Jennifer and Dan have lived in their Deer Park Illinois home for 15 years, slowly making minor fixes like painting and decorating; but they had a new plan for their kitchen the entire time. An awkwardly placed garage door, and an island cooktop with a terrible downdraft made a full-scale kitchen remodel an absolute must. Jennifer had many ideas in mind and wanted to work with a company that could provide high-end work, while partnering with a designer that would tailor the kitchen to her ideas. She was intrigued by the phrase “Common Sense Remodeling” in Advance Design’s feature she discovered while perusing an issue of the community’s Quintessential Barrington Magazine. Doing further research on the company’s website, as she looked through project profiles and read about Advance Design’s “Common Sense Remodeling” philosophy, she promptly scheduled an appointment to see if the people and ideas she read about were truly who they said they were. The more she read, the more she knew that the “Common Sense” approach to remodeling they described was exactly the type of company she was looking for. The partnership was sealed after an initial consultation with Owner Todd Jurs and Project Designer Michelle Lecinski. They displayed a combination of friendliness, professionalism and respect that was unmatched by any of the other companies Jennifer talked to. She knew that with Advance Design, she would be able to retain the vision that she had in mind with high-quality craftsmanship. “I reached out to Advance Design because of the ‘Common Sense Remodeling’ tagline,” Jennifer said. “That’s what lingered for me”. “Advance Design was the most respectful- of the house and of my design ideas, and the most professional of the handful of companies that looked at my project”. Soon after the meeting Jennifer began working with Michelle on the project design. They quickly developed chemistry. Jennifer loved how Michelle researched and located every detail that Jennifer wanted for the kitchen. Between the two of them, every concept and idea was worked through and perfected. “Jennifer had definite ideas about what she wanted the new kitchen to look like, she just didn’t know how to bring it all together. We worked together really well to make her ideas into the practical reality necessary for a well-functioning kitchen, with the look and feel that she had envisioned”, says Michelle. “Michelle was wonderful in using the CAD system she would show me new drawings every time we changed the layout while working through the design,” Jennifer said. “She was a really wonderful partner in execution, she made sure everything happened quickly and easily.” The finished design drew out elements of Jennifer’s style and personality. The pair call the look “sophisticated farmhouse” to describe the kitchen renovation to family and friends. The result was a beautifully crafted, authentic-feeling space that satisfied Jennifer’s dreams 15 years in the making. The whole project consisted of a kitchen remodel, mudroom upgrade with powder room, and garage entry relocation. “The projects I personally like the best, are the ones that put the client’s dreams on display,” Project Designer Michelle said. “And this is one of those projects.” The main focal point of the kitchen is custom zinc and brass ventilation hood with a vintage sheen, which was hand made to order by a small company in Indiana named Vogler Metalworking. “It’s like sculpture, a true work of art”, says Jennifer. Your eye is immediately drawn towards this elegant yet practical hood that eliminated the home’s downdraft problem and added a striking conversation piece at the same time. The carpenters had to use special gloves when transporting and installing it, so they didn’t smudge it with fingerprints. The beautiful hood centers proudly over the stunning black enamel and brass LaCornue Range. “I had a friend who had a LaCornue range and after learning how easy it was to cook perfect meals, I was convinced I wanted to have one”, says Jennifer. This unique, breathtaking combination anchors the entire kitchen and is apparent immediately as you walk into the great room the surrounds the space. DuraSupreme Crestwood cabinets with a Kendall Panel add function and sophistication. A custom gray paint color paired with a storm blue was developed so that the new kitchen looked like it belonged to the existing space. Unlacquered brass faucets and hardware were important to Jennifer because she wanted the living finishes to age over time. Remarkable brass diamond mesh cabinet door inserts imported from the UK continue to add this one-of-a-kind kitchen renovation; giving it a “you won’t see this everywhere” quality. The use of old railcar flooring for the coffee bar countertop and reclaimed oak for the open shelving gives an authenticity to the space uncommon in kitchens today. Jennifer and Michelle fell in love with the Limestone Grey Stone while they were investigating unique island countertop ideas. They liked the fact that the limestone as a living finish will age and change over time. Calcutta Miel Quartz countertops made for an excellent pairing around the perimeter, as it’s durable and perfect for cooking preparations. A textured white subway tile backsplash that runs to the ceiling keeps your eye moving towards the open shelving, and to the main focal point of the stunning range hood combination. “The kitchen functions beautifully, and it’s gorgeous,” beams Jennifer as she gestures with both hands while smiling ear to ear. “The most important thing was I wanted a kitchen that had a wonderful flow, cooked beautiful meals and was a great gathering place for family and friends, and this space does that perfectly! Beauty wise, it turned out exactly how I had envisioned. I felt the function part was the hardest part, and that was nailed”! Relocating the garage entry to the new mudroom was a huge priority and has finally separated the family’s arriving home functions from their kitchen. Now coats and shoes and bags have their own area for dropping once members arrive home. Matching gray DuraSupreme cabinetry helped create gorgeous, purposeful lockers for the family. A reclaimed vintage sink and custom wall paper were added to the tiny powder room to beautify the once previously only functional space. Advance Design was even able to create a custom space for their dog to sleep while the family is away. “It was unbelievable that a project of this size was completed in such a short time, and I think that’s because of the large amount of planning and preparation that went into it,” Jennifer marveled, “When we started, we were ready, and everything was prepared”. When it came to execution, Project Manager Justin Davis and his crew were quick, accessible, and organized. Projects like this kitchen are typically completed in as little as 8-10 weeks. Jennifer’s kitchen however despite the relocation of some challenging HVAC in a soffit and moving of an exterior door was completed remarkably fast in part because the team was working with an existing tile floor that ran throughout the first floor that the client really loved. “You get to know these people really well because they’re living in your house while you’re living in your house. They were so fast and really good, it didn’t take as long as even planned” reported Jennifer. “I would text Justin and he always responded almost immediately. I got to know all the guys who were working in our house and they were all wonderful people”. Details in a customized kitchen like this one require skill and care from the people who install it. “All the guys on the job were skilled at what the did. I wanted small details like little feet to look like furniture, that is where their carpentry skill came in to make these all perfect”, said Jennifer. “The tile guys were wonderful. They even let me determine how I wanted the texture with the grout to appear for a salt and pepper look; now that is a very skilled trade person making it custom”. In Jennifer’s interview, she continued to reference Advance Design’s “Common Sense Remodeling”, so I took a minute to ask her exactly what that phrase meant to her and how it played out in her experience with her project and the Advance Design team. Here is what she said: “I was intrigued about Common Sense Remodeling and in my head that there would be clear costs and prices, great communication between the design team, the execution team and me”, said Jennifer. They did deliver on that, it was so clear about the cost breakdown, what I could expect from everyone who came to my house, and everything that we had ordered. That to me is the Common Sense”! It’s great to see a client take literally our assertion that a well-planned remodeling project is simply “Common Sense”! She anticipated each step of the way would be clear, concise, and predictable, all the while protecting the outcome due to the careful upfront planning. “Advance Design delivered on their ‘Common Sense Remodeling’ promise,” Jennifer said. “From the design team, to the execution team - everything was straight forward like I imagined. The project turned out exactly how I envisioned, I enjoyed this process and absolutely would recommend Advance Design Studio to anyone.”

Photo: Kayla Pearson © 2016 Houzz
Mid-century modern entryway photo in Chicago

We put BSI Vernazza Matte quartz into a kitchen in Columbia, and it's the kind of stone that works quiet in a room. Matte quartz doesn't throw light around the way a polished slab does, it settles into a kitchen and lets the cabinets and the fixtures do some of the talking. Vernazza's got a soft background with movement that reads more like natural stone than a lot of engineered material does, and that matte finish takes the glare off without taking the depth out of it. Quartz like this comes off the line consistent, which matters more than people think once you get into fabrication. We're not chasing a wild vein across a seam or hoping a cutout doesn't land on something funny in the pattern. That consistency lets us focus on the parts that actually take skill, tight seams at the island, a clean line where two pieces meet at a corner, getting the overhang right for seating if that's part of the layout. Templating is still templating no matter how forgiving the material is. We measure twice, we dry fit, and we don't cut until we're sure. Day to day this stone's built for a working kitchen. Engineered quartz doesn't need sealing, it's non-porous out of the box, so spills from wine or oil or tomato sauce wipe up without soaking in and staining. It holds up to knives and daily wear better than people expect, and the matte finish actually hides light scratching and fingerprints better than a glossy top does. Heat's the one thing we always tell folks to respect, quartz can take a hot pan for a second but a trivet is still the smart move over time. We kept the edge eased, simple and clean, the kind of detail that doesn't fight with the stone for attention. Columbia's got a lot of kitchens getting this kind of update lately, and a quartz like Vernazza Matte fits right into that Midlands style, practical, good looking, built to actually get used. It's the kind of job that doesn't need a lot of extra dressing up because the material's doing the work.

Fantasy Brown dolomite went into this kitchen in Gaston, and it's the kind of stone that changes how a room feels the minute the sun hits it. Dolomite has real depth to it, that soft natural movement running through the slab, along with a toughness that matters in a room where people actually cook. The background on this stone runs warm, brown and gold tones woven through with darker veining that breaks up the surface without turning busy. No two pieces off the same block look identical, so we spent real time on the layout, working out where the veining would land across the counters before anything got cut. Templating a stone like this takes patience. We measure the kitchen precise, then we go back to the slab and figure out how to lay the template so the movement in the stone flows the right direction across the counter and doesn't fight itself at the seams. On a job like this one, getting the veining to carry across the seam near the sink or across an inside corner is the difference between a counter that reads as one piece and one that looks like two slabs pushed together. We took our time with it here. The edge is eased, clean and simple, and it lets the stone do the talking instead of pulling attention to the edge itself. That's the right call on a material with this much natural character in the face of the slab. Day to day, dolomite holds up well. It's a hard, dense stone, and it resists scratching better than a lot of people expect, though we still recommend a sealer to keep the surface protected from oil and acidic spills, same as we'd tell anyone with a natural stone counter. Wipe up wine or citrus before it sits too long, use a cutting board, and it'll look right for years. Heat isn't a worry either, you can set a hot pan down without thinking twice. Gaston sits right in that stretch of the Midlands where we do a lot of our work, and it's always good seeing a kitchen come together with a stone this striking. Fantasy Brown dolomite gives the room warmth and texture that's hard to match, and installed with a tight, clean fit, it's going to be the centerpiece of that kitchen for a long time.

Fantasy Brown dolomite went into this kitchen in Gaston, and it's the kind of stone that changes how a room feels the minute the sun hits it. Dolomite has real depth to it, that soft natural movement running through the slab, along with a toughness that matters in a room where people actually cook. The background on this stone runs warm, brown and gold tones woven through with darker veining that breaks up the surface without turning busy. No two pieces off the same block look identical, so we spent real time on the layout, working out where the veining would land across the counters before anything got cut. Templating a stone like this takes patience. We measure the kitchen precise, then we go back to the slab and figure out how to lay the template so the movement in the stone flows the right direction across the counter and doesn't fight itself at the seams. On a job like this one, getting the veining to carry across the seam near the sink or across an inside corner is the difference between a counter that reads as one piece and one that looks like two slabs pushed together. We took our time with it here. The edge is eased, clean and simple, and it lets the stone do the talking instead of pulling attention to the edge itself. That's the right call on a material with this much natural character in the face of the slab. Day to day, dolomite holds up well. It's a hard, dense stone, and it resists scratching better than a lot of people expect, though we still recommend a sealer to keep the surface protected from oil and acidic spills, same as we'd tell anyone with a natural stone counter. Wipe up wine or citrus before it sits too long, use a cutting board, and it'll look right for years. Heat isn't a worry either, you can set a hot pan down without thinking twice. Gaston sits right in that stretch of the Midlands where we do a lot of our work, and it's always good seeing a kitchen come together with a stone this striking. Fantasy Brown dolomite gives the room warmth and texture that's hard to match, and installed with a tight, clean fit, it's going to be the centerpiece of that kitchen for a long time.

Jessica Cain © 2019 Houzz
Living room - large coastal open concept living room idea in Kansas City

Fantasy Brown dolomite went into this kitchen in Gaston, and it's the kind of stone that changes how a room feels the minute the sun hits it. Dolomite has real depth to it, that soft natural movement running through the slab, along with a toughness that matters in a room where people actually cook. The background on this stone runs warm, brown and gold tones woven through with darker veining that breaks up the surface without turning busy. No two pieces off the same block look identical, so we spent real time on the layout, working out where the veining would land across the counters before anything got cut. Templating a stone like this takes patience. We measure the kitchen precise, then we go back to the slab and figure out how to lay the template so the movement in the stone flows the right direction across the counter and doesn't fight itself at the seams. On a job like this one, getting the veining to carry across the seam near the sink or across an inside corner is the difference between a counter that reads as one piece and one that looks like two slabs pushed together. We took our time with it here. The edge is eased, clean and simple, and it lets the stone do the talking instead of pulling attention to the edge itself. That's the right call on a material with this much natural character in the face of the slab. Day to day, dolomite holds up well. It's a hard, dense stone, and it resists scratching better than a lot of people expect, though we still recommend a sealer to keep the surface protected from oil and acidic spills, same as we'd tell anyone with a natural stone counter. Wipe up wine or citrus before it sits too long, use a cutting board, and it'll look right for years. Heat isn't a worry either, you can set a hot pan down without thinking twice. Gaston sits right in that stretch of the Midlands where we do a lot of our work, and it's always good seeing a kitchen come together with a stone this striking. Fantasy Brown dolomite gives the room warmth and texture that's hard to match, and installed with a tight, clean fit, it's going to be the centerpiece of that kitchen for a long time.

We put BSI Vernazza Matte quartz into a kitchen in Columbia, and it's the kind of stone that works quiet in a room. Matte quartz doesn't throw light around the way a polished slab does, it settles into a kitchen and lets the cabinets and the fixtures do some of the talking. Vernazza's got a soft background with movement that reads more like natural stone than a lot of engineered material does, and that matte finish takes the glare off without taking the depth out of it. Quartz like this comes off the line consistent, which matters more than people think once you get into fabrication. We're not chasing a wild vein across a seam or hoping a cutout doesn't land on something funny in the pattern. That consistency lets us focus on the parts that actually take skill, tight seams at the island, a clean line where two pieces meet at a corner, getting the overhang right for seating if that's part of the layout. Templating is still templating no matter how forgiving the material is. We measure twice, we dry fit, and we don't cut until we're sure. Day to day this stone's built for a working kitchen. Engineered quartz doesn't need sealing, it's non-porous out of the box, so spills from wine or oil or tomato sauce wipe up without soaking in and staining. It holds up to knives and daily wear better than people expect, and the matte finish actually hides light scratching and fingerprints better than a glossy top does. Heat's the one thing we always tell folks to respect, quartz can take a hot pan for a second but a trivet is still the smart move over time. We kept the edge eased, simple and clean, the kind of detail that doesn't fight with the stone for attention. Columbia's got a lot of kitchens getting this kind of update lately, and a quartz like Vernazza Matte fits right into that Midlands style, practical, good looking, built to actually get used. It's the kind of job that doesn't need a lot of extra dressing up because the material's doing the work.

We put BSI Vernazza Matte quartz into a kitchen in Columbia, and it's the kind of stone that works quiet in a room. Matte quartz doesn't throw light around the way a polished slab does, it settles into a kitchen and lets the cabinets and the fixtures do some of the talking. Vernazza's got a soft background with movement that reads more like natural stone than a lot of engineered material does, and that matte finish takes the glare off without taking the depth out of it. Quartz like this comes off the line consistent, which matters more than people think once you get into fabrication. We're not chasing a wild vein across a seam or hoping a cutout doesn't land on something funny in the pattern. That consistency lets us focus on the parts that actually take skill, tight seams at the island, a clean line where two pieces meet at a corner, getting the overhang right for seating if that's part of the layout. Templating is still templating no matter how forgiving the material is. We measure twice, we dry fit, and we don't cut until we're sure. Day to day this stone's built for a working kitchen. Engineered quartz doesn't need sealing, it's non-porous out of the box, so spills from wine or oil or tomato sauce wipe up without soaking in and staining. It holds up to knives and daily wear better than people expect, and the matte finish actually hides light scratching and fingerprints better than a glossy top does. Heat's the one thing we always tell folks to respect, quartz can take a hot pan for a second but a trivet is still the smart move over time. We kept the edge eased, simple and clean, the kind of detail that doesn't fight with the stone for attention. Columbia's got a lot of kitchens getting this kind of update lately, and a quartz like Vernazza Matte fits right into that Midlands style, practical, good looking, built to actually get used. It's the kind of job that doesn't need a lot of extra dressing up because the material's doing the work.

We put BSI Vernazza Matte quartz into a kitchen in Columbia, and it's the kind of stone that works quiet in a room. Matte quartz doesn't throw light around the way a polished slab does, it settles into a kitchen and lets the cabinets and the fixtures do some of the talking. Vernazza's got a soft background with movement that reads more like natural stone than a lot of engineered material does, and that matte finish takes the glare off without taking the depth out of it. Quartz like this comes off the line consistent, which matters more than people think once you get into fabrication. We're not chasing a wild vein across a seam or hoping a cutout doesn't land on something funny in the pattern. That consistency lets us focus on the parts that actually take skill, tight seams at the island, a clean line where two pieces meet at a corner, getting the overhang right for seating if that's part of the layout. Templating is still templating no matter how forgiving the material is. We measure twice, we dry fit, and we don't cut until we're sure. Day to day this stone's built for a working kitchen. Engineered quartz doesn't need sealing, it's non-porous out of the box, so spills from wine or oil or tomato sauce wipe up without soaking in and staining. It holds up to knives and daily wear better than people expect, and the matte finish actually hides light scratching and fingerprints better than a glossy top does. Heat's the one thing we always tell folks to respect, quartz can take a hot pan for a second but a trivet is still the smart move over time. We kept the edge eased, simple and clean, the kind of detail that doesn't fight with the stone for attention. Columbia's got a lot of kitchens getting this kind of update lately, and a quartz like Vernazza Matte fits right into that Midlands style, practical, good looking, built to actually get used. It's the kind of job that doesn't need a lot of extra dressing up because the material's doing the work.

We put BSI Vernazza Matte quartz into a kitchen in Columbia, and it's the kind of stone that works quiet in a room. Matte quartz doesn't throw light around the way a polished slab does, it settles into a kitchen and lets the cabinets and the fixtures do some of the talking. Vernazza's got a soft background with movement that reads more like natural stone than a lot of engineered material does, and that matte finish takes the glare off without taking the depth out of it. Quartz like this comes off the line consistent, which matters more than people think once you get into fabrication. We're not chasing a wild vein across a seam or hoping a cutout doesn't land on something funny in the pattern. That consistency lets us focus on the parts that actually take skill, tight seams at the island, a clean line where two pieces meet at a corner, getting the overhang right for seating if that's part of the layout. Templating is still templating no matter how forgiving the material is. We measure twice, we dry fit, and we don't cut until we're sure. Day to day this stone's built for a working kitchen. Engineered quartz doesn't need sealing, it's non-porous out of the box, so spills from wine or oil or tomato sauce wipe up without soaking in and staining. It holds up to knives and daily wear better than people expect, and the matte finish actually hides light scratching and fingerprints better than a glossy top does. Heat's the one thing we always tell folks to respect, quartz can take a hot pan for a second but a trivet is still the smart move over time. We kept the edge eased, simple and clean, the kind of detail that doesn't fight with the stone for attention. Columbia's got a lot of kitchens getting this kind of update lately, and a quartz like Vernazza Matte fits right into that Midlands style, practical, good looking, built to actually get used. It's the kind of job that doesn't need a lot of extra dressing up because the material's doing the work.

Fantasy Brown dolomite went into this kitchen in Gaston, and it's the kind of stone that changes how a room feels the minute the sun hits it. Dolomite has real depth to it, that soft natural movement running through the slab, along with a toughness that matters in a room where people actually cook. The background on this stone runs warm, brown and gold tones woven through with darker veining that breaks up the surface without turning busy. No two pieces off the same block look identical, so we spent real time on the layout, working out where the veining would land across the counters before anything got cut. Templating a stone like this takes patience. We measure the kitchen precise, then we go back to the slab and figure out how to lay the template so the movement in the stone flows the right direction across the counter and doesn't fight itself at the seams. On a job like this one, getting the veining to carry across the seam near the sink or across an inside corner is the difference between a counter that reads as one piece and one that looks like two slabs pushed together. We took our time with it here. The edge is eased, clean and simple, and it lets the stone do the talking instead of pulling attention to the edge itself. That's the right call on a material with this much natural character in the face of the slab. Day to day, dolomite holds up well. It's a hard, dense stone, and it resists scratching better than a lot of people expect, though we still recommend a sealer to keep the surface protected from oil and acidic spills, same as we'd tell anyone with a natural stone counter. Wipe up wine or citrus before it sits too long, use a cutting board, and it'll look right for years. Heat isn't a worry either, you can set a hot pan down without thinking twice. Gaston sits right in that stretch of the Midlands where we do a lot of our work, and it's always good seeing a kitchen come together with a stone this striking. Fantasy Brown dolomite gives the room warmth and texture that's hard to match, and installed with a tight, clean fit, it's going to be the centerpiece of that kitchen for a long time.

Inquire About Our Design Services When we first started talking in the spring of 2015, I was impressed. She was witty, realistic, and understood that as much as she loves my shows on HGTV, design does not does not happen in 43 minutes! She told me about her space, and how she felt that her bedroom seemed “blah” to her. She had no retreat. Molly desperately longed for a place that she could spend time in, read in, play in and above all, relax in. What we did: Many people are terrified of hiring a designer. Rightfully so, they are investing a pretty penny in their homes. They want to make sure that everything, down to the last floral arrangement, is to their liking, because they will have to live it (and pay for it). Unfortunately, a client can unintentionally stifle a designer’s creativity through micro-management. This can produce lackluster results and ultimately cause more time (and money) to be spent on a project than is really necessary. With Molly, that was never an issue. Before she even showed me the room in question, she said that I could have full creative license to do what I needed to do to her bedroom. SAY WHAAH!? With Molly giving me complete creative freedom, I planned everything out and got down to business. The result: Bite-your-bottom-lip sexy. I don’t get jealous of too many of my clients’ spaces, but this one still takes my breath away every time I look at the pics! The craziest part was that by adding more furniture, it actually made the space feel larger. Molly and her husband Patrick loved the finished space, and promised me I will be back to finish the rest of the house! Here’s the highlights of the rest of the project: I came up with a space plan with three options. Next, we reviewed mood boards and fabric schemes that would work for both Molly and her hubby Patrick. We started with the bed. My goal was to add edge to its otherwise traditional style. We decided to spice things up by painting the trim work in the room black. We built in layers of lighting with dimmers. In a bedroom everything should be on dimmers, right? Right. We designed and customized bedding, chairs and window treatments. Together with Molly, we selected the most perfect wallpaper. This geometric “grasscloth” adds so much depth and dimension that was just missing before. What I love: That light fixture. I mean it is really, really amazing in person. The porcupine mirror. This thing came packaged like it was the hope diamond, and everyone was terrified to handle it. But it really became a highlight of the room.

This image features our design and painting work for a teenage girl's room in a NYC brownstone apartment on the upper east side. The walls are hand polished venetian plaster and the ceiling features hand painted clouds by our top artist/designer. Design and installation by Monpere Decor Photo Credit: Sotheby's

Ilir Rizaj
Example of a mid-sized trendy u-shaped porcelain tile and gray floor eat-in kitchen design in New York with an undermount sink, flat-panel cabinets, stainless steel appliances, an island and light wood cabinets

Annette Anderson - interior designer, Pete Seroogy - photographer
Example of a small transitional open concept medium tone wood floor living room design in Milwaukee with beige walls, a standard fireplace and a stone fireplace

At Edenton Designs, we offer Industrial Lighting solutions that are unique and artistic. We specialize in reclaimed and veneer wood chandeliers. The furniture we craft is truly unique and one of a kind. If you are searching for custom furniture that has a special touch you definitely came to the right place. We combined Industrial Lighting and Rustic Industrial Lighting elements to create not just a chandelier, but a piece of art that we have people talking... All woods are one of a kind due to the natural wood qualities and the stain color, finish. We professionally sand each piece with 3 levels of sand paper and finish with a 3 coats of High Performance Polyurethane. Its high content polyurethane is extremely durable and makes it ideal for table tops, furniture, lighting and cabinets. Overview Handmade item. Materials: LIVE EDGE, WOOD SLABS, MAPLE WOOD. 10 x Pendant Lights. Made to order. Includes Hanging Chain. Style: Industrial lighting, modern vintage lighting, modern industrial light fixture, industrial house lighting, modern rustic lighting, rustic industrial lighting, island pendant, industrial pendant lights. Specs Length: 76 Inches. Width: 20 inches. Thickness: 2 inch. Finish: High Performance Polyurethane 3x Coat Finish. Edison 60 watt bulbs. Pendants: 10 Longest bulbs hangs 24" from base. Bulbs: 10 x Edison.

At Edenton Designs, we offer Industrial Lighting solutions that are unique and artistic. We specialize in reclaimed and veneer wood chandeliers. The furniture we craft is truly unique and one of a kind. If you are searching for custom furniture that has a special touch you definitely came to the right place. We combined Industrial Lighting and Rustic Industrial Lighting elements to create not just a chandelier, but a piece of art that we have people talking... All woods are one of a kind due to the natural wood qualities and the stain color, finish. We professionally sand each piece with 3 levels of sand paper and finish with a 3 coats of High Performance Polyurethane. Its high content polyurethane is extremely durable and makes it ideal for table tops, furniture, lighting and cabinets. Overview Handmade item. Materials: LIVE EDGE, WOOD SLABS, MAPLE WOOD. 10 x Pendant Lights. Made to order. Includes Hanging Chain. Style: Industrial lighting, modern vintage lighting, modern industrial light fixture, industrial house lighting, modern rustic lighting, rustic industrial lighting, island pendant, industrial pendant lights. Specs Length: 76 Inches. Width: 20 inches. Thickness: 2 inch. Finish: High Performance Polyurethane 3x Coat Finish. Edison 60 watt bulbs. Pendants: 10 Longest bulbs hangs 24" from base. Bulbs: 10 x Edison.