions to the east. Obsessive with their concern for detail, the owners were involved daily on site during the construction process. Much of the interiors were sketched on site and mocked up at full scale to test formal concepts. Eight years from site selection to move in, the Lakota Residence is a project of the old school process.

The Lakota Residence occupies a spectacular 10-acre site in the hills above northwest Portland, Oregon. The residence consists of a main house of nearly 10,000 sf and a caretakers cottage/guest house of 1,200 sf over a shop/garage. Both have been sited to capture the four mountain Cascade panorama plus views to the city and the Columbia River gorge while maintaining an internal privacy. The buildings are set in a highly manicured and refined immediate site set within a largely forested environment complete with a variety of wildlife. Successful business people, the owners desired an elegant but "edgey" retreat that would accommodate an active social life while still functional as "mission control" for their construction materials business. There are days at a time when business is conducted from Lakota. The three-level main house has been benched into an edge of the site. Entry to the middle or main floor occurs from the south with the entry framing distant views to Mt. St. Helens and Mt. Rainier. Conceived as a ruin upon which a modernist house has been built, the radiused and largely opaque stone wall anchors a transparent steel and glass north elevation that consumes the view. Recreational spaces and garage occupy the lower floor while the upper houses sleeping areas at the west end and office functions to the east. Obsessive with their concern for detail, the owners were involved daily on site during the construction process. Much of the interiors were sketched on site and mocked up at full scale to test formal concepts. Eight years from site selection to move in, the Lakota Residence is a project of the old school process.

Matthew T. Gill, VP Operations, Exact Match Masonry Staining, LLC Matthew T. Gill, VP Operations, Exact Match Masonry Staining, LLC A stunning and spacious custom stone home's color was damaged by loose clay soil during the construction process. While landscaping surrounds the stone so that no further issues will occur, the damage done was impossible to reverse safely with cleaning. Stone veneer cannot be pressure washed or chemically washed without damaging it. A safe rinse with water or soft brush did not help. Stone Veneer manufacturers rely on and refer their clients to Exact Match because we are the only industry approved method for as permanent color correction for stone. Whether stone needs to be corrected lighter or darker, we can help you change or restore the color of your home while keeping the same, natural appearance you would expect for high-end custom stone. Call, email or visit our site today for a no cost quote or ask us questions, we're here to help!

Matthew T. Gill, VP Operations, Exact Match Masonry Staining, LLC Matthew T. Gill, VP Operations, Exact Match Masonry Staining, LLC A stunning and spacious custom stone home's color was damaged by loose clay soil during the construction process. While landscaping surrounds the stone so that no further issues will occur, the damage done was impossible to reverse safely with cleaning. Stone veneer cannot be pressure washed or chemically washed without damaging it. A safe rinse with water or soft brush did not help. Stone Veneer manufacturers rely on and refer their clients to Exact Match because we are the only industry approved method for as permanent color correction for stone. Whether stone needs to be corrected lighter or darker, we can help you change or restore the color of your home while keeping the same, natural appearance you would expect for high-end custom stone. Call, email or visit our site today for a no cost quote or ask us questions, we're here to help!

Dean J. Birinyi Architectural Photography http://www.djbphoto.com
Freestanding bathtub - mid-sized modern master gray tile and ceramic tile ceramic tile and multicolored floor freestanding bathtub idea in San Francisco with an integrated sink, recessed-panel cabinets, medium tone wood cabinets, a wall-mount toilet, beige walls, stainless steel countertops and a hinged shower door

Located in the heart of a 1920’s urban neighborhood, this classically designed home went through a dramatic transformation. Several updates over the years had rendered the space dated and feeling disjointed. The main level received cosmetic updates to the kitchen, dining, formal living and family room to bring the decor out of the 90’s and into the 21st century. Space from a coat closet and laundry room was reallocated to the transformation of a storage closet into a stylish powder room. Upstairs, custom cabinetry, built-ins, along with fixture and material updates revamped the look and feel of the bedrooms and bathrooms. But the most striking alterations occurred on the home’s exterior, with the addition of a 24′ x 52′ pool complete with built-in tanning shelf, programmable LED lights and bubblers as well as an elevated spa with waterfall feature. A custom pool house was added to compliment the original architecture of the main home while adding a kitchenette, changing facilities and storage space to enhance the functionality of the pool area. The landscaping received a complete overhaul and Oaks Rialto pavers were added surrounding the pool, along with a lounge space shaded by a custom-built pergola. These renovations and additions converted this residence from well-worn to a stunning, urban oasis.

THEME The sheer delight of the merrygo- round — an enduring symbol of childhood — is captured in this beautiful room dedicated to the carousel. The ageless joy and beauty of a classic carousel creates a magical space where anything seems possible. FOCUS Designed for two special twins, the actual carousel in the room stands almost 14-feet tall and eight-and-a-half feet wide to hold two baby cribs. Two hand-painted carousel horses (that are also reproduced in framed photos above the changing tables) complete the authentic look. Window treatments start at the center of the carousel with fabric that arches out to each window to pull together the entire room. Custom fabrics are used throughout the space, and the entrance to the attic within the room is disguised with an oversized, vintage amusement park ticket. A television is framed on the wall with a monkey on top to ensure that even modern items have a vintage feel. STORAGE An 18-foot by 12-foot wall of letter blocks creates an abstract armoire that provides storage for clothes, toys, books and other items. The center blocks create a bench seat along the wall, while freestanding blocks within the room help add to the illusion that all of the blocks in the room are actually stacked. GROWTH The wall armoire can be easily updated to accommodate growing children by removing the letters and repainting the blocks in another style. SAFETY Everything in the room is secure, but if accidental falls or slips do occur, the floor has been custom made to be soft and safe. Twofoot square floor pads created with Medium Density Fiber board and two layers of carpet padding with fabric over top, cover the floor to create the feel of walking on pillows.

Anchored by the homeowner’s 42-foot-long painting, the interiors of this Palm Springs residence were designed to showcase the owner’s art collection, and create functional spaces for daily living that can be easily adapted for large social gatherings. Referencing the environment and architecture in both form and material, the finishes and custom furnishings bring the interior to life. Alluding to the roofs that suspend over the building, the sofas seem to hover above the carpets while the knife-edge table top appears to float above a metal base. Bleached and cerused wood mimic the “desert effect” that would naturally occur in this environment, while the textiles on the sofa are the same shade as the rocks of the landscape. Monolithic concrete floors connect all of the spaces while concealing mechanical systems, and stone thresholds signal vertical level changes and exterior transitions. Large wall masses provide the optimal backdrop for the homeowner’s oversized art. The wall structures ground the interior, while the opposing expanses of glass frame the desert views. The location and use of operable doors and windows allows the house to naturally ventilate, reducing cooling loads. The furnishings create spaces in an architectural fashion. Designed and fabricated for flexibility, the pieces easily accommodate the owners’ large social gatherings. The dining table can be split into two and the sofas can be pushed out along the walls, opening the center of the space to entertain. The design of the interior spaces and furnishings seamlessly integrates the setting, architecture, artwork and spaces into a cohesive whole.

Project by Studio H:T principal in charge Brad Tomecek (now with Tomecek Studio Architecture). This project tests the theory of bringing high quality design to a prefabricated factory setting. Enrolled in the LEED-Home Pilot, this residence completed certification. The modular home was conceived as two boxes that slide above one another to create outdoor living space and a lower covered rear entry. The passive solar design invites large amounts of light from the south while minimizing openings to the east and west. Factory construction saves both time and costs while reducing waste and using a controlled labor force. Built in a factory north of Denver, the home arrived by flatbed truck in two pieces and was craned into place in about 4 hours providing a fast, sustainable, cost effective alternative to traditional homebuilding techniques. Upgraded lighting fixtures, plumbing fixtures, doors, door hardware, windows, tile and bamboo flooring were incorporated into the design. 80% of the residence was completed in the factory in less than 3 weeks and other items were finished on site including the exterior stucco, garage, metal railing and stair. Stack-Slide-Stitch describes the conceptual process of how to tie together two distinct modular boxes. Stack refers to setting one modular directly on top of the other. Slide refers to the action that creates an upper southern deck area while simultaneously providing a covered rear entry area. The stitching or interlocking occurs with the upward extension of the lower volume with the front deck walls and with the rear two story vertical.