Search results for "Process requests" in Home Design Ideas

This rural contemporary home was designed for a couple with two grown children not living with them. The couple wanted a clean contemporary plan with attention to nice materials and practical for their relaxing lifestyle with them, their visiting children and large dog. The designer was involved in the process from the beginning by drawing the house plans. The couple had some requests to fit their lifestyle.
Central location for the former music teacher's grand piano
Tall windows to take advantage of the views
Bioethanol ventless fireplace feature instead of traditional fireplace
Casual kitchen island seating instead of dining table
Vinyl plank floors throughout add warmth and are pet friendly
Clay Bostian

We couldn't be more pleased with how our wine room turned out. The racks arrived as promised even though I jumped the gun a little by writing you that some of the components didn't arrive. But they did the next day so my note was premature. The racks were easily assembled and fit as they were designed. I started out using the supplied nails, but quickly switched to a pneumatic brad nailer which made the process go faster and cleaner. As requested I've attached a photo of part of the room. We're using your racks mostly as storage though it looks like we may eventually do some collecting. We're now on a mission to fill some of the empty space you see in the photo. Your company was recommended to us by a neighbor who also built a wine room (Chris & Sandra Sheets). Our room measures 7' x 9' with a little alcove where I built a cabinet out of redwood to match the racks. We then added a 28-bottle fridge on top of the cabinet. I also added an LED rope light on top the racks, all hidden by some redwood trim pieces. Thanks for all the help and hand-holding during the process. I'd happily recommend Wine Cellar Innovations.
Find the right local pro for your project

ADM Flooring Design
TITAN GREY- European Oak
Engineered Hardwood Floor
Add rustic beauty to your interior design project, without having to break your bank. Made with bio materials in an eco-friendly production process, our products are designed to withstand years of use and still look like new.
You can request flooring samples today!

Grand living room showing refinished white oak floor across a large formal space — Hoschton, Georgia, near Chateau Elan. Approximately 2,000 square feet of white oak refinished with 2 coats Bona NordicSeal followed by 2 coats Bona Traffic HD. The NordicSeal finish produces a clean, neutral tone on white oak with zero yellow cast — the result the client specifically requested for a modern look in a traditionally styled home. Dustless refinishing process throughout.

Letter From A Client !
We hired Gappsi this summer to do a complete backyard project. We chose a free form in-ground vinyl pool, travertine patio, composite desk and full landscaping. From the moment we met Giuseppe to go over initial designs, the process was great. He helped us come up with a design that fits our relatively small space, and accommodated all of our "on the fly" change requests without a question. We worked with Tosh and his crew to do the liner/equipment/plumbing, Greg and his crew for the patio/deck, and Joe and his crew for the landscaping. In all cases, when talking with any of these guys or Giuseppe himself, the communication is what put this experience over the top. I feel they truly listened to what we wanted and did not try to push their ideas on us. Beyond that, they did not hesitate to take calls and/or return text messages at time/day of the week. Combine that with the quality of the work and the final result, and you end up with an overall great experience. Plan on using any/or of these guys again for other projects!
Brian and Stephani Cortese (and Makaela)
http://gappsi.com/back-yard-designers-swimming-pool-masonry-and-landscape-installers-in-massapequa-long-island-ny/

Entry hall - contemporary light wood floor entry hall idea in San Diego with white walls and a dark wood front door

A Gilmans Kitchens and Baths Install Only Project!
A little bit more drama was implemented in the master bathroom. Shades of taupe and grey were used, while sparkly countertops, tile, cabinet knobs and pendant lights added simple glamour.
A banjo countertop using Cambria's Whitney was used for extra contertop surface and a linen cabinet was added for adequate storage.
Learn more about the Gilmans Install Only Process!
http://www.gkandb.com/services/design-build/
DESIGNER: JANIS MANACSA
PHOTOGRAPHY: TREVE JOHNSON
CABINETS: KITCHEN CRAFT CABINETRY
COUNTERTOP: CAMBRIA WHITNEY

Mid-sized elegant l-shaped brown floor and dark wood floor open concept kitchen photo with a farmhouse sink, white cabinets, granite countertops, green backsplash, stainless steel appliances, an island, white countertops, shaker cabinets and subway tile backsplash

Barn Pros is now offering a unique lumber choice for our interior barn doors: Charwood. These handmade doors make a bold statement in a home or office setting. Charwood, is a Japanese style charred wood called Shou-Sugi-Ban. This process adds beauty and longevity, as well as resistance from rot, pests, and fire. Once the siding is profiled, textured, charred, and brushed; a sealer is applied to bring out the gray, silver, black, or brown wood tones providing a lasting layer of protection.
To place an order, or request more information, call our customer service team: 866-844-2276
These doors were built by Barn Pros, and the material was sourced from Montana Timber Products.

ADM Flooring Design
LIGHT GREY STONE
European Oak
Engineered Hardwood Flooring
Give your home a modern traditional look, while staying within your budget. Made with bio materials in an eco-friendly production process, our products are designed to withstand years of use and still look like new.
Our flooring is sold only by the box.
Feel free to request flooring samples of colors you like.

The client’s request was quite common - a typical 2800 sf builder home with 3 bedrooms, 2 baths, living space, and den. However, their desire was for this to be “anything but common.” The result is an innovative update on the production home for the modern era, and serves as a direct counterpoint to the neighborhood and its more conventional suburban housing stock, which focus views to the backyard and seeks to nullify the unique qualities and challenges of topography and the natural environment.
The Terraced House cautiously steps down the site’s steep topography, resulting in a more nuanced approach to site development than cutting and filling that is so common in the builder homes of the area. The compact house opens up in very focused views that capture the natural wooded setting, while masking the sounds and views of the directly adjacent roadway. The main living spaces face this major roadway, effectively flipping the typical orientation of a suburban home, and the main entrance pulls visitors up to the second floor and halfway through the site, providing a sense of procession and privacy absent in the typical suburban home.
Clad in a custom rain screen that reflects the wood of the surrounding landscape - while providing a glimpse into the interior tones that are used. The stepping “wood boxes” rest on a series of concrete walls that organize the site, retain the earth, and - in conjunction with the wood veneer panels - provide a subtle organic texture to the composition.
The interior spaces wrap around an interior knuckle that houses public zones and vertical circulation - allowing more private spaces to exist at the edges of the building. The windows get larger and more frequent as they ascend the building, culminating in the upstairs bedrooms that occupy the site like a tree house - giving views in all directions.
The Terraced House imports urban qualities to the suburban neighborhood and seeks to elevate the typical approach to production home construction, while being more in tune with modern family living patterns.
Overview:
Elm Grove
Size:
2,800 sf,
3 bedrooms, 2 bathrooms
Completion Date:
September 2014
Services:
Architecture, Landscape Architecture
Interior Consultants: Amy Carman Design

The site is located on the Mitchell House preparatory school campus in Polokwane. The client's brief
called for an early childhood development centre which would accommodate 122 learners and
requested that the building be evident of it's young and playful users.
Curiosity, wonder and intrigue would become defining criteria in an attempt to create a conducive
learning environment for young learners to grow, a building where children would be encouraged to
interact with their environment. The construction methodology of the building would remain apparent,
allowing its users to analyse the assembly of components.
Due to the age group of the users, the building would need to function semi-autonomously from the
rest of the school, while allowing for controlled interaction and inclusivity as is the norm for Mitchell
House. A linear plan which coincides with the developmental progress of the learners was identified
as the appropriate building typology. The spatial constraints of the site required this plan to be
moulded into the available space between the existing infrastructure, however the linear process was
maintained.
From the access-controlled reception and administration area one would move past the creative arts
and exhibition space towards the Northern wing where the youngest learners are taught. These would
share connected ablutions and storerooms between classes to enable fluid movement and
assistance throughout the teaching and service spaces. The East wing of the centre would house the
elder learners who would be in the process of being integrated with the fabric of the main school
campus. These classrooms include storage areas, however, have separate ablution facilities. The two
wings of the building surround a courtyard where play and interaction are in abundance.

The site is located on the Mitchell House preparatory school campus in Polokwane. The client's brief
called for an early childhood development centre which would accommodate 122 learners and
requested that the building be evident of it's young and playful users.
Curiosity, wonder and intrigue would become defining criteria in an attempt to create a conducive
learning environment for young learners to grow, a building where children would be encouraged to
interact with their environment. The construction methodology of the building would remain apparent,
allowing its users to analyse the assembly of components.
Due to the age group of the users, the building would need to function semi-autonomously from the
rest of the school, while allowing for controlled interaction and inclusivity as is the norm for Mitchell
House. A linear plan which coincides with the developmental progress of the learners was identified
as the appropriate building typology. The spatial constraints of the site required this plan to be
moulded into the available space between the existing infrastructure, however the linear process was
maintained.
From the access-controlled reception and administration area one would move past the creative arts
and exhibition space towards the Northern wing where the youngest learners are taught. These would
share connected ablutions and storerooms between classes to enable fluid movement and
assistance throughout the teaching and service spaces. The East wing of the centre would house the
elder learners who would be in the process of being integrated with the fabric of the main school
campus. These classrooms include storage areas, however, have separate ablution facilities. The two
wings of the building surround a courtyard where play and interaction are in abundance.

The site is located on the Mitchell House preparatory school campus in Polokwane. The client's brief
called for an early childhood development centre which would accommodate 122 learners and
requested that the building be evident of it's young and playful users.
Curiosity, wonder and intrigue would become defining criteria in an attempt to create a conducive
learning environment for young learners to grow, a building where children would be encouraged to
interact with their environment. The construction methodology of the building would remain apparent,
allowing its users to analyse the assembly of components.
Due to the age group of the users, the building would need to function semi-autonomously from the
rest of the school, while allowing for controlled interaction and inclusivity as is the norm for Mitchell
House. A linear plan which coincides with the developmental progress of the learners was identified
as the appropriate building typology. The spatial constraints of the site required this plan to be
moulded into the available space between the existing infrastructure, however the linear process was
maintained.
From the access-controlled reception and administration area one would move past the creative arts
and exhibition space towards the Northern wing where the youngest learners are taught. These would
share connected ablutions and storerooms between classes to enable fluid movement and
assistance throughout the teaching and service spaces. The East wing of the centre would house the
elder learners who would be in the process of being integrated with the fabric of the main school
campus. These classrooms include storage areas, however, have separate ablution facilities. The two
wings of the building surround a courtyard where play and interaction are in abundance.

Dale Hall Photography, LLC
Inspiration for a rustic l-shaped open concept kitchen remodel in Milwaukee with raised-panel cabinets, gray cabinets, granite countertops and an island
Inspiration for a rustic l-shaped open concept kitchen remodel in Milwaukee with raised-panel cabinets, gray cabinets, granite countertops and an island

The site is located on the Mitchell House preparatory school campus in Polokwane. The client's brief
called for an early childhood development centre which would accommodate 122 learners and
requested that the building be evident of it's young and playful users.
Curiosity, wonder and intrigue would become defining criteria in an attempt to create a conducive
learning environment for young learners to grow, a building where children would be encouraged to
interact with their environment. The construction methodology of the building would remain apparent,
allowing its users to analyse the assembly of components.
Due to the age group of the users, the building would need to function semi-autonomously from the
rest of the school, while allowing for controlled interaction and inclusivity as is the norm for Mitchell
House. A linear plan which coincides with the developmental progress of the learners was identified
as the appropriate building typology. The spatial constraints of the site required this plan to be
moulded into the available space between the existing infrastructure, however the linear process was
maintained.
From the access-controlled reception and administration area one would move past the creative arts
and exhibition space towards the Northern wing where the youngest learners are taught. These would
share connected ablutions and storerooms between classes to enable fluid movement and
assistance throughout the teaching and service spaces. The East wing of the centre would house the
elder learners who would be in the process of being integrated with the fabric of the main school
campus. These classrooms include storage areas, however, have separate ablution facilities. The two
wings of the building surround a courtyard where play and interaction are in abundance.

Dale Hall Photography. LLC
Dura Supreme Cabinetry
Cushman Construction LLC
Trendy u-shaped medium tone wood floor eat-in kitchen photo in Milwaukee with an undermount sink, recessed-panel cabinets, white cabinets, quartzite countertops, glass tile backsplash, stainless steel appliances, green backsplash and an island
Trendy u-shaped medium tone wood floor eat-in kitchen photo in Milwaukee with an undermount sink, recessed-panel cabinets, white cabinets, quartzite countertops, glass tile backsplash, stainless steel appliances, green backsplash and an island

- KENT SOFA. Solid wood structure covered with foam polyurethane with different density. Seat cushions in goose feather supported. Base in metal with chrome finish. Decorative cushions with one side quilted processing.
Sofa available in three sizes.
https://cassoni.com/Kent-Sofa-01
- BYRON TV CABINET. TV Stand made of MDF 7/8" thick matt lacquered. Solid wood frame covered in leather. Available in special size, please request for this.
Dimensions: 110"1/4W x 18"1/2D x 80"5/8H.
https://cassoni.com/Byron-TV-Cabinet-01
- DOUGLAS LIGHTING COLLECTION. Floor lamps, table lamps, chandeliers and wall lamps with structures in shining cast brass or chrome finish. Lampshades in white, black, beige, cannetè fabric.
http://bit.ly/Cassoni-Douglas-Italian-Collection

Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession.
Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm.
They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm.
“They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone.
Design Process
There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms.
Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively.
The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers.
Exterior
The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements.
Interior
The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers.
“Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.”
The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”
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