White staircase with wooden steps, combination that predominated in the finishing of the social spaces. This desk furniture had been left by the former owners and was completely restored by the new residents. Photo: M. Caldo Studio

Panoramic mural. Original acrylic painted on canvas, in an impressionist style, a dominance of BLUE, representing a quiet landscape with a large river, a pine tree forest on an orange land at the foot of two Blue mountains with an orange sun and sky reflecting in the water. I made it out of my imagination & called it Eldorado. The predominantly pastel colors suit very well a waiting room, living room or bedroom. Painted in September 2019 by Martine Harris. All right reserved. Get it on link: ⬇️ https://www.pictorem.com/gallery/Martine.Harris Easy to Install, Wall Mural Print removable without any damage to your walls. Easy to change or remove. We are using a premium 6 mil auto-adhesive vinyl with a subtile linen-cotton canvas texture. Change the look and feel of a room without the hassle of traditional wallpaper. Our wall murals print are the perfect solution to easily enhance any residential or commercial space alike! Repositionable self-adhesive vinyl delivered in strip of 35 to 45 inches of width and slightly overlap for easy installation.

Starting Each Day Clean and Refreshed In This Classically-Modern, Marble Masterpiece In 1985, the previous owner of the house had added an addition of which part included a 17 feet by 13 feet space off the master bedroom for both a master bath and walk-in closet. Irrespective of the dated red carpet that blanketed the entire bathroom of this 1964 colonial in Annandale, VA, the combination bathroom/closet space had its other oddities, primarily in that there was no shower. The current homeowners -- a family of five, who has been in the home for 7 years, was tired of going down the hall to use the kids’ bathroom to take a shower before work. The renovation that they have created now is a bright and luxurious space that one could bask in all day. They used this bathroom renovation opportunity to total remake the layout and function of this essential room that sets the tone for the day ahead. Prior to the renovation, the existing bathroom oddly had two entrances, a typical one off of the master bedroom, but another straight off the upstairs hallway. As the toilet was out in the open in the previous design, ensuring that this second door was closed when company was in town was essential and a nuisance. As you entered the room, situated below the arc window, a large soaking tub that was covered on three sides with wooden steps dominated the room from the corner it projected. A relatively small 42” single bowl sink did not leave much space for his and hers toiletries, and there was no other linen closet or cabinetry for storage in the bathroom. The 8 foot by 5 foot closet with accordion doors had poorly laid out rungs not letting the storage space to be fully utilized. At over 220 square feet, the room did offer considerable space to work with, yet the existing layout, which even included a partition wall behind the vanity, felt cramped and dysfunctional. The homeowners wished to create a classic yet modern, private, deluxe bathroom that would better integrate into their master suite and enable them to start and end each day in a luxurious way. They wanted to maintain having a soaking tub, add in a large shower, have an enclosed commode, expand to include double sinks, and add more storage for toiletries and linens. We worked with the customer to develop a creative design with extensive plumbing rework that accomplished all these needs and more. The first order of business was to gut out all the carpet, tub, cabinetry, and non-load bearing partition walls. The new tub would be generally in the same location, but as the previous walk-in closet would be repurposed for the commode and the walk-in shower additional water lines, plumbing, and draining needed to be added; fortunately the room below is the garage, which enabled the team to frame out some bulkheads to accomplish this complex plumbing. Following the framing, including walling up the second entrance to the bathroom, adding in a pocket door for the commode, and creating the shape of the new shower, the team also laid down the wiring for one of the luxuries of this room – heated flooring. A glossy percaline boarder, and two-inch hexagon shape percaline tiles cover the entire floor, making it much easier and cleaner than the previous carpet. Marble look tile is predominant throughout the bathroom as despite the angled frameless glass door, the entire shower is covered in 18 inch polished marble look tiles. The shower coats the user in water from either the overhead rain head, large main showerhead and/or the hand held sprayer. Over 7 feet of white Italian Statuetto marble countertop, enable the couple to have two sink bowls and plenty of room on each side. The bowls are exposed in this stainless steel console sink design which required the team to ensure that the exposed plumbing looked pristine, and painting the bottom of the porcelain bowl to match the coloring. The white cast-iron 72-inch Cecilia claw-foot soaking tub and its chrome lion’s paws complement that other chrome and white used throughout the room. A tall, almost floor-to-ceiling linen closet finished in arctic white is nestled in the corner near the tub, enabling ample storage of towels, etc. Other cabinetry includes an 18 inch-wide vanity with decorative footing is centered between the two sinks, and a 27 inch wall mounted cabinet with shelf is above the Kohler Devonshire elongated toilet. Billowing cloud colored grey blue paint was a great choice for this room to pick up on the veining in the marble. Mirrored medicine chests, a chandelier, wall sconces, and overhead recessed lighting also were incorporated into the design and function of the new room. The artful combination of classic design from material choices, such as free-standing Victorian claw-foot tub along with the modern design as seen in the angled shower, frameless medicine cabinet mirrors, and frosted glass pocket door on the commode, make this bathroom quite a masterpiece. The clients are enjoying having their private space and not having the use the kids’ bathroom anymore.

This remodel was for a young, busy family of five. They had purchased the home initially because it was very spacious and included a large garden. After several years, however, it was clear they would have to make some changes as they spent most of their family time together in the too small, galley-style kitchen. We agreed that in order to achieve the open kitchen/ family room they would need to add about 500 square feet. The project was quite involved because, like many typical Mill Valley homes, the house was built on the side of hill and the foundations had to be quite deep. The main idea for the space was inspired by the Bulhaup Kitchen and the need for two ovens and two sinks. The two islands helped create a totally accessible kitchen work area. Dealing with a large house built in 1978, it was challenging to come up with a style that would work with some of the original windows in other areas that were not in the budget for replacement. The new windows and doors were specifically chosen to let in the light and take in the secluded garden and lush surroundings. The rounded decks softened the rather severe boxy exterior of the residence. The slate floor and steel baseboards were both practical and aesthetically pleasing; their durability and easy upkeep would come in handy for a large family. The remodel further included a rework of the master bathroom/ closet area as well as all the windows and doors. The bathroom shower was tiled with small stone tiles imported from Sienna, Italy. Throughout the remodel, the taps were from the famous German Durnbroch, the sinks were by Philippe Stark, and the lighting was predominately from Artemide, an Italian lighting manufacturer. The tub and washstands, from Kholer the Bold Look, helped complete the design.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

This Classic Quarry large Nojoqui Falls wall fountain will instantly become the crowning jewel of any room you put it in, whether it's in your home or office. When you look at this fountain, your eye will be naturally drawn to the movement of the water over the exquisite green marble stone to the awaiting polished cream white river rocks. The calming effect of this sight and sound cannot be overstated. Rainforest marble is not technically a marble; it's a serpentinite, which is rock composed predominantly of one or more serpentine minerals, and is known for its healing qualities. Due to its elegant, smooth appearance similar to marble, it is often referred to as marble. The name "Rainforest" comes from the distinctive veining that looks like tree branches or a "rainforest jungle". This particular marble is very strong and characteristics in veining and movement will tend to vary greatly between stones. Rain forest green marble all comes from the same quarry in Rajasthan, India. Rainforest green is a very unique extravagant looking marble consisting of rich earthy green tones and deep brown veining. Bluworld HOMelements™ Classic Quarry Line also features your choice of premium metals, like brushed stainless steel, rustic copper with our signature hand-applied patina, or your choice of our standard colors like Black Onyx or Copper Vein trim kits. Remotely controlled dimmable, long-lasting, warm white LED lighting highlights the beauty of the stone color and texture. A removable rock tray allows easy access to the pump and adjustable flow rate valve. Cream White River Rocks are included. This fountain can be customized with the logo of your choice. Natural stone varies in color due to the different hues of the natural particles that make up the product. All stones are natural and vary in color, intensity and veining. Photos are provided as an indication only. It is the variation in natural stone that makes each fountain quite unique. Since this product is natural stone, color and texture variances are not defects within the material, but are inherent to it and part of the natural beauty of quarried materials. Our natural stone slabs are imported from quarries worldwide. The Classic Quarry Line contains stunning slices of the natural world. Due to the broad range of colors and textures (Granite excluded) you may wish to select your own stone. This culling service is offered for an additional fee and includes photos of 4 different slabs from your selected stone species. Stone selections must be made within 48 hours of photo receipt. Our Culling Service is not offered for Absolute Black Granite.

Smokey Gold real thin stone veneer from the Quarry Mill creates a beautiful exterior siding on this residential home. Smokey Gold real stone veneer is a natural low height ledgestone. The stone itself is a natural quartzite and the thin veneer is cut from the edges of the sheets of stone as they are quarried. The process of sawing the raw stone into natural thin veneer turns the diamond blade bright red due to heat that is generated and the density of the natural quartzite. Smokey gold is predominantly gold but also showcases some grey and white pieces giving it a subtle range of color. The textures are mainly smooth with some rippling. Although all of our natural stone veneers are high density, low water absorption, and approved for use in all climates, Smokey Gold is exceptionally hard and sturdy.

This space was created as a master bath for this client and was part of a larger master suite and dance studio addition. Textured tile makes a perfect transition between the shower wall tile, porcelain plank flooring, and shower floor in this soothing space. Brushed nickel hardware and fixtures also serve to tie the space together. Blue glass mosaic tile echoes the backsplash above the vanity. With home prices rising and residential lots getting smaller, this Encinitas couple decided to stay in place and add on to their beloved home and neighborhood. Retired, but very active, they planned for the golden years while having fun along the way. This Master Suite now fosters their passion for dancing as a studio for practice and dance parties. With every detail meticulously designed and perfected, their new indoor/outdoor space is the highlight of their home. "We found Kerry at TaylorPro early on in our decision process. He was the only contractor to give us a detailed budgetary bid for are original vision of our addition. This level of detail was ultimately the decision factor for us to go with TaylorPro. Throughout the design process the communication was thorough, we knew exactly what was happening and didn’t feel like we were in the dark. Construction was well run and their attention to detail was a predominate character of Kerry and his team. Dancing is such a large part of our life and our new space is the loved by all that visit." ~ Liz & Gary O. Photos by: Jon Upson

The house is surrounded by other properties on all sides except for the front elevation. The northern façade has fewer windows to protect the villa in Riyadh, Saudi Arabia, against the strong, predominantly northern winds. The rhythm and balance in all four elevations are maintained through the repetition of features, such as the decorative cornice along the façade, by CAS.

In this kitchen renovation, the aim was to revamp the space, making it not just functional, but stylish and inviting too. The decision to paint the walls predominantly white instantly promoted brightness and airiness into the room, setting the stage for a modern makeover. Knocking down the wall separating the kitchen from the family room added a touch of spaciousness and promoted seamless interaction between the two areas. Introducing a sleek floating island became the centerpiece, offering both practicality and a contemporary aesthetic. Upgrading to all new appliances ensured efficiency without sacrificing style. The end result? A chic, welcoming kitchen that's as perfect for cooking up a storm as it is for gathering with loved ones. In this extensive bathroom remodel, a once cluttered and cramped primary bathroom has been meticulously transformed into a spacious and bright oasis. By prioritizing additional storage and leveraging the existing skylight, the space underwent a remarkable renovation without the need for significant structural changes. The skylight was maximized to its full potential by surrounding it with pristine white walls, creating an airy and luminous atmosphere. The introduction of a luxurious marble shower not only adds a touch of sophistication but also contributes to the overall cleanliness and sophistication of the space. Soft gray cabinets and warm wood accents were strategically incorporated to create a bathroom with a serene and welcoming ambiance, evoking a sense of tranquility and comfort. Every detail was meticulously considered, from the placement of storage solutions to the selection of materials, ensuring that the remodeled bathroom exudes both functionality and elegance. The result is a blend of style and practicality, where every aspect of the design works in harmony to create a serene sanctuary where relaxation and rejuvenation are effortlessly embraced.

Starting Each Day Clean and Refreshed In This Classically-Modern, Marble Masterpiece In 1985, the previous owner of the house had added an addition of which part included a 17 feet by 13 feet space off the master bedroom for both a master bath and walk-in closet. Irrespective of the dated red carpet that blanketed the entire bathroom of this 1964 colonial in Annandale, VA, the combination bathroom/closet space had its other oddities, primarily in that there was no shower. The current homeowners -- a family of five, who has been in the home for 7 years, was tired of going down the hall to use the kids’ bathroom to take a shower before work. The renovation that they have created now is a bright and luxurious space that one could bask in all day. They used this bathroom renovation opportunity to total remake the layout and function of this essential room that sets the tone for the day ahead. Prior to the renovation, the existing bathroom oddly had two entrances, a typical one off of the master bedroom, but another straight off the upstairs hallway. As the toilet was out in the open in the previous design, ensuring that this second door was closed when company was in town was essential and a nuisance. As you entered the room, situated below the arc window, a large soaking tub that was covered on three sides with wooden steps dominated the room from the corner it projected. A relatively small 42” single bowl sink did not leave much space for his and hers toiletries, and there was no other linen closet or cabinetry for storage in the bathroom. The 8 foot by 5 foot closet with accordion doors had poorly laid out rungs not letting the storage space to be fully utilized. At over 220 square feet, the room did offer considerable space to work with, yet the existing layout, which even included a partition wall behind the vanity, felt cramped and dysfunctional. The homeowners wished to create a classic yet modern, private, deluxe bathroom that would better integrate into their master suite and enable them to start and end each day in a luxurious way. They wanted to maintain having a soaking tub, add in a large shower, have an enclosed commode, expand to include double sinks, and add more storage for toiletries and linens. We worked with the customer to develop a creative design with extensive plumbing rework that accomplished all these needs and more. The first order of business was to gut out all the carpet, tub, cabinetry, and non-load bearing partition walls. The new tub would be generally in the same location, but as the previous walk-in closet would be repurposed for the commode and the walk-in shower additional water lines, plumbing, and draining needed to be added; fortunately the room below is the garage, which enabled the team to frame out some bulkheads to accomplish this complex plumbing. Following the framing, including walling up the second entrance to the bathroom, adding in a pocket door for the commode, and creating the shape of the new shower, the team also laid down the wiring for one of the luxuries of this room – heated flooring. A glossy percaline boarder, and two-inch hexagon shape percaline tiles cover the entire floor, making it much easier and cleaner than the previous carpet. Marble look tile is predominant throughout the bathroom as despite the angled frameless glass door, the entire shower is covered in 18 inch polished marble look tiles. The shower coats the user in water from either the overhead rain head, large main showerhead and/or the hand held sprayer. Over 7 feet of white Italian Statuetto marble countertop, enable the couple to have two sink bowls and plenty of room on each side. The bowls are exposed in this stainless steel console sink design which required the team to ensure that the exposed plumbing looked pristine, and painting the bottom of the porcelain bowl to match the coloring. The white cast-iron 72-inch Cecilia claw-foot soaking tub and its chrome lion’s paws complement that other chrome and white used throughout the room. A tall, almost floor-to-ceiling linen closet finished in arctic white is nestled in the corner near the tub, enabling ample storage of towels, etc. Other cabinetry includes an 18 inch-wide vanity with decorative footing is centered between the two sinks, and a 27 inch wall mounted cabinet with shelf is above the Kohler Devonshire elongated toilet. Billowing cloud colored grey blue paint was a great choice for this room to pick up on the veining in the marble. Mirrored medicine chests, a chandelier, wall sconces, and overhead recessed lighting also were incorporated into the design and function of the new room. The artful combination of classic design from material choices, such as free-standing Victorian claw-foot tub along with the modern design as seen in the angled shower, frameless medicine cabinet mirrors, and frosted glass pocket door on the commode, make this bathroom quite a masterpiece. The clients are enjoying having their private space and not having the use the kids’ bathroom anymore.

Reverse Shed Eichler This project is part tear-down, part remodel. The original L-shaped plan allowed the living/ dining/ kitchen wing to be completely re-built while retaining the shell of the bedroom wing virtually intact. The rebuilt entertainment wing was enlarged 50% and covered with a low-slope reverse-shed roof sloping from eleven to thirteen feet. The shed roof floats on a continuous glass clerestory with eight foot transom. Cantilevered steel frames support wood roof beams with eaves of up to ten feet. An interior glass clerestory separates the kitchen and livingroom for sound control. A wall-to-wall skylight illuminates the north wall of the kitchen/family room. New additions at the back of the house add several “sliding” wall planes, where interior walls continue past full-height windows to the exterior, complimenting the typical Eichler indoor-outdoor ceiling and floor planes. The existing bedroom wing has been re-configured on the interior, changing three small bedrooms into two larger ones, and adding a guest suite in part of the original garage. A previous den addition provided the perfect spot for a large master ensuite bath and walk-in closet. Natural materials predominate, with fir ceilings, limestone veneer fireplace walls, anigre veneer cabinets, fir sliding windows and interior doors, bamboo floors, and concrete patios and walks. Landscape design by Bernard Trainor: www.bernardtrainor.com (see “Concrete Jungle” in April 2014 edition of Dwell magazine). Microsoft Media Center installation of the Year, 2008: www.cybermanor.com/ultimate_install.html (automated shades, radiant heating system, and lights, as well as security & sound).

These oil finished, matte hardwood floors are from the DuChateau Atelier Series in Lava Grey. The planks are 8" wide and 96 1/2" long. They are hand made and made-to-order. There are blues, greys, browns and with a wire brushed texture there is also white in the reduced grain. Depending on the lighting, any of these colors can be predominantly reflected. The texture and broad color pallet make this a style that is both contemporary and easy to live with as it masks the day-to-day things that happen on your floors.

Good design must reflect the personality of the client. So when siblings purchased studios in Downtown by Philippe Starck, one of the first buildings to herald the revitalization of Manhattan’s Financial District, the aim was to create environments that were truly bespoke. The brother’s tastes jibed synchronously with the insouciant idea of France’s most popular prankster converting a building that once housed the buttoned-up offices of JP Morgan Chase. His collection of Takashi Murakami works, the gallery-like centerpiece of the main area, announces his boldness and flair up front, as do furnishings by Droog, Moooi and, of course Starck, as well as hide rugs and upholstery, and a predominantly red palette. His sister was after something soothing and discreet. So Axis Mundi responded with a neutrals and used glass to carve out a bedroom surrounded by drapes that transform it into a golden cocoon. Hide (albeit less flamboyantly applied) evokes a familial commonality, and built-in furniture and cabinetry optimize space restrictions inherent in studio apartments. Design Team: John Beckmann, with Richard Rosenbloom Photography: Mikiko Kikuyama © Axis Mundi Design LLC

Another distinctive characteristic of Dixon's style was the use of arches - in ceilings, doorways, and nooks. We opened a hallway off the kitchen to connect an existing powder room and laundry room utilizing a sweeping, asymmetrical arch. The organic curve leading to and from the kitchen softens the predominantly angular space and unifies Dixon's original vision. Photography: Ramona d'Viola - ilumus photography

Example of a mid-sized transitional l-shaped travertine floor eat-in kitchen design in New York with shaker cabinets, white cabinets, limestone countertops, white backsplash, ceramic backsplash, an island, a farmhouse sink and stainless steel appliances

This pool terrace in southern Vermont is nestled into a hillside below the main house with a breathtaking view of mountains receding into the distance. The terrace unites the pool, hot tub, pool house, outdoor kitchen and dining areas, firepit, and abundant planting beds. To complement the scale of the view and the house, everything we created for the pool area is also appropriately overscaled. A massive Sugarledge slab of stone sits beneath the large black granite dining table, while another slab abuts the dramatic fire pit. Local materials were used wherever possible: Chester stone for the terrace, local granite for the firepit, Vermont white cedars for the poolhouse, and predominantly native plants with some specialty perennials and annuals. Photo: Susan Teare.

Located on a steep hill above downtown Ventura, this modern Spanish house features panoramic views of town with the ocean and Channel Islands beyond. While the views are amazing from a large front deck, the steep slope presented some constraints on the landscape design. Although the property is about a third-of-an-acre, the only useable and open garden space is a small (about 500 square feet) area to the West of the house. The house sits at the back of the property, and another steep hill on the neighboring property behind is held back by a tall retaining wall, leaving just enough room for a narrow, hardscaped patio in the back yard. Bright plantings along the back of the property delineate the home from the neighboring property, and we chose plantings to help stabilize the soil and further develop the Spanish garden look while creating a lush, inviting feel. Additionally, we added 52 pieces of pottery to soften and add interest to the back garden and patio areas. Succulents, herbs, and California natives fill the pottery along with bright, sweet-smelling, tropical-looking, and climate-appropriate plants. Slope stabilization was paramount for the front hill. Beyond that, finding plants that would thrive on the steep slope was the next obstacle. Finally, the aesthetics could be addressed, and we worked to find plants that meshed with the architecture—blending plants with white and orange to play off the red-tiled roofs and white-plastered walls that are emblematic of the Spanish style of this house as well as the predominate style of the neighborhood. The flattish area to the West was designed with the idea of creating a contemporary take on the parterre garden. Reminiscent of Mediterranean gardens, this vegetable and herb garden substitutes formal hedges with formal Corten steel planters to honor the modern Spanish architecture of the house. The citrus, herbs, and vegetables serve the foodie clients well.

The entryway at the back matches the one in the front which is predominantly white with green accents.
Entryway - small coastal medium tone wood floor entryway idea in Seattle with white walls and a white front door