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This project is a (new) pool within an (existing) pool! The client asked me to remodel their extra large 1970s trapezoid pool that was lacking a spa and seating area. They wanted to make it into a focal feature of their yard allowing them to entertain and capture there scenic view in ways that the previous configuration prevented.
On this property, it made sense for the new spa to be on the uphill side adjacent to the master bedroom -- not only for convenience but also for enjoying the views, and allowing us to overflow the spa so that the water could return downhill back to the pool. This is where the cylindrical glass tile “jewel” is situated. The vibrant color of glass was chosen to compliment (be the opposite of, in order to visually resonate and create a higher energy feel) with the ocher seen in the natural stone palette that the house gave us as precedent.
Once the spas location was decided, the best views enjoyed by this property are located where the chaise lounges are now in the finished design. The previous pool occupied the space, and this prime area could not be accessed at all! Our second order of business was to carve out a destination space from the previous pool and give it back to be a furniture area for entertaining.
Locating the chaise lounger deck across the pool presented a challenge that became a fun opportunity not to be passed up. The overflowing spa water had to return to the pool somehow, and the flowing water had to be crossed over to get to the Chaise lounge viewing deck. The solution? A bridge of course! And with the stairs ascending up to the spa, why not have a stairway like water feature underneath the bridge?
The final touch on this design was omitting the weak and poorly executed vanishing edge, which had a horizon line finishing right into the rooftops of the homes below. Not the best aesthetic!
To block the roof lines of the homes below and direct your eyes up to the mountain peaks beyond, a stone clad raised planter became the central focal point of the yard, allowing us to create a beautiful agave, yucca, and cacti display to be enjoyed from every angle of the home.
Altogether the new configuration really plays off the angular shapes of the home, extends the pallet of materials around the yard, and makes the new space all that more enjoyable for the owners private and public entertainment.

Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Our client was drawn to the property in Wesley Heights as it was in an established neighborhood of stately homes, on a quiet street with views of park. They wanted a traditional home for their young family with great entertaining spaces that took full advantage of the site.
The site was the challenge. The natural grade of the site was far from traditional. The natural grade at the rear of the property was about thirty feet above the street level. Large mature trees provided shade and needed to be preserved.
The solution was sectional. The first floor level was elevated from the street by 12 feet, with French doors facing the park. We created a courtyard at the first floor level that provide an outdoor entertaining space, with French doors that open the home to the courtyard.. By elevating the first floor level, we were able to allow on-grade parking and a private direct entrance to the lower level pub "Mulligans". An arched passage affords access to the courtyard from a shared driveway with the neighboring homes, while the stone fountain provides a focus.
A sweeping stone stair anchors one of the existing mature trees that was preserved and leads to the elevated rear garden. The second floor master suite opens to a sitting porch at the level of the upper garden, providing the third level of outdoor space that can be used for the children to play.
The home's traditional language is in context with its neighbors, while the design allows each of the three primary levels of the home to relate directly to the outside.
Builder: Peterson & Collins, Inc
Photos © Anice Hoachlander
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Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

This guest bedroom redesign was thoughtfully curated to feel both serene and highly functional, blending a modern coastal aesthetic with rich texture and intentional comfort. The space plays beautifully with layered shades of blue, creating a calm, inviting atmosphere that feels fresh yet timeless. Soft coastal hues are grounded by warm wood tones, adding depth and balance while preventing the space from feeling overly themed.
Texture takes center stage throughout the room—woven accents, tactile fabrics, and subtle contrasts bring visual interest and a relaxed, lived-in feel. Functional design was a priority, ensuring guests enjoy both beauty and convenience. Charging nightstands provide modern-day ease, while a dedicated writing desk creates a versatile moment for work, journaling, or quiet reflection. Thoughtfully selected furniture with ample built-in drawer storage keeps the room clutter-free and effortlessly organized.
Every detail was chosen to enhance comfort, usability, and style—resulting in a guest bedroom that feels elevated yet welcoming, intentional yet relaxed. This is a space designed for rest, connection, and a truly memorable stay.

Gorgeous blues, reds, and greys make a statement in this Buckhead renovation, leaving our clients with an updated home with plenty of character! We wanted to keep the design cohesive, which is why we incorporated similar color schemes throughout while playing with the saturation and hues, and preventing the home from looking monotonous or overpowered by color.
We upgraded all of the client's furniture, artwork, accessories, lighting, and window treatments as well as installed new hardwood floors. The new floors paired with the newly painted walls and warm-colored textiles, came together beautifully, offering our clients a timeless design.
Home located in Buckhead, Atlanta. Designed by interior design firm, VRA Interiors, who serve the entire Atlanta metropolitan area including Dunwoody, Sandy Springs, Cobb County, and North Fulton County.
For more about VRA Interior Design, click here: https://www.vrainteriors.com/
To learn more about this project, click here: https://www.vrainteriors.com/portfolio/wieuca-road-buckhead-townhome/

The realized interior design of an apartment in the center of Kyiv, brings a tactile accent to the interior through the use of contrasting materials. Our vision was to go beyond visual aesthetics and create an atmosphere that immerses in sensations through touch.
The design's core is the harmony of textures, exemplified by the choice of clay-colored decorative plaster. Hand-molded bas-reliefs, serving as both visual art and tactile decoration, grace the living room and bedroom. Natural wood furniture complements this, creating a juxtaposition between the smoothness at the fingertips and the rough walls, reinforcing the connection to nature.
The color palette draws inspiration from the earthy tones of clay and sand, with warm wood elements instilling a sense of coziness. Ukrainian-manufactured furniture and decor introduce vibrant color accents, enhancing the overall depth of the space.
We used introduces thoughtful contrasts to prevent monotony, incorporating bold accent colors such as terracotta and graphite. These hues play a pivotal role, subtly highlighting different zones and contributing to a harmonious interplay of shades, infusing Luna with dynamism.
Size / 108 sq.m.
Implemented / 2023
Location / Kyiv, Ukraine

This guest bedroom redesign was thoughtfully curated to feel both serene and highly functional, blending a modern coastal aesthetic with rich texture and intentional comfort. The space plays beautifully with layered shades of blue, creating a calm, inviting atmosphere that feels fresh yet timeless. Soft coastal hues are grounded by warm wood tones, adding depth and balance while preventing the space from feeling overly themed.
Texture takes center stage throughout the room—woven accents, tactile fabrics, and subtle contrasts bring visual interest and a relaxed, lived-in feel. Functional design was a priority, ensuring guests enjoy both beauty and convenience. Charging nightstands provide modern-day ease, while a dedicated writing desk creates a versatile moment for work, journaling, or quiet reflection. Thoughtfully selected furniture with ample built-in drawer storage keeps the room clutter-free and effortlessly organized.
Every detail was chosen to enhance comfort, usability, and style—resulting in a guest bedroom that feels elevated yet welcoming, intentional yet relaxed. This is a space designed for rest, connection, and a truly memorable stay.

This project is a (new) pool within an (existing) pool! The client asked me to remodel their extra large 1970s trapezoid pool that was lacking a spa and seating area. They wanted to make it into a focal feature of their yard allowing them to entertain and capture there scenic view in ways that the previous configuration prevented.
On this property, it made sense for the new spa to be on the uphill side adjacent to the master bedroom -- not only for convenience but also for enjoying the views, and allowing us to overflow the spa so that the water could return downhill back to the pool. This is where the cylindrical glass tile “jewel” is situated. The vibrant color of glass was chosen to compliment (be the opposite of, in order to visually resonate and create a higher energy feel) with the ocher seen in the natural stone palette that the house gave us as precedent.
Once the spas location was decided, the best views enjoyed by this property are located where the chaise lounges are now in the finished design. The previous pool occupied the space, and this prime area could not be accessed at all! Our second order of business was to carve out a destination space from the previous pool and give it back to be a furniture area for entertaining.
Locating the chaise lounger deck across the pool presented a challenge that became a fun opportunity not to be passed up. The overflowing spa water had to return to the pool somehow, and the flowing water had to be crossed over to get to the Chaise lounge viewing deck. The solution? A bridge of course! And with the stairs ascending up to the spa, why not have a stairway like water feature underneath the bridge?
The final touch on this design was omitting the weak and poorly executed vanishing edge, which had a horizon line finishing right into the rooftops of the homes below. Not the best aesthetic!
To block the roof lines of the homes below and direct your eyes up to the mountain peaks beyond, a stone clad raised planter became the central focal point of the yard, allowing us to create a beautiful agave, yucca, and cacti display to be enjoyed from every angle of the home.
Altogether the new configuration really plays off the angular shapes of the home, extends the pallet of materials around the yard, and makes the new space all that more enjoyable for the owners private and public entertainment.

Why Choosing the Right Terrace Tiles Matters
Terrace tiles not only add to the beauty of your outdoor space but also play a significant role in ensuring durability, slip resistance, and weatherproofing. The right selection enhances comfort and prevents issues such as cracks, stains, and water damage. https://g.co/kgs/GyW9cs2 | https://brceramics.com/terrace-tiles/

The realized interior design of an apartment in the center of Kyiv, brings a tactile accent to the interior through the use of contrasting materials. Our vision was to go beyond visual aesthetics and create an atmosphere that immerses in sensations through touch.
The design's core is the harmony of textures, exemplified by the choice of clay-colored decorative plaster. Hand-molded bas-reliefs, serving as both visual art and tactile decoration, grace the living room and bedroom. Natural wood furniture complements this, creating a juxtaposition between the smoothness at the fingertips and the rough walls, reinforcing the connection to nature.
The color palette draws inspiration from the earthy tones of clay and sand, with warm wood elements instilling a sense of coziness. Ukrainian-manufactured furniture and decor introduce vibrant color accents, enhancing the overall depth of the space.
We used introduces thoughtful contrasts to prevent monotony, incorporating bold accent colors such as terracotta and graphite. These hues play a pivotal role, subtly highlighting different zones and contributing to a harmonious interplay of shades, infusing Luna with dynamism.
Size / 108 sq.m.
Implemented / 2023
Location / Kyiv, Ukraine

Planning a Modern Kitchen Remodel
Every successful kitchen remodeling project begins with careful planning. Before construction starts, it is important to evaluate the existing layout, cabinet storage, lighting conditions, appliance placement, and how the kitchen connects to surrounding living spaces.
For this project, the primary design goals included:
Creating a brighter open concept kitchen
Improving functionality and circulation
Increasing pantry and cabinet storage
Maximizing natural light with skylight integration
Creating a clean and timeless design aesthetic
The final layout centered around a large kitchen island that functions as both a workspace and gathering area. Open concept kitchens remain highly desirable because they improve communication between living areas while helping the home feel larger and more connected.
Importance of Natural Light
Natural lighting plays a major role in modern kitchen remodeling. In this renovation, the skylight significantly improved brightness throughout the space and helped create a softer, more inviting atmosphere during the day.
Combined with recessed lighting and pendant fixtures above the island, the layered lighting design provides both functional task lighting and balanced ambient illumination.
Construction and Material Selection
Kitchen remodeling projects require coordination between multiple construction trades including demolition, framing, electrical, plumbing, drywall, flooring, cabinetry, countertops, and finish carpentry.
Bi-Color Kitchen Remodel Design
One of the standout features of this project is the bi-color kitchen remodel design. The warm natural wood island creates contrast against the surrounding white cabinetry while maintaining a clean and balanced appearance.
This approach helps:
Add visual depth to the kitchen
Create separation between functional zones
Prevent the space from feeling overly monochromatic
Introduce warmth into modern kitchen designs
The oversized island also provides additional storage, countertop workspace, and seating opportunities for everyday use and entertaining.
Countertops, Cabinetry, and Finishes
The kitchen includes:
Quartz countertops with waterfall-style edges
Custom shaker-style cabinetry
Stainless steel appliances
Modern pendant lighting
Wide plank engineered hardwood flooring
Full-height backsplash surfaces
The neutral color palette was selected to create a timeless appearance while allowing flexibility for future décor and furniture changes.
Pantry Kitchen Renovation
Storage planning is one of the most important aspects of kitchen remodeling. The pantry kitchen renovation focused on improving organization and accessibility while maximizing usable storage space.
Modern pantry systems help homeowners:
Reduce countertop clutter
Improve kitchen organization
Store small appliances more efficiently
Increase long-term functionality
Thoughtful storage design can significantly improve the daily usability of a kitchen without increasing square footage.
Real Estate Value and Long-Term Benefits
Kitchen remodeling remains one of the highest-value residential renovation projects in the Bay Area real estate market. A professionally designed open concept kitchen can improve buyer perception, increase property appeal, and modernize outdated layouts.
Features such as large islands, skylights, pantry storage, and bi-color cabinetry continue to remain highly desirable among homeowners and future buyers alike.
Common Kitchen Remodeling Mistakes
Some common mistakes homeowners should avoid include:
Insufficient lighting design
Poor circulation planning
Limited storage solutions
Choosing low-durability materials
Overcrowded layouts
Inadequate electrical preparation
Working with experienced remodeling professionals can help avoid costly design and construction issues later in the process.
Common Questions
How long does a kitchen remodel usually take?
Most kitchen remodeling projects take approximately 6–12 weeks depending on the project scope, inspections, material lead times, and structural modifications.
Do kitchen remodels require permits?
Permits are often required when plumbing, electrical, structural, or layout changes are involved. Requirements vary depending on the city and scope of work.
What is a bi-color kitchen remodel?
A bi-color kitchen remodel uses two cabinet finishes or tones to create visual contrast and a more customized design appearance.
Does an open concept kitchen increase home value?
Open concept kitchens are highly desirable because they improve functionality, natural lighting, and overall flow throughout the home.
Conclusion
A well-planned kitchen remodeling project combines thoughtful design, quality craftsmanship, and durable materials to create a space that is both functional and visually appealing. Features such as skylight integration, open concept layouts, pantry kitchen renovations, and bi-color cabinetry continue to remain popular among Bay Area homeowners seeking timeless and practical kitchen designs.
Careful planning, professional coordination, and attention to detail are essential for creating a kitchen that performs well aesthetically and functionally for many years.
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If you’re planning a kitchen remodeling project, consulting with an experienced contractor can help simplify the design and construction process while avoiding costly mistakes.
Book a consultation:
calendly.com/lemonremodeling

Luxury Basement Remodel Featuring Spa, Home Gym, Gun Room, and Full Kitchen
This luxury basement remodel redefines what a lower level can be, transforming unused square footage into a fully immersive lifestyle environment. Designed with intention, precision, and premium materials, this space blends wellness, security, fitness, and entertainment into one cohesive custom basement design that feels elevated, warm, and unmistakably high-end.
From the moment you enter, this luxury basement remodel feels open and expansive. Wide-plank flooring flows seamlessly throughout the space, creating visual continuity while adding warmth rarely seen in traditional basements. Clean architectural lines and thoughtful zoning allow each area to stand on its own while still feeling connected as part of a complete design.
Basement Spa and Sauna Retreat
A standout feature of this luxury basement remodel is the private basement spa, designed to deliver a true retreat experience within the home. The custom glass-enclosed sauna acts as both a functional wellness feature and a striking architectural element. Natural wood surfaces wrap the interior, bringing warmth, texture, and a calming atmosphere that mirrors high-end resort spas.
Integrated LED lighting enhances the natural wood grain while providing soft, ambient illumination. The stone sauna heater anchors the space visually while delivering consistent heat for daily use. Glass walls allow light to flow freely, preventing the space from feeling closed in and reinforcing the open feel of the overall custom basement design.
This basement spa was designed not as an accessory, but as a core component of the luxury basement remodel—supporting health, relaxation, and everyday wellness.
Custom Gun Room and Secure Display Space
Security meets craftsmanship in the custom gun room, a defining element of this luxury basement remodel. Designed to function as both a secure storage solution and a refined display space, the room balances protection with presentation.
Precision-mounted wall panels allow firearms and accessories to be displayed in a clean, organized layout. Integrated LED lighting highlights each piece while adding depth and contrast to the room. Custom wood framing ties the space into the broader custom basement design, ensuring visual consistency throughout the project.
Lower cabinetry provides concealed storage while maintaining a clean, uncluttered appearance. Climate control and security were integrated seamlessly, creating a room that is as practical as it is visually impressive.
Home Gym Basement with Professional Design
This home gym basement was designed to rival commercial fitness facilities while maintaining the comfort and privacy of a residential environment. The layout supports strength training, functional workouts, and cardio without feeling crowded or overwhelming.
Mirrored walls expand the space visually and provide practical training feedback. Heavy-duty flooring absorbs impact and minimizes noise, making the gym ideal for daily use. Overhead, a custom LED grid ceiling delivers even, shadow-free lighting, elevating both functionality and aesthetics.
As part of the overall luxury basement remodel, the gym connects naturally to adjacent spaces, reinforcing the idea that fitness is integrated into everyday living—not isolated or hidden away.
Basement with Full Kitchen and Entertaining Space
Designed for hosting and everyday use, the basement with full kitchen anchors the entertainment zone of this luxury basement remodel. Custom cabinetry offers ample storage while maintaining clean lines and a refined appearance. Premium countertops provide durability and visual impact, serving as both a workspace and gathering point.
Integrated appliances ensure full functionality without disrupting the design. Layered lighting enhances usability and atmosphere, making the kitchen equally suited for casual evenings or large gatherings.
This basement with full kitchen allows the space to function independently from the main level, adding both convenience and long-term value.
Luxury Tile Basement Details
Tile plays a key role throughout this luxury tile basement, serving as a design feature rather than just a finish. Carefully selected tile textures and patterns add depth and visual interest to accent walls and functional areas.
Each tile installation was executed with precision, showcasing clean transitions and expert craftsmanship. The tile selections complement the surrounding wood and stone elements, reinforcing the layered material palette that defines this custom basement design.
Craftsmanship That Defines the Space
What sets this luxury basement remodel apart is the attention to detail in every element. Custom millwork, seamless trim transitions, and intentional lighting design elevate the space beyond typical basement renovations.
Ceilings are treated as design features, walls are crisp and refined, and built-in elements feel integrated rather than added. This level of craftsmanship ensures the basement feels timeless, durable, and thoughtfully designed.
A Custom Basement Design Built for Lifestyle
This project demonstrates how a custom basement design can become one of the most valuable and lived-in areas of a home. By combining a basement spa, secure gun room, home gym basement, basement with full kitchen, and luxury tile finishes, this space delivers unmatched versatility and comfort.
This luxury basement remodel is not simply an upgrade—it is a complete transformation that enhances daily living while adding long-term value.

Gorgeous blues, reds, and greys make a statement in this Buckhead renovation, leaving our clients with an updated home with plenty of character! We wanted to keep the design cohesive, which is why we incorporated similar color schemes throughout while playing with the saturation and hues, and preventing the home from looking monotonous or overpowered by color.
We upgraded all of the client's furniture, artwork, accessories, lighting, and window treatments as well as installed new hardwood floors. The new floors paired with the newly painted walls and warm-colored textiles, came together beautifully, offering our clients a timeless design.
Home located in Buckhead, Atlanta. Designed by interior design firm, VRA Interiors, who serve the entire Atlanta metropolitan area including Dunwoody, Sandy Springs, Cobb County, and North Fulton County.
For more about VRA Interior Design, click here: https://www.vrainteriors.com/
To learn more about this project, click here: https://www.vrainteriors.com/portfolio/wieuca-road-buckhead-townhome/

The low, chaparral native foliage closest to the home have mastered the art of maintaining hydration and resisting fire. Planted areas can "catch" embers, preventing them from rolling and bouncing along a hardscape to collect at the base of the home. On red flag days, the mobile BBQ can easily be moved away from the home, as can the furnishings at the other side of the patio. Cushions and hanging art would also be stored for safety. Photo: Lesly Hall Photography

Why Choosing the Right Terrace Tiles Matters
Terrace tiles not only add to the beauty of your outdoor space but also play a significant role in ensuring durability, slip resistance, and weatherproofing. The right selection enhances comfort and prevents issues such as cracks, stains, and water damage. https://g.co/kgs/GyW9cs2 | https://brceramics.com/terrace-tiles/

This guest bedroom redesign was thoughtfully curated to feel both serene and highly functional, blending a modern coastal aesthetic with rich texture and intentional comfort. The space plays beautifully with layered shades of blue, creating a calm, inviting atmosphere that feels fresh yet timeless. Soft coastal hues are grounded by warm wood tones, adding depth and balance while preventing the space from feeling overly themed.
Texture takes center stage throughout the room—woven accents, tactile fabrics, and subtle contrasts bring visual interest and a relaxed, lived-in feel. Functional design was a priority, ensuring guests enjoy both beauty and convenience. Charging nightstands provide modern-day ease, while a dedicated writing desk creates a versatile moment for work, journaling, or quiet reflection. Thoughtfully selected furniture with ample built-in drawer storage keeps the room clutter-free and effortlessly organized.
Every detail was chosen to enhance comfort, usability, and style—resulting in a guest bedroom that feels elevated yet welcoming, intentional yet relaxed. This is a space designed for rest, connection, and a truly memorable stay.

This project is a (new) pool within an (existing) pool! The client asked me to remodel their extra large 1970s trapezoid pool that was lacking a spa and seating area. They wanted to make it into a focal feature of their yard allowing them to entertain and capture there scenic view in ways that the previous configuration prevented.
On this property, it made sense for the new spa to be on the uphill side adjacent to the master bedroom -- not only for convenience but also for enjoying the views, and allowing us to overflow the spa so that the water could return downhill back to the pool. This is where the cylindrical glass tile “jewel” is situated. The vibrant color of glass was chosen to compliment (be the opposite of, in order to visually resonate and create a higher energy feel) with the ocher seen in the natural stone palette that the house gave us as precedent.
Once the spas location was decided, the best views enjoyed by this property are located where the chaise lounges are now in the finished design. The previous pool occupied the space, and this prime area could not be accessed at all! Our second order of business was to carve out a destination space from the previous pool and give it back to be a furniture area for entertaining.
Locating the chaise lounger deck across the pool presented a challenge that became a fun opportunity not to be passed up. The overflowing spa water had to return to the pool somehow, and the flowing water had to be crossed over to get to the Chaise lounge viewing deck. The solution? A bridge of course! And with the stairs ascending up to the spa, why not have a stairway like water feature underneath the bridge?
The final touch on this design was omitting the weak and poorly executed vanishing edge, which had a horizon line finishing right into the rooftops of the homes below. Not the best aesthetic!
To block the roof lines of the homes below and direct your eyes up to the mountain peaks beyond, a stone clad raised planter became the central focal point of the yard, allowing us to create a beautiful agave, yucca, and cacti display to be enjoyed from every angle of the home.
Altogether the new configuration really plays off the angular shapes of the home, extends the pallet of materials around the yard, and makes the new space all that more enjoyable for the owners private and public entertainment.

Why Choosing the Right Terrace Tiles Matters
Terrace tiles not only add to the beauty of your outdoor space but also play a significant role in ensuring durability, slip resistance, and weatherproofing. The right selection enhances comfort and prevents issues such as cracks, stains, and water damage.
https://g.co/kgs/GyW9cs2 | https://brceramics.com/terrace-tiles/

This horse shoe game area includes synthetic grass, gravel, and a sand pit. The wall behind prevents any horse shoes falling from the playing area. The sand pit is sectioned off with black-finished steel edging.
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