Ideal for extensive entertaining and comfortable everyday living, we designed an open floor plan that offered easy flow between the living room, bar, dining space and kitchen. Multiple horizontal and vertical offsets created visual interest on all four elevations while custom-built light fixtures produced sleek task lighting in work areas without sacrificing style. To create additional texture and character, we utilized transitional architecture by uses massing, materials, and lines found in the Hill Country in new ways with architectural limestone blocks, rough chopped Texas limestone, and stucco with metal reveals. Particular consideration was given to the views visible from bedrooms as well as always achieving cross-lighting to capture as much natural light as possible, as seen in the master bath where both windows in the wet room light the space throughout the day. We also featured aluminum clad wood window package, an anodized aluminum window wall in the living room, and a custom design steel and glass entry door.

Ideal for extensive entertaining and comfortable everyday living, we designed an open floor plan that offered easy flow between the living room, bar, dining space and kitchen. Multiple horizontal and vertical offsets created visual interest on all four elevations while custom-built light fixtures produced sleek task lighting in work areas without sacrificing style. To create additional texture and character, we utilized transitional architecture by uses massing, materials, and lines found in the Hill Country in new ways with architectural limestone blocks, rough chopped Texas limestone, and stucco with metal reveals. Particular consideration was given to the views visible from bedrooms as well as always achieving cross-lighting to capture as much natural light as possible, as seen in the master bath where both windows in the wet room light the space throughout the day. We also featured aluminum clad wood window package, an anodized aluminum window wall in the living room, and a custom design steel and glass entry door.

Architect: Andre Tchelistcheff Architects New York. NY Builder: Xhema of Greenwich CT Installer: TRM Enterprises Bridgehampton NY Back story. Northern has worked with both Xhema and TRM many tiles. We have worked with Andre before he branched out on his own. Originally Xhema’s contact was to replace the roof and repair the garage, which as some point had been made into an indoor swimming pool without adequate ventilation. The budget was about $8m and there were 20 drawings. By the time the job was 6 months old the scope of work has expanded to over $30m and over 200 drawings had been produced. Northern was contacted to visit the site and evaluate the existing roof. Although the house had been added to over the years the same tile was used but due to the location of the house the color of the tile varied considerably from the front to the back. Northern identified a large number of custom details which would require us to: 1) Match the existing Field tile in size, thickness (it was actually thicker at the butt and reduced to ½” where the tile is overlapped) , surface texture and the color. 2) Make tiles that are curved in their length to suit the curved rafter on the gabled dormers. 3) Make the curved tiles to suit the low slope octagonal tower. 4) Make the curved tiles and Arris style hips to suit the hipped dormers with the curved rafters. 5) Make the segmented tiles to suit the round turret. 6) Make the custom arris style hip tiles for the octagonal tower. 7) Make the custom Arris style hip to suit the different roof pitches as well as the varying splays at the eaves. 8) Make the custom pieces to suit the swept valleys Simon broke down each section of the roof. He indented all items for each section and agreed the measure etc with the installers. This ‘Project Bible’ became an invaluable tool for the installer, our tile makers and us. We shipped some samples from the original roof to Sahtas who replicated tall the details. I was visiting factory and delayed my return to the Saturday so that the tiles coming out of the kiln late Friday night could be wrapped and packed into newly purchase suit cases. I arrived home late Saturday evening and Simon picked me up Sunday afternoon and drove us down to Greenwich for an 8 am meeting with the clients. When we unpacked the tiles they were still warm and Hilfiger signed off on the color, although his wife suggested we make them a bit darker a ‘as he has a dreadful sense of color!’ We took Vincent Liot, owner of TRM to the factory twice so that he could oversee the prototyping of all the myriad custom pieces. This was an invaluable move as he pre-approved all the pieces before they were shipped. The installation was completed and everyone was very pleased with the final outcome. The Hilfiger’s estate manager told me that a group of friends who were staying the weekend after all the work was completed were heard to ask Mr. Hilfiger ‘I thought you were having a new roof’…to which he responded ‘we did but you can’t tell, which as the plan” …perfect! In refection this is probably the most complicated roof Northern has ever had the pleasure to supply. We learned a lot of very valuable lessons but in future when we are asked how did we do it we will answer ‘that is for us to know and for you to pay for!’

Architect: Andre Tchelistcheff Architects New York. NY Builder: Xhema of Greenwich CT Installer: TRM Enterprises Bridgehampton NY Back story. Northern has worked with both Xhema and TRM many tiles. We have worked with Andre before he branched out on his own. Originally Xhema’s contact was to replace the roof and repair the garage, which as some point had been made into an indoor swimming pool without adequate ventilation. The budget was about $8m and there were 20 drawings. By the time the job was 6 months old the scope of work has expanded to over $30m and over 200 drawings had been produced. Northern was contacted to visit the site and evaluate the existing roof. Although the house had been added to over the years the same tile was used but due to the location of the house the color of the tile varied considerably from the front to the back. Northern identified a large number of custom details which would require us to: 1) Match the existing Field tile in size, thickness (it was actually thicker at the butt and reduced to ½” where the tile is overlapped) , surface texture and the color. 2) Make tiles that are curved in their length to suit the curved rafter on the gabled dormers. 3) Make the curved tiles to suit the low slope octagonal tower. 4) Make the curved tiles and Arris style hips to suit the hipped dormers with the curved rafters. 5) Make the segmented tiles to suit the round turret. 6) Make the custom arris style hip tiles for the octagonal tower. 7) Make the custom Arris style hip to suit the different roof pitches as well as the varying splays at the eaves. 8) Make the custom pieces to suit the swept valleys Simon broke down each section of the roof. He indented all items for each section and agreed the measure etc with the installers. This ‘Project Bible’ became an invaluable tool for the installer, our tile makers and us. We shipped some samples from the original roof to Sahtas who replicated tall the details. I was visiting factory and delayed my return to the Saturday so that the tiles coming out of the kiln late Friday night could be wrapped and packed into newly purchase suit cases. I arrived home late Saturday evening and Simon picked me up Sunday afternoon and drove us down to Greenwich for an 8 am meeting with the clients. When we unpacked the tiles they were still warm and Hilfiger signed off on the color, although his wife suggested we make them a bit darker a ‘as he has a dreadful sense of color!’ We took Vincent Liot, owner of TRM to the factory twice so that he could oversee the prototyping of all the myriad custom pieces. This was an invaluable move as he pre-approved all the pieces before they were shipped. The installation was completed and everyone was very pleased with the final outcome. The Hilfiger’s estate manager told me that a group of friends who were staying the weekend after all the work was completed were heard to ask Mr. Hilfiger ‘I thought you were having a new roof’…to which he responded ‘we did but you can’t tell, which as the plan” …perfect! In refection this is probably the most complicated roof Northern has ever had the pleasure to supply. We learned a lot of very valuable lessons but in future when we are asked how did we do it we will answer ‘that is for us to know and for you to pay for!’

The concept of the garden was based on, “Brazilian Hummingbirds II”, a painting the MFAH has in its collection by the artist, Martin Johnson Heade. Heade travelled to the rainforest in Brazil between 1863 and 1864 and painted a series of small paintings depicting hummingbirds in the lush foliage of the Brazilian rainforests. His painting, Brazilian Hummingbirds, II, evokes the sultry atmosphere of the Brazilian rainforest with its misty quality and subtle lighting. His interest in ornithology can be seen in his detailed depictions of the hummingbirds. The garden location is adjacent to one of Buffalo Bayou’s steep, wooded ravines. The ravine, with its native plant communities and topography, is a perfect back- drop for a garden with a rainforest theme. Because the date for the garden opening coincides with the spring migration of hummingbirds into our region, the hummingbird theme seemed appropriate for this garden competition. The garden will include a variety of tropical plants native to the rainforests such as bromeliads, orchids, heliconia, and passion fruit flowers. In addition, native plants to our region such as the Sabal Minor and Southern Wood Fern will be included to integrate plants that are found nearby in the ravine. The Heliconia flowers produce considerable amounts of nectar, a high energy food essential for hummingbirds who are known to consume three times their bodyweight in a single day. In addition to nectar producing plants, there will be hummingbird nest materials dispersed throughout the garden. A misty quality to the garden will be provided by a misting system, and tropical colored lights will be lit at night for special events. Visitors to the garden will have a unique sensory experience reminiscent to that of Heade’s travels to Brazil’s rainforests.

Time had stood still at this 1970s ranch in Armonk when the owners invited us to collaborate with them to transform it into a modern, light-filled home for their young family. The budget was lean, so economy was a primary consideration for every design decision. The challenge was to identify the modest home’s virtues – vaulted ceilings and a lovely backyard – and accentuate them by strategically optimizing available funds. We were tasked with rectifying a dysfunctional interior stair, connecting to the outdoors with new large windows, and updating the exterior. We focused our attention on a finite set of architectural moves which would have the biggest impact and improve our clients’ daily experience of the home. Detailing was kept simple, using common grade materials and standard components. All exterior walls were revamped with new windows and siding. Although these materials were not particularly costly, thoughtful layout of boards, battens, and openings produced a cohesive, rigorous composition at each facade. Since the budget would not cover the homeowners’ complete wish list, some items were bracketed for subsequent phases. The challenge was to establish a framework that would allow future work – including a new roof and kitchen renovation – to proceed smoothly. The homeowners, both scientists, were enthusiastic collaborators, contributing their outstanding design sensibilities to selection of fixtures and finishes. Construction ended just in time for the arrival of their baby – and with that, the transformation of their family home was complete.

The concept of the garden was based on, “Brazilian Hummingbirds II”, a painting the MFAH has in its collection by the artist, Martin Johnson Heade. Heade travelled to the rainforest in Brazil between 1863 and 1864 and painted a series of small paintings depicting hummingbirds in the lush foliage of the Brazilian rainforests. His painting, Brazilian Hummingbirds, II, evokes the sultry atmosphere of the Brazilian rainforest with its misty quality and subtle lighting. His interest in ornithology can be seen in his detailed depictions of the hummingbirds. The garden location is adjacent to one of Buffalo Bayou’s steep, wooded ravines. The ravine, with its native plant communities and topography, is a perfect back- drop for a garden with a rainforest theme. Because the date for the garden opening coincides with the spring migration of hummingbirds into our region, the hummingbird theme seemed appropriate for this garden competition. The garden will include a variety of tropical plants native to the rainforests such as bromeliads, orchids, heliconia, and passion fruit flowers. In addition, native plants to our region such as the Sabal Minor and Southern Wood Fern will be included to integrate plants that are found nearby in the ravine. The Heliconia flowers produce considerable amounts of nectar, a high energy food essential for hummingbirds who are known to consume three times their bodyweight in a single day. In addition to nectar producing plants, there will be hummingbird nest materials dispersed throughout the garden. A misty quality to the garden will be provided by a misting system, and tropical colored lights will be lit at night for special events. Visitors to the garden will have a unique sensory experience reminiscent to that of Heade’s travels to Brazil’s rainforests.

Take a gander at this beauty! An outstanding remodel performed in conjunction with Jesse at Majestic Enterprises. This Florida style home enjoys fantastic waterfront views provided by the large panoramic windows and high ceilings which opens up the space considerably and provides abundant lighting. The brand new expansive kitchen, boasts glass stacked uppers, on top of all white cabinetry, adorned by natural stone granite in Venetian Gold coloring. The color combo compliments the natural, coastal style that resides throughout the home, and produces a delightful airy and open feeling that all of us can relish. Cabinetry: Kitchen/Laundry - R.D. Henry & Company - Winter White w/ Pewter Glaze Guest Bath - Kith Kitchens - Charcoal w/ Chocolate line glaze Outdoor Kitchen - NatureKast Weatherproof Cabinetry - Walnut Countertops: Kitchen - Granite - Venetian Gold Bathrooom - Granite - Corteccia Accessories - Rev-A-Shelf Grill - Delta Heat

Outdoor Splendor This new outdoor living area complements the beautifully landscaped yard while creating an entimate atmosphere for relaxation, socializing, or a comfortable getaway to watch a movie or exciting sporting event. The clients utilized the Houzz site and found our design build team while looking for ideas for an outdoor living area. Leuders limestone, perma-columns, stained pine ceiling, and salt finished and scored pattern concrete were utilized to create a well detailed addition to this home. The existing roof produced a particular challenge but every consideration was taken to ensure the addition blended with the existing house to appear as though it was original. Structural connections were utilized due to the recent concerns of high winds in the Texas climate. Interior Designer Lila Parker ASID worked with the owners to coordinate colors, finishes and furnishings which enriched this outdoor atmosphere. Bryce Moore, Rocket Boy Photos

Ideal for extensive entertaining and comfortable everyday living, we designed an open floor plan that offered easy flow between the living room, bar, dining space and kitchen. Multiple horizontal and vertical offsets created visual interest on all four elevations while custom-built light fixtures produced sleek task lighting in work areas without sacrificing style. To create additional texture and character, we utilized transitional architecture by uses massing, materials, and lines found in the Hill Country in new ways with architectural limestone blocks, rough chopped Texas limestone, and stucco with metal reveals. Particular consideration was given to the views visible from bedrooms as well as always achieving cross-lighting to capture as much natural light as possible, as seen in the master bath where both windows in the wet room light the space throughout the day. We also featured aluminum clad wood window package, an anodized aluminum window wall in the living room, and a custom design steel and glass entry door.

Ideal for extensive entertaining and comfortable everyday living, we designed an open floor plan that offered easy flow between the living room, bar, dining space and kitchen. Multiple horizontal and vertical offsets created visual interest on all four elevations while custom-built light fixtures produced sleek task lighting in work areas without sacrificing style. To create additional texture and character, we utilized transitional architecture by uses massing, materials, and lines found in the Hill Country in new ways with architectural limestone blocks, rough chopped Texas limestone, and stucco with metal reveals. Particular consideration was given to the views visible from bedrooms as well as always achieving cross-lighting to capture as much natural light as possible, as seen in the master bath where both windows in the wet room light the space throughout the day. We also featured aluminum clad wood window package, an anodized aluminum window wall in the living room, and a custom design steel and glass entry door.

This bedroom was designed to accommodate a teenager boy who will be pursuing in the music industry. We took in consideration the need to have a additional queen size bed for guests. This space can be used for gatherings to listen him playing tracks or just to have friends over to play video game. The use of this space is endless! The rare picture of Basquiat in the desk area and a very interesting table lamp, vintage, and made of clay welcomes everyone who walks in, without forget to mentioned, we incorporated the hall entrance with the rest of the room, adding the ceiling pendant that reflects an abstract interesting pattern in the ceiling, making even more artsy and fun!

For modern, mid century home office furniture, the Copeland-Catalina collection is best in its class. High end, designer desks, file cabinets and credenzas. Handcrafted in Vermont, this furniture is made to order, in natural solid black walnut or maple wood. Catalina home office furniture combines clean contemporary lines with organic and geometric wood forms. This solid hardwood, handmade office furniture is suggestive of the works of America’s Mid-Century Modern designers with it's retro-modern shapes and sensibilities. Check out the Top 10 Reasons to Buy Copeland Catalina Furniture Here at Vermont Woods Studios. Then Go Natural - Go Green with Copeland!

The concept of the garden was based on, “Brazilian Hummingbirds II”, a painting the MFAH has in its collection by the artist, Martin Johnson Heade. Heade travelled to the rainforest in Brazil between 1863 and 1864 and painted a series of small paintings depicting hummingbirds in the lush foliage of the Brazilian rainforests. His painting, Brazilian Hummingbirds, II, evokes the sultry atmosphere of the Brazilian rainforest with its misty quality and subtle lighting. His interest in ornithology can be seen in his detailed depictions of the hummingbirds. The garden location is adjacent to one of Buffalo Bayou’s steep, wooded ravines. The ravine, with its native plant communities and topography, is a perfect back- drop for a garden with a rainforest theme. Because the date for the garden opening coincides with the spring migration of hummingbirds into our region, the hummingbird theme seemed appropriate for this garden competition. The garden will include a variety of tropical plants native to the rainforests such as bromeliads, orchids, heliconia, and passion fruit flowers. In addition, native plants to our region such as the Sabal Minor and Southern Wood Fern will be included to integrate plants that are found nearby in the ravine. The Heliconia flowers produce considerable amounts of nectar, a high energy food essential for hummingbirds who are known to consume three times their bodyweight in a single day. In addition to nectar producing plants, there will be hummingbird nest materials dispersed throughout the garden. A misty quality to the garden will be provided by a misting system, and tropical colored lights will be lit at night for special events. Visitors to the garden will have a unique sensory experience reminiscent to that of Heade’s travels to Brazil’s rainforests.

Ideal for extensive entertaining and comfortable everyday living, we designed an open floor plan that offered easy flow between the living room, bar, dining space and kitchen. Multiple horizontal and vertical offsets created visual interest on all four elevations while custom-built light fixtures produced sleek task lighting in work areas without sacrificing style. To create additional texture and character, we utilized transitional architecture by uses massing, materials, and lines found in the Hill Country in new ways with architectural limestone blocks, rough chopped Texas limestone, and stucco with metal reveals. Particular consideration was given to the views visible from bedrooms as well as always achieving cross-lighting to capture as much natural light as possible, as seen in the master bath where both windows in the wet room light the space throughout the day. We also featured aluminum clad wood window package, an anodized aluminum window wall in the living room, and a custom design steel and glass entry door.

Patio - contemporary concrete patio idea in San Francisco with a fire pit and a roof extension

Ideal for extensive entertaining and comfortable everyday living, we designed an open floor plan that offered easy flow between the living room, bar, dining space and kitchen. Multiple horizontal and vertical offsets created visual interest on all four elevations while custom-built light fixtures produced sleek task lighting in work areas without sacrificing style. To create additional texture and character, we utilized transitional architecture by uses massing, materials, and lines found in the Hill Country in new ways with architectural limestone blocks, rough chopped Texas limestone, and stucco with metal reveals. Particular consideration was given to the views visible from bedrooms as well as always achieving cross-lighting to capture as much natural light as possible, as seen in the master bath where both windows in the wet room light the space throughout the day. We also featured aluminum clad wood window package, an anodized aluminum window wall in the living room, and a custom design steel and glass entry door.

Outdoor Splendor This new outdoor living area complements the beautifully landscaped yard while creating an entimate atmosphere for relaxation, socializing, or a comfortable getaway to watch a movie or exciting sporting event. The clients utilized the Houzz site and found our design build team while looking for ideas for an outdoor living area. Leuders limestone, perma-columns, stained pine ceiling, and salt finished and scored pattern concrete were utilized to create a well detailed addition to this home. The existing roof produced a particular challenge but every consideration was taken to ensure the addition blended with the existing house to appear as though it was original. Structural connections were utilized due to the recent concerns of high winds in the Texas climate. Interior Designer Lila Parker ASID worked with the owners to coordinate colors, finishes and furnishings which enriched this outdoor atmosphere. Bryce Moore, Rocket Boy Photos

Outdoor Splendor This new outdoor living area complements the beautifully landscaped yard while creating an entimate atmosphere for relaxation, socializing, or a comfortable getaway to watch a movie or exciting sporting event. The clients utilized the Houzz site and found our design build team while looking for ideas for an outdoor living area. Leuders limestone, perma-columns, stained pine ceiling, and salt finished and scored pattern concrete were utilized to create a well detailed addition to this home. The existing roof produced a particular challenge but every consideration was taken to ensure the addition blended with the existing house to appear as though it was original. Structural connections were utilized due to the recent concerns of high winds in the Texas climate. Interior Designer Lila Parker ASID worked with the owners to coordinate colors, finishes and furnishings which enriched this outdoor atmosphere. Bryce Moore, Rocket Boy Photos