Search results for "Problem solving" in Home Design Ideas

This is a simple addition to the back deck to create an outdoor kitchen and outdoor dining area. A fire pit by the water creates another seating area out in the lawn and gives a perfect place to watch the sun set. The steps and walls improve the access to the boat dock and solve an erosion problem.
Photographed by: Emerald Coast Real Estate Photography

We’ve used the core principles of sustainable design and firescaping in this breathtaking garden: permeable hardscape elements, proper grading and infiltration zones that solve the existing drainage problems and absorb the stormwater runoff, a plant palette of predominantly California native plants and an ultra-low water Kurapia lawn, organic soil building, and efficient drip irrigation with a smart timer.

As code begins to require tighter and tighter houses we are locked in with chemicals that are used to build, decorate, furnish and clean our homes. This project was a stab at solving this significant health problem. Here are some key features that helped us create this self-purifying master bathroom:
- Air Purifying Paint
- Air Filtering Plants as per NASA research (pots cut into stone countertops)
- Low Energy indirect LED light strips
- Low VOC materials used throughout including underlayment, glues & grout
- Water-blown spray foam insulation
Photography: Gil Jacobs
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Craft Room
Inspiration for a modern u-shaped porcelain tile and brown floor utility room remodel in Salt Lake City with an undermount sink, shaker cabinets, green cabinets, granite countertops, beige walls and a side-by-side washer/dryer
Inspiration for a modern u-shaped porcelain tile and brown floor utility room remodel in Salt Lake City with an undermount sink, shaker cabinets, green cabinets, granite countertops, beige walls and a side-by-side washer/dryer

PROJECT | Duplicate-Duplex
TYPE | private residence / home-studio
LOCATION | Phayathai Rd., Bangkok, Thailand
OWNER | Ms. Najaree Ratanajiajaroen / Chanon Treenet
ARCHITECT | TOUCH Architect Co.,Ltd.
FLOOR AREA | 64 sq.m.
FLOOR AREA (by proposing) | 75 sq.m.
COMPLETION | 2018
PHOTOGRAPHER | Chalermwat Wongchompoo
CONTRACTOR | Legend Construction Group
A major pain point of staying in 64 sq.m. of duplex condominium unit, which is used for a home-studio for an animator and an artist, is that there is not enough space for dwelling. Moreover, a double-volume space of living area with a huge glass curtain wall, faces West. High temperature occurs all day long, since it allows direct sunlight to come inside.
In order to solve both mentioned problems, three addition items are proposed which are, GRID PARTITION, EXTENSION DECK, and STEPPING SPACE.
A glass partition not only dividing space between kitchen and living, but also helps reduce electricity charge from air-condition. Grid-like of double glass frame is for stuff and stationery hanging, as to serve the owners’ activities.
Extension deck would help filtrating heat from direct sunlight, since an existing high glass facade facing West.
An existing staircase for going up to the second-floor bedroom, is added by a proposed space above, since this condominium unit has no enough space for dwelling or storage. In order to utilize the space in a small condominium, creating another staircase above the existing one helps increase the space.
The grid partition and the extension deck help ‘decrease’ the electricity charge, while the extension deck and the stepping space help ‘increase’ the space for 11 sq.m.

This gorgeous lower level master bath includes a larger 40"x72" glass shower with seat. We solved the problem of having low ceilings by elevating the ceiling where possible and added lights to make the space feel like it has a skylight.

The Happy Throne room! The frosted glass on the top of the door makes this room less claustrophobic. Tile continues in from the main bath area.
Inspiration for a mid-sized timeless bathroom remodel in Denver
Inspiration for a mid-sized timeless bathroom remodel in Denver

This is a simple addition to the back deck to create an outdoor kitchen and outdoor dining area. A fire pit by the water creates another seating area out in the lawn and gives a perfect place to watch the sun set. The steps and walls improve the access to the boat dock and solve an erosion problem.
Photographed by: Emerald Coast Real Estate Photography

MELA is available in the WHITE, LIGHT OAK, LIGHT WALNUT, BROWN, EGGPLANT, GREY OAK, RED, LARIX, BUTTER, COFFEE and CREAM versions. A young kitchen in performing, suitable even for the most demanding clientele for it was created to solve any problems in use and composition. There are various functional wall hung Accessories and internal equipment. A wide range of tables and chairs is also available to personalised your own kitchen.

Located in the heart of Manhattan’s Lower East Side, the building was erected on a shallow commercial lot between two 120 year old masonry buildings and a new residential rental building. 330 Grand Street is a mix of 725 SF 1BRs and 1050 SF 2BR apartments. It also contains a 1100 SF two story duplex as well as private and public rooftop space, large private balconies for most units and two large private terraces for the ground floor units.
330 Grand Street was originally designed and approved at the NYC DOB as a prefabricated modular building. During the pandemic, as shipping costs skyrocketed putting the project at risk, we suggested redesigning the building as a reinforced cast-in-place concrete structure. Concrete was readily available and prices had not been affected by the demand increase that many other materials suffered in the pandemic. We took this opportunity to raise floor to ceiling heights, enlarge high performance windows and redistribute the buildings MEPFS and Structural Systems to create very open floor plans.
The challenge was to create a luxurious sensorial living experience with very limited means. In a city with very high construction costs, low cost residential buildings in the area are usually devoid of good quality, design and character. Our approach was to aim high for the end user, prioritizing natural light, open space with long visual perspectives, high ceilings and as always, rejecting the use of predefined building templates.
Our biggest challenge was to ensure that the small spaces feel as clean cut, large and bright as possible. Several unique design decisions were made to ensure low cost and high quality;
Floor plans were laid out so that spaces were wide open and free of clutter from mechanical or structural interruptions. Therefore all infrastructure was placed in lateral demising walls, which in turn act as the unit’s storage and kitchen. The apartments feel wide open, are super quiet and have more storage space than any other comparable apartment in the city.
To solve the problem of the site’s shallow commercial lot which is typically prone to dark interior spaces we focused our attention on the building’s envelope. Instead of the usual small punched window openings, oversized high performance windows were designed to ensure that light penetrated as far as possible into the units. In the smaller 1BR units, the full 50’ depth of the lot is perceived by partitioning spaces with sliding pocket doors that can be retracted to allow deep visual perspectives, making the sight lines in the space feel longer, larger, more ample than normal. In addition to the full height glazing, each unit above the 2nd floor receives a 7 foot covered balcony, adding 120 to 240 sf to each apartment, something unusual in New York City buildings. The space is large enough for a full size dining table, when the weather permits being outside.
We also worked hard to ensure modularity. For example, all kitchen units are all identical throughout the building. The idea of modularity and the economy of the repetitive unit is exercised to the maximum through the building.
Hardware, appliances, flooring, wall coverings and material finishes are all carefully selected to feel bespoke, high quality and unique.
It was important to KURV that the result of this work manifest into something that would deeply connect with the end user and sustain relationships with the consumers of this space.
All images by KURV Architecture ©

West Des Moines two story homes create challenges for homeowners with layouts including small rooms that don’t seem to flow together. The family that lives in this home found that entertaining and gathering in the kitchen was almost impossible with the current layout and asked for an addition to solve the problem. After listening to the challenges of that they faced and working with the homeowners, a new solution emerged without an addition, reducing the overall budget and allowing the whole main floor to be updated.
By removing the wall between the kitchen and dinning room, the team was able to design an island for family and friends to congregate around. Then by flanking the island with a large commercial range surrounded by a custom backsplash and custom hood a picture perfect kitchen was born. Lastly by repeating elements within the range hood, island and fireplace, the team was able to create unity throughout the space. This visually makes the space feel larger and feels like the addition was built

JUMA architects were contacted for the interior design of a shell-state apartment on the coast. The structural construction, the plastering, the floor screed and the technical fittings (heating ducts, plumbing, electricity and ventilation) of the apartment had already been realised.
It soon became apparent, however, that the assignment could not be limited to the interior decoration only, as the placement of kitchen, bathroom and dressing room in the existing plan turned out to be entirely impractical. More extensive renovation work was needed to meet the needs of the customer. The structure of the unit was therefore slightly adjusted to make the bathroom and dressing larger and more functional.
Also, the living room was dominated by a huge radiator that drew all the attention. To solve this problem, new pipes were laid to accommodate an integrated heating element in the sideboard. Gas pipes were fitted in the kitchen for the gas cooker which JUMA included in the design as a real eye-catcher. The sinks, in contrast, were given a more discreet placement.
Light oak parquet was selected for the floors throughout the apartment. The natural appearance of the wood gives all the rooms a warm feel. The built-in furniture was custom made and is finished in black satin lacquer to contrast the light-coloured wood. The dominant colour palette is deliberately kept very simple and neutral and is complemented with light grey tones and colour accents. The colour choice was in fact inspired by a beautiful picture of the coast.
The freestanding furniture and overall decorations were also selected or designed by JUMA architects. The arrangement of the seating area is very playful and atypical. JUMA did not want to put in a couch that would divide the space in two. The composition is meant to create a very open ambiance. A round table was chosen for the same reason. The round shape does not divide the space but allows fluid circulation.
Pictures © Liesbet Goetschalckx

This is a simple addition to the back deck to create an outdoor kitchen and outdoor dining area. A fire pit by the water creates another seating area out in the lawn and gives a perfect place to watch the sun set. The steps and walls improve the access to the boat dock and solve an erosion problem.
Photographed by: Emerald Coast Real Estate Photography

This hillside home in Piedmont, CA was remodeled to change the style from a 1940's rancher with eight foot ceilings and dark interiors, into a modern geometric composition with vast white interiors for casual living and generous daylighting for displaying the artist-owner's works.
In a city known for rigorous and difficult design review, an addition, two variances, and a full stylistic change were unanimously approved on the first round. All sloped roofs and attics were eliminated and replaced by a series of stacked and overlapping flat roofs. This made the house taller on the inside and shorter on the outside, which helped earn design review cooperation in the community. Windows were concentrated toward the rear yard views or moved up high on the side walls for daylight and privacy, benefitting the owners as well as the neighbors.
At the start, the owner husband was so enthusiastic and engaged in transforming his house into something modern that he presented the architect with a scaled foamcore model, rather than the usual magazine clippings and wish list. He participated in the design decisions throughout the process. The owner wife is the artist who did all the artwork in the house. She had been craving a display space with large walls and good natural light. Both of them loved the location and great views.
The project was an opportunity to transform the style of an older traditional home into a modern one, while solving numerous problems. By rebuilding the 1800 ft2 top of the 3-story home it was possible to change the style of the whole building, since the lower floors were a neutral base, and also to change the lifestyle of the owners, who wanted to move their master suite upstairs and live primarily on the top floor as empty nesters.
Going into the project, the architect knew there were multiple encroachments into the setbacks and potential privacy issues with close by neighbors. He approached this as a complex puzzle made up of architectural and political pieces which all had to fit together elegantly. It took many careful moves, small and large, to arrive at a serene and cohesive result that tied old and new together seamlessly.
The design-build contractor worked closely with the owners and handled all of the construction phase documents and design adjustments, adding ideas of their own to make the project really sing.
The project was a collaboration in three acts. The owner had a strong design concept from the start. The architect developed it into a realistic project and garnered the design approvals. Then the contractor executed brilliantly

Located in the heart of Manhattan’s Lower East Side, the building was erected on a shallow commercial lot between two 120 year old masonry buildings and a new residential rental building. 330 Grand Street is a mix of 725 SF 1BRs and 1050 SF 2BR apartments. It also contains a 1100 SF two story duplex as well as private and public rooftop space, large private balconies for most units and two large private terraces for the ground floor units.
330 Grand Street was originally designed and approved at the NYC DOB as a prefabricated modular building. During the pandemic, as shipping costs skyrocketed putting the project at risk, we suggested redesigning the building as a reinforced cast-in-place concrete structure. Concrete was readily available and prices had not been affected by the demand increase that many other materials suffered in the pandemic. We took this opportunity to raise floor to ceiling heights, enlarge high performance windows and redistribute the buildings MEPFS and Structural Systems to create very open floor plans.
The challenge was to create a luxurious sensorial living experience with very limited means. In a city with very high construction costs, low cost residential buildings in the area are usually devoid of good quality, design and character. Our approach was to aim high for the end user, prioritizing natural light, open space with long visual perspectives, high ceilings and as always, rejecting the use of predefined building templates.
Our biggest challenge was to ensure that the small spaces feel as clean cut, large and bright as possible. Several unique design decisions were made to ensure low cost and high quality;
Floor plans were laid out so that spaces were wide open and free of clutter from mechanical or structural interruptions. Therefore all infrastructure was placed in lateral demising walls, which in turn act as the unit’s storage and kitchen. The apartments feel wide open, are super quiet and have more storage space than any other comparable apartment in the city.
To solve the problem of the site’s shallow commercial lot which is typically prone to dark interior spaces we focused our attention on the building’s envelope. Instead of the usual small punched window openings, oversized high performance windows were designed to ensure that light penetrated as far as possible into the units. In the smaller 1BR units, the full 50’ depth of the lot is perceived by partitioning spaces with sliding pocket doors that can be retracted to allow deep visual perspectives, making the sight lines in the space feel longer, larger, more ample than normal. In addition to the full height glazing, each unit above the 2nd floor receives a 7 foot covered balcony, adding 120 to 240 sf to each apartment, something unusual in New York City buildings. The space is large enough for a full size dining table, when the weather permits being outside.
We also worked hard to ensure modularity. For example, all kitchen units are all identical throughout the building. The idea of modularity and the economy of the repetitive unit is exercised to the maximum through the building.
Hardware, appliances, flooring, wall coverings and material finishes are all carefully selected to feel bespoke, high quality and unique.
It was important to KURV that the result of this work manifest into something that would deeply connect with the end user and sustain relationships with the consumers of this space.
All images by KURV Architecture ©

This is a simple addition to the back deck to create an outdoor kitchen and outdoor dining area. A fire pit by the water creates another seating area out in the lawn and gives a perfect place to watch the sun set. The steps and walls improve the access to the boat dock and solve an erosion problem.
Photographed by: Emerald Coast Real Estate Photography

This urban infill project is a make-over of a decrepit structure that had been used as a student rental for close to 50 years. Situated on an elevated, 3300 sf lot, nothing in the original house was salvageable and the entire house was stripped down to the studs. Our challenge with this project was to then open up the original interiors, flood them with natural light while creating a design that appealed to the broadest buyer pool possible.
We solved this problem by organizing a compact floor plan that resulted in a 4 bedroom, 4 bath residence organized around a great room on the main level, a family room on the basement level and an additional 2 bedrooms with city views on the upper. By minimizing circulation space, we were able to re-purpose every square foot of floor area while creating a dramatic, light-filled staircase that tied all 3 levels of the house together into a unified living scheme. Clean lines and clean details, this is another of our attempts at a 'Not So Big House.'
Marketing of the final product lasted less than 10 days and resulted in 3 full priced offers that netted the developer a tidy profit.

New windows, floors, powder room and basement:
We gave the home new windows, new hardwood floors, and paint throughout. We created a new main floor powder room and a new finished basement containing a living area, three-piece bathroom and new bedroom with egress (tilt and turn) windows.
Flipped around and redesigned kitchen:
We created a new kitchen. The footprint of the kitchen stayed the same, but we flipped it around and redesigned it. Now it has a walk-in pantry area and more floorspace going in and out, which optimized the flow of traffic. We replaced the old non-functioning mudroom with a new one.
Disappearing balcony and drafty door:
To create a new space using a balcony in a bedroom, we extended the second storey out to line up with the first floor, and this increased the square footage. In that room we turned a drafty door into a window.
We reinstated the rear deck, using as many of the original pieces as we could:
There was a leaking roof problem because the original roof pitches were causing ice damming. We designed a new roof to prevent that in the future.
New windows, stucco, and the challenge of asbestos:
Another challenge was installing new windows in the original stucco finish, which contained asbestos. We waterproofed those properly, future proofing them from leaks.
We solved the situation by installing a 5-inch trim around the perimeter of the window. Specialists cut the asbestos back (we had to set up a containment perimeter around each window), and then we placed windows that are five inches wider than the window frames. We used special flashing tapes and sealed them all up behind the stucco.

Located in the heart of Manhattan’s Lower East Side, the building was erected on a shallow commercial lot between two 120 year old masonry buildings and a new residential rental building. 330 Grand Street is a mix of 725 SF 1BRs and 1050 SF 2BR apartments. It also contains a 1100 SF two story duplex as well as private and public rooftop space, large private balconies for most units and two large private terraces for the ground floor units.
330 Grand Street was originally designed and approved at the NYC DOB as a prefabricated modular building. During the pandemic, as shipping costs skyrocketed putting the project at risk, we suggested redesigning the building as a reinforced cast-in-place concrete structure. Concrete was readily available and prices had not been affected by the demand increase that many other materials suffered in the pandemic. We took this opportunity to raise floor to ceiling heights, enlarge high performance windows and redistribute the buildings MEPFS and Structural Systems to create very open floor plans.
The challenge was to create a luxurious sensorial living experience with very limited means. In a city with very high construction costs, low cost residential buildings in the area are usually devoid of good quality, design and character. Our approach was to aim high for the end user, prioritizing natural light, open space with long visual perspectives, high ceilings and as always, rejecting the use of predefined building templates.
Our biggest challenge was to ensure that the small spaces feel as clean cut, large and bright as possible. Several unique design decisions were made to ensure low cost and high quality;
Floor plans were laid out so that spaces were wide open and free of clutter from mechanical or structural interruptions. Therefore all infrastructure was placed in lateral demising walls, which in turn act as the unit’s storage and kitchen. The apartments feel wide open, are super quiet and have more storage space than any other comparable apartment in the city.
To solve the problem of the site’s shallow commercial lot which is typically prone to dark interior spaces we focused our attention on the building’s envelope. Instead of the usual small punched window openings, oversized high performance windows were designed to ensure that light penetrated as far as possible into the units. In the smaller 1BR units, the full 50’ depth of the lot is perceived by partitioning spaces with sliding pocket doors that can be retracted to allow deep visual perspectives, making the sight lines in the space feel longer, larger, more ample than normal. In addition to the full height glazing, each unit above the 2nd floor receives a 7 foot covered balcony, adding 120 to 240 sf to each apartment, something unusual in New York City buildings. The space is large enough for a full size dining table, when the weather permits being outside.
We also worked hard to ensure modularity. For example, all kitchen units are all identical throughout the building. The idea of modularity and the economy of the repetitive unit is exercised to the maximum through the building.
Hardware, appliances, flooring, wall coverings and material finishes are all carefully selected to feel bespoke, high quality and unique.
It was important to KURV that the result of this work manifest into something that would deeply connect with the end user and sustain relationships with the consumers of this space.
All images by KURV Architecture ©

Step into this recently remodeled beautiful small space, a 6'x6' room, which now has a flush entrance shower with a slightly pitched half-floor allowing water to drain to the wall edge in the shower space. A 14x18 recess is at your fingertips between the showerhead and the control valve. The wall mount toilet gives even more room for getting ready for your day. This room is accented with a glass and stone vertical stripe alongside semi-polished 12x24's running vertically, which continue on the floor in the same color but in a textured surface for safety with wet feet..
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