Search results for "Performed correctly" in Home Design Ideas

Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession.
Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm.
They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm.
“They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone.
Design Process
There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms.
Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively.
The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers.
Exterior
The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements.
Interior
The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers.
“Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.”
The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”

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The Storm Gray painted finish with the white subway tile, counter top and other white accents give this luxurious small space a bright yet cool feel. This look is destined to be a classic for years to come.
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Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession.
Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm.
They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm.
“They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone.
Design Process
There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms.
Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively.
The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers.
Exterior
The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements.
Interior
The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers.
“Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.”
The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”
Find the right local pro for your project

Terren Landscapes http://www.terrenlandscapes.com
2014 PLNA Awards for Landscape Excellence Winner
Category: Residential $30,000-$60,000
Award Level: Silver
Project Description:
Our company was contracted to do a master plan for the family who was in desperate need of a rear yard renovation. The existing lawn area remained saturated throughout most of the year and the runoff from the neighboring property ran across their back yard, down the side of their property and all the way to the sidewalk in front of their house. The water was so intense that it had begun to cut through the back yard and erode the soil across the sidewalk and into the nearby storm drain.
By identifying these drainage problems and discussing solutions with the homeowner, we were able to design and create the aesthetically pleasing and sustainable solution of a rain garden. The goal was to slow down storm water runoff, and catch pollution and sediment by creating a rain garden that acts as a filter prior to entering the storm drain, while enhancing the aesthetics of the property.
The rain garden created was a shallow depression, 12 - 16" deep that collects rainfall runoff from all downspouts of the home and water collected into perforated pipes underneath the lawn area. The perforated pipe begins at the highest elevation in the yard and ends in the rain garden, the new lowest elevation that has been excavated down to an 8" depth. The perforated pipe captures the runoff water and allows the water to seep slowly back into the
ground as it runs across the property and into the garden. The garden was lined with a geotextile filter fabric to aide in removing contaminants from the water, prevent migration of the stone in to the soil, and minimalize maintenance.
A large variety of plant material was chosen, focusing mainly on native wetland species for their tolerance of our local soil types, moisture conditions and
the habitat they provide for wildlife. The garden was abundant with native wildlife and was a sustainable ecosystem for birds and butterflies upon completion of the project.
After planting, we arranged decorative stone throughout the garden to slow the flow of water and help prevent erosion. The combination of vegetative and stone surfaces provides temporary storage for runoff before the water either evaporates or infiltrates the soil.
The surrounding beds throughout the property were also all amended with compost and replanted with plants that work in harmony with the rain garden. The front, side, and rear yards are a beautiful display of colors that bloom throughout the seasons and the plants throughout the entire property provide food and shelter for native wildlife.
The rear yard that was once a muddy play space for the kids is now a dry lawn space that can be utilized by the family and their neighbors. This multi functional garden has become the focal point of the residence.
Photo Credit:
Terren Landscapes

Windy City Painters recently tackled heavily corroded metal stairs on the North Side - the kind of job where surface prep makes or breaks the entire project. The stairs had years of rust scaling, flaking old paint, and a few sections where pitting had gone deep.Here in Chicago, metal stairs take a brutal beating. Freeze-thaw cycles crack protective coatings from October through April. Road salt spray migrates from boots and walkways. Humidity off the lake accelerates oxidation on any exposed metal. Older two-flats and greystones often have original ornamental iron stairways that haven't been properly treated in decades.OUR 4-STEP METAL STAIR PROCESS:Mechanical prep with wire wheel grinder and needle gun descaling on heavy corrosion zonesOspho rust-converting primer applied to all remaining oxidized surfaces - this chemically transforms rust into a stable baseSherwin-Williams Corothane moisture-cure urethane primer for extreme industrial barrier protectionTwo topcoats of Sherwin-Williams Corothane aliphatic finish for maximum UV, moisture, and chemical durability Q: What does metal stair painting cost in Chicago?A: Most North Side residential metal staircases run $800-$2,500 depending on step count, structure height, rust severity, and whether any welding repairs are needed before painting begins.Q: Can you paint over rust?A: Not directly. Windy City Painters always converts or removes rust first using Ospho or wire wheel grinding so high-performance coatings like Corothane bond correctly and last.Q: How long does painted metal stairs last in Chicago?A: With Sherwin-Williams Corothane moisture-cure urethane primer and topcoat, properly prepped metal staircases in Chicago typically hold 8-12 years through harsh winters and foot traffic. Q: Do you handle ornamental iron staircases on greystones or two-flats?A: Absolutely. Windy City Painters works regularly on vintage metal stairways found on North Side greystones, courtyard buildings, and Victorian brownstones.Q: What if sections are broken or bent?A: We assess whether a welder is needed before painting begins. We coordinate that repair before any coatings go down.Q: Is there prep before the primer?A: Yes - wire wheel grinding, needle gun descaling on heavy zones, and a full wipe-down before Ospho and Sherwin-Williams Corothane primer application.Q: How do I get a quote?A: Visit windypainters.com or call us directly. Windy City Painters provides free on-site estimates for all metal stair painting projects.Protect your investment before next winter hits. windypainters.com#ChicagoPainter #WindyCityPainters #ChicagoIL #HomeImprovement #ChicagoHome #MetalStairPainting #RustyStairs #ChicagoNorthSide #StairPainting #MetalPainting #ChicagoContractor #ExteriorPainting #GreystoneLiving #ChicagoTwoFlat #CurbAppeal

Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession.
Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm.
They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm.
“They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone.
Design Process
There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms.
Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively.
The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers.
Exterior
The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements.
Interior
The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers.
“Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.”
The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”

ver look at your iron fence and wonder how rust crept up so fast? For homeowners across Chicago's North Side and Near West Side, that moment of recognition often comes too late. Windy City Painters built this project guide to help you understand exactly what a professional iron fence restoration involves, what products matter, and what Chicago's climate demands from every coat of paint applied to exposed metal.
PROJECT OVERVIEW
This iron fence restoration involved a multi-unit property featuring an ornamental iron perimeter fence typical of Chicago's greystone and courtyard building streetscape. The fence presented moderate-to-severe surface rust, multiple areas of paint delamination, and two sections with deep pitting requiring needle gun descaling before any coating could be applied. The goal was full rust remediation and a durable topcoat finish built for Chicago's demanding climate. Windy City Painters completed the project in two days with zero damage to surrounding hardscape.
MATERIALS AND PRODUCTS
Ospho Rust Converter - A phosphoric acid-based treatment that chemically transforms iron oxide into iron phosphate, halting active corrosion before primer is applied. Essential on Chicago iron exposed to decades of salt air and freeze-thaw cycling.
Corroseal Rust-Inhibitive Primer - A water-based latex primer with built-in rust inhibitors, applied over converted surfaces to seal and prepare metal for topcoating.
Sherwin-Williams DTM Acrylic Coating - Direct-to-Metal formulation delivering exceptional adhesion, flexibility, and corrosion resistance. Available in satin and semi-gloss, ideal for ornamental iron fence painting across Chicago properties.
THE PROCESS
Step 1 - Mechanical Surface Preparation: Wire wheel grinding with angle grinder attachments removed all loose rust scale, failing paint, and surface contamination. Heavily pitted sections received needle gun descaling to expose clean stable metal beneath. This step determines everything. No primer or topcoat performs correctly over compromised metal, regardless of product quality. Windy City Painters treats prep as the primary investment on every iron fence project.
Step 2 - Rust Conversion: Ospho was applied liberally to all areas showing active rust. The phosphoric acid reaction was allowed to complete fully before any priming began. On severely oxidized sections, a second Ospho application ensured complete conversion. This step is non-negotiable in Chicago where freeze-thaw cycles push moisture into every surface irregularity.
Step 3 - Priming with Corroseal: Full coverage Corroseal primer coat sealed the converted surface and established adhesion for the finish coats. Corroseal's rust-inhibitive chemistry adds a secondary barrier against moisture penetration, extending the effective life of the topcoat by years in Chicago's humid lakefront environment.
Step 4 - DTM Topcoat Application: Two coats of Sherwin-Williams DTM acrylic in satin black were applied by brush to ensure full penetration into ornamental detail. DTM's flexibility accommodates the metal expansion and contraction Chicago temperatures demand, from minus-15 winters to 95-degree July afternoons. Final coverage was uniform and true to color.
CHICAGO-SPECIFIC CHALLENGES
Chicago iron faces challenges most other markets do not. Lake Michigan humidity accelerates surface oxidation year-round. Road salt from winter de-icing migrates to fence bases and lower rails. Freeze-thaw cycling cracks poorly adhered coatings within a single winter. Greystones, two-flats, and Victorian brownstones often feature original ornamental ironwork with decades of layered paint that must be assessed before any new coating is added. Windy City Painters factors all of these conditions into every iron fence estimate and material selection.
WHAT TO EXPECT LONG-TERM
A properly prepared and coated iron fence using the Ospho, Corroseal, and Sherwin-Williams DTM system should deliver 5-8 years of performance in Chicago conditions. Annual visual inspection for chips or scratches, followed by prompt spot priming, extends that timeline significantly. Full refinishing cycles become less frequent when the initial prep work is done correctly.
PRO TIPS
Tip 1 - Never skip the rust converter. Painting over active rust with even the best topcoat guarantees early failure. Ospho or a comparable phosphoric acid treatment must precede any primer on iron showing orange or brown oxidation.
Tip 2 - Assess for weld repairs before scheduling painting. If rust has eaten through the metal creating structural voids or broken sections, a welder must address those areas before painting begins. Windy City Painters identifies weld repair needs during the free estimate.
Tip 3 - Choose satin or semi-gloss finish on iron. Flat finishes on metal hold moisture and show wear faster. Satin DTM provides enough sheen to shed water while maintaining the traditional look Chicago ornamental iron demands.
Ready to restore your iron fence the right way? Visit windypainters.com to schedule your free estimate with Windy City Painters.
FAQ
Q: What does iron fence painting cost in Chicago?
A: Most residential iron fence projects range from $500 to $1,800 depending on linear footage, rust severity, and prep requirements. Windy City Painters provides free detailed on-site estimates for accurate iron fence painting cost in Chicago.
Q: How do I know if my fence needs rust conversion or just repainting?
A: Any visible orange or brown rust requires chemical conversion before priming. Windy City Painters evaluates every fence during the estimate to determine whether Ospho, mechanical prep, or weld repair is needed before coating begins.
Q: Can you paint iron in cold Chicago weather?
A: DTM coatings have lower application temperature thresholds than standard exterior paint, but we avoid application below 35 degrees Fahrenheit. Windy City Painters schedules iron fence projects for appropriate weather windows throughout the season.
Q: How long does iron fence paint last in Chicago?
A: With complete rust conversion, Corroseal priming, and Sherwin-Williams DTM topcoat, iron fence painting in Chicago lasts 5-8 years. Annual inspections and prompt touch-ups of chips extend that timeline further.
Q: Do I need a welder before an iron fence can be painted?
A: Only if rust has created structural voids or breaks in the metal. Windy City Painters assesses this during the free estimate and can coordinate with welders when needed before our painting crew begins.
Q: What is the difference between Ospho and Corroseal?
A: Ospho is a rust converter applied directly to active rust to chemically neutralize it. Corroseal is a rust-inhibitive primer applied over converted or clean metal. Windy City Painters often uses both in sequence for maximum protection on Chicago iron.
Q: How often should Chicago iron fences be inspected?
A: Annual inspection is recommended, ideally in early spring after winter salt and freeze-thaw exposure. Catching small chips and bare spots early allows simple touch-up rather than full iron fence repainting, saving significant cost.

Sponsored
Columbus, OH
Trish Takacs Design
Award Winning & Highly Skilled Kitchen & Bath Designer in Columbus

Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession.
Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm.
They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm.
“They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone.
Design Process
There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms.
Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively.
The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers.
Exterior
The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements.
Interior
The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers.
“Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.”
The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”

Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession.
Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm.
They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm.
“They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone.
Design Process
There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms.
Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively.
The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers.
Exterior
The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements.
Interior
The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers.
“Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.”
The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”

SERENE STEAM SHOWER SPA SENSORY SPLASH MODEL COMPLETE UNIT
NO Generators - NO Electrical Required!
Install the world’s first Eco Friendly Steam Spa in your home shower enclosure.
The Sensory Splash model is our latest, signature spa system, including our exclusive steam/hot vapor feature, Bluetooth audio and an Essential Oils mechanism. This model also includes a full shower feature described as a pressure balanced, hot and cold mixing valve with a two function diverter for switching between a shower head and a hand held shower for regular shower use, and incorporates a pressure balanced mixing valve system for optimum performance.
Steam/hot vapor is our patented, signature feature.
Available finishes are: Brushed Satin - Polished Mirror
An impressive alternative to regular steam generators
With a Serene Steam system you can enjoy all the benefits of a personal spa in the comfort of your home. Rejuvenate your senses and relax with a hot and humid spa session.
Most people would jump at an opportunity like this and Serene Steam has invented and designed innovative methods to create a complete wellness environment producing heat, steam/hot vapor infused with your choice of Essential Oils for the ultimate relaxation and rejuvenation as an elegant stand-alone unit installed in your shower enclosure .
Serene Steam is bringing innovation to the wellness culture. The way we perceive and gauge relaxation is about to change with a Serene Steam spa system. Now you have the perfect opportunity to pamper yourself in your personal shower enclosure with a beautifully designed spa system which produces a hot and humid spa environment.
Benefits - A hot steam spa, or steam shower environment has a physiological effect on the body which is very similar to that of a sauna. The hot vapors and heat may open up the pores, increases the metabolism, elevates the heart rate, and the body begins to sweat. This can result in health benefits, especially when a hot steamy environment is used safely and frequently (please read precautions). Some spas have also introduced the use of Aromatherapy in their systems to provide additional health benefits and relax clients. Enjoy a Serene Steam Spa system in your own shower enclosure.
Clearer skin - May improve the clarity of their skin over time.
Stress relief - One of the most powerful benefits may be the ability to reduce both physical and mental stress.
Metabolism and weight loss - In some instances, a hot steamy environment can even assist with weight management due to heavier perspiration.
WHY CONSIDER A SERENE STEAM SPA SYSTEM?
The fundamental reason among others, is that Serene Steam does not require any generators, nor any electricity at all. Rather, It is an impressive alternative to bulky electrical generators and has been certified by IAPMO for easy installation by a qualified plumber or contractor. A Serene Steam Spa system brings a moist heat, Essential Oils infused steam/Spa experience into your existing shower enclosure and generally requires basic installation.
Unlike competitors who require generators and an electrical supply to create a hot spa environment, (also known as a steam shower, wet sauna and alike), Serene Steam only requires the two primary connections which already exist in every bathroom - A water supply, and a drain, that's it. There are also no extra "a la carte" expenses required (other than basic plumbing parts) after you have purchased a Serene Steam Spa system. Everything is ready out of the box and only requires basic off the shelf plumbing fittings to install. You may require an additional spa bench for your new spa (not included).
All models are inclusive of our patented steam/hot vapor feature, a Bluetooth Audio system for music and phone calls, and a dedicated Aromatherapy feature for using Essential oils . When constructing a shower enclosure to use with any steam product, or alike, the type of wall materials which you use may also have an impact on the shower enclosure temperature and the time required to reach optimal comfort, please check with your local contractor. Remember, regardless of which steam system you use, all shower enclosures must be steam ready, and your local contractor or plumber should know how to seal your shower enclosure correctly to avoid the hot water vapors from exiting your shower enclosure during use.
PREFERRED SHOWER SIZE:
During use, Serene Steam provides an impressive amount of steam/hot vapor to occupy most standard shower enclosures, However, as with most steam shower enclosures, the smaller the area, the more effective the heat will feel.
With Serene Steam there is no specific size shower required due to the way it functions, also bearing in mind that with a movable spa bench (not included) it is possible to position yourself within any desired location should you have an extra-large/nonstandard shower enclosure. The diagram below should be a good indication of the preferred size of your shower enclosure. Please note that not all shower enclosures will provide the exact same results.
Certifications: cUPC - IAPMO certified, meets all local and federal ASTM standards ICG-54-2019 for shower panels and steam showers. Green Business Bureau Certified.
Product Specifications
Constructed from 16 gauge, 304 Stainless Steel.
The main body panel and mixing valve panel are designed to appear as one-themed unit for a beautiful flush wall mount.
Main hot & cold mixing valve
Aromatherapy Feature
Main body panel
Height: 27 inches
Width: 6 inches
Depth: 3.5 inches - Flush mount
Mixing valve panel
Height: 9 inches
Width: 6 inches
Depth: based on construction parameters
Total height and width of the installed unit is approximately: 38 x 6 inches (flush with wall).
Patented and IAPMO certified.
Disclaimer
The content on this site is not a substitute for a qualified physician, pharmacist, or other healthcare professionals. All content regarding benefits of a hot spa, or steam environment on this site is opinion, and is based entirely on ubiquitous publications supporting the opinion. Content is also gathered from public, & known sources & is as accurate as the general information provided & is opinion only, and not claimed by Serene Steam in any way whatsoever.
MADE IN USA
Join us at flooringsupplyshop.com for this product and many others
Patent U.S.A. & INTERNATIONAL

There are a few reasons why it is critical that your trees have a regular schedule for pruning and maintenance. Pruning helps trees to maintain a tree’s health as well as form it to a pleasing aesthetic shape. Furthermore, pests and diseases are also controlled by regular pruning and care. When pruning is properly performed, your trees will be healthy and attractive all year long. Five Star Tree Services has put together a list of seven things you should keep in mind regarding your tree pruning.
Tree Inspection
Before any tree pruning job, the tree should be properly inspected. This will allow you or our tree care service team to determine which branches should be cut. It will also allow any diseases or pests to be identified and dealt with.
Remove Dead, Weak & Crossed Branches
Dead and weak branches are a hazard to your property and those who happen to walk or lounge under the tree. They also suck vital nutrients away from healthy branches and the tree trunk. Removing them will prevent accidents and allow your tree to thrive. Crossed branches can also cause problems later down the line. They affect the airflow to the crown and can also prevent sunlight from passing through the tree.
Pay Attention to Spacing
It’s important to pay attention to branch spacing when pruning your tree. Lateral branches should be spaced evenly, especially when pruning trees that have yet to mature.
Follow the Basic Pruning Rules
It’s important that the 1/4th and 1/3rd rules of pruning are followed. This means that you should never cut more than a third of the total height of the tree. This length is measured from the bottom up. You should also only cut 1/4th or less of a tree’s crown when you prune at any one time.
Get Your Tools Ready
The tools you use to prune should be ready well before you make the first cut. You should start your project equipped with a pole pruner, pruning saws, hedge shears, loppers, and pruning shears. They also need to be properly sharpened before you start your pruning project. Each of these tools will allow you to reach different parts of the tree and prune them in a safe manner. If your tools are dull, they can damage the tree or even cause accidents when you attempt to cut.
Prune on Schedule
There are schedules for pruning that should be followed according to the type of tree you are caring for. Summer blooming trees should be pruned in early spring while evergreens and hedges should be taken care of in the early part of summer. Fruit-bearing trees should be pruned late in winter ahead of the frost. If there is damage to your tree, it doesn’t matter what time of year it may be, correct the problem as soon as possible.
Avoid Protecting Post-Pruning
Pruning leaves behind wounds, but they will heal. Though they may be unsightly for a while, the marks will heal and return back to its natural beauty. Don’t paint the pruning wounds to protect the tree, it actually has no effect on decay prevention. Painting may even trigger diseases or encourage pests to take up residence.
How We Can Help
Tree pruning is a complication job, but with our tips, you can do it right. It is always a good idea to leave the job to the professionals here at Five Star Tree Services instead. Our Toronto tree care experts have the tools, experience, and skills to get the job done right the first time. Get in touch with us at (416) 990-3355 today for more information.

**I. Spatial Composition & Architectural Volume**
This is an exercise in the disciplined choreography of a constrained footprint — a narrow, rectilinear bathroom whose length is exploited rather than disguised. The composition unfolds along a single axis, the viewer's eye drawn from the foreground console lavatory, past the drop-in tub, to the terminal glazed aperture that anchors the far wall and releases the volume outward. The photograph's vantage, taken through a partially opened multi-paneled door with its cushioned rail-and-stile profile and beveled glazing, establishes a layered threshold condition: the room is framed, glimpsed, and entered simultaneously. Ceiling height is generous relative to plan dimension, and the architect has resisted the temptation to lower it; instead, a slender crown profile and a delicate picture-rail cornice terminate the field tile at a consistent datum, reinforcing the vertical proportion. Above the tub, a bank of recessed-panel cabinetry is set flush into the reveal of a soffit, borrowing the depth of the wall assembly to gain storage without protrusion — a deft piece of joinery logic. The window is treated as an architectural niche, its deep jambs and marble sill establishing a plinth that reads as inhabited rather than merely functional. Overhead, an exposed nickel-plated curtain rod traverses the ceiling plane in a single diagonal gesture, its cantilevered support rendering the drapery a movable spatial partition rather than a fixed enclosure.
**II. Materiality, Color & Texture**
The palette is a study in monochromatic gradation, calibrated almost entirely within the white spectrum yet richly differentiated by surface behavior. Hand-glazed subway tile in a running-bond pattern clads the wet walls, its subtle undulation and pooled glaze catching light unevenly to produce a soft, ceramic luminosity that no machine-pressed tile could replicate. Underfoot, a penny-round mosaic in matte porcelain introduces fine-grain granularity and a faintly warm grout line, its curvilinear tessellation providing tactile counterpoint to the orthogonal wall coursing. Marble — likely a Calacatta or lightly veined Carrara — appears strategically at the lavatory deck, the tub apron cap, and the window sill, its ochre-gold and cool grey veining supplying the room's only true figuration and its principal chromatic warmth. Polished nickel is the unifying metal, deployed with unusual generosity: the exposed console legs and cross-braced towel bar, the exposed riser and telephone-style handshower, the cross-handle fittings, and the rose-mounted door knob with its knurled backplate. Its cool, silvery reflectivity absorbs and redistributes ambient light, dissolving the hardware into the field. The single yielding material is the shower curtain — an unlined linen or cotton voile in pale butter-yellow — whose slubby weave, gravity-drawn folds, and warm undertone break the room's cool register and introduce the necessary note of domestic softness.
**III. Lighting, Atmosphere & Style Profile**
Illumination is overwhelmingly diurnal and unapologetically singular in source: the window at the terminus floods the space with diffuse, high-key daylight that blows toward pure white at the aperture and falls off gradually along the tile, modeling the wall's minute irregularities into a low-relief texture. The absence of visible decorative fixtures — save a discreet ceiling-recessed vent or downlight above the shower — is deliberate; artificial lighting is subordinated so that the material palette performs under natural light. The resulting atmosphere is serene, hygienic without sterility, and quietly luxurious: light behaves as a material in its own right, and the white-on-white scheme functions as a reflector rather than a void. Stylistically, the room synthesizes early-twentieth-century Anglo-American sanitary vernacular — the exposed-plumbing console lavatory, the exposed-riser shower, the metro tile and penny mosaic — with a contemporary editorial restraint that strips out ornament and pattern in favor of proportion and craft. It might be characterized as Refined Classicism, or more precisely, a Transitional Pre-War Revival: historically literate in its detailing, resolutely modern in its spatial economy and tonal discipline. The single pale-yellow textile is the design's signature move, a calibrated warm accent that prevents the achromatic scheme from tipping into clinical austerity and confirms the project's essential thesis — that restraint, correctly executed, reads as generosity.

Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession.
Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm.
They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm.
“They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone.
Design Process
There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms.
Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively.
The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers.
Exterior
The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements.
Interior
The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers.
“Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.”
The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”

Patio - small traditional backyard stamped concrete patio idea in Denver with no cover

Phoenix's food scene is vibrant and thriving, but also one of the most closely watched in the country. Health inspectors in Maricopa County are strict, and customers expect spotless dining spaces.
To stay competitive, restaurant owners and food vendors must stay on top of evolving health codes, sanitation protocols, and food safety benchmarks. That starts with a firm grip on restaurant cleaning safety standards. Ignoring sanitation rules risks more than bad reviews. It invites citations, customer complaints, and operational shutdowns.
Whether you're operating a food truck or a restaurant, following these Phoenix cleaning standards helps you stay compliant, pass health inspections, and build customer trust.
Importance of a Clean Phoenix Restaurant that Follows Food Health and Safety Standards
The restaurant industry in Phoenix operates under strict oversight. The Maricopa County Environmental Services Department conducts regular inspections, and violations can result in fines or closures. In this climate, restaurant cleaning is not just a hygiene standard. It is a business-critical measure.
Proper food handling and establishment cleaning protocols reduce the risk of foodborne illnesses, control pests, protect equipment, and keep your staff safe. Inconsistent practices, on the other hand, can quickly become liabilities.
Start With the Food Code
Phoenix food vendors must comply with the 2017 FDA Food Code as adopted by Maricopa County. This includes rules on:
- Sanitizing food-contact surfaces after each use
- Maintaining proper water temperatures for dishwashing
- Cleaning restrooms frequently and keeping them stocked
- Storing cleaning chemicals away from prep areas
- Daily: Wipe prep tables, mop floors, clean grills, sanitize cutting boards
- Weekly: Deep clean kitchen hoods, polish cooking equipment, disinfect drains
- Monthly: Check pest control measures, clean freezer coils, and inspect HVAC filters
- Using the right sanitizers and PPE
- Logging cleaning times and who performed the task
- Identifying signs of mold, grease buildup, or rodent activity
- Conducting thorough surface cleaning to ensure all food-contact surfaces are sanitized regularly
- Food-safe and non-corrosive
- Effective against norovirus, salmonella, and E. coli
- Clearly labeled and stored in original containers
- Seal gaps around doors and pipes
- Store dry goods in sealed, elevated containers
- Keep outdoor waste bins locked and distanced from entry points
- Record cleaning completion in real time
- Alert managers when tasks are missed
- Keep a historical record for inspections
- Is certified and understands the Arizona food codes
- Provides documented service reports
- Offers customized cleaning plans
- Offers flexible scheduling around your operating hours
- Cross-contamination prevention: Regularly clean food prep surfaces and tools, and use separate equipment for raw meats, vegetables, and ready-to-eat foods. Proper cleaning prevents any contact with food that could lead to cross-contamination and affects food quality.
- Temperature monitoring: While not directly related to cleaning, maintaining proper food temperature is essential. Hot foods should be stored above 140°F, and cold foods below 40°F. Regularly monitor temperatures and clean temperature gauges to ensure accuracy.
- Proper storage: Use clean storage containers and shelving for food storage, keeping items off the floor. Ensure all food is sealed and labeled to avoid contamination risks and comply with food safety standards.

Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession.
Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm.
They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm.
“They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone.
Design Process
There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms.
Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively.
The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers.
Exterior
The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements.
Interior
The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers.
“Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.”
The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”

**I. Spatial Composition & Architectural Volume**
This is a galley-adjacent service zone — most likely a scullery or butler's pantry annexed to a primary kitchen — and its power derives from compression rather than expanse. The composition is organized along a single working wall that terminates abruptly in a full-height stainless volume, creating a deliberate collision of cabinetry rhythm and monolithic mass. The upper millwork establishes the governing geometry: a run of glazed-front wall cabinets with recessed shaker-profile stiles and rails, capped by a substantial crown assembly that reads as architectural cornice rather than applied trim. Within the second bay, the designer has inserted a period-correct plate rack with fluted vertical dividers and open glassware shelving, converting storage into ordered display and introducing a fine-grain vertical striation that counterpoints the broader panel field below. The base run answers with inset drawer fronts and applied-molding door panels, its cabinetry set on a shallow toe recess that lets the volume appear to float rather than plinth. The sightline is intentionally foreshortened: the eye travels the countertop plane eastward, is arrested by the refrigerator's tall stainless slab, then released through a sliver of hallway and door casing at the far right — a compressed reveal that implies circulation beyond and prevents the corridor from reading as a dead end. Ceiling height is inferred rather than shown, the cabinetry's soffit-scaled crown suggesting generous vertical proportion held in check by the room's narrow footprint.
**II. Materiality, Color & Texture**
The palette is a study in achromatic warmth, restrained to four principal materials and disciplined in its saturation. Cabinetry is finished in a soft greige-white — a putty-leaning off-white with faint green-grey undertone — applied in a low-sheen eggshell that absorbs rather than reflects, allowing the millwork profiles to be read through shadow rather than gloss. The backsplash is a honed marble subway field, laid in running bond with tight joints; its veining is delicate, feathered, and grey-toned, providing textural incident without pattern assertion. This continues seamlessly into the countertop, a thick marble slab with a squared eased edge and an integrated undermount trough sink, the material continuity from horizontal to vertical plane reinforcing the wall as a single stone-clad surface. Against this cool mineral field, the stainless steel refrigerator introduces an industrial register — brushed, directional, faintly grey-violet in its reflected light — while polished nickel hardware (bin pulls, cup pulls, knobs, and a wall-mounted bridge faucet with cross handles) supplies punctuating specular highlights at a consistent scale. The floor is the room's tonal anchor: white oak in a herringbone lay, fumed or grey-washed to a driftwood tone that reveals open grain and medullary ray figure. Small warm accents — a butcher-block cutting board with worn patina, amber glass bottles, a persimmon-toned bowl, the pale green of a champagne label — function as chromatic acupuncture within an otherwise desaturated field.
**III. Lighting, Atmosphere & Style Profile**
Illumination is layered and largely concealed. Ambient daylight enters obliquely from the left, raking across the marble backsplash at a low angle that mobilizes the honed surface's subtle relief and casts the cabinet door profiles into legible shadow. Undercabinet linear lighting washes the countertop and backsplash with a warm, low-kelvin pool, while the refrigerator's interior glazing performs as an unexpected internal lantern — a glowing vitrine that punctures the stainless slab and becomes the composition's focal luminance. This device is the image's most sophisticated gesture: it recasts a utilitarian appliance as an illuminated cabinet of curiosities, echoing the glass-front upper millwork on the opposite wall and completing a diagonal dialogue of lit transparency across the room. The resulting atmosphere is quiet, tempered, and quietly bourgeois — an interior of custodial calm rather than spectacle. Stylistically, the project synthesizes as a **contemporary Anglo-American scullery vernacular**: classical inset millwork and plate-rack joinery inherited from the pre-war service kitchen, reinterpreted through professional-grade stainless equipment, honed rather than polished stone, and a wire-brushed herringbone floor. Call it Refined Utilitarianism — a design position in which historical typology supplies the grammar, industrial hardware supplies the punctuation, and the near-monochrome palette allows craft, profile, and light to carry the entire expressive burden.

Chris Golden
Inspiration for a transitional carpeted living room remodel in Phoenix with beige walls, a standard fireplace and a tile fireplace
Inspiration for a transitional carpeted living room remodel in Phoenix with beige walls, a standard fireplace and a tile fireplace

Natural colour sisal carpet with black edging on wood stairs. Custom workmanship,
Example of a large classic wooden straight staircase design in Toronto with wooden risers
Example of a large classic wooden straight staircase design in Toronto with wooden risers
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